I think I just appropriately changed the title. Because I was expecting gore, but not the magnitude I was given. I was relentlessly pounded with blood and carnage to such an excessive degree that I was in awe and stitches from all the laughing, at the same
Ah yes, the ever popular school girl…
time. This movie is satirically poking fun at the horror/gore genre, even putting gore in the title. It never takes itself too seriously (although some of the actors onscreen may have to deliver some of their lines with a straight face) and it has all the fun you’d ever want from a fantasy/anime/comedy/horror film (look at all those genres in a line…). I was fascinated and swept away by this Japanese wonder.
For as much of a plot as there is here goes nothing. Ruka (Eihi Shiina) is a member of he futuristic Japanese police force. In a similar situation to RoboCop, the police have been revamped with privatization. This is all in order to defeat
You love to see the woman from Audition in some hand rain… (That’s what it was tagged as…)
anime-like creature villains known as Engineers. Created by an evil mad scientist (Itsuji Itao), these Engineers have key-like tumors placed into their bodies (like a macabre Kingdom Hearts) that allow them to regrow injuries into gory and grotesque weapons. Ruka is a special member of the task force that is sent out to handle these demons with her always trusty katana. What a relief that swords are more effective against evil in the future than guns are…
After discovering an evil plot and a hidden past, Ruka must embrace who she is and destroy everyone in her path. This leads to a whole lotta ridiculous gore (basically things you can’t do to or with the
human body) and some of the funniest dismemberment scenes I’ve ever witnessed in a film. I was loving it and never wanting the blood spurts and cut in half bodies to stop (that’s a classic M for Mature anime scene for ya). This movie makes no real attempts to take itself seriously, and I was happy to see that. When you watch the scene in the Engineer bordello, you’ll know what I’m talking about.
Just all that gore…
This film is also interspersed with dark infomercials that pop up on the T.V.’s throughout the film. There’s proper swords for Hara-kiri (Japanese ritualistic suicide), mini-kawaii boxcutters for wristcutting (Kawaii meaning cute), and a whole lot of anti-suicide ads. I’m not sure what some of them were for, but maybe it just meant that suicide or mutilation leads to the creation of more Engineers? Strange…
This movie literally has some of the most messed up gore I’ve ever seen. Entering into a reality of warped body image, this movie can do what it wants. Anybody who is an Engineer can recreate themselves into a warped version of themselves with weapons of personality attached to themselves. A venus flytrap for legs, a
There’s no end to the weird.
katana arm, chainsaw on a chain… and my favorite I can’t mention that you’ll have to see to believe. I said before that A Serbian Film left me in awe and despair. This film had the same amount of disturbing scenes, but it was all done with a smile on its face. I like this one far better.
Everything is over the top and there’s far more blood than you’d actually think can be in one human body. It’s all tongue in cheek with unrealistic corpses and bottles that can take your whole face off. This movie can’t even go a whole 5 minutes without another dismemberment. I loved every minute of it. It is truly one of those cult classics that ranks up there with Evil Dead in the way it’s presented. So if you like horror/gore movies like that, you have to see this. A big word up for Tokyo Gore Police. 9.1 out of 10.
I have to say this right at the beginning as a disclaimer. If you are squeamish, if you find sexualized violence to be perverse and disturbing, or if you find horror in the 1st degree to be mortifying, this movie and this review are not for you. A Serbian film is the tale of an ex-porn star, Milos (Srdan Todorovic). A man of stamina and skill, Milos (pronounced Milosh) is down to no money and has a wife and child to feed. So what does this absurd bastard do? He decides to take one last job. A sort of “final bank job” if you will. What he doesn’t know is what comes to destroy him.
When I first heard of this film, my roommate had just come back from England. His roommate there told him about this film and told me to check out the trailer. I can’t post it on here due to graphic content, but I’ll post the tamer version below:
Anyways, this trailer blew my mind. From the look and sound of what it was about, I figured it was real. This is classified as a “snuff film”. That’s not a joke. The scenes depicted in the film are designed to look as real as possible. And throw in the ridiculous amount of pornographic content and you have one of the most messed up films since Hostel. Wait, scratch that. Since… Ever.
Should I even delve into the mind of this film? Should I tell you this contains quite a few of the most absurd fetishes to grace humankind? Let me reiterate this. There is the issue of child rape in this movie. That alone should say this movie is not for the weak. This movie wasn’t even for me. I consider myself a reasonable guy. I feel I can handle some of the images the world has to offer. But I have opened Pandora’s box of horror. And this isn’t all of it. There is an entire following of “snuff films” out there. This is just… one among many.
A big thanks to ScuptingFragments for posting these videos on Youtube, opening me up to an entire genre of films I didn’t realize existed. You can tell, even from the length (and there’s a Part II to this video) that there is an unlimited amount of films out there about gore/torture/snuff. The names are ridiculous, the premises are absurd, but my eyes have been opened.
There are very few things I can show...
A Serbian Film is just the latest in a series of films that have been coming out for quite some time. Also identified as “torture porn”, this film is meant to unsettle the mind… and the stomach. And, you’ll hate me for this, but… It wasn’t as gory/horrifying as I thought it would be. Despite the ridiculousness of Serbia and the ability for a repressed country to finally make this film shocks me. And yet at the same time, there are films out there that would curb the sex and go for the same amount of torture and violence. I feel, with American films, the pornographic aspect is shunned (but what the Hell? Americans love porn and the sexualization of women…) due to the uncomfortable feelings it brings. A sort of taboo, if you will.
And what surprises me the most is that this film wasn’t trashed by reviewers or critics. Harry Knowles of Ain’t it Cool News said, “This is a fantastic, brilliant film – that given time, will eventually outgrow the absurd reactions of people that think it is a far harder film than it actually is. The film is an incredibly great film, where everything feels correct in the context of the film. It is never exploitive.” He even gave this film his Top 10 of 2010. Others said it was a movie with no substance. A film that defies you to find any deeper meaning. The director of the film, Srdan Spasojevic, said, “”As much as we try to deal with our life in this film allegorically, and with the corrupt political authorities that govern it, we are also dealing with today’s Art and Cinema and the corrupt artistic authorities that govern them in a similar manner here. The films that preach and enforce political correctness are the dominant form of cinematic expression today. Nowadays in Eastern Europe you cannot get a film financed unless you have a pathetic and
There are no words to describe the evil of this film.
heartwarming ‘true story’ to tell about some poor lost refugee girls with matchsticks, who ended up as victims of war, famine and/or intolerance. They mostly deal with VICTIMS as heroes, and they use and manipulate them in order to activate the viewer’s empathy. They make a false, romanticized story about that victim and sell it as real life. That is real pornography and manipulation, and also spiritual violence – the cinematic fascism of political correctness.” Using the medium of realistic, pornographic violence, Spasojevic attempts to break the drabness of the former “Eastern Europe” in a way that will shock the world. I feel he achieved that.
Now I’m not gonna say whether or not I liked this film. It’s a basic plot. The acting, as far as I could tell from the Serbian language, was decent. The scenes are disturbing and I couldn’t comprehend how they made the sex look so real. But I commend them for going there. At the same time that I condemn them for exposing me to a horrid side of a world occupied by terrible human beings. It’s like a car accident you can’t look away from. Now, Rotten Tomatoes gave it a 4.9 out of 10. I’m not gonna judge and allow you to find out for yourselves, if you dare. All I’ll say is… Newborn infant porn.