Tag Archives: Adeel Akhtar

The Dictator: An Actual Plot from Sacha Baron Cohen

I would say I’ve been a pretty big supporter and follower of Sacha Baron Cohen since his Ali G Show days. I loved all his characters when I watched it on HBO and to see them grow into full length movie characters is wonderful. Borat was a wonderful undercover comedy film. Then he followed that up with Bruno, my favorite of his alternate egos. And then, from all this talk about Hussein, Kim Jong-Il, and Gaddafi comes Admiral General Hafez Aladeen. His ability to focus in on one idea that plagues people’s prejudices and preconceived notions on the world around them is spot on as usual. But this one comes with a twist.

Aladeen (Cohen) is a dictator from the North of Africa. In the sweltering heat and tossing sands (a la Hussein), Aladeen lives his life as dictator in luxury. His WMD’s are coming

Aladeen and his majestic hawk, in luxury.

along, he has an all female amazonian entourage and guard, and his palace is so gigantic and wonderful, especially with his fleet of golden Hummers. He’s had sex with everyone (including the great Schwarzenegger. Megan Fox makes an appearance. I wasn’t surprised.) and he is an unforgiving ruler. He sends so many people to death that it’s expected.

As I expected Megan Fox to be in a situation like this…

And then, with the U.N. meeting in NYC looming, Aladeen is kidnapped and tortured. Clayton (John C. Reilly) is a forgiving CIA operative and lets Aladeen off with a shaven face (and then he accidentally burns to death). Stuck in America with only his wits and nobody who believes he’s the real thing, Aladeen’s uncle Tamir (Ben Kingsley) is planning on making Wadiya into a democratic country with the ability to sell their oil. Aladeen must stop them and keep Wadiya a dictatorship. This is the only time you’ll see a dictator as the hero/protagonist (unless you’re watching a film in their country, then probably you will).

This movie is full of a bunch of funny satirized stereotypes and Middle Eastern humor. As usual, Cohen self deprecatingly attacks his Jewish heritage once again. The Chinese law of one child per family is attacked with the baby birthing scene (as seen in the trailer) and masturbation has never been so patriotic. Sacha Baron Cohen is rather tame in this film in

The Man.

comparison to others, only one or two penises on screen and a handful of sexual references (unless you mention the Saw like birthing canal scene).

I really hoped this happened on the streets of NYC.

There’s a great supporting cast of cultural ecclesiastics  in this film. There’s Ben Kingsley, using his darker complexion to play a Middle Eastern man in this film. I’m always surprised when he pops up in comedies. Jason Mantzoukas plays Nadal, the weapons expert and friend to Aladeen in this movie. This man of Greek descent has been doing comedies for a while now and this is just another one. Bobby Lee rears his freaky head in this movie as a U.N. representative who can get a B.J. from whatever celebrity he wants (insert Ed Norton cameo here). His outrageous nature is made for this movie, and that dude will do anything to strip down into a thong. And one of my favorite appearances was Adeel Akhtar as one of Aladeen’s posse, Maroush. Throw in Fred Armisen and the revitalization of Anna Faris’s career as the love interest hippy, Zoe, and you got yourself a satirical comedy.

The best scene.

I really don’t think there’s anywhere that Sacha Baron Cohen won’t go. His terrorist attack scene in the tours helicopter is hilarious. Ironically, he and Jason Mantzoukas are speaking Hebrew. This points out the fact that a lot of languages, although all different may sound similar to an American audience. And all the iconic songs that he turned into an Aladeen medley! Everybody Hurts, 9 to 5, Let’s Get it On, how much that the way the songs were sung alone made me laugh! Cohen even goes to a black man’s funeral in order to procure a beard from a severed head that reappears constantly in the movie. With no bounds and no forgiveness, Sacha Baron Cohen delivers on all cylinders. 8.1 out of 10.

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Four Lions: Terrorism at its Finest

In this dark comedy/mockumentary of the Islamic world of terrorism, four “lions” of men come together for one reason only, to attack the Western infidels of Sheffield, England in order to send a message. And what a message they send. In one of the funniest movies of the past five years, for me, I couldn’t stop laughing as these moderately incompetent terrorists attempt to lay some waste and terror all over some English peoples. There’s mishaps, wavering trust and faith, and even some exploding sheep. Nothing could be better than one of the most controversial films to ever deal with a hot button issue.

This misfit group of terrorists are really intent on blowing up something. Be it a drug store or the members of a fun run, Hell, even their own mosque, they plan to incite some rage and tension between countries. There’s Omar (Riz Ahmed), the leader of the group with the best head on his shoulders. He plans to leave his family and be truer to the Muslim faith than his bookworm of a brother. What shocked me most about this film was why Omar’s loving and beautiful wife and son are okay with all that

Some kooky terrorists on the prowl.

he’s doing. There’s Omar’s dim witted friend and “bro” Waj (Kayvan Novak). Always wanting to travel on those “rubber dingy rapids”, Waj has the best of intentions but always seems to screw it up along the way. Throw in the wild card Barry (Nigel Lindsay) the white Muslim converted Englander who feels he’s better suited for terrorist acts than anyone in the group. He screws up a lot, but will never admit to his mistakes. And there’s Faisal (Adeel Akhtar) the man who blows up crows in preparation for an airborne attack.

Hassan pullin’ off some Muslim rapping.

Bring together this rag-tag bunch of Muslim extremists and you have a recipe for disaster. They cook up bombs in their flat with huge amounts of bleach and other cleaning products and slang it around with one of the funniest escape scenes you’ll ever see. There’s arguments on what a Wookie is (a bear or not?) and whether being a Muslim rapper is the right path in life. There are some great scenes in Afghanistan where Omar and Waj go for training and one of my favorite muck-up scenes takes place there as well. Is it racist I attempt to put on a English tinted Muslim accent? RUBBER DINGY RAPIDS BRO.

I was mightily impressed with Chris Morris’ directing and writing in this film. He researched information on the situation of terrorism and the “War on Terror” prior to this film. This helped accurately represent the frustrated characters he created in this film that just want to blow shit up. Coming from an actor turned director that I’ve watched in a few seasons of The IT Crowd, his humor wasn’t represented, and replaced with a much darker and brooding one. The council scene in which the local residents in Sheffield debate about terrorism is hard to watch and quite frightening when Hassan (Arsher Ali) is introduced. Their ideals and views may come across as ridiculous, but there are those out there who believe infidels must be killed and women must be locked away.

Explain this. Word.

Get some, Omar.

Not recognizing any of the actors from this film really helped enhance the experience of watching this film. They’re all fine actors and you begin to believe they are strong extremist Muslim supporters in this film. The gorilla style of shooting and set ups are all interesting and give a gritty feel to the film. The Afghanistan shots seem a bit unbelievable but its only for a short time that you have to jump into the warfare of the sands. The conflicts and characters develop as the film progresses and you learn that there is a serious side to the film. The dark humor becomes more real and you’re forced to realize situations like this happen, the terrorists have families and faces, they have feelings and emotions just like us. It’s not so much a sympathy film as it is a humorously dark look into what exactly terrorism means outside of our own perspectives. And I applaud that outlook. This film accomplishes its comedic elements and also delivers a message at the same time. Impressed as I was, this movie does deserve all the critical acclaim it got. Best film of 2010? You got it. A definite 9.7 out of 10.