Tag Archives: Batman Begins

The Dark Knight Rises: I Was Born In It…

Sorry I’m a bit late on the uptake with reviewing this movie, but I did see it, so I do need to review it. This movie, as the whole series does, holds a lot of mixed feelings with me. People moan and complain about the past Batmans (never had nipples, I get it), and rant and rave about how this series is the end all be all of Batman fandom. That’s great, neat-o. People have all different kinds of preferences when it comes to comic book

Hello there, Mr. Batman (in a Sean Connery voice).

heroes and the types of ways that they’re represented, but get off my back when I say I am a bit more nostalgic and partial to the original Tim Burton films. Jesus…

But, that doesn’t mean I didn’t enjoy these movies. We all must remember that these are movies about fictionalized characters from comic books made mostly for the demographic of children to teenagers. Being in college, I can claim, just on the border, that it still applies to me. And hell, these movies only apply to people my age they’re so damn dark these days. I never read The Dark Knight series, and I don’t plan to (not a big comic person). Christopher Nolan can do what he wishes, but just because he made Memento that film kids orgasm over, doesn’t mean he’s the best director and visionary of all time.

A worthy, catlike foe.

And therein lies where my grudge starts. I enjoyed Batman Begins for its iconically classic cheesy action lines and origin story. For a lot of other fans, that movie is shit in comparison to The Dark Knight. Sure, in hindsight, any movie is better than its predecessor (very rarely). But please, respect the originators. The Dark Knight was good as well. Great story, not the best film of all time, because remember, only dramas and artsy films win Oscars, and as much as I would like that to be changed, it won’t. So stop pretending that this movie deserved Oscars, it ain’t gonna happen Nolan.

And then, it all started. Nolan made Inception. The stupid dream within a dream jokes started. This film may be visually pretty, but in lacks when all the hype built around its release left it wanting something. And then, as if to pay homage to a film that has nothing to do with the Batman series, to service the fans, Nolan does something I find strange and deplorable. He puts Marion

The Dark Inception Rises?

Cotillard, Tom Hardy, and Joseph Gordon-Levitt all into the Batman series. With plenty of other candidates out there to try out, he did that whole in-circle movie inclusion thing. All I’m saying is, if I were a director, I would want to work with lots of varying talent and not stick the same old actors into every movie. I wouldn’t have been surprised if Nolan replaced Christian Bale with DiCaprio…

Now that my rants over, let me start a conflicted review about The Dark Knight Rises that people probably won’t read because I’ve already forced out everyone who lives and dies for this series anyways…

So, I gotta say this movie was really hit or miss for me. I love Christian Bale. Plain and simple. His depiction of Batman is

Christian Bale, may you never change.

satisfactory, and one of the only things that keeps me watching these movies. Sure, he does the whole deep voice thing, but isn’t that to entirely mask his identity from other people? He messes up once in the movie by continuing to do the voice although Catwoman knew who he was. But maybe it’s just a mentality thing.

The other thing that made me watch this movie, an amazingly and surprisingly good performance from Anne Hathaway as Catwoman. I’ve loved her ever since The Princess Diaries, and this movie solidifies that she is an actress of all genres. She’s witty and sensual in a way I didn’t know she could be, but not a pushover or bimbo as some comic book villainesses are depicted. A perfect counterpart and conflicted villain of Robin Hood status for this movie.

The only other reason I liked this movie? My adoring nature for

She even makes the orange look classy.

Joseph Gordon-Levitt. I’m talking Brick, even throwbacks to when I used to watch 3rd Rock From The Sun occasionally. The Lookout, 50/50, his hits just keep rollin’ on. He was one of those sleeper actors that, once given the chance, showed he could do great things. And his twist reveal at the end of this movie was worth waiting for.

Now come the hang-ups I had about this film. First off, it was too long. I don’t know what makes Christopher Nolan pack so much material into a movie I felt could be 2 hrs tops, but he exhausts every single thing he can thing to put in a script and doesn’t understand the meaning of “edit”. Once it hits Batman in the prison of doom, I started to fall asleep. After the last battle, I woke up for the unnecessarily long wrap up ending.

Do you see the likeness, brother?

Bane. Plain and simple, the way Bane is represented in this movie. It’s a big step up from the poison addled Bane of the Clooney times, but it ends up amount to little better than a lackey. I had a friend tell me all about how Bane was so smart and could beat Batman physically as well as mentally in the Dark Knight Series. What do I find out? Bane is a pawn in a much bigger game. And what’s with that voice? Did Sean Connery get a Vader mask and forget to go through puberty? This comically funny voice ruined any chance at making him a legitimate contender for good villain in this movie. Cillian Murphy’s appearance again as Scarecrow in this movie was more entertaining and evil than Bane was. Sad.

Marion Cotillard. Her twist ending as yet another villain biatch in a Christopher Nolan film saddened me. It felt like an unnecessary cop out and exhaustive effort on the writer’s part to make this a cyclical film. Even if this is how the Dark Knight comics went, change it. It sucked.

Throw in a bunch of unnecessary explosions that would make Michael Bay proud and you have a fireworks ending to this

There’s a lot of debris in this movie…

film with a cliffhanger stuck on for good measure. (Seriously, people complain about how explosions take over substance in Bay’s films? Nolan should take a quick peek in the mirror.)

That’s not to say the movie wasn’t entertaining. As most action films for me (and this is nothing more than a “psychological” action film) there are good and bad parts. This was really divided down the middle for me. I would watch it again, and it would become one of those classic movies me and my roommate quote to pass the time. I don’t mean to over emotionally disrespect on anyone who really liked this movie. It may have just hit me at a bad time. Only time truly will tell. But, as for the overall delivery of this movie, in all its components, I’ll give it a 6.6 out of 10.

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Unknown: The Unrelated Sequel to Taken

As with Taken, Liam Neeson leaves his comfort zone yet again as an action star. This classic Irish actor assumes the role of an American with a sophisticated upper class NorthEastern accent to kick some more ass. I don’t know how this all happened, but out of nowhere, Liam Neeson became a huge action star at the ripe old age of 56. It may have started in 2005 with Batma Begins, who knows. But the world (Hollywood) decided it was time for a 50+ year old man to be the star of oh so many action films. In his latest to be released, Liam Neeson plays Dr. Martin Harris, a biochemical engineer on a getaway convention in Berlin, Germany.

With The Grey to be released soon, I had to see Unknown before I could begin to handle Neeson bottle knifing wolves in the forest wilderness of Alaska. (I think that’s where it is…) By the suggestion of my mother (weird it isn’t just my own volition, huh?) I sat down with some Taco Bell and delved into something I wasn’t entirely ready for.

Aww, what a quaint father and daughter... I mean couple...

Dr. Martin Harris is a well to do scientist in Germany on business. He has decided to take his wife Elizabeth (January Jones) on this wonderful little convention at a well to do hotel in Berlin. (My mother suggested this movie to me because I speak German decently and enjoyed Germany.) Upon arrival, Martin Harris (he will frequently and forcefully refer to himself as such throughout the film) forgets his briefcase at the airport. Catching a cab back to retrieve it, Harris is involved in an unfortunate accident that takes him off a bridge (homage to Bourne Supremacy insert here) and loses his memory (continue Bourne reference).

WHO AM I? My age has restricted my memory...

Upon waking up in the hospital, Harris can’t seem to explain to the doctor just who he is or what he’s doing there. With a bit of probing, it all starts to come back to him. He is Dr. Martin Harris and he must get back to the hotel for the conference he’s been unconscious three days for. So he books it to the hotel with a stern message from the doctor and finds his wife. But his wife doesn’t recognize him. And there’s a man there, claiming to be Dr. Martin Harris (Aidan Quinn).

In his polite and assuredly forceful rage, Liam Neeson begins a Alzheimer’s induced rampage all over Berlin. He runs into the fraud of himself multiple times and argues semantics with his past that this man can spew back at the same exact time. This is where it gets weird. You think there’s a sci-fi/fantasy twist, but hold your breath, it’s something not as strange. But it does seem like The 6th Day right? Someone in my house eating my birthday cake with my child, right? It’s uncanny. And yet, it almost seems to actually be the delusion of some old man running into another old man and rambling like old men.

A love made in... Berlin?

The movie has some good action scenes, but with the unfortunate comparison to Taken, it’s just not as good. Liam Neeson elegantly and kindly stumbles around Berlin attempting to find out just why he’s so crazy. His logical mind kicks into full gear and recruits an ex-Nazi intelligence man, Ernst Jurgen (Bruno Ganz). This guy seems like a hardass and, with the way Liam Neeson’s career is going into action films, I wouldn’t have been surprised if Ernst karate chopped a few necks of his own. Harris (Neeson, they’re interchangeable) recruits the help of a renegade Turkish woman who was driving his taxi Gina (Diane Kruger) and strangely falls in love with her. It’s all just bizarre.

Get out of here J.J., you're terrible.

This movie, like Taken, takes cues from the Bourne series amongst other things. Car chases and explosions, intense fight scenes with a lady present, it’s got it all. What is doesn’t have is an element of romantic chemistry I felt it was going for. Liam Neeson is attempting to fight for and win back a wife who is 26 years younger than him. Sure, love comes in all shapes and sizes, but you feel absolutely none of that chemistry on screen. He remembers sleeping with her. A bit creepy. Imagining Qui Gon Jinn hooking up with Padme Amidala is a bit more realistic. When this movie started, I thought it was Taken 2, and Neeson was accompanying his daughter January Jones (funny, she’s born Jan. 5th…) to Berlin for a proper European vacation. I was sorely mistaken. And disappointed.

It’s unfortunate I have to compare this to Taken. Based on the novel Out of My Head by Dider Van Cauwelaert, I found the premise and plot to be quite well paced and interesting. The casting is just too piss poor. With this new stigma of placing Liam Neeson in the wrong roles, there is a translation error. An unfortunate one that must be corrected. We should’ve stopped at Taken. A paltry 5.1 out of 10.

Oh, and January Jones is a terrible actress. Frank Langella was good though for his small part.

Time to get you chop on. Maybe in The Grey...