I feel that deep down, if anyone has ever been wronged or hurt in some way by another, they seek revenge in some form on that person. So, you could say, that revenge is a very human thing to pursue and wish to deal out. I would say that’s why these films have been so successful (although box offices mighy say pshaw). After having seen Oldboy in a film class a few years ago, I knew I had to see more of Park Chan-wook’s films. He has a great sense of story and emotion coupled with a visual style you don’t often see in action films.
So I started off Park Chan-wook’s Revenge series at its logical point, Sympathy for Mr. Vengeance. This story follows a deaf mute man named Ryu (Shin Ha-kyun) who is down on his luck. His sister (Lim Ji-eun) has kidney failure and is in dire need of a new one. Ryu is fired from his job at the factory and now seeks a new way in which to raise the
money. In finding a black market organ gang, Ryu is swindled and left without a kidney himself. With no other way to raise the money after not being a suitable donor himself, Ryu must turn to desperate measures with his anarchist girlfriend, Cha Yeong-mi (Bae Doona).
What’s most interesting about this movie is the way that revenge and its plot in the film shifts from character to character. You think it’s all about Ryu and seeking revenge against the organ dealers (and to a point, it is). But it turns into something bigger when Ryu’s ex-boss gets involved. What is intriguing about this movie is that everyone has a motive, and usually for good reason. Ryu wants to save his sister and others want to correct past wrongs (don’t wanna spoil the movie). So there’s no definitive bad and good character, and this is even apparent in Oldboy. (Haven’t watched Lady Vengeance yet, we’ll cross that bridge soon.)
Another thing that leaps out at you in this film is an insanely new way of dictating tempo and focus with camera angles and amount of time spent on one shot. Kim Byung-il and the director, Park Chan-wook must have collaborated together to get such a unique style of story telling through showing. In dealing with a deaf mute character, sound was at times taken for granted. At others, sound played an important part, more
importantly what couldn’t be heard. The story fluctuates in such a way that plot mixes with circumstances, and chance happenings lead to development.
More about the visual style. Amazing work with angles you wouldn’t think of. This movie can take a simple handshake shot to a new extreme. It leaves on things you wouldn’t think of as the events unfold from a single angle (one take shots are hard to do…) and tilts the cameras to gain new perspectives. Light and dark shows its place when the characters walk up an abandoned parking structure in an almost comical way. I think the creators of this film really took a brand of their own outlandishly dark comedy and injected it into their film with just visual aspects.
And another important part of this movie. Song Kang-ho who plays Park Dong-jin, Ryu’s ex-boss. When he gets roped into this story, things start happening. It’s not such a quirky action film anymore. The emotions come out and you see the true face of vengeance. Song Kang-ho is an incredible actor, especially by American Cinema actors. You don’t feel like he’s fooling you with his emotions and actions on camera. You feel like you’re actually feeling for another human being. He didn’t have any classical acting training before he started getting involved with acting, but he has done such a wide range of characters that it shows he has depth. A comedic, bumbling, good hearted Dad in The Host. A bloodthirsty vampire priest that I’d like to see in Park Chan-wook’s other film, Thirst. A comedic and tormented thief in The Good, The Bad, and the Weird. And he’s won awards for his work. Get a load of that.
You bring together excellent acting (and I’m talking to the whole cast about this), stunning visuals, and a bit of violence
and revenge, and you have an American A+ caliber action film. What’s different though? This one has heart and emotions that put it at drama level. And so far, with having watched this and Oldboy, Park Chan-wook has hit all the good points on the head. He even puts a bit of violence and gore in there for me too. Violence and a great foreign action film? I think this was made for me. 9.3 out of 10.
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