I’m not usually a fan of pre-2000’s anime. I love some of it, but a big killer for me of such a wide array of anime is the choppy animation. I know the times have been a-changin’, but that’s just the kind of person I am. I’m excited with the direction that anime is going, and this is one of those shows that kicked it off. Blue Gender is the show of a post-apocalyptic Earth that has been disheveled by gigantic bug creatures called the blue. One of those mecha shows in line with Evangelion and a little bit of Gundam, this show provided more than action, it provided mental breakdown and disaster.
Blue Gender is the story of one man, Yuji Kaido (Eric Vale). Let’s start off by saying I was happy to see Eric Vale do good justice to another hero in a series of heroic mecha shows I’ve seen him do. Anyways, Yuji is a sleeper, one of thousands of citizens of the world that were sent to sleep in the 2000’s. Now, 22 years after his slumber began, Yuji is abruptly awakened into a newly advanced world that is being slowly destroyed by a gigantic race of bugs. You may be wondering, “How did these bugs get so damn big? Are we in Honey I Shrunk the Kids?” No, that’s a strange assumption to be making. It will all be explained at the end.
Eight legged freaks?
So Yuji is accidentally awakened and he spends the first episode yelling and running around this scientific facility, trying to figure out what’s going on. He nearly dodges death and finds his way into the arms of a young, unfeeling cadet, Marlene Angel (Laura Bailey). The two of these spend a big majority of the show attempting to get into space to regroup on Second Earth. And that’s not where the show ends. That is a big discovery and a secret I will keep. Well worth the wait that this show still delivers all the way until the end.
Yuji, always emotional and humming.
At first this show started off similarly to Casshern Sins (refer to earlier blog if you need a refresher). Yuji and Marlene’s gang of soldiers are in a race to beat the clock back to Second Earth. But a lot of people die along the way. But a lot of new people are met at the same time. The first half of the show, basically, is Yuji’s discovery of just exactly the difference is between living on Second Earth. The schism between the two is brutal and astounding to him. This is where the heartfelt apathy is felt for humans in general. Then the show picks up with a lot of action and some role reversal, and you’re left with a “we must save the world” situation.
I don’t mind this construction in anime. What I did mind was a not so subtle undertone of sex in this sci-fi/horror/mecha anime. With this whole idea of
Yuji and his B.A. mech unit.
free love and no consequences came off as strange. Nobody cares about each other and this is really emphasized through Yuji’s eyes. But what I don’t get is that all this free sex is unabashedly displayed and done in front of everyone else. I get that this is a common theme in sci-fi novels, but I think it reflects poorly on the genre in that it really doesn’t have to do with anything and just comes off as awkward.
This show gets steamy.
Animation-wise, the show looked fine. There was a good deal of gore and mature content, and I was okay with that. I can imagine its stint on Cartoon Network’s Toonami must have been greatly edited. The recording of the dub was a bit low and I missed some key lines throughout. I don’t know if it was Netflix, but that was a bit of a problem and detracted from watching it. But that opening song sure is bumpin’. Overall, I really enjoyed that this show was more than your average mecha fighter. The characters had fight and soul, and it made out for a better plot and drama. I’m sure some other anime could take some cues from this formation. A well deserved 8.4 out of 10.
3 Comments | tags: apathy, awkward, Blue Gender, Cartoon Network, Casshern Sins, choppy animation, common theme, disaster show, discoveries, dying, Earth, Eric Vale, Evangelion, fight and soul, free love, gigantic bugs, good drama, gore, Gundam, Hero, Honey I Shrunk the Kids, horror, humans vs aliens, Laura Bailey, Marlene Angel, mature content, mecha anime, mecha fighter, mental breakdown, Netflix, opening song, post-apocalyptic, pre 2000 anime, role reversal, save the world, sci-fi, sci-fi novels, Second Earth, sleepers, soft recording, soldiers, Toonami, undertone of sex, Yuji Kaido | posted in Anime/ T.V.
Does everybody remember that Ninjas vs. Pirates debate a few years ago? During that whole ordeal, I never took sides. But now that I’ve watched Nabari no Ou, I’ve decided I would definitely side with the Ninjas. In this anime of love (the… strange kind), betrayal, and apathy, Miharu Rokujou (Brina Palencia) must discover just what it means to be a ninja and follow the path. In a war of ancient ninjas and the pervasion of the modern world, the Shinobi of the old ways must fight for a future which still finds ninjas to be relevant. And this is decided through the power of the Shinrabansho.
Miharu is a 14 year old apathetic middle schooler, floating through life. One day, one of the teachers at his school attacks him from nowhere, throwing shiuriken and jumping from tree to tree. Not fully
Miharu and his wily ways...
understanding what’s going on or why this man was attacking him, Miharu is saved at the last minute by one of his other teachers, Tobari Kumohira (Eric Vale). Hearing the word Shinrabansho and not fully understanding, Miharu is thrown into a dreamlike state in which a “fairy” speaks to him about his inner power. Meanwhile, outside, Tobari-sensei seals this hidden power inside Miharu, protecting him for a time from himself.
With the conclusion of this night fight, Miharu is from now on protected by Tobari and two of his classmates, Kouichi Aizawa (Chris Burnett) and Raimei Shimizu (Kate Oxley). With their help and the guidance of the Fuuma village ninjas, Miharu and his friends must find the forbidden secret arts of each ninja clan and use them in order to extract or use Miharu’s Shinrabansho. With a surprising ending and quite a few turns or loyalty, this show really delves into what it means to trust and believe.
The power of the Shinrabansho!
I really liked the fluidity of the fight scenes and the use of ninja arts in this show. This is coming from someone who just recently got into Naruto, the slightly retarded, childish version of Nabari without a whole lot of plot. (Well, I like it though…) With every character skinny as a pole, it’s almost easy to believe the gymnast like moves of these stylishly dressed ninjas. I was a big fan of the fact that not every character in this show was a ninja though. Yes, it’s hard to think that Miharu never really fights (a hard thing for me to get over when it comes to protagonists), but he makes it for it with his wiles. What’s great is the samurais, Raimei and her badass bro, Reiko Shimizu (J. Michael Tatum). He’s said to have killed every member of the Shimizu family, by himself, when he was very young. Can’t get more destructive than that.
As with most shounen I’ve been watching, there’s a focus on an overarching plot with little sections running throughout, resulting in the product of the ending. I’m not opposed to this structure, but, coming from a movie lover, it’s slightly difficult in getting over a show that doesn’t trudge ahead by sticking to one linear plot. But I digress. There are a bevy of interesting characters in this show that really stand out to me. I would say Yoite (Joel McDonald) is the strongest of the crew. In what seems to be an antagonist role, Yoite slowly becomes an emotional character that lots of other characters begin to put stock in. In the end, Yoite becomes somebody that changes the face of all those involved, whether they realize it or not. Shifting focus between characters is an interesting tactic in plots, and this was pulled off well.
The Fuuma clan, ready to fight.
I had problems with Miharu, and its mostly due to his apathetic nature. With characters like this, they seem to let things happen to them without truly doing anything themselves. To not connect with others or attempt to find any form of help/solace really frustrates me as a viewer. Those who don’t attempt to find help in others or really care about anything leaves them floating in a void. And this helps no one. In contrast to that, Tobari-sensei attempts at every corner to help Miharu and the other because of the sins of his past. His caring nature and fatherly approach are really pronounced and worth admiring. (Some people may not like him, but I find him to be likable.)
With a more artistic, flowing feel, I found Nobari no Ou to be a compelling and interesting take on what it means to be a shounen about the popular topic of ninjas. From a emotional standpoint, the focus on characters rather than action is commendable. The use of powers and ninja arts is almost poetic in their symbolism and stand out in comparison to the actual weapons used. Not a bad voice acting crew with a lot of notable names, it is a decent body of work. Enjoy the boy on boy love too! (Not exactly, but you’ll see what I mean.) 7.1 out of 10.
A little bit of that boy love for ya.
1 Comment | tags: ancient ninjas, apathetic nature, apathy, artistic feel, boy on boy love, Brina Palencia, caring nature, character driven, Chris Burnett, emotional shounen, Eric Vale, fluid fight scenes, forbidden secret arts, Fuuma clan, hidden power, inner power, interesting characters, J. Michael Tatum, Joel McDonald, Kate Oxley, Kouichi Aizawa, love and betrayal, Miharu Rokujou, Nabari no Ou, Naruto, ninja arts, ninjas, Ninjas vs Pirates, no connections to other characters, no linear plot, overarching plot, Raimei Shimizu, Reiko Shimizu, samurais, sealing powers, Shinrabansho, shuriken, sins of his past, symbolistic, Tobari Kumohira, turns of loyalty, village ninjas, Yoite | posted in Anime/ T.V.