A few weeks ago I was treated to an amazing experience in theaters that I never thought would happen.
I am a huge fan of Mystery Science Theater 3000. I would wake up early on the weekends in order to watch this show on Syfy (known back in the day as Sci-Fi… I think…) and laugh until my sides hurt. The basic premise of the show? A group of three talented off-the-cuff comedians would sit down to a really crappy older sci-fi/fantasy film and dub over it, making fun of the situations with one liners and references. Coming from a very nerdy sense of humor, this show really hit home.
And then, as if out of nowhere, MST3K reappeared on my radar. And this time, in theaters. On several events, the guys from Rifftrax would simulcast live to Regal Cinemas all over the country and riff things live that they thought of during the movie. At first I was hesitant to watch this among other people (most of them were sad and fat nerdy people), but then I forgot that as the lights went down. 80% of the jokes were well timed and golden, leaving me with tears in my eyes. My whole family loved it and I was over the moon about this fantastic return to my childhood.
In this particular instance, we watched Manos: The Hand of Fate. Considered one of the worst movies of all time, I was dying at the movie and everything said. It was wonderful.
For more on the movie, check out the link below to Wikipedia:
I loved the experience and I would encourage other sci-fi/fantasy/nerd culture fans who love great high brow comedy to come to these events and laugh with everyone else. It’s like coming to see a comedian, and walking away with a great movie watching experience. My experience, 10 out of 10. The bomb.
And now I begin the journey of slobbering and raving all over The Matrix series. You know those experiences in movies when, after it’s all over, you want to believe what you saw is real? I had that. And the insane desire to practice martial arts moves. I can say with pure conviction that this movie was the exact point where I defined
That’s a stunner right there.
myself as a person. My love for action/martial arts films started here. My love for metal also started here. With how I’m saying this was such a definitive movie in my life, how can it not be considered amazing and a game changer?
For those who don’t know what The Matrix as a movie/concept is, I’m not gonna reveal too much, but I’m going to talk about this movie at great length. So sit back, relax, and be ready to jump into that rabbit hole.
The Matrix is the story of Neo (Keanu Reeves), a computer hacker by night and a computer programmer by day. The duality between his life is cleverly dictated by colors and clothing as well as surroundings. On a constant search for Morpheus (Laurence Fishburne), Neo must steer two lives as Mr. Anderson and Neo in order to bring some semblance to his life. But he discovers something he may not have expected. In a chance encounter with Trinity (Carrie-Anne Moss), Neo realizes the truth about the turn of the century world we live in even as we speak.
In a world so heavily controlled by technology and computers, it isn’t any wonder that a film with complete computer
Black is back.
dependence would be created. It adds an element of mystery to it when the creators of the film, the Wachowski Brothers, are really not well known at all. Wanting to keep their own privacy, it seems as if these brothers know something about the world they’re not supposed to tell…
He is the one. (How many times have you seen this homaged in movies?
I truly love all the influences that the Wachowski Brothers drew on in order to make this movie. Anime style world and immersion, sci-fi concepts and futuristic ideas of control and advancement, Kung Fu fight scenes, even turn of the century CG effects and camera techniques. This movie, in 1999, was the true game changer when it came to creating a whole new era of cinematography and special effects through computer graphics. This movie was well thought out in all aspects and stands as one of the last true bastions of original thought in cinema. Stand aside Inception, you took your “original” ideas from The Matrix. (The whole time I was sitting in the theater at Inception, I thought hmmm, this seems familiar… A dream within a dream? More like, are we within the Matrix?)
She wrecks pretty hard in this one.
Some people criticize the first film for creating this amazing start to a story with original story and unconventional means of explanation. Then the second half of the film deals with guns and fighting, turning into a traditional action film. That is EXACTLY what I wanted from this film. I am a sucker for great fight scenes and lots of blood and carnage. This movie made me think at the same time that it delivered in a visually stunning way. When you can cross genres like this film did, you know you created something unique.
Add to wonderful things about this film: acting. You got a great cast that each person has done a handful of works, but not that well known. You got Laurence Fishburne, a man who will always been seen as
The greatest fight scene of all time.
Morpheus. His ability to act as sensei and grandmaster of knowledge and leadership shines in this film. Joe Pantoliano as Cypher. He did some work before this, but I felt this was a springboard for a lot of actors to get bigger and better work heading into the 2000’s. His “cheesy action lines” felt well delivered, as did every line in this film. This is one of those movies in which every line feels original, as if Neo is awaking to a world where everything is new and fresh. That’s excellent. Carrie-Anne Moss is the sexy, badass, femme-fatale chick who rocks the short haircut and kicks in bullet time. I had no idea who she was, but this movie made me aware a woman can be just as cold and calculated in a film like this. Cue every other female hero in a movie after this one.
A world gone wrong.
And then we come to Keanu Reeves as Neo. People complain he didn’t do well. People make fun of Keanu Reeves in general as always playing that dumbass Ted from the Bill & Ted movies. I would say he lost the surfer accent in this movie and really took the reins. His character dictates the film and discovers himself throughout the series, regardless if anyone thinks Keanu is a good actor. Here’s the thing though. Could you imagine anyone else in the role of Neo? Will Smith turned it down because he felt he wasn’t mature enough of an actor to do the role. And Nic Cage was offered the role. As amazing of a movie as that would’ve been, it wouldn’t have been as good. I think the Wachowski Brothers made the best choice possible. Of anyone.
So you got the great acting, the amazing cinematography and effects, and an amazing storyline. What more could you need? ENTER THE AMAZING SOUNDTRACK. Don Davis absolutely
Mind bending with Aang. (Am I right?)
created the best score possible to set the tone for this movie. An amazing brass section to create revelation moments throughout the film, making the jumps and feats seem that much more badass. Quick trills and a pounding bassline when needed just to make you wish you were onscreen, in the Matrix, doing what Neo is doing. When a soundtrack, not even the songs used, can pump you up that much, that is an award winning musical score.
And then there’s the songs from the film. Marilyn Manson, Rob Zombie, Deftones, Rage Against the Machine… Talk about all the 1990’s greats that have exploded into the 2000’s. This movie made “Calm like a Bomb” at the end feel like the only song anyone could ever
I’m calm like a bomb.
end a film with. So kick ass. When I heard those ending credits roll, I knew what kind of music would define my life for the rest of it. Superb.
So combine all these outrageously amazing aspects into one film and create a series out of it? You have me hooked for life. I would consider this in the top three movie trilogies of all time, probably #1 of all time. Nothing gets better than this if you love movies. No question. 10 out of 10. Check it out to see just how deep the rabbit hole goes (I also love Alice in Wonderland. Go figure.)
The time has come to talk of things. Of films that are the best of Comic Kings. And yes, this movie has wings. I am now ready to beamingly review The 40 Year Old Virgin, my favorite of all comedies. A close second is Dumb & Dumber, followed by Meet The Spartans. But more about that later.
This movie is revolutionary. In a first in grossout comedy, this movie tackles sex. And other things. But mostly sex. And they do it in such a hilarious way that it feels like a high brow poop joke for men. Steve Carell breaks onto the scene in this one after Anchorman, and we have established the comedic actors who will dictate standout comedies for the next 5 or 10 years. (Seth Rogen hasn’t stopped… he maybe should have…) But in the best work that Judd Apatow has ever put out, The 40 Year Old Virgin stands at the pinnacle of best comedies of all time.
The 40 Year Old Virgin is the story of Andy (Steve Carell) a worker at a tech store (Smart Tech) with not much of a life outside his apartment. His co-workers think he’s weird and he doesn’t help refute that claim. It isn’t until one night over a game of poker (with one of the funniest scenes in comedic history) that the guys find out why he’s so strange.
He’s a virgin.
And that’s not even the whole hilarious scene! A lot of the jokes and quotes me and my friends use come from Paul Rudd and Romany Malco. So it just shows that the whole cast was integral in creating a superb comedy.
But with David (Paul Rudd), Cal (Seth Rogen), and Jay’s (Romany Malco) help, Andy sets out on the road to not becoming a virgin. Many hilarious scenes and antics later, Andy meets Trish (Catherine Keener) who shows off a fantastic body for an older woman, if I may add. The go on a whole buttload of dates and Andy finds love before sex… Or does he?
A hard and true scene. This actually happened.
This movie literally is too legit to quit. Most of the lines in this film were improvised right on camera. I myself own the unrated edition with 17 extra minutes, and it is one of the funniest experiences to watch this with my friends. Me and my friends had plans to remake this for ourselves, scene by scene, and adapt it to 4 18 year old guys. Those dreams are still alive in fact. If only…
Gotta slay some hoodrats. Boom, boom, boom.
I have become a big fan these actors because of this movie. Paul Rudd is hilariously and deliriously lost in lost love over a great cameo by Mindy Kaling (Kelly of The Office) as the infamous Amy. Paul Rudd is the character I related to in the movie with the lines that made me laugh the most. Romany Malco is genius in this movie, bringing his ghetto flavor to the film. I haven’t seen him in much else, but this movie has him shining with all the rest. Seth Rogen, well, I liked him more at the time. He has turned into that character in every comedy who just smokes weed and drinks all the time. He doesn’t add much to the comedy. But he did in this one.
And then there’s the infamous Steve Carell. Right before The Office took off, this was his role. He was born to play this role (seeing as he helped write it and produce it). He was fresh and new at this point and untested in the world of comedy. He’s outrageous when he needs to be, he was awkward and lovable, and he just knows how to deliver lines that sound
But each timeeeee…
You know how I know you’re gay? You like Coldplay.
unnatural coming from a man of his age. Fun fact, my mom went to Denison University with Steve Carell in college. He was a senior (and her R.A. if I’m not mistaken). He was involved in improv and comedy and there’s a picture of Steve during the porno scene that he turns around. He has a mustache, and he had one in college. That was a college photo. That’s pretty cool if I do say so myself.
So you got a great cast and some great cameos by some up and coming comedic stars. Jonah Hill makes an appearance as the overweight and strange eBay store customer. Jane Lynch, before Glee took off, played the Smart Tech boss and
The cast of champions. Looks like Rudd is rockin the clip on phone belt…
sexually aggressive woman, Paula (she’s a lesbian, BTW). Steve Carell’s wife, Nancy Carell makes an appearance as the sex education worker. David Koechner, co-star with Steve in Anchorman pays a visit, as well as Kevin Hart, the short and black comedian in one of the funniest scenes in the film. “I’m talkin’ frosty.” Oh, and if you look to the left in the first shot of the first club scene they take Andy to, you’ll see Jenna Fischer chilling on a couch as an extra. Check it out.
So what more could I say about this movie to make you go and watch it right now? Great comedy, hilarious, outrageous jokes, and an all-star cast of soon to be big actors. Judd Apatow did something right in directing this movie along with giving Steve Carell the chance to be the “It Kid” of comedy. I love every minute of this movie and I hope you will too. Best comedy of all time. 10 out of 10.
I’m a huge fan of the Coreys and vampire movies. So why wouldn’t I watch The Lost Boys for kicks? This amazingly 80’s film explores every young boys fantasy of being the next Van Helsing, and lookin’ classy with quaffed hair. The featheryness makes me laugh to no end, and there’s even a classic saxophone player with spandex and a mullet. What could be better about the original Lost Boys?
In reference to Peter Pan’s own Lost Boys, this movie highlights a few adorable 80’s
Some 80’s flair.
hearthrobs entering into their later teen years (or around those parts). Throw in a bit of fantasy horror and you got yourself a cult classic. But you wouldn’t expect anything less from Batman Forever and Batman & Robin creator, Joel Schumacher. I’ve seen The Lost Boys: The Tribe, and let me tell you, Joel Schumacher was needed on the set of that one. It didn’t have a tenth of the flair this one did.
Catch me in Speed 2!
Michael (Jason Patric, star of failed sequel, Speed 2: Cruise Control, but still a very hunky 80’s dude) is moving with his single mother Lucy (Dianne Wiest) and younger brother Sam (Corey Haim, classic.) to a fictional town in California based on Santa Cruz, where it was filmed. Moving in with their farty and cantankerous old fool of a grandpa (Barnard Hughes), they find the night life of the boardwalk to be too enticing. There are some other characters who find the boardwalk just as… delicious.
David (Kiefer Sutherland) is the leader of a gang of vampires who patrol the boardwalk, looking for recruits and meals alike. Drawing in Michael with the use of a female counterpart named Star (Jami Gertz), Michael is tricked into drinking vampire blood and participating in their 80’s hoodlum outings. Sam recruits the help of the Frog Brothers (Corey Feldman and Jamison
Classy Edward Hermann.
Newlander) in order to classically fend off and kill a whole den of the bloodsuckers of the night.
This movie is just too classic to even consider talking smack about. It’s a cult classic, it’s renowned for its classic scenes and 80’s cast of the who’s who of actors. It has both the Coreys. What more do you want? All you need is Corey Haim and the Feldog, don’t you?
Can I talk a little more about the Coreys? I think this clip from Robot Chicken can sum up my adoration for the Lost Boys.
You see what I mean? Nothing could be better. Lost Boys Style.
A bit bug-eyed, eh?
This movie sticks to the classic ideas about vampires and all that jazz. Stakes, garlic (not really though), sunlight (but it only bothers them if they’re being transformed), batlike appearance at times, sucking blood, invite into the house, etc. But it’s more about the 80’s. There is a man, Tim Cappello, who plays the saxophone in this movie so provocatively and strangley that it stands out. You know why?
That’s why. Sexy Sax Man Sergio Flores. The best. Tim Cappello in this movie inspired this prank video. Far reaching, right?
What more is there to talk about? The acting is fine, and the cast, well, it’s phenomenal. Dianne Wiest of my favorite Hallmark Channel original, The Tenth Kingdom? She was a frightening Queen Witch in that shizz. The Coreys, enough said (Goonies, Stand By Me, etc. etc.) Jami Gertz from Still Standing the TV show? Keifer Sutherland, the badass of 24 making
Bill the Biker.
Lost Boys Style!
one of his first films other than Stand By Me? That’s a wonderful little beginning right there. Alex Winter, the infamous Bill of Bill & Ted’s Excellent Adventure and Bogus Journey? He’s even in with The Red Hot Chili Peppers (i.e. directed a music video!). And classic Edward Hermann providing the voice of documentaries and TV specials for years. Standout cast right there.
So just watch this. You know you want to. Anytime you feel down, this movie will pick you right up, just like any good 80’s movie does. No question, 10 out of 10. Gotta love the Feldman’s deep and froggy voice in this one. Superb.
Let me start off my saying this series did do me head in. I’ve learned after a second trip with Karl Pilkington around the world, that you can do a load of amazing things in less than a year (proper funding needed, of course). But if a major programming station is footing the bill and your friends find you some wild experiences, go with it. Karl may think he hasn’t changed, but you can tell right from the get go, he’s a lovable guy who’s just like me. (Back to that later.)
In Series 2, we follow Karl’s choices off a huge generated list of “kick the bucket” like wishful experiences before you die. And even though he may choose things like Whale Watching and Desert Island, we know that isn’t all
Karl and some good ole Americana.
Ricky Gervais and Stephen Merchant have in store for him. He may eventually get to “swim with the dolphins,” but he has to travel Thailand and be dressed up as a ladyboy before he even steps foot in the water in Australia. I laughed right along with Ricky Gervais in part two of the most expensive prank ever.
Go skimp Karl, or go home.
But I was a bit more proud of Karl this time for sticking up for what he wanted to do. He refused the bungee jump, as I would have. But, along with the bucket list things he did, he got expenses paid trips to Japan and Thailand. Ever since I discovered the wonder that is Thai cinema, I have been dying to go over there. Please Sky 1, pick me up as a travel host and transport me over there! But Karl pulled it all of in stride. If someone that stubborn can make it in Japan or Thailand and still do amazing things, sign me up.
I loved the little breaks Karl took during his work over in other countries. That is to say that the English speaking countries weren’t as fun because he wasn’t dictating the conversation or speaking for the locals in a hilarious way. He went to a cheap Ugandan flea market before seeing the gorillas. And he took his time there as well. Whenever there was an opportunity to jump in and dance someplace, Karl took it
The face of a scared man.
immediately. He may seem daft and apelike, but that man can light up a room with his goofy dancing.
And what’s to make it better than that Karl ends the show on a touching note. He has his revelation on Mt. Fuji, but Gervais and Merchant just knock it down. I, over the course of this show, have come to love and respect Karl Pilkington. I find his insights to be funny and all of his scenario situations are exemplary and logic (to a point). When I travel over to the UK someday, I’m not gonna wanna go running and looking for Clive Owen or Emma Watson. I’m going to find the nearest info booth and look at the worker and say, “Right, where do I find Karl Pilkington?” No joke, I want to sit down with this man and become his friend.
Only one of those is true… Karl.
Why would I say that about a dull, homely man like Karl? Because I am a dull, homely man like Karl. I don’t enjoy traveling or big crowds. I don’t like trying new foods or doing anything I know I will fail at no matter what. And I want to meet a man who can inspire me to do it by saying, “Look, we’re about the same right? If I can do it, so can you.” And I believe meeting Karl Pilkington, of all people, can make that happen. You hear me, UK? When this whole college thing is done, I’m comin’.
So I think it says loads about what I thought of the show and the content of what Karl Pilkington is as a person to say I want to meet him first and foremost. The show is entertaining and eye opening, funny, and extremely witty coming from a person
Don’t all British mind like a bit of drag?
everyone calls a div. To say I wouldn’t mind being Karl Pilkington is no stretch of the goal I could reach for. I even hear his voice in me head now. What a mental thing that is. Well, add that to me bucket list, meeting Karl Pilkington. Cause this show and the series as a whole (including Karl) deserve a 10 out of 10.
Based on the Japanese manga (where all good stories come from) written by Nobuaki Minegishi, what incredible things can I say about Oldboy? Considered the best in the Revenge trilogy, Oldboy comes from a very visceral place combining elements of all
kinds of storytelling into one film. It’s got revenge and tragedy, theatrical protestations and all the heart and music of an opera. People have said (CNN has said) that it is one of the 10 best Asian films ever made. Let’s back that up and rephrase. There’s no need to include Asian in that statement. Ten best films ever made? Sounds good to me.
I’ve seen Oldboy twice now and I’ve been thoroughly entertained both times. The story is fresh and there’s just enough plot and action that keeps you captivated to the edge of your seat. Visually striking, poetic in the way it is formulated and the scenes are shot… Think about the snazziest guy you know that does things in such an elegant way and give him a beat-up haircut and a hammer. That’s this movie in a nutshell.
If you laugh, then the world laughs with you…
Revenge, as I’ve talked about in Sympathy for Mr. Vengeance is played with in this movie as well. Just when you think you have the good and bad guy figured out, it turns itself on its head. Sympathy is the keyword in all these films. You are meant to feel sympathetic towards all characters in this film. Nobody is spared a reason for doing what they do, and that makes it all the easier to see this as a truly brutally honest humanistic film.
Basic plot, shall we? Oh Dae-su (Choi Min-sik) was kidnapped after a drunken night out around his daughter’s birthday. He vanishes from society for 15 years and we get to see a montaged version of that process. Through Oh Dae-su’s diaries, we see the tortured mind that has no idea of his crimes or who he wronged. He writes down every name he can remember in case he has to seek
I forgot to mention Ji-tae Yu, but he did some great work in this movie too.
revenge or beg forgiveness, it’s all up in the air at this point. But, with no reason or rhyme, Oh Dae-su is released after 15 long years of seeing no one and having no company other than a T.V. This leads him on a calculated and cold chase for the man who put him away for seemingly no reason.
Choi Min-sik is a theatrical master in this film. I’m pretty sure Park Chan-wook liked him so much that he brought him back for Lady Vengeance for that reason (different character, just as good). He has a great sense of theatrical, dramatic moments, and he takes his time in delivering lines. That’s what I found interesting about this movie (and Lady Vengeance). Choi Min-sik gathers his thoughts (as a person not on camera would) and says things as if he is choosing his words carefully (no script style). It’s a very unique and non-traditional way of acting, and I enjoy it every time I see him (i.e. watch I Saw The Devil).
The cinematography in this film is a bit more fluid, but you see the same basic ideas come across in this one that you saw in Sympathy for Mr. Revenge. Long shots, wide angles, an extreme focus on the bigger picture. This movie has a fight scene from a side angle that is about 5 minutes long and took 17 takes in 3 days to make. Uncut and visceral, it’s realistic fight scenes like this that make martial arts films being made today possible. (You can see a similar scene in Tony Jaa’s The Protector.)
The plot is fantastic and the cast is great as usual. It’s movies like this that only come around once in a lifetime that everything comes together perfectly to make a film that transcends genre, style, and overall movie like quality. You feel you are watching something more real and ethereal than you expected to see with something created by man. I can’t say anything bad about this movie and I feel, for all audiences (above 13, I’d say) this movie is worth watching again and
A strange sense of Korean comedy…
again. Moviemakers out there, if you don’t already have this for your collection, get it. This should change the movie industry (hopefully) for the next 20 years. And I really hope Spike Lee doesn’t remake it…
Astounding is the only word I can think of and use to describe this movie. It has stunning visual effects (didn’t see it in 3-D, didn’t need to), gut wrenching gore and horror, and this air of mystery that hangs over the whole film. It is a part of the Alien series (5th installment) but at the same time it is set apart completely as its own film. A great cast was selected and an amazing backstory/ prequel was born and thus named Prometheus.
In this epic tale of just what happened before the Alien films, Elizabeth Shaw (Noomi Rapace) and Charlie Holloway (Logan Marshall-Green) are two archaeologists who have stumbled upon something fantastic. In different locations all around the world,
It all begins here.
spanning centuries, the same symbol of a gigantic man pointing to a specific star region, as if to say “Come find us.” Interested in this speculation, Peter Weyland (Guy Pearce) finances the whole thing with his massive amounts of dough and creates a ship, named Prometheus.
Janek and Vickers. Opposites attract?
Piloted by Janek (Idris Elba) and watched over by the android David (Michael Fassbender), after two years of flying, the crew lands on the distant planet the star map told them to come to. Under Meredith Vickers’ (Charlize Theron) watchful eye, the crew must find what they’re looking for, even if what they’re looking for is no longer around. What they find is more than they bargained for, and the must stop the deadly trap from making its ways to Earth.
Where should I begin in my shining review of Prometheus? Well, I think that finally technology in special effects has made its way up to Ridley Scott’s vision of what he has wanted the Alien films to look like. It’s space agey, cold and
An unknown marvel awaits.
clinical, and full of wonder and horror all at the same time. The planet storm was breathtaking, the creatures and surreal caverns were creepy and mammoth sized, this movie incorporated everything you wanted to see in our race discovering a planet in… 70 years.
Noomi Rapace, giving her heart and soul to Prometheus, as only she can.
This strong cast of actors all did their jobs in developing their roles in what you would expect of a spaceship crew. Idris Elba did a great job as the ship’s commander. Slightly minor, but he didn’t take shit from anybody as you would expect. Charlize Theron (in one of the only roles I applaud her in) plays the oddly robotic and bitchy overseer of the entire operation. She tows the line between sci-fi amazonian and unemotional human in a very convincing performance. Michael Fassbender stole the show again as the android, fully immersing himself in what Theron had to hint at. His intrigued and distanced character embodies what sci-fi novelists and movie makers have seen as a human robot for years (think Ian Holm in the original, but add the quirkiness of Jude Law in A.I.) And then there’s Noomi Rapace. This Swedish actress from The Dragon Tatoo series put her heart and soul into the part. She tired herself out, did some terrible yet necessary things to her body, and did it all with a British accent she had a coach for. Seeing her dive into a character that has to deal with all these terrible revelations was both disparaging and inspiring. She didn’t let what was happening put her down or stop her from her end goal.
The only true scene I wanted to see in 3-D.
One person I was particularly impressed with was Guy Pearce. I’ve loved him since The Time Machine remake (and Memento, of course) and think he was born to play in sci-fi films. His air of bravado and poise resonates in entitled sci-fi characters. And not to mention he’s playing an old man for 15 minutes of the film that you would barely recognize. And a great little cameo from another one of my favorite actors (since Watchmen), Patrick Wilson.
The music was orchestratedly stunning. At all the moments you feel fear or exhilaration in this newly discovered planet, it fills in with the proper soundtrack. Much as Gabe would describe it as a soundscape
No words can describe it.
that fills in all the spots of your imagination, this soundtrack did that for me. (Was it similar to the other Alien films? Let me know.)
Another thing that was so great about this film (haven’t I said enough?) is that you don’t have to be a die hard Alien fan to watch this movie. This movie itself can get you hooked in (being a prequel and all). I’ve only seen the first Alien and the AVP series (always been more of a Predator fan, sorry), and this movie makes me want to watch all of them. This movie tackles the mythology and world of a film that is also a film! Something made up and fantasized analyzing something else in the same manner? That’s wild! And I thought it was so well done and handled from such a organic and basic place that it made itself into this mythological God that could spark films and analysis for years to come. Until it becomes a reality.
… What started it all.
With all this ranting and raving about the film, why haven’t you X-ed out of my blog and already started up your car to go see this in theaters? You need to see this in order to boost the ratings and maybe someday prove that a genre other than drama can win the Oscar for best movie of the year. Because I would argue that this film is in the running for 2012. Just saying. I have no complaints and was mesmerized from the start of the film. Go see it. Now. 10 out of 10.
The Misfits are back for series two, even bigger and stronger than ever. By this point (and I hope those people who follow me have watched it) you know the ASBO 5’s powers. There’s Kelly and her ability to hear people’s thoughts. Alisha and her irresistible sex appeal through touch. Simon and his invisibility, Curtis and his power to turn back time under stress, and Nathan’s immortality that is discovered at the end of the season. I really enjoyed that aspect of mystery in the show and going on the journey of discovery with the Misfits in finding their powers. And, lo and behold, Nathan has the best power of all.
But I have a theory about these powers. Due to Kelly’s insecurity with her self image and fighting attitude, it is her punishment that she hears what other people think, especially her. Simon’s invisibility almost goes without saying, due to his lack of social abilities. Curtis wishes to go back and fix the mistakes he made, as is depicted in the first season. Alisha exudes sex and is treated thus, and Nathan, well, the phrase sticks and stones may break my bones is ironically applied to him. This wonderful analysis of the characters and the back stories we discover is why this show is one of the best I’ve ever seen.
That's what I like to see, Nathan.
And yes, I gave last season a 10 out of 10. Is it a stretch to say that the second season is even better? More strangers with powers, more life and death situations, AND a new masked parkour artist out to help the Misfits. What could be better? A bit of video game violence and cheese never hurt anyone, and adds to this series tremendously. Nathan is still making my sides hurt with his ridiculously offensive quips, and Alisha is as sexy and sassy as ever. Kelly has her smart mouth and Curtis is classic as well. And Simon, well, Simon is Simon.
Oh, and all the twists in this show! Everything connects, things you won’t expect will happen, and you’ll be tragically, yet happily surprised by the end. This show does not spare feelings and will make you care for these characters. I’ve said it once and I’ll say it a thousand more times. Get on Hulu and watch this show. Now. You won’t regret a minute of it.
I don’t want to reveal too much at this point about the show because of every episode’s potential to blow your mind. I really enjoy the length and breadth of every episode and how much is delivered entertainment-wise in each episode. I will tell you that this season takes place towards the end of their community service. And you may say, “Hey, the series must be over when they leave, right?” I would tell you I wish it were so, especially because of Nathan’s departure, but the show must continue for some reason. With a third series filmed and a fourth planned, let’s hope this show ends gracefully at some point.
But until then, watch on and discover why I rant about this show for paragraphs at a time, not saying a single bad thing about it (other than that Nathan leaves after the second season…) and loving every minute of it. It’s well worth the watch, and I’ll have to give this bad boy an 11 out of 10 because of how highly I thought of the last season in comparison to just how damn good this one is. Misfits Series 2 breaks my charts. Redonkulous.