Killing Bono (Not Literally)

What would it have been like growing up living in the shadow of Bono and U2? Well Neil McCormick, author of Killing Bono: I was Bono’s Doppelganger knows exactly what that feels like. And his book turned out to be quite a good movie based on his experiences. With a huge interest in seeing Robert Sheehan in a role other than Misfits, I sat down to check out Killing Bono. In an odd turn of events, this is one of those films of one-upsmanship. I find McCormick’s character to be intriguing and tragic, especially with his circumstances and the adversity he faces. So let’s blast out to some U2… and Shook Up.

In the late 70’s, Paul Hewson, soon to be known as Bono (Martin McCann) and his friend David Evans (The Edge) would form a band that would sweep the world, in a similar fashion to The Beatles. Neil McCormick’s brother Ivan (Robert Sheehan) was recruited at first by Bono, but it was Neil’s (Ben Barnes) decision to keep him from the band. Holding this secret inside, Neil will do anything in his power to beat Bono and his fast rising star. With travels to England, a few

A little bit of Martin McCann as Bono.

relationships, and some fiddling around with record producers, It is up to Neil to prove to his brother and everyone that his mistakes were made for a reason.

And it’s a long journey from the bottom to the top (or as close as it gets). This movie has some twists and turns (on a downward spiral), and leaves you realizing that it doesn’t matter if Neil succeeds, it is up to him to do what he thinks is best for himself, and realize he cannot choose for others. He can only  be as good as he himself can be. Now there’s a bit of some moral wisdom to dish out at the end of a film.

A little taste of the McCormick brothers!

I had only seen Ben Barnes in a few things before he burst onto the scene in this film. Stardust and Prince Caspian in the Narnia series to name the few. But this is one of those out there roles for Barnes. He’s all over the place, he’s ecstatic, he’s cocky and ready to roll at any moment. This is a hard role to pull off if you don’t have the personality for it, but Barnes does a good job of it. I wouldn’t have minded to see Robert Sheehan in the pivotal role, but this was all good all the same.

But my what a young actor Robert Sheehan is turning into in the world of movies. First there’s his strange appearance in Nic Cage’s Season of the Witch, and then followed by this movie? Soon he’ll make a name for himself as a period piece actor in the American film world. And I hope his unforgiving comedy will be able to come across the “big pond” in order to become a mainstay in America. I see big things for this young star, and I wish him the best.

Pete the ridiculous record exec.

It is rather unfortunate that this is Pete Postlethwaite’s last performance before his death. This actor who I will always remember as the whimsical man who gave James the seeds that would send him on his journey in James and the Giant Peach. In this film, he’s a bit of a different character. Pete plays a garishly homosexual landlord with a penchant for large parties. Helping Neil and Ivan along the way in London, it is Pete who brings together Gloria (Krysten Ritter) and Neil as Karl, Gay Landlord Extraordinaire.

That’s some great hair there, Robert.

And you can’t forget Peter Serafinowicz as Hammond, the ridiculous record producer. First he was Pete, the dick roommate in Shaun of the Dead, but he has gone on to do some great T.V. work Look Around You and various other writing and starring in British television. He was the voice of Darth Maul for god sakes! What an accomplishment! This strangely wonderful man is just the kind of quirky actor this film needed.

Oh, and we have to talk about the soundtrack! This movie didn’t directly feature any U2 tracks, this features all original (or did Neil make it?) music for the film, or something or other. And I really enjoyed the music. Ben Barnes had a great musical performance and really captivated what it meant to be a popular band in the 1980’s. Couple this with a combo of darkish humor and drama, and you have a film about triumph and revenge. I’d give this film a watch for any U2 fans. 6.9 out of 10.

Let’s get some dark eyeliner on and hit up this club.

Re-Cycle: The New Face of Horror

Strange Spanish text...

Now I gave this review “The New Face of Horror” for a reason. This movie may be 5 years old, but this movie packs a whole lot of suspense, shock, and plot into one film. With a simple plot inside of a psychological mess of meaning, this movie entertains the mind on so many levels. The Pang Brothers, directors of Bangkok Dangerous (surprisingly the original and the remake), The Eye, and The Messengers, these bros do a whole lot more with this film. I did find The Eye to be terrifying (the original, mind you) and full of disturbing images, it was coming from an honest place in the horror genre that speaks to exactly what horror is. The idea of seeing just what frightens you and not being able to stop it. And, I would like to argue, Re-Cycle does the same with its intent.

The movie starts out like any Ring-like/Grudge like plot device. Ting-Yin (Angelica Lee) is a successful author of romance novels, drawing on her own heartbreaking life experiences with her lovers. When her agent announces that the book she will be currently working on is one of a supernatural nature. Delving into a world of literature and life she is unfamiliar with, Ting-Yin finds difficulty in this topic. After her ex-lover of long ago returns from divorcing his wife, Ting-Yin finds she must reexamine just what love means to her. And then that’s when things get weird.

Ting-Yin and the girl.

Ting-Yin, after writing a bit of her novel, finds that the supernatural events she is writing about… are happening to her. After scenes of suspense and danger, Ting-Yin escapes into a world not her own. She wanders through this world, encountering those who would wish her harm and others who provide help. Will she discover the meaning of this world and the characters she encounters? What exactly is the meaning of Re-Cycle? You’ll have to check out this wonderful film to discover its secrets.

The chilling ghost town of Ting-Yin's mind.

What really blew me away about this movie was the Guillermo del Toro special effects. Who I consider to be the greatest creature/effects creator of all time sets the bar for me when it comes to comparison on fantasy effects. And this movie ranks highly on the del Toro scale. The hanging forest chills me, and the mask that the little girl wears is terrifying. In an almost Silent Hill (again, there’s a review on this movie on my blog), the world that Ting-Yin encounters rivals that of the decayed town in which the main character of Silent Hill finds herself in. In an almost eerily similar way, at times in the film, Ting-Yin finds herself in a section of her world that begins to decay (or recycle, as it were) underneath her feet. And there’s one section of the world that will leave you in shock.

Known as the aborted fetus room (I’ll call it that, thanks), this place of horror and its demented baby fetuses is classically considered to be a comment on the issue of pro-life. I found it to be interesting in that, in a Chinese film, a woman encounters this house of horrors in what is truly a reality for many Chinese people. Due to the regulations on population size and number of children allowed, many women would have to face this trial for themselves. But, as the Pang Brothers divulge, “That just happens to be one of the topics in the movie. We are not out to say if abortion is right or wrong.” (That was said by Oxide Pang. What a badass name.)

Quite surreal...

But this movie really rolls a lot of fantasy worlds I find endearing into one. For one, Silent Hill. The idea of a demented ghost town is always a creepy thing. Then, there’s the elements of a “Fall” type realm. In another strain, The Fall is a movie I cherish close to my heart. Tarsem Singh brings an amazingly visual movie to light with a wonderfully tragic story. Not that this movie had that, but it came so damn close I cried regardless at the end. And, as always, my personal favorite, Alice in Wonderland. As if Ting-Yin herself was the Alice down the rabbit hole, this author turned experiencer of her own mind effectively symbolizes Alice and Lewis Carroll all at once.

I actually liked this cover better.

There were only a few drawbacks to this film. The biggest one I would say is the love interest. Well, former love interest. The few parts he had were entirely dubbed over by another Chinese actor. This jarring experience really ruined one of the more emotional scenes that was meant to show you the anguish between Ting-Yin and her lover. The other was the few slightly below average demons in the world in which Ting-Yin traversed. If only a bit of special effects work had been done instead of makeup, it may have looked a bit more demonic and devious. But, all-in-all, this movie delivered on all levels. With a move from the suspenseful and shocking to the macabre and surreal, this movie ends with an emotional bang, in a good way. So definitely check this out. If I had seen this movie earlier, I would’ve given this one of the more enjoyable and engrossing movie watching experiences of 2006. 9.8 out of 10.