Tag Archives: age difference

Snow White and the Hunstman

I’m pretty sure I saw this movie in its last leg of showings in theaters. I had wanted to see it for a while (bar people hating on it for having Kristen Stewart) and was happy to finally see it. My overall impression was good of the film, but for different reasons other than the typical for liking a movie. But I’ll get to that in a second. On an average Friday, in an average theater, among other couples who seemed they wanted to do nothing

Ah yes, a Twilight reference.

more than make out for $10.50 at a poor film, I watched Snow White and the Huntsman.

The story is a bit different than your average Disney movie. Based more on the darker version of events from the Grimm Bros., this movie attempts to scare more than romanticize. I think that’s why people had a problem with the plot because they were expecting this all too romantic kissing scene, and they didn’t get it because that’s not what this movie was about. A strong female character is created to battle an even stronger female character, not really making it about the Huntsman at all (a character

Lookin’ pretty fierce there, Thor.

I developed a liking for from Rutger Hauer’s surprisingly good performance of it in The Tenth Kingdom). And for those of you out there who labeled this a Twilight-like movie from the start, you were wrong. Just because Kristen Stewart is in a film does not mean it has anything to do with Twilight. Shame on you.

So, plot. (As if there were those of you out there who didn’t have a semblance of Snow White.) So one day Snow White’s mom has a little inkling to go out in the garden when it’s snowing. Pricks her finger, 3 drops of blood, bam! You have a baby and a dead mother during

Maybe if I scream they’ll appreciate my performance…

childbirth. King Magnus (Noah Huntley, I thought I recognized him from 28 Days Later…) raises her and loves Snow White to no end. Then, after a cinematically striking 2 minute fight, Magnus finds his new Queen, Ravenna (Charlize Theron). Snow White (Stewart) grows up to be sooooo beautiful that the Evil Queen can’t stand it. Wanting to eat her heart for immortality (remember this is a fairy tale, you adults out there), Snow White escapes and the Queen sends the Huntsman (Chris Hemsworth) after her. Let the pursuit begin.

Oh, the wonderful textures…

The casting in this movie was really hit or miss. Kristen Stewart did what little job she could to hold the lead role together, putting on a weak English accent. I can’t blame her when other lesser known actresses were up for the part and they weren’t given it. Sadly, that’s what happens when you’re popular, you steal all the roles. Charlize Theron thought screaming for no reason at certain points would get her acting across more powerfully. That childlike antic won’t get you far, I’m afraid. She was constantly trying to create this Shakespearean demon witch that just came across as weak and sad. Chris Hemsworth was as macho and boring as usual (sorry Thor, but if you are in every movie with a cleaving/hammering device of some sort, you’re typecast. Just like Orlando Bloom as Legolas. Has anyone seen the archery scene in the Musketeers remake?) as the Hunstman. Sorry, that was a long side note. Okay, let’s go through the list of people they chose before they decided on Hemsworth.

A Viggo Mortensen stand in? Perfect!

Tom Hardy. I can see him in the role after the trailers from the new Batman movie. Not a huge fan (he has the Christopher Nolan brand all over his ass. Of course he’s gonna get work…) but he would’ve done the job. Johnny Depp. Never appropriate for an action role. He did well in the POTC movies, but what the Hell kind of offer is that? As Daniel Tosh said, “Cool should have a cutoff, and my vote is 48.” Sorry John Depp, you’re out. Then there was Viggo Mortensen. Now there’s a fantasy actor. The quintessential Aragorn. He has been looking for a reason to come back to fantasy/action films, I’m sure. But he turned it down as well. Maybe the age difference when it comes to Stewart? Who knows… Hugh Jackman. The last one asked before Thor. Wolverine? Sure, he’s pretty ballin. But he declined as well. So, after all these turn downs, the studio turned to a man who’s good with hammer like objects. Great goin’ there, Chris Hemsworth.

But there is a silver lining to this movie. The dwarven cast. The second I saw who they cast as the Seven Dwarves, I was in Heaven. You couldn’t pick a more perfect English cast to play all 7! You got Bob Hoskins leading the group. Elderly and

Mayhem while you work.

blind, he’s good no matter if he’s Smee or Roger Rabbit’s partner. Ian McShane, the Deadwood master. I was surprised he was pretty damn good. Johnny Harris from Black Death. Word. Toby Jones, the infamous voice of Dobby the House Elf. I’d rather remember him from other roles, but he was great as well. Eddie Marsan, another great English actor. I like his smaller roles in V for Vendetta and The Illusionist. People will know him from Sherlock Holmes. Ray Winstone, the gruff talking Mr. French from The Departed. Now he’s a good actor. And Nick Frost of the Pegg/Frost duo. Need I say more? And I’d also like to give a little nod to Brian (pronounced Breen) Gleeson. He’s an up and coming English actor who actually made me shed a tear in this one. Wow, that paragraph was a mouthful of excited English actors.

I like touching silky things.

And now I come to my main point of why I liked this movie. It was pretty to look at. Every scene had some special effect or interesting texture that I wish I could’ve reached out and touched in the film. As it is Rupert Sanders first film, it is understandable that it looks this way. He started off as a English commercial director. He has to sell a product based on look. That’s why this movie is so visually appealing. The fur, the white paint you see in the film, the forest scenes, everything looks so good you could eat it in Willy Wonka’s candy room. And that’s something you don’t always see in every movie. So a bit of a bravo for that.

So you may not be able to see this movie in theaters now, but check it out when it gets its DVD/Blu-Ray release in September of 2012. It was an enjoyable watch for the sights and sounds, but always remember that can only take you so far in a film. 6.4 out of 10.

Get some of that troll…

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Repo! The Genetic Opera

In a crossover genre that reminded me a bit of the only other big exposure I’ve had to operetta style plays/shows (i.e. Cats), Repo! The Genetic Opera was a twist and melding of something I’m not used to seeing at all. And, big plus, in the form of a movie. And what more could seal this musical deal? Darren Lynn Bousman, director of Saws 2-4, was the director. That’s a pretty sweet marmalade right there. And I was surprisingly not bored during this horror/rock opera/film extravaganza.

In a strange dystopian intro scene that may remind those of us who have seen Mystery Men of a similar grimy town flyby, there is a new way of living in the city. And that is prologued by the GraveRobber (Terrance Zdunich). In this new dark and sinister world, people are living longer. How, you may ask? Through the use of artificial organs. You

GraveRobber, the teller of our tale. (Is that a cat from Cats right next to him?)

can pay for these organs with a monthly fee, but it must be paid on time to GeneCo. If not, “Rotti” Largo (Paul Sorvino) will send his RepoMen after you and remove it from you.

The story focuses around a doctor Nathan Wallace (Anthony Head) and his sick daughter, Shilo (Alexa Vega). In a story of sick and twisted nip/tuck pleasure, betrayal and love, and discovered identities, Repo! The Genetic Opera combines the operatic style of singing with the gruesomeness of shock rock. What I found surprising, coming from a director who has done such a violent and intestine filled series, gave a bit of humor and poise to the blood and guts. I was never grossed out (as if this film or any other could do that) by the events unfolding before me, it was more with the type of music and subject matter. It was a winning combo, to be sure.

Paris Hilton, can you tell?

I liked the subject matter (dystopian world of the morbid) and found it to be a simple enough plot to get across with how many underlying motives were at play. What I was semi-impressed with was the singing. Anthony Head, star of Buffy and featured on my favorite British comedy, Little Britain, was a phenomenal singer. Alexa Vega, a bit weak, which surprised me. Terrence Zdunich was a phenomenally good stage presence in front of the camera. I enjoyed his pop out of a trash can every once in a while. He had the Cats vibe down. His morbid look was appealing and flashy, almost like a Rum Tum Tugger (although this guy didn’t do any theater before this, so far as I can tell…).

Some surprising cast though in this film. Paul Sorvino, star of musicals and dramas and a couple of Italian Mafioso films, was a good presence, but weak as a counter character/villain to Nathan (Anthony Head) the age difference was a bit of a problem for the plot device they had to deal with, and so it just came off as odd. His singing was a bit weak too, but I think that’s something that happens when you have to speak/sing lines in a rock opera. Sarah Brightman, English singing extraordinaire was delightfully pleasant for as small of a role as she was given. Her

A little bit of blood never hurt Buffy…

singing sent a few chills down the old spine.

And there’s even more! Throw in Bill Moseley, actor from a shit-ton of horror films, including a few Rob Zombie vehicles. And Nivek Ogre of Skinny Puppy (industrial metal band for those of you who don’t know)? Who knew? I could barely put the names and the faces together with this nip/tuck of a performance. Oh, and Paris Hilton for sex appeal. No big surprise there.

Enjoy that open wound, guy.

In an hour and a half of rockin’ and a rollin’, you’re exposed to the world of blood and guts, drums and guitar. I’ve never seen a movie like this before, and this sets the bar sort of high on expectations (and no, I won’t be watching Rent anytime soon). So move aside The Wiz, because there’s a new favorite musical film in town. And it’s got more of an edge to it. So strap in and hide your organs for Repo! A 6.4 out of 10.