Tag Archives: annoying

Assassin’s Creed: Revelations. A Nice Sendoff…

After having played these games faithfully over the years, I was kind of disappointed with the way Ezio and Altair’s storyline ended. These two historical badasses have taught me that I can view the wonderful views of Europe and  Asia from my sofa, and I learned a thing or two along the way. And what’s better than playing as a grizzled and gray old master? But what wasn’t great was the quickly knotted and severed storyline that just led Ezio to Altair through Constantinople. With some strange new additions and a lot of DLC I’ll never be able to play (more that I don’t care to), Revelations left a bittersweet taste in the mouth.

The story is quite simple (especially if you recently played Brotherhood). It’s been a few years and Ezio is starting to show his age. Now that is something I was impressed with in this game. To grow older and wiser with a character as the game progresses? THAT’S A GENIUS MOVE. I loved every second of knowing just where Ezio came

A few of the character types for AC: Revelations.

from and where Altair was going. It was an intelligent gameplay device for the series. So there’s now older Ezio, (known as the Mentor) who has come to Constantinople, formerly known as the Byzantine Empire. With warring factions of Assassin’s and hidden Templars vying for the city, it is up to Ezio to lead the charge against the unwelcome squatters.

Gotta love the Creed.

Okay, Ezio’s other purpose for coming to the Middle East. Altair, in one of the best opening videos for the game series ever, left a door locked for his lineage to discover hidden within Masayaf. Ezio rambles some henchmens’ brains and finds the door, only to discover he must find some keys in order to unlock it and find the secret weapon behind it. They’re scattered throughout Constantinople by the workings of Marco Polo and his father. Using book clues and a lot of cutlery, Ezio swings through the rooftops of the city in order to unlock the secret.

Even further in the plot is Desmond. He just hoo-hawed Lucy and is now in a coma inside of the Animus 2.0. With the help of the figment of Subject 16, Desmond must combine his Altair past lives and Ezio past lives in order to come back from the brink.

Ezio struggling a bit himself, on the edge.

Okay, gameplay: It’s the free running slaughterfest you would expect from the AC series. Ezio is older and shows it with his speed and dexterity. What could he need at this point, you’re wondering. 1 simple solution. Hookblade. This new addition to Ezio’s weaponry allows him to zipline through the city and avoid/slay guards at will. Think of it like a cane for an old man (with a blade hidden inside). Combos are as brutal and fresh as ever. Collectibles and city restoration are normal. But there were some problems.

A bit of the hookblade action.

Having to defend Constantinople from the Templars was annoying as poop. Around every corner, one of the Assassin’s Guilds was under attack. And then you’d have to do some Bloons Tower Defense all over their ass, and that took up time and cut away from you actually doing the slaughtering. There were too many missions with the Assassin recruits and having to visit them and wipe their bottoms wasn’t helping anything. And trying to get any semblance of achievements or furthering the percentage of completion in the game was weighed down by silly side missions and a block building game with Desmond. This is why I will always love the original more than any of the others. Missions, flags, and killing at will. There’s none of this side quests, hidden gems, and pampering the city B.S.

Ah yes, the young Altair. Notice the scar above his upper lip. That looks familiar…

With all of these problems aside, it was a pretty weak sendoff for Ezio and Altair. Yes, you walk around as Altair at 80+ doing some elite pwnage (never use that normally, guess I want to seem like a true gamer…)  and some nice explosions to walk away from, but nothing you would expect from the mind blowing storyline this game series has created. You find the goods, and then one of the biggest cliffhangers ever. Assload of credits and back to some freeplay. Damn it all to Hell, with AC3 coming out, you could’ve gotten me a bit more excited. So I’ll leave you with this. Play the game because it’ll make you feel a bit closer to Ezio and Altair. There are some great bits, but far from Brotherhood or AC1/2. The visuals are stunning and the history is rich, and that’s what I play these games for. Enjoy it while you can until you forget about it because you’re too busy hiding boners from AC3. Just a little bit longer… A solid 6.7

Get some of that carnage.

out of 10.


Death Note: Simply Amazing

So this is one of the best anime I’ve watched. Ever. I mean hands down ever. I think this should be a mandatory requirement for all anime fans to watch. In one sitting. I had to load episodes from the internet, but I loaded them 1o at a time and would site for 3 hours watching al 10. This show blew my mind. It has the most intricate plot with twists and turns. It’s one of those pieces of art that you watch and you have to choose a side. (Clearly there’s only one side to choose in this anime.) But it’s harder than that. It’s about morality.

Light vs. L. Who will win?

Ethics. The worth/cost of a life. And whether or not it is just to take a life in the pursuit of justice and goodness. And if humankind can itself be gods.

So this anime is about Light Yagami (Brad Swaile). One day this 17 year old student, top of his class, suave, genius prodigy finds this notebook. And in it are instructions. If a name is written in this book with the persons face in mind, that person will die of a heart attack in 40 seconds. If a cause of death is established in those 40 seconds and the

Light Yagami. God of the New World.

details written in 6 minutes and 40 seconds, then the person will die that way if the means of that death can be accomplished. This is basically disregarded by Light as some ridiculous joke. Until he tries it. Then Light is thrust into a world of possibilities no one before could possibly imagine. And, using this Death Note, Light will become the God of the New World.

There is some baggage that comes with the Death Note. A Death Note can only be found by a human on Earth if it is dropped by a Shinigami. These quite strange, queer, funny creatures come from “limbo” as best I can figure. Their world is dissolving and Ryuuke

Ryuuke. He likes apples.

(Brian Drummond) has grown tired of the days of gambling bones and sleeping. He hungers for intrigue and excitement, and nobody better than Light can give that to him. Light’s attitude towards the power to kill brings surprising results. Light only kills criminals. Ryuuke follows him around, unseen by humans other than Light, for only humans who have touched the notebook can see Shinigamis. And it is Ryuuke’s duty to remain on earth with Light until it is his time to leave Light upon his death.

And from there the show picks up. Light soon becomes Kira (the Japanese pronunciation of Killer. Stereotypical right?) and creates a following. But the justice system won’t stand for that shit. They’re gonna put a stop to him right? So L(Alessandro Juliani), the greatest investigator/crime solver in the world, better than the Hardy Boys and Nancy Drew combined, will do just that. And the chase begins. From here, the twists and mind games that’re played throughout the show display the amazing mind behind Tsugumi Ohba, creator of the manga.

I love Light Yagami. Thank you Brad Swaile.

Let me just say that my explanation/review of this anime comes nowhere near doing it justice. Although this anime was picked up by a Canadian company for dubbing, this doesn’t detract from the quality. Canadian voice actors are just as good as American voice actors. Case in point: Light Yagami’s voice actor, Brad Swaile. This guy must rock the mike when he’s recording. His manical laughs, his brilliantly intelligent air about him, it all fits the character. To a tee. Forget watching the subbed version, this guy brings this show home himself. Also of notable mention is Alessandro Juliani, the voice of L. Although his noises when interacting with food may seem off-putting, it enhances the strangeness that is L. L’s character is quirky and cold, intelligent and funny, but, to me, altogether annoying. And that’s why I chose the side of Light. Okay, not just because of the voice acting. To put my own opinion out there, Light’s sense of justice and genius mind are completely superior to L. In every way. Besides that, yes, L is respectable. But altogether inferior. But that’s where the dichotomy of the show comes from. And that’s why I enjoy the battle of the minds so much.

Also of notable mention in the voice acting department is Brian Drummond,  the voice of Ryuuke. All these Shinigami have sort of a grating, holier than thou, tone of voice to them and Ryuuke is no exception. Although he may play the part of jester, Brian Drummond brings an almost threatening aura to Ryuuke that makes him seem capable of anything being a God of Death. Chris Britton also gives a great performance as Soichiro Yagami, Light’s father. (I’m not gonna go into details about him, you must watch!) The grave, business air of Soichiro is what gives a respectable dignity to himself. Chris Britton’s caring and

Soichiro Yagami. Badass Dad.

intelligent voice lends itself to the character and really helps to envision a father worried for his family. Vincent Tong gets my honorable mention as Touta Matsuda, the goofy, caring, blundering police investigator of the Kira case. (This is inevitably what develops from Light’s mass killings of criminals.) He cares about the case, but he’s young at heart and this comes through strong and clear from Vincent Tong’s performance, making him an endearing character.

Teru Mikami. You'll see...

Another boss character from Death Note with a great voice actor is Kirby Morrow as Teru Mikami. (Now I can’t go into detail about this character, but look out for him!) Kirby does a great job of a devotional character willing to do whatever it takes for justice. Take that explanation as you like it. This show’s also great because there’s a culture crossover with Americans involved as well. And this shows itself in Raye Penber, voiced by Michael Adamhwaite. Adamthwaite (although a minor character) gives a great performance being an English speaking actor doing a English speaking character (not having watched the subbed, I don’t know exactly how this crossover works) and is quite the interesting character with a humble background.

But enough about voice actors. I could go on for far too long. The art is great too. It’s subtle dark colors mixed with flickering lights and dark corners gives it that seedy underbelly, nobody is who they say they are, investigation feel. This show is dark. I mean, come on, it’s about death. Characters are messed up in this show. But it’s all about the intelligence, it’s about the wording, and, most importantly, it’s all

Oh, did I mention there are live action movies?

about the deductions. The Shinigami, although otherworldly, become believable in this setting that seems it could never happen. I was never surprised or in disbelief by this anime, because it makes the impossible, possible. And that’s where the magic comes from.

So watch this show. Please check it out. It’s well worth its weight in gold. This show sets the bar unbelievably high for anime, and I think could make the jump into pop culture. Or, I wish it would. Love it, love it, love it. 11 out of 10. (Because I can.)

Oh, and this anime has one amazing intro. Check it (if you’re a metal fan).