Wreck-It Ralph: A Gamer’s Paradise

So here’s an up to date review that’s still relevant. Wreck-It Ralph is a wonderful little Disney film about a wrecking villain named Ralph (John C. Reilly) who does nothing but wreck an apartment building. His counterpart and hero, Fix-It Felix (Jack McBrayer) fixes the crumbling building around him and gets a medal for all the hard work. What people who play the games don’t know is that Ralph is sick of being the bad guy.

This movie, first and foremost, is extremely original. As most of

Support group for the ages.

Disney’s animated projects go, it captures you with vivid images and great fluidity, and keeps you entranced with great cameos and good voice acting. This movie accomplishes all that and one thing more: it makes you extremely nostalgic. Throughout the entire film, everyone in the theater was pointing out to their friends and family who their favorite video game characters were and how cool it was to see them act on their own. Even some parents can get in on the action with Pac-Man and Q*bert.

How’s your blood sugar level?

Coupled to some original and iconic songs, there’s nothing about this movie that didn’t please me. You get all the stereotypical games (strategy Pac-Man style, Street Fighter button mashing, racing, shoot-em-up, and even some other bizarre appearances). There’s something for everyone in this pick-and-mix arcade, run by one of my favorite actors, Ed O’Neil. The only thing I could’ve wished for in this film was more video game characters. Where’s Master Chief? Where’s Ezio Auditore? You gotta at least get Mario. But yes, I sadly understand that all of those licensed characters would’ve cost the movie a fortune. Oh well…

So the plot of the movie is simple. Wreck-It Ralph gets fed up with his bad guy role in his 8-bit video game and goes to explore other games. He stumbles upon the opportunity to win a medal in Heroe’s Duty (big children’s joke) and does so. But his medal gets used by Vanellope von Schweetz (Sarah Silverman) to enter a race to win back some honor in

Jane Lynch has never looked so sexy.

Sugar Rush the racing game. It’s up to Ralph to make or break the day, and Felix and Sergeant Tamora Jean Calhoun (Jane Lynch) will do anything to get him back. It’s a video game for the ages.

What made this movie so spectacular were all the guest appearances and voice actors that graced the screen. Ever since Tim and Eric, I’ve grown to love John C. Reilly. And it’s nice to see his range as an actor in a kid’s role like this. Sarah Silverman is both cute and verbose as Vinellope, the cute child race car driver. Her poop jokes and tomboyish attitude are much appreciated by me. I’m not usually a fan of Jack McBrayer and his work on 30 Rock, but he was just fine and the perfect voice for Felix in this one. And here’s the big surprise… The Candy King was done by Alan Tudyk! I couldn’t believe my ears! He truly is the master of voices if I ever heard one. First A Knight’s Tale and now this? Wonderful.

How great are those detailed graphics?

Throw in Mindy Kaling of The Office and Joe Lo Truglio, and you have yourself just a sample of what is an entire cast of great voice talent. You also have Roger Craig Smith as the voice of Sonic (and Ezio Auditore of Assassin’s Creed 2), and Kyle Hebert as Ryu of Street Fighter (acclaimed voice actor),  and that’s a great addition. I loved the bad guy support group meeting as well. It’s all good in the hood.

I would recommend, if you have kids, taking them to see Wreck-It Ralph. It’s good for all ages (AKA, anyone who has ever played video games) and you’ll enjoy it too, no matter what your preference. So suit up and grab your controller and lay in to some good old fashioned fun. 8.8 out of 10.

Bunny and the Bull

This movie came to me as a change of pace from jolly ole London. Straight from the director of The Mighty Boosh and Come Fly With Me (two BBC series I love, can’t go wrong with Noel Fielding or Matt Lucas) Paul King, this little movie, Bunny and the Bull is the story of agoraphobia. Stephen (Edward Hogg) travels through his past and towards his front door to face the past that created his fear of leaving his house. Hurt feelings are uncovered and adventures in the weirdest ways are had, and I loved every minute of it.

So let’s see… Stephen goes on a cross-Europe adventure with his friend and gambler Bunny (Simon

Bunny & Stephen on their outrageous adventure.

Farnaby). For all you Boosh fans, Farnaby played pie face and Howard Moon’s twin in The Mighty Boosh. His outlandish acting is required again as Bunny, an unlikeable character needed to drive Stephen from his rut and his home. There are some great parts to this movie. Like, first of all, Stephen’s England flat doubles as a OCD’er’s paradise. Every item used in his home, every routine, is boxed and categorized for later sentimental value. Its quite a sight to see. And what comes in contrast to this to bring Stephen’s life to a screeching halt?

What's going on here, Julian Barratt?

The most amazing animated backgrounds and interactive panels. Stephen and Bunny slip into couches, ride around in crabs, and cross maps in search of what Stephen has been missing. This quirky comedy comes with a dark side that is finally faced at the end of the film. And, although you may not like the way it ends, it brings a conclusion that Stephen, and hopefully the audience can live with. Liberation.

There are some great cameos in this film! Richard Ayoade (former Boosh shaman and now IT Crowd

The Amazing Noel Fielding!

star) plays a Museum Curator in Germany, specializing in cobbling and shoes. There’s Julian Barratt as Atilla, the Russian madman obsessed with dog’s tit milk, and Noel Fielding, as Javier the failed Spanish matador. With all these Boosh actors, what could be wrong with this quirkily dark film? Yes, you end up hating Bunny. Yes, you feel frustrated with Stephen’s insecurities. But it all comes together in the end. This movie deals with standing up for yourself. With taking a chance. With getting up after love and loss, sadness and fear strike you down. Because, as this movie would suggest, it’s always important to bet again on the long-shot.