I was pleasantly surprised by this film I had never heard anything about. The second I saw Edward Norton playing twins, my mind jumped to Nicholas Cage in Adaptation. And I love that film because of him and everything about it. So I got a little bit excited once I saw both of them interacting together onscreen. A film that centers around the lifestyle of weed and academia, I know one half of. But that didn’t detract from my enjoyment of the film. It enhanced it with how intelligently represented both sides are.
I think it was best said by whoever put it on Wikipedia when they said this film has everything of the great tragedies. Mistaken identity, betrayal, violence, loss, and all that good shizz. I was hooked the second Ed Norton stepped on camera as his
intelligent half, Bill Kincaid. He gives such a convincing performance as the well-to-do, goody-goody brother of the family that went off to college to become a thinker. And that scene is completely contrasted by his portrayal as Brady Kincaid, the equally intelligent marijuana grower. Both sides have an intelligent way of speaking (despite the Oklahoma “Southern” accent) and it comes off as very entertaining to hear their rapport.
So the movie’s about Bill and Brady, the Kincaid twins. One has aspirations of Harvard and the other aspirations of a lucrative weed business. They parted ways long ago after differences in family experience and got on fine. But things haven’t been going so well for Brady. Brady tricks Bill into flying out by faking his own death and meeting up with Brady’s associate, Rick Bolger (Tim Blake Nelson). After everything gets figured out, Bill finds out that Blake needs him to pose as himself while he goes out on some business. All he has to do is visit their mother, Daisy (Susan Sarandon) and everything will be fine. But, of course, that’s not how things turn out.
There’s a great quality of culture clash in this movie when North meets South, East meets West. Although both characters started out in the OK, they have drifted apart and need to reconnect. There’s a great subtle love/seducing interest between Bill and a small town girl, Janet (Keri Russell). She noodles and ropes them broncos and all that shit, and its strange for Bill to find a girl just as knowledgeable when it comes to poetry. There’s a clash between the greater Christian community and the Jews in this movie as well. Big props for Richard Dreyfuss pulling off the kinky role of Jewish mob boss in this film. And never forget about the little guy, a great job by John Pais.
People had a problem with the move from the comedic to the dark and tragic, but it didn’t bother me as much. Moving from quirky to murky isn’t as hard as people take it to be in films. This movie leans in that direction from the beginning with the drug running and gang violence and can’t end well because movies have to have that element of loss or gain. If Bill came down and visited his mother and nothing bad happened and things went off without a hitch, this movie would be about 45 minutes shorter. So I give the benefit of the doubt to this film for tiptoeing around that issue.
I was pleasantly surprised how well Tim Blake Nelson directed and wrote this movie, as well as starred in. He pulled off the trifecta well and made a compelling story all at once. From only knowing him as
Mr. Pendanski in Holes, he made one hell of a movie. There’s not a lot of focus on the life Bill had (obviously this movie is meant to change him towards family) and it’s a lot about going back to your roots. I thought Edward Norton did an amazing job in both roles and made me think (if I didn’t know it was Edward Norton) that it was two different people. Let’s jump back 50 years when filming two people at once was more of an amazing thing and blow some minds. Maybe roll up a joint (this movie is really not about weed at all…) and enjoy some Leaves of Grass. Its limited release and Sundance Premier really secured this as a not well known good movie. I’ll give it a 7.7 out of 10.
May 8th, 2012 at 5:30 AM
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