You wanna talk about dark and strange to the point of comedy? This show encompasses that idea. Seeing the faces of Matt Berry and Rich Fulcher once again warmed my heart to the sound of “Holy Shitnuts!” and Berry’s sultry pickup lines. I’m glad these two met through Noel Fielding and Julian Barratt’s The Mighty Boosh, because who knew such bizarre comedy could be made! Add some rap song about babies and Matt Berry’s whimsical singing voice and you have a campy comedy about Hangmen.
But it’s far more than that. Using their own names as the personas for their characters, Rich Fulcher and Matt Berry deliver skit after skit that may seem unrelated, and usually is. Berry wants his women and his silver cowboy boots, while Fulcher just wants Matt’s approval (and maybe some women). They both cavort around in a one room brothel/tavern occupied by cantankerous old farts, saying what they want, even traveling back in time. There’s no limits to their
brashness and I loved all 6 episodes.
If you liked The Mighty Boosh (and I have a blog on it from way back when) then you will most likely like this show. But it’s not a given. This show has some differences. Matt Berry and Rich Fulcher, although outrageous, have hits and misses in their show. For some people who like references in their comedy to draw from, this show has about a 20-80 ratio of referential comedy. It features no big Brit comedians, other than the occasional pop-up from Richard Ayoade from The IT Crowd and the Shaman from Boosh.
But what I can’t get over is how bizarre this show actually is. Most sketches have nothing to do with what’s going on, and, like Little Britain, this show returns to sketches that may or may not have
worked out in previous episodes. It’s rather alarming to see the amount of progress made throughout this six episode series from start to finish. But if you are fans of Rich Fulcher and Matt Berry, this show will work for you.
It really worked for me.
There’s really not that much to say about this show. It’s one of those see it to believe it kind of deals. And there really isn’t anyway to describe it. So just check it out. It’s Brit comedy to the extreme of strange, the edge of darkness. It is, in a word, wonderful. 7.7 out of 10.
But really, leave it to an American on British Television to do things like this. Unbelievably witty.