The Parole Officer: A Coogan-y Film

I must admit I was excited to see Steve Coogan’s face on the cover of this movie on my Netflix. 2001 is a bit iffy for comedies for me (I’m a 200 and late… -r), but this one did the job for the most part. Steve Coogan wasn’t at top form (a bit of a problem) but I got through it all the same. The first scene was promising, but you can only be so outrageous before nobody watches your movies…

The story of The Parole Officer is a pretty straightforward one. Steve Coogan plays Simon Garden, and awkward and sad probation worker (confusing movie title, I

All too true…

know…). He is being transferred to another city (Manchester, I believe) and he’s going to be attempting to correct those sorry crooks that litter the streets of England. What he stumbles upon is something a bit more intense. A fellow officer in crime prevention, Inspector Burton (Stephen Dillane), commits a murder that is caught on security camera. Holding the evidence in his possession, Burton the crooked cop is planning on framing Garden if he tattles. Not wanting this being held over his head, Garden employs the help of the only four former criminals he corrected in robbing a bank with the tape inside. Oh, the comedic irony.

The most awkward place for Coogan? Strip club.

It’s pretty cut and dry from there. The movie has some of Coogan’s own brand of awkward comedy, but not enough to make it a signature film of his. (I’d say Hamlet 2 is more his style.) You get an awkward sense of Alan Partridge, but it comes up short of expectations. The acting is fine and the movie is dated, which always makes it a bit hard for me to watch. But overall, think Johnny English with dry comedy instead of slapstick. You got this film right there.

There are a couple of great little parts other than the versus mode of Coogan/Dillane. There’s Ben Miller as Colin, one of Garden’s former clients. Being Rowan Atkinson’s sidekick in Johnny English, it was a nice change to see him delivering comedy more than being the straight actor taking it all in. There’s Lena Headey as a watered down version of the strong British actress she will one day become in things like 300 and Game of Thrones. Not the most adequate of cops, it

Team of crack cons, assemble!

always gets weird whenever Coogan lays his puffy lips on a love interest in a movie. And then there’s a non-speaking cameo from Simon Pegg in the art gallery scene. I had no idea what to expect there. But worth a laugh.

The bank heist is a little above my understanding with some strange technology lingo and complicated means of infiltration, leaving part of the movie as bland. The back and forth between the cons was fine, although overall it lacked a certain star quality for me that would’ve

Aha! I’m Simon Garden.

sent the jokes home better. It really was an all eyes on Coogan film for me. Throw in some slapstick/situational comedy towards the end (and a break-in scene reminiscent of The Dark Knight) and you have yourself a throwback to the 1950’s heist movies. Not a bad roll into one.

Not one of my favorites, but not the worst Coogan attached film I’ve seen. I still feel like one of my only friends who actually recognized/knew Coogan in Tropic Thunder, something that saddens me to this very day. But it’s not about notoriety or popularity. There are those of us out there who salute Steve Coogan for his amazing contribution to the world of comedy. He deserves a ranking up there with Ricky Gervais, Matt Lucas/David Walliams, and even Monty Python. Can’t get enough of those Brits. For this, I give The Parole Officer a 6.8 out of 10.

Ping Pong Playa

It’s all fun and games to playa hate on Ping Pong. But not to the Chinese. In a sport that originated in China (not in England, as white people claim, apparently…) Chinese people take the art of the Pong very seriously. (Balls of Fury can make fun of this one all they want. Yes, at times that movie was funny, but it is considered a sport.) But this movie

Yao Ming ballin’ it up at a Ping Pong table?

doesn’t take itself too seriously. Written by Jimmy Tsai the star of the film, combined with Jessica Yu’s directing and co-writing, comes a lighthearted and inspirational film that resets the Chinese at the top of the crop in table tennis.

At the start of the film we are introduced to C-dubs (Jimmy Tsai). He has amateur dreams of becoming an NBA basketball player, following in the famous footsteps of Yao Ming. In a mock interview with someone made to look like Ron Howard (Jonathan Oliver playing “Jon Howard), C-dubs attempts to shake the Asian stereotypes that are held over his head with his ghetto dialect, an effort in vain.

Everyone has 4th grader friends, right?

His parents, Mr. (Jim Lau) and Mrs. (Elizabeth Sung) Wang find him lazy and apathetic to the world of Ping Pong, despite owning and operating a Ping Pong equipment shop and Ping Pong lessons at the local community center. Spending all his days with his black friend, JP Money (Khary Payton) and his 4th grader friend Felix (Andrew Vo), C-dubs looks hopeless. Until the day that his older brother Michael (Roger Fan) gets into an accident with his mother, who is no longer able to host her Ping Pong lessons. It is up to C-dubs to hold down the fort and teach some Ping Pong.

As you can expect from an inspirational film like this, C-dubs is very resistant at first. He goes to the community center with no desire to

DESTROY THOSE FOOLS.

teach, despite having a talent from a young age. You know it’s getting in the way of his training for basketball, but there’s a little surprise with that… With the help of his elementary level school friends and the interest of a young and beautiful Chinese woman, Jennifer (Smith Cho). When rep is on the line, C-dubs picks it up and realizes he has been a mess his whole life. Time to step up to the paddles.

King Erotic, you’ve come back…

There are a few great appearances in this movie. Stephanie Weir from MadTV makes an appearance as the awkwardly racist Ping Pong judge. Shelley Malil from The 40 Year Old Virgin is also featured as the father of one of the awkward Indian kids who is to smart for his own good. And, what may be the best, is Khary Payton as C-dub’s black friend. Many may not recognize him, but his was King Erotic in the Troy/300 spoof, The Legend of Awesomest Maximus. Man was he latently homosexual in that movie…

The acting was fine and there were laughs and comedy throughout. Every time there is a swear word, a basketball bounce is played over it (making it funnier than if they had sworn). It’s a movie for teens that teaches a lesson about good

Asian fury.

sportsmanship, as well as race relations. Never judge a book by its cover (i.e. C-dubs and his bball dreams) and always have in the back of your mind that what you say may offend others. It has a nice message and doesn’t take itself too seriously. It’s semi-entertaining and may not be funny for everyone, but check it out. You might learn something. 6.4 out of 10.

Johnny English: Reborn

I have been a huge fan of Rowan Atkinson ever since I was a young lad, watching the video versions of him as Mr. Bean. In 2003, when the first Johnny English movie came out, I had to see it. His slapstick antics mixed with that English accent you rarely hear in Mr. Bean makes him a wonderfully entertaining character. And, of course, what could be better than parodying the James Bond genre? Reprising his role last year, Atkinson blazed on screen with his good looks and salt and pepper hair. Although he may be getting older, he’s not slowing down one bit.

We are whisked away in the first scene of Johnny English 2: Reborn, to the mountains of Tibet. English is training among the monks in order to repent for an earlier mission that sends English into a state of Vietnam flashback nostalgia. With some great slapstick to kick off the movie, Johnny English discovers that his skills are needed yet again back in MI7. Once he arrives back in the U.K, English must become reacquainted with the newly refurbished MI7. Now owned by Toshiba, English’s penchant for the past and the old way of doing things comes clashing into the wave of the future. Let the insanity ensue.

Atkinson rigorously training with some monks.

Assigned a new partner, Tucker (Daniel Kaluuya), and some new gadgets invented by Patch Quartermain (Tim McInnerny) it is up to English to protect the Chinese ambassador from being assassinated during his discussions with the Prime Minister. What Johnny English discovers is a secret plot that has been brewing ever since his mishap in Mozambique. With intrigue and sleeper agents galore, who can English trust?

There are some great characters and actors introduced into this second movie that make up for losing John Malkovich and company in the last one. We’ve got Gillian Anderson, better known as Agent Scully from the X-Files, as the leader of MI7. This is the second time I’ve seen her in a film with a mostly British cast (i.e. How to Lose Friends and Alienate People) and she pulls off that air of superiority well. There’s also one of my favorite British actors, Dominic West. Having first ever saw him in 300 as the traitorous senator, West has made a career as wonderfully suave British men. Portraying Agent 1 in this film, he’s someone I could’ve seen as Bond, more than Daniel Craig.

This was pretty dope. Despite him being able bodied.

What else is there to point out in this film? There’s the evil killer cleaning lady. In a fight of the old farts, its a struggle for Atkinson to come out on top. There’s all of Johnny English’s old gags and jokes, done just to show that he knows what the people want, and he can still deliver. There’s new jokes, as expected, but at this point in Rowan Atkinson’s career, I think he’s just doing movies for the hell of it. He’s an established, wonderful actor who is just doing movies for fun now. Or, at least, that’s the vibe I’m getting from his acting in these films. And, by all means, make Mr Bean/Johnny English movies until the day you die, Mr. Atkinson. They are all wonderfully entertaining and funny.

Let the hilarious carnage ensue.

If you haven’t seen the first one, by all means, check it out. And watch this one immediately after. They’re sure to make you laugh, even if you aren’t into British comedy. They’re wholesome, spot on Bond spoofs (the first more than the second) and they establish a character you come to love and adore. What more could you want from a film? His name is English, Johnny English. And he deserves a 007 out of 10 for this film.

Immortals: My First 3D Experience

If you ever feel like having a stick of dynamite stuffed in your ear and detonated, see this movie. It won’t just blow your mind, it will blow your head off. From the same producers that brought you 300, here comes a slightly updated version. Based on the mythology of Theseus and the gods, comes an epic tale of one man versus a league of Hyperion’s horde. Combine the zero to hero life of Hercules with Theseus’ humble peasant background and subtract 299 troops and you have Immortals. Here’s the drawback to my plan. I saw this the day it came out and I was pumped. My birthday movie (Nov. 12th) and The 11.11.11 date release was epic. But… it was only in 3-D. Major crisis could not be averted.

And here is where I gripe about 3-D. There are logical reasons that Hollywood won’t acknowledge about the flaws of 3-D because of how much money it is unfortunately raking in. First of all, coming from generations upon generations (basically back to the 1900’s) who have enjoyed and watched films, these 3-D films look fake. The cheesy effect of things coming out at you from a film (i.e. a bow or sword) takes you out of the movie watching experience. Being constantly conscious of things popping out at you at all

The questing group. Nice.

moments of the film puts it in a realm of disbelief about what is being portrayed onscreen. The headaches it creates from an unprepared audience (and from those who must wear glasses beneath glasses, *ahem* me) and the cost headache it creates is just too much. And everything, even movies that hold next to no 3-D value/scenes, are released for the sake of money. That shouldn’t be what the film industry is about, but, alas, it is.

So, let’s talk about every single good thing about this movie, and then I’ll give you my one problem with the movie. Okay, here we go.

Henry Cavill as Theseus. Check out that butt-chin.

Alright, Henry Cavill as Theseus. In an action film, I, for the most part, forgive the acting of those involved. For most who view these movies, they know no Oscars are coming its way and its for the entertainment value. A movie that sticks to its genre/guns is something I truly appreciate. And Henry Cavill, a relative newcomer to films (first big thing, The Count of Monte Cristo, other notables, Tristian and Isolde and The Tudors) performs in what I would consider an above average performance. Not on par with King Leonidas (Gerard Butler) but a similar gusto. He may come from Jersey (the original) but that doesn’t make him a horrible person, this English bred actor delivers and will hopefully deliver in Zack Snyder’s new Superman film, Man of Steel. I really wish these superhero movies would stop though…

Alright, here’s something that might surprise you. I’m a big Stephen Dorff fan. This dude, despite starring more often in action films and such below the Oscar radar, he has won my affection. Let’s talk Blade. Deacon Frost, the head of the vampires. Witty and evil as most comic book villains should be, Stephen Dorff delivers as the best villain in that series. Luke Goss in the second, a close second. Feardotcom, another good one. A little bit of an underrated horror film, this held some of the inspiration for the Saw series if I’m not mistaken. Throw in World Trade Center and Public Enemies, and you have a character actor with some pizzaz. As Stavros, the longest surviving of Theseus’ homies, the comic relief emanates from him.

Stephen Dorff. What a master.

We got Freida Pinto for the sex appeal. I gotta warn you, a 3-D nude ass in your face is something quite strange. With a similar sex scene to 300 with the plot device of The Scorpion King (let’s see who gets that), this scene had me laughing because of how uncomfortably cheesy it was. Here’s someone I wasn’t familiar with. Luke Evans as Zeus. He played Apollo in Clash of the Titans (ironic, and also a sad film) and was recently a very similarly looking character in The Three Musketeers. I am looking forward to the new Hobbit film, something it seems Evans will have a small part in. So, as Zeus, Luke Evans delivers a very intense character who can theatrically deliver lines. Probably picked more for his youth than skill, I wasn’t really disappointed at all. (All the Greek gods are supposed to be redonkulously good looking, right?)

All of the Greek gods: Zeus, Ares (Daniel Sharman), Athena (Isabel Lucas, niceee), and Poseidon (Kellan Lutz) were all good in their roles. Chiseled bodys of gods (reminds me of 300…) and a brisk demeanor places them above the mortals. And then there’s the special effects. The fight scenes were brutal. Just check out Ares taking out all of those slave overlords like Gallagher. The spear throw and the bow use is pretty ridiculous. These surge of films (Troy, 300, and now Immortals) are really bringing back the badassness of the spear. Combine this with the most important factor, the director. Tarsem Singh is the amazing visual director of two amazing films, The Cell and The Fall. Especially in The Fall, I can really see the resonance this movie holds with its director’s predecessors. Check those movies out if you haven’t already.

Damn you, King Rourke.

Alright, the downfall of this film. Two words. King Hyperion. Also, and more importantly, Mickey Rourke. This Disney named fool needs to stay in obscurity and out of films. The person he has become because of the drugs and addiction has created a monster. I didn’t like him in Sin City, The Wrestler, or Iron Man 2. The only movie I like him is is Diner from way back in 1982. Back when he was a real person and not a shell of the man he is now. It’s quite a sad thing. Oh well, like all actors, he will fall someday.

With a basic, easy to follow plot of the quest, this movie creates amazing landscapes for fight scenes (including the Gate of Mordor) and a fight scene towards the end with the locked away Titans that will blow you away. Created after so many years, it was almost too long of a lull between Immortals and 300. This movie needed to happen and it delivered. Not exactly a copy off of 300, but well worth the watch. Just avoid the 3-D and you’ll be fine. Maybe even skip over the mind-addled mumblings of Rourke while he eats his nuts, but we’ll see. This movie deserves a 8.4 out of 10.

This scene was ridic.

 

The Legend of Awesomest Maximus

So I happened to catch this National Lampoon flick on Comedy Central and tuned in and out during the film. I found some parts funny and really wanted to catch the whole, uninterrupted, uncensored movie all at once. And let me just tell you why the idea to watch this C-rated comedy even crossed my mind. Me and my friends are big fans of spoof movies. We are just as big of fans of 300 and Troy. So I had to check this movie out. Why? It combines a plot that makes fun of BOTH.

Now the events are slightly jumbled and there’s not necessarily a dividing line between what parts are making fun of

I gotta say, Orlando was quite the hilarious character in this film.

which movies, but here’s the gist. Awesomest Maximus (Will Sasso, making fun of a bumbling Leonidas from 300) is also a married member of the House of Troy. (A little Troy for you there.) With their incredible strength pitted against the strength of Greece and their King Erotic (Khary Payton, spoofing on Xerces. Little tid bit, Khary Payton does voices and in fact does the voice for Cyborg of Teen Titans.) King Erotic’s best warrior Testiclees (Ian Ziering spoofing on Achilles) in search of fame and glory, battles anyone in his way. And the Troy King’s (Rip Torn) son, Orlando (Gary Lundy spoofing on Paris, played by Orlando Bloom, ironically) is gay.

Workaholics is my shizzzzz.

So what happens? Well, if you’ve seen Troy, then you may know. Awesomest and Orlando travel to Greece to make peace with King Erotic and, in doing so,  Orlando, although gayer than every Broadway musical ever made, steals the King’s wife Hottessa (Kristanna Loken spoofing on Helen), and they escape to Troy. With the ensuing battles and scenes of pure raunchy comedy, elements of Troy, 300, and even Gladiator are interspersed. What’s great about this is that these scenes touch on the funniest and cheesiest parts of Troy and 300 and make quite the mockery of them. I rather enjoyed it and found it to be quite the watch.

There was nothing really remarkable about the movie, because, as expected, it was a low budget

Thank you Will Sasso for a comedic spoof of Gladiator proportions.

nude/sex joke/raunchy romp film. I mean, come on, there are boat scenes with absolutely nothing but the bare minimum and blue painted backgrounds. But that’s not the point of the film. And although this movie may take many parts that were already spoofed in Meet the Spartans, they take a slightly different approach on those scenes. Without the big budget and the ability to show breasts, this movie takes sex jokes to the extreme. Include the Workaholics cast and Tony Cox, the black midget, and you have a comedy spoof worth at least one watch. So check it out. 5.2 out of 10, purely for spoof power.

 

X-Men: First Class

So I’d been planning to see this movie with my mom for some time. We’re big James McAvoy, and this movie quickly jumped to the top of our list. We thought, “Hey, James McAvoy. A new X-men movie that looks quite good? Definitely.” And he didn’t disappoint. And neither did anyone else in the film X-Men: First Class. I did expect to take the phrase “First Class” literally, but I was a bit mistaken. (I thought this movie would focus on the first young group that Charles Xavier took into the X-Men academy. Guess not.) But I wasn’t disappointed at all. This movie delivered. I would say it did, even more than the original trilogy.

So the plot of this movie is the origins of the X-men. I’m pretty sure it holds true to the comics, and I think this

The rivals unite.

was a big plus. (Maybe a few liberties were taken?) But, either way, this 1960’s set X-men classic follows the origins of Erik Lensherr/ Magneto (Michael Fassbender) and Charles Xavier (James McAvoy). This is before Charles was given his wheelchair (explained) and so that’s why you see him puttering around on his own two legs. The hip, suave, young Xavier (a welcome change from Patrick Stewart’s stuffy portrayal of Professor X) has just become a Professor from Cambridge based on his work on human mutation. (Fitting right?) Parallel to this, Erik is on a rampage (using his harnessed powers) to destroy the German Nazis that imprisoned him during WWII and killing his mother. It was this pain that unleashed his powers as a young boy.

And it is through the power of the government that these two come together to team up for the only time in their lives. To stop an evil mutant of unspeakable power, Sebastian Shaw (Kevin Bacon) these two must recruit other mutants across the world in order to prevent nuclear disaster. As you watch the movie, you find that, in fact, the X-Men were what prevented the Cuban Missile Crisis. And then, as expected, things fall apart for the duo, leading up nicely to the next movies made years ago.

It sent chills down my spine when he put that helmet on.

I’ve heard people didn’t like this movie. People gave this a bad review and I was surprised. I found this to be a decent movie that was respectable among X-men entertainment. So I found it hard to believe, with such a good cast and decent special effects, how this movie could even be viewed as a bomb. I mean, come on, James McAvoy (great actor) and one of my personal favorites, Michael Fassbender? You can’t get much better than that. Throw in a handfull of cameos (yes, a scene of Hugh Jackman as Wolverine and Rebecca Romjin as a view of the older Mystique.) and great foreshadowing, and you have a great prequel.

I mean, I can’t say enough about the cast this film boasts. I have to say again, James McAvoy. Having another big action film under his belt, Wanted, he is perfectly comfortable as an action hero (although be it a passive one). Michael Fassbender. He is no newbie when it comes to action films. 300, Centurion, Inglorious Basterds. This guy has done some of the best action films of the decade. And he’s such a malicious character actor that when you see him as the villain, you can actually see the evil seething from him. Kevin Bacon. I haven’t seen him in a while and they hid it well in the trailers that he was in the movie. And as the villain? That was a shock. But still, he was quite devious. Combine that with Nicholas Holt as Beast (great job to say the least) and Jennifer Lawrence (academy award winner for Winter’s Bone.) among other X-Men, and you have a great cast.

Great group. Great cast. Great movie.

From the director Matthew Vaughn, director of some pretty badass action films, Layer Cake (personal favorite), Kick Ass, even Stardust was decent, you have to expect some good acting combined with great visual chemistry. There’s a great scene with Michael Fassbender absolutely destroying some Argentinian Nazi fools that brims with gorish action. This movie screams great summer film. If Stan Lee’s onboard (not just for the money, I hope) then it has to be good. His baby creation has come to life once again and it’s all good. 8.8 out of 10.

Centurion: “I will not yield!”

Neil Marshall has done it again! As the director of one of my favorite horror movies, The Descent, I had to check out this director’s 5th attempt at directing. After taking a peek on IMDB at Marshall’s other directing attempts, I saw another two movies I found were right up Marshall’s alley when it comes to genre and style, Doomsday and Dog Soldiers. The movie posters alone look like movies I would gladly see. (I had heard of Doomsday before, it’s shown a lot on FX, definitely going to check it out now.) This movie doesn’t disappoint and it gives one of those quick in and out glimpses into the world of the Romans during a time of war. If I had to say it, which I will (I mean come on, there are 2 actors in this movie who were major players in 300) this movie is on some sort of level with Gerard Butler and his 300.

But what I liked about it? It wasn’t Gerard Butler. Come on, you have to give it up for how creatively mind bending 300 was. I love Zack Snyder. Plain and simple. 300 brought a new meal to the table. But yeah, this movie wasn’t quite 300 at all. It was almost a 300 meets Gladiator fusion. Quite spectacular. Instead of Butler, we have one of the new and upcoming British actors, Michael Fassbender. This guy is putting in the work and getting

Michael Fassbender

great results (and I’m not talking about his abs in 300). He’s done quite a few British T.V. shows and made his big break with 300. (He was that guy that cut off the emissary’s arm and told that fool they would fight in the shade.) Inglorious Basterds (I’ll give it to you Tarantino, this one time…) and Jane Eyre, this guy has range. And most excitingly, he will be playing Magneto in this summers sure to be masterful hit, X-Men: First Class. I expect good things from this guy.

Other notable appearances in this film? Dominic West, of course. Another 300 familiar, this guy was the traitor. But still, he was great. I loved his alter ego in Meet the Spartans, Traitoro. Dominic West has done some good work

Ah, Traitoro

as well, and I feel that as a fellow British actor to Michael Fassbender, he will go great things one day. He’s done wonderful things on The Wire, and he did one of my favorite guest appearances in my favorite part of the Hannibal Lecter series, Hannibal Rising as Inspector Popil. He has quite the list (Palace Guard in Phantom Menace???) and should keep strong for years to come.

Also, what I like about movies like this? Neil Marshall can get together a rag-tag group of virtually not well known actors, and still make a badass film. Noel Clarke (one of the Doctor’s helpers on Dr. Who) plays Macros, the slave turned athlete who really just runs the entire movie. JJ Feild (recurring British T.V. period piece actor) as Thax, one of my favorite characters in this film. David Morrissey (character actor who seems to switch between

A rag-tag, cantankerous crew

American and British film) as Bothos, the slightly obese centurion who’s that one loyal friend, but not that ridiculous. I mean, the list goes on. But that’s what really appealed to me about The Descent. It brought together a handful of unknown actresses and turned out to be a really well made film.

Complaints. Okay, there are quite a few archers in this film. And you know what happens? Everyone of them can aim for someone’s head and hit them directly, no hesitation, no mercy. This is a bit ridiculous. I find it hard to believe that every archer in this film is Robin Hood. But to each his own. It still made for pretty amazing gore throughout the film that was just nonstop. One whole scene about 20 minutes in is just literally unheard of. Another thing, I have never heard the “f” word so much in a period piece film like this. It is out of place. Distasteful right there.

Everything else about this movie? Great. It had great cinematography and looked like it took cues from The Lord of the Rings in its overhead helicopter shots of men dashing across snowy mountains. (Pretty sure this was shot in New Zealand.) The locales were quite spectacular although you couldn’t really place what was going on. If I related it in plot to any movie, it would’ve definitely been a mirror image of The Descent. Actually, the more I think about it, it’s like a cookie cutter version of The Descent, just different time and characters. Wow. If Neil Marshall does this again though, I might not be so forgiving. You can’t hope to make 3 identical plot movies and think people won’t notice. But taking Centurion as its own tour de force of mayhem and devastation in the time of the legion and Rome, it really does not yield. 7.7 out of 10.

Sucker Punch: Everything You Want From Zack Snyder

There is only one word that can completely encompass what this movie truly is.

Incredible.

Sucker Punch. Yes.

Plain and simply incredible. When I went with a crew to watch this movie, some didn’t know what to expect. Others were excited. Even few others, me and my roommate/best friend Ian were just about ready to cause some mayhem up in that theater because of pure joy. This movie, as of this year, is my favorite movie of 2011. Heck, best of the past two years, let’s just throw 2010 in there. I thought, hey, The Fighter will clinch my favorite and do okay at the Oscars. Granted. Now… If only Sucker Punch had come out in 2010. It would have blown The Fighter out of the water. This movie was some ridiculous shit. Hands down.

You really will be unprepared.

Let me try to explain this without giving anything away. Not much to give away though, it’s really all just about the experience. Baby Doll (Emily Browning) is a supposed mental patient accused of killing her sister and almost murdering her father. She became deranged after her mother’s death and couldn’t take it any longer. Her father takes her to a mental asylum in Vermont and she is held there until she’ll be lobotomized in a week.

Parallel to this runs Baby Doll’s inner fantasy of being taken to a bordello in which the girls dance for their clients. Baby Doll, being that unattainable virgin, is being withheld for the high roller (Jon Hamm) that is set to come in five days. Baby Doll plans on escaping before that day and enlists the help of four other girls at the bordello. Sweet Pea (Abby Cornish), Rocket (Jena Malone), Blondie (Vanessa Hudgens), and Amber (Jamie Chung). With their help, Baby Doll further escapes from reality into her mind as she dances to obtain the four items she needs to stage an escape. And that’s basically it.

Let me just start off by saying that Emily Browning was amazing in this movie. She’s beautiful, talented, and really come into her own in her early twenties.

Emily Browning. New Favorite Actress.

I’ve seen all her movies since 2000, major and minor roles (Ghost Ship, Darkness Falls, Lemony Snicket’s, The Uninvited, now Sucker Punch) and enjoyed every one of them. As she’s grown up, she has taken on a wide array of movies, from horror to children’s to action and the occasional drama. If I had to pick a favorite actress that I’m going to watch from now on, I’m going to place my bid on Emily Browning.

And that’s not to demean the rest of the girls in this film. I really enjoyed the Abby Cornish/Jena Malone combo. Acting as sisters who followed one another to the bordello, these two really did feel like sisters. I’ve found Jena Malone great since Donnie Darko with her alternative look and quirky acting, and now I’ve got a new actress to look out for. Abby Cornish, a new up and

Sweet Pea & Rocket

comer from Australia, was quite the actress, and I didn’t even know she was from there! In other movies she’s done (Bright Star, Elizabeth: The Golden Age) she stuck to her roots and did more period pieces. But I find now that she’s broken more into action and other forms of drama, I feel we’ll be seeing a lot more of Abby Cornish.

Blondie & Amber. They're okay.

And then there’s Vanessa Hudgens and Jamie Chung. Let me put it this way. Vanessa Hudgens is attractive. She may be talented in the way of singing and Disney Channel acting. But the part as a supporting cast member in Sucker Punch was about the only thing she could play. She was more for show than for play if you catch my drift. Jamie Chung on the other hand was a bit better. Playing as the fragile transporter bordello girl in this movie was not a stretch for a girl I’ve only seen in Sorority Row (not bad, I must say, even though most critics wouldn’t agree. It was brutal, at least.) Oh, AND SHE WAS IN DRAGONBALL: EVOLUTION. Enough said.

Who I have to give it up to in this movie is Oscar Isaac. That man can act. As Blue, the bordello boss and mental asylum orderly, he switched between roles flawlessly at the end and kept up that “don’t mess with me, I have a short fuse” type of acting style. Although he may seem not that strong or menacing, he pulled it off with his voice and actions throughout the entire film. The first thing I’d seen him in was Pu-239 (great film) and I remember him distinctly in

Oscar Isaacs, Prince John. Better in Sucker Punch

Robin Hood as Prince John, quite the effeminate, yet brutal character. I guess if I had to compare him in acting to anyone, I would say Joaquin Phoenix (like in Gladiator).

Now, let’s talk about the special effects. I’ve heard people liken this movie to a two hour Final Fantasy cutscene. Yes. I agree. But about 1,000 times better. This movie was insane when it came to special effects. No need to see this in 3-D, this movie was just as badass in 2-D. This movie has everything (probably why they called it Fantasy, Sci-fi, Suspense, Thriller, Action… etc.) There are zombie WWI German soldiers, Orcs, Dragons, killer robots, you name it, this movie has got it. And it’s not cliche. It gives an authentic feeling to the old classics that every man in the world has imagined battling. And then it does it. Zack Snyder directive attention to the details of the small things, example, the texture of bullets and shell casings, the way glass looks when it is rained on, the inner workings of a functioning robot. All present and accounted for, slowed down, and shown in detail. That’s what I call devotion to the art of art direction.

All in all, this movie is hands down the best movie I’ve seen in a year. But what else do you expect from Zack Snyder. Let’s recap, shall we? 300, Watchmen, Guardians of Ga’hoole, Sucker Punch. That beginning of a laundry list of badass movies is what I like to call ridiculous. Zack Snyder is fastly becoming one of my favorite directors. 11 out of 10. Yes. 11.

Oh, and the SOUNDTRACK. Check it out, it’s quite amazing.