Tag Archives: Arrested Development

Horrible Bosses

So this movie probably is no longer in theaters, but when me and my roomie all the way out there in London (this is a shout out E. Miss you.) caught this movie in theaters, it was in its 6th week showing. I think that itself says a lot about just how good this movie is. Plus the aged ticket vendor woman who told us this adult movie full of swearing, drugs, and new age humor for the 20 year olds was “funny as poop.” So yeah, I had to check out this movie. I mean, come on, Jason Bateman and Charlie Day in the same film? Perfect. This was a movie worthy of its under-hype, so to speak.

In this film of every Average Joe’s fantasy, three friends Nick

Trio of champions.

(Jason Bateman), Dale (Charlie Day), and Kurt (Jason Sudeikis) all hate and want to kill their bosses. Nick’s boss is a psychopathic withdrawing bastard (Kevin Spacey) who forces Nick to stay late, work often, and never give him that sought after promotion. Dale’s boss is ironically a maneating sex addict (Jennifer Anisten) who just wants Dale, despite knowing full well that he’s engaged to marry. And Kurt’s boss, the toolish son of the former boss who kicks the bucket and takes over by default (Colin Farrell). With this trio of terror, the boys just don’t know what to do to rid themselves of these terrible bosses with a job market where there’s no chance of redemption.

Until one day, Mutherf@#$er Jones (Jamie Foxx) stumbles upon them. And by that, I mean Nick and the gang to rovin’ around in a black neighborhood and stumble upon one mean Jones who’s willing to help them get rid of their bosses for a small fee.  And what does he do? He becomes their “murder consultant,” and helps them to kill each other’s bosses. What transpires is one of the funniest series of events that I’ve ever seen on film in the last 5 years. Other than 30 Minutes or Less, and that review will be coming shortly.

The good and bad. This film was shorter than I wanted it to be. This film needed to be longer. This 98 minute film could’ve been fleshed out to a 2 hour movie and I wouldn’t have complained for a second. There’s always more comedy that can be shoved into a film, and this movie could’ve used it for the full $10 movie theaters are charging now. Other than that, maybe Jason Sudeikis wasn’t the best SNL choice to go with in this film. I didn’t mind him, but at the same time, I didn’t really notice if he was funny at all.

It was mostly on Jason Bateman and Charlie Day, coupled with Colin Farrell’s hilarious scenes of

These 3 brought the house down.

cocaine and Kung Fu, that brought the brunt of the comedy in this film. I love the way in which Farrell can make fun of himself and not always go for the better roles that cast him in a better light (I’m just glad he doesn’t do movie like Alexander anymore…). But yes, Jason Bateman performs in his prime (Arrested Development level) and I’m happy to see he’s really putting work in this year with The Change Up and an Arrested Development movie in the works.

Charlie Day. Thank you for living.

Charlie Day. What is there to say about Charlie, member of one of the greatest trios to ever grace cable television on Always Sunny in Philadelphia. His signature character of the bumbling idiot shines through again in a Hollywood blockbuster meant for his caliber of acting skills. I know it may seem that Charlie Day will be typecast forever, but I could care less. His fantastic attitude and demeanor as a character actor could be the same in 1000 films and I’d watch every one.

Kevin Spacey gives a great dickish performance, in coupling with Jennifer Anisten trying on some level to reclaim some never found sex idol roles in this film. Sure she looks nothing like her normal self in this movie, but

Let the On Star begin.

damnnnn. Wow. With some great On Star humor and some great banter between Jason, Jason, and Charlie, this movie performs on par with The 40 Year Old Virgin, #1 in my favorite comedies of all time. (Since then Judd Apatow has never made another funny movie.) I give credit to Seth Gordon in this breakout directing “debut”. His work on The Office, Modern Family, and Parks and Recreation gave him some experience going into a full length Hollywood film. And definite props to Michael Markowitz and John Francis Daley (among others) for great dialogue between three great characters. 8.8 out of 10.

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Arrested Development: The Show that Should Never Have Been Cancelled

But really. More please.

So by now I expect this show to be well known despite its cancellation. Arrested Development, one of the best shows on television from 2003-2006, was (and is) one of my favorite shows. I recently re-watched this and thought it would be good to give it a review it deserves despite its cancellation. I know nobody really gives this show bad reviews, but I just wanted to buffer reviews that already gave this show an amazing name. With the rumors (or preparations) for a movie to be released in 2012 (if we all make it) I think this would be the perfect time to talk about Arrested Development.

Now, Ron Howard, the executive producer and narrator of this show, is pretty well known if you don’t

Ron Howard. Thank you.

already know. And he’s quite great. (Some of my favorite films, A Beautiful Mind and Cinderella Man, are Ron Howard creations. Even the Dan Brown novels-films are quite great.) This combined with Mitchell Hurwitz,’s writing, (writer of such comedies as Golden Girls and The John Larroquette Show) makes for one of the best shows to ever grace television. Both of these guys, combined with the amazingly comedic acting talents of the main cast, leaves me laughing every time I watch any of the three seasons.

So, basic plot. Michael Bluth, the middle of 3 sons of the Bluth family, has to take over for his father’s business. The reason? His father has committed a number of felonies that have placed him in prison, awaiting trial. This structures the basis of the show. The rest of the show? The Bluth family. You have Gob, the failure, incompetent magician, kicked out of his own magical order. Lindsey Bluth, Michael’s twin sister and fair-weather activist. Buster Bluth, the momma’s boy younger brother and complete baby. Along with these are Tobias Funke, the failed therapist and husband of Lindsey. Their child Maebe, is the rebellious wild child. And Michael’s son George Michael has a thing for her. But don’t worry, he’s a goody two shoes, and he’d never step out of line. But everyone steps out of line once in a while. And that’s where the humor comes from. The unabashed comedy that flows from every character, every pun, every situation, and every ironic event.

Best cast. Ever.

And who delivers these genius lines? One of the best casts out there. First, you have Jason Bateman as Michael Bluth, the main focus of the show and the one holding the family together. Bateman’s cynical nature and pessimistic attitude stands in contrast to every other character and their lack of ethical and hard working spirit. Then there’s Portia de Rossi, Michael’s twin Lindsey. She’s the lazy good for nothing who brings the ditzy activist role to life. She literally understands nothing. And she’s great. It makes it funny that her and Tobias’s relationship really doesn’t work because she’s really a lesbian in real life. And her and Tobias never do it. Ironic, huh? Perfect fit though. There’s Will Arnett as Gob, my

Gob (Will Arnett) . Genius

favorite character. He’s the most offensive, hilarious, and unabashedly direct character who loves women, one-upping his brother, and performing magic to the “Final Countdown.” Michael Cera plays Michael’s son, George Michael. (Funny name, huh?) This show functioned as Michael Cera’s jumping off point for more work, but he’s never really done anything as good as Arrested Development. Alia Shawkat plays Maebe, George Michael’s forbidden love and cousin. She is one of the more grown up members of the family but always reverts back to her childishly rebellious state. Tony Hale plays Buster Bluth, the baby of the family. He’s great as one of the stranger characters and really plays the part so well. David Cross plays Tobias Funke, the failed therapist that seems gay and is a never-nude (Check that bit of news out, why don’t you.). Jeffrey Tambor and Jessica Walter fill out the family as George and Lucille Bluth, the parents and more dysfunctional family members than most. With their controlling natures and absurd sex drives, these two really bring out where their children’s bad behavior came from.

And that’s really about all there is that needs to be said about this show. This is what makes it good. With great writing and comedic elements, a great producer/narrator, and an amazing cast, what more do you need? These actors have all made names for themselves from this and other shows, and have gone on to do more than just comedy. I could watch this show over and over again. Although you may need to buy the seasons, their well worth their $25 a piece. Check them out. 10 out of 10.

And here’s the best of Tobias. Thank you David Cross for one of the greatest characters of all time.


Paul

The second I saw this movie was coming out, I got really excited. I’ve seen Simon Pegg’s show Spaced, I’ve seen both Shaun of the Dead and Hot Fuzz, this was just gonna be another winner to add to the list. Not quite. It was quite good, but this had a different feel to it than the other Pegg/Frost collaborations did. Paul is not quite the movie you’d expect from these two, but it had all the things that Simon Pegg loves: Star Wars and aliens.

Paul is the story of an alien (Seth Rogen) who comes crashing (or exploding rather) into Graeme Willy’s (Simon Pegg) and Clive Gollings’ (Nick Frost) lives. On a road trip around America after Comic Con, Graeme and Willy find that the alien trip they planned through the midwest would be more real than they could ever imagine. Getting into trouble one after another, Graeme and Clive meet an all-star cast along the way in what I could only describe as England vs. America with E.T.

First things first. ACTING. Yes, this movie has quite an extensive cast with cameos and guest stars all over the place. First we got Jeffrey Tambor (Yes, Arrested Development. Best.) as Shadowchild, a sci-fi writer with an ego and O.C.D. problem. Jane Lynch as the alien truck-stop waitress who pops in and out from time to time. David Koechner as the redneck anti-queer (really breaking away from his role as Hannah Montana’s uncle). Jason Bateman as the surly F.B.I. agent out to get Paul (quite funny), along with Bill Hader (one of my favorite SNL guys) and Joe Lo Truglio as the bumbling idiot agents who kind of mess everything up but are quite funny. Also Kristen Wiig (annoying) but actually not that bad in this film. I’ve always found she’s more bearable in films than SNL.Yes, that’s quite a laundry list of actors that have the potential to make a movie funny. Bravo.

Simon and Nick. Just some Comic Con goers.

This movie is also a break directing wise from the usual. Instead of the great Edgar Wright (Shaun of the Dead and Hot Fuzz. How amazing.) we have Greg Mottola (Superbad and Adventureland. Two terrible one word movies.) This really disappointed me. A lot. It gave a different feel to the movie that, frankly, wasn’t all that good at all. Simon Pegg and Nick Frost work well together with other English actors. A lot of the humor in this movie comes from the supporting cast. This saddens me. That’s what made Shaun and Hot Fuzz so great. Edgard Wright (He failed at Scott Pilgrim. Check my blog.), English supporting cast, with Pegg and Frost as the driving forces behind the comedy. Bad form.

But that’s not to say this movie isn’t that good. It has its own genuine feel to it that is still quite funny. All of the supporting cast is quite funny American actors. It’s written by Simon and Nick. It’s their brainchild. The thing that ruins it for me is it doesn’t have the choppy, sporadic, English humor you come to expect from them. You could say that’s probably because it’s not Edgar Wright driving the project from behind the camera. Sad, I know, but still.

I was also surprised how sub par the special effects were in this movie. Maybe it was to give it an E.T. feeling, but maybe it’s just the production value that lacked in the making of the film. Paul wasn’t as real looking as I expected for a 2011 film, the spaceship and such felt unrealistic. The stunts were fine, it was just everything else that threw off the movie for me. Maybe another thing that affected me was my movie watching experience. It wasn’t the audience, it was the theater (Thanks, Regal Cinemas 14). The projection was out of wack, all of the lettering in the film was hard to look at. The lights came on in the theater 30 minutes before the movie was over. It kind of ruined it for me. But besides that, the movie was good (Wow, I just complained a lot…)

I still think this movie is worth watching. If you’re ever in the mood for a pretty good alien comedy, please see this movie. Simon and Nick need all the support they can to become really big in America, and I know they already kinda are, but they need everybody behind them to help Americans realize that they’re just as good as actors are here. (Certainly better than Matthew McConaughey or Brad Pitt. Come on… Although Lincoln Lawyer might be good…) So please go see Paul. It’s definitely worth a watch. 7.8 out of 10.


Scott Pilgrim vs. reviewsfromtheabyss

So I sat down last night and watched this movie finally. I had thought about seeing it in theaters and decided against. I find myself in the realm of good decisions waiting for this one for DVD. Alright, so to sum up this movie. Scott has an Asian girlfriend, Knives Chau (Ellen Wong) and then meets Ramona Flowers (Mary Elizabeth Winstead) and must defeat her seven evil exes (a reoccurring joke that doesn’t seem funny). The whole movie is shot in a music infused video game style with stylized violence throughout. At first as I watched, I felt, okay, this movie could go PG. Nope. turned PG-13 pretty quickly. A sensual scene here, a swear there, and it turned in to what was a feeble attempt at a PG-13 movie. Edgar Wright did a fantastic job directing and worked well with the style he decided to pursue. Almost all the comedy comes from the visual effects and looks fantastic (one movie I would see in theaters in 3D).

Apart from this, I was greatly distressed by the level of acting in this movie. To start things off, Michael Cera was awful. He came of as a gangly, falsetto pedophile who didn’t belong in the movie. I must say I like Michael Cera, but more Youth in Revolt level acting. He lent his quips and awkward charm to the movie, but to no avail. Mary Elizabeth Winstead was fine, I think she’s beautiful and brought a solid B+ performance to the movie. I loved her in Black Xmas, but that’s for another time. (Horror movies are on a whole other level for me.) Allison Pill came off as extremely annoying, albeit she was Scott’s ex-girlfriend. Mark Webber brought the humor as the band’s erratic and easily frightened front man, although I haven’t seen Mark since Snow Day back in 2000 (that really dates my movie experiences…). Kieran Culkin was fantastic as Scott’s homosexual roommate, Wallace. If I had to compare him to any actor, I would consider him a more refined version of Tobey Maguire.

Some high points of the movie stand out to me which I wasn’t expecting at all. Jason Schwartzman’s small role towards the end was fantastic as Ramona’s strongest evil ex. Although not the typical A-list shizz that he normally does, I enjoyed his part. Let me also just say that Tom Jane’s guest appearance in the movie was badass. I won’t tell you now but, if anything, this movie is worth watching for his cameo. Mae Whitman was fantastic as Ramona’s lesbian phase. I see it as a tribute that they would include Michael Cera’s former ex-girlfriend from Arrested Development, Ann, into the mix. Bravo. To round it off, Chris Evans part was great as the cheesy action film star and all around tool. I’ve liked him in comedies ever since Not Another Teen Movie and he’s always great at it.

All in all, the movie was quite good, but mostly lacking in overall acting and delivery. To have a movie’s visual effects overtake the acting and comedy of the situations of those actors is poor, although this movie wasn’t at all about the acting really. And for that, I give it a 6.6 out of 10.

Shot from the movie.