Now I’m gonna take the leap here and suggest (as it probably has been, being a film out for 10 years now) that Anne Rice didn’t understand where this film was coming from or going. A little later, I’ll explain why. But it is sad for me to see that Rotten Tomatoes (or any other reviewer) thought that this film was so poor. I have reasons for liking it, but there’s truly really only one. But plot first.
In a modern day world with the rise of Nu Metal in the early 2000’s, Lestat the Vampire (Stuart Townsend) rises to a new sound he had never heard before. A sound that rises him from the grave. Upon encountering the goth band making all the racket, Lestat
Townsend as Lestat. Anyone see Dorian Gray?
reveals himself to be a centuries old vampire comes to make all their wishes come true. Now he just broke the unspoken agreement all vampires tailor themselves to. Don’t talk about being a vampire, or that vampires exist. But he is doing this for a reason.
To break the monotony. His silken and brooding voice (sung by none other than Jonathan Davis of Korn) charms all the goths in the entire world, a la Deathklok from Adult Swim. Pronouncing proudly that he is a vampire, Lestat hopes that other vampires will come out of hiding, even if it is only to get him. He has the world on a string, and he’s shaking it to find out where they’re hiding.
The beautifully frightening Aaliyah.
Meanwhile, at the London paranormal research building, Talamasca…
Jesse Reeves (Marguerite Moreau) is a young researcher, looking into whether or not Lestat is actually a vampire. Analyzing his lyrics, she feels she’s stumbled onto something real. With a colleague of hers confirming that it’s true, David Talbot (Paul McGann, you Dr. Who fans out there may know him as the 8th Doctor… personally, I don’t care.) hands her a diary of Lestat’s pasts and beginnings. When the two intertwine, a evil, ancient presence arises, leading to a new world order. Unless it can be stopped. I’m talking about Aaliyah as Akasha, the vampire Queen of Egypt. Word.
So you have your wondefully sexy and fierce R&B singer that I said I loved from Romeo Must Die. She takes on this role with as much grace before her tragic end (this film is dedicated to her). You have Stuart Townsend, the man who was almost destined to play Aragorn before Peter Jackson up and said he didn’t want him. You may ask, where have I seen Townsend before in a similar film? Look no further than the suave Dorian Gray in The League of Extraordinary
Some pimpin’ old vampires.
Gentlemen. Badass. He was a great addition to the film and really had the whole “Metal Sex God in Leather Pants” look going on. And Jonathan Davis backing him up on vocals. He’s Irish too, so you can’t hate. Marguerite Moreau was beautiful as ever in the film, giving Lestat a reason to fight for humans. And can I say again that Jonathan Davis makes a cameo in the film? Look out for him.
The Moreau factor.
And this is where I come to why I liked the film. Nu Metal. The early 2000’s framed my pathway into teenagery. That means I was frustrated and awkward. And what better music to listen to than Deftones, Static-X (my favorite bands), Disturbed, and the almighty Korn? Nothing in the world soothes my soul more than death metal. And you get all new hauntingly original songs from Korn? This movie is a package deal. It could’ve almost worked out as a rock opera. I’d be down.
And this is also the point where Anne Rice doesn’t get it. Goths/metal have forever been linked with vampires. It’s a fact now at this point. And a woman who was 58 at the time of this movie should’ve keeled over dead at the use of music in this film. New age music that’s not from my early years? Noooooooo! Understandable response. The movie is nothing she’s seen because it’s meant for the goth scene. The punk and metal scene. Because that strain of music has adopted the vampire image and feel. And, in that way, this movie works for me as a metal fan.
Jonathan Davis on his throne of Korns.
There are those out there who think that Korn is a hack band. They’re original, true, that can’t be denied. But, for some people, they’re washed up, or not hard enough for a lot of hardcore metal fans. They’re like Limp Biskit (I don’t even care to look up his name…) But that’s all wrong. And they hate old Limpy boy. Korn has been around since 1993. It is now 2012. They are infusing techno methods now, into their music. They were ahead of the curve when it came to electronic music back in the day, before all this started. They’re metal, they’re rap metal, they’re nu metal. They. Are. Korn. They can do whatever the shit they want. They are the original when it comes to everything. They are groovy and they are hard. And they hate the world. What could be better?
Now that you know my secret obsession with Korn, you know why this movie works for me. But it’s just my opinion. The acting was fine (I thought Stuart Townsend really stood out), and I pooped myself the second I heard him sing and I knew it was Jonathan Davis. It just
Can’t get enough of the sexy darkness.
clicked with me. It doesn’t have to with you. That’s why I specially recommend this to fans of Nu Metal and all things dark. For those of the 90’s and 2000’s who want to relive a bit of angst. And maybe suck some blood. 7.1 out of 10.
In a turn of events of Park Chan-wook’s series, it’s the lady’s turn to be the one seeking vengeance. In this straightforward, lunge at the throat revenge story, Park Chan-wook ends his series. This one is a bit more delicate and see-through than the other movies, but it leaves the series with a bit of a twist and bang.
Lee Geum-ja (Lee Young Ae) is a recently released child murderer who smothered a kidnap victim with a pillow to stifle his cries. After confessing, she went to jail for 13 years, performing good deeds and being seen as a saint in jail. She helped out her
Stone. Cold. Fox.
fellow cellmate and seems to have done a complete 180 on being released from jail. She’s cold. She’s calculated. And she’s going after the real killer who framed her. Classic revenge story? You got it.
I was a bit surprised this one was a bit more straightforward with who was seeking revenge against who. Lee Geum-ja is going after Mr. Baek (Choi Min-sik), that classical actor and wonderful dramatic presence.
I loved this tatoo.
He has less of a role in this movie, but Lee Young Ae makes up for that with a femme fatale performance that would make any man shiver his timbers. What I really liked in this movie is the way that Park Chan-wook wanted the revenge scene (as Lee Geum-ja wanted it) was to be poetic and beautiful at the same time it would be cathartic and an aggressional release.
The cinematography and locations are once again stunning. Snow scenes, an abandoned school and the ironical revenge point, and a few strangely surreal daydreams and flashbacks that occur that I quite liked. I liked the initial setup on Lee Geum-ja in jail. She’s meeting all
Really stunning color scheme right there.
these hardened women criminals and they always label them by name and years served. Then somehow there’s someone who Lee Geum-ja saves them and uses that later on in the film. I enjoyed the whole “Ocean’s 11 feel” for the small part of the film.
The end scene is why you watch this film. You feel for the whole situation and you know that it’s very real human response that is dished out there (no spoilers!). It’s harsh and brutal and it comes from a place most of us dream about but are never given the chance to. You’ll just have to see for yourself…
This is that weird thing I was talking about…
What more is there to say about this? Lee Young Ae is a cold beauty and really sells the part. The movie has this whole quirky, otherwordly feel to it where street justice is dealt out in a modern day world. I just think those South Koreans really know how to make a spectacular set of films. And a cameo by Song Kang-ho and Yu Ji-tae! Get some of this Lady Vengeance. 8.3 out of 10.
I would like to start off with a special thanks to my girlfriend’s sister Dana for making me aware of this wonderful show simply titled Misfits. I know she’s just paying me back for telling her about Foxy Shazam, and so it’s all good now. I would also like to thank Hulu for showing this in the U.S. for free. It is not small wonder this is one of the most watched shows that you have in your archive.
Hailing from the wonderful little island of Britain, Misfits is a series about, well, a group of misfits. Being as vague as I can about the series, I’m not going to tell you what they did or just exactly what happens, but I will tell you one thing. Freak electrical storm. These five Misfits gain bizarre superpowers that get them into some pretty strange situations (and sometimes gets them out of them). With a culture different from our American teenagers, a whole new kind of token characters are created.
A great cast of heroes has been assembled here.
And what a wildly awesome bunch they are. It’s not to say they are completely different from us, but, I swear, if MTV tires to touch this show I will burn their headquarters to the ground. This is a show that, in its context, can only be done amazingly by those who originally did it. Any bastardizing of this show will be seen as blasphemy. Anyways, back to the characters. There’s Simon (Iwan Rheon). He’s the quiet outcast of the group that never really had any friends, and, at first, it appears to be plausible. We gain an emotionally connected insight into his life as the series progresses and, if you don’t like him as much as I think everyone should/does, then you might wanna stop watching. Being one of the key characters, it’s sad to see that he’s leaving after Series 3.
This is why she's hot.
Next is Alisha (Antonia Thomas). This smokin’ hot and fiery young black woman is beautiful and knows it. She uses every man she can for what she wants (usually sex) and then throws them to the gutter. As with almost all the characters, she doesn’t give a shit what people think of her. Typical of a delinquent. After Alisha comes Curtis (Nathan Stewart-Jarrett), the athlete gone bad on that one mistake. With his track days over, Curtis has given up on life and wishes anything to have things back to the way they used to be. It does my heart good to see more than one minority in a “superhero show” like this and Curtis and Alisha are good representations.
You better recognize.
Next is Kelly (Lauren Socha), the spitfire “slag” of the group. Representing the “lower class of Britain” in this show, she jumps on everyone’s case with her unique way of speaking. As one of my favorite characters, I love that she’s always the one dishing out the hits on all the guys. And not flirting. And then we come to Nathan (Robert Sheehan). I recognized him from Cage’s Season of the Witch and was surprised that HE IS ONE OF THE BEST ACTORS IN THIS SHOW. I was constantly laughing and believing that the young choir boy I saw from Cage’s disaster was a completely different person. In looking forward to watching everything this kid ever does, Sheehan does an amazing representation of the smartass class clown.
True. And funny.
So there we have all the characters. In the first episode, you begin to discover just who they are and how their powers relate to their lives. Seen as punishments that accurately fit the crime, these five must deal with a series of horrific events and the consequences of their actions. Set in an imagined suburb of London named Wertham, this is one of the best British shows I’ve ever watched, and I’ve seen all of The Mighty Boosh and Little Britain. (Just roll Nathan into both those shows and he’s just as funny.)
Word.
I can’t reveal too much about the plot because its just too good to discover what happens. The series is fantastic and I really can’t say more than that. I encourage any superhero/anti-superhero, nerdy, British loving, dramatically inclined, film lovers to check out this show on Hulu. At least watch the first series. All the characters develop into these amazing people that you wish were your friends and you care deeply for them and the relationships they form with each other. (And there are some steamy relationships you won’t see coming.) Coming from a guy who’s not that into the gossip/Skins style focus on love and sex, it was a bit over the top for me in this show, but it gave an adult quality to the 20 year olds acting on screen. Focused solely around their time in their community service building, a lot more is going on than meets the eye.
Discover all the mystery. And what's going on here.
I can’t say enough how wonderful this show is. If you watch it/are currently watching it, there will be an update for how good Series 2 is in comparison. (I don’t know about Series 3, Nathan has left…) So keep up on it and discover all you need to know about Misfits. And I’m going to post the show opening song because of how perfectly it fits and how catchy it is. Get some of these Misfits, they’re 10 out of 10.
I also forgot how amazing the score to the show is. Enjoy!
Wow, it’s been far too long since my last post! Been busy, but now coming back more furious than ever. (Not mad.) So first things first. Let’s start with the last of the Harry Potters. Didn’t catch the midnight showing, but watched the first part the day before and the second part only 3 days after its release (matinee in the middle of the day? Yes thanks.). I gotta say, I was semi-impressed. In totality, these movies do justice to the end of an era. But separately, it just seems as if they need to be combined. (Total of 4 hours of film in a row? It’ll just be Gods and Generals with magic.) It’s the final battle, and Harry has to take on the wizard of wizards, Voldemort. If you haven’t read the books, then I won’t spoil anything for you. But here it is.
Good old Harry Potter (Daniel Radcliffe) has to find the Horcruxes. These are items in which Voldemort
Harry, Ron, and Hermione vs...
stored his soul through the act of committing unspeakable evils (a.k.a. killing people). With one down (Dumbledore’s sacrificed hand to the “ring”) and another out there in the kid’s peripherals (a locket), the adventure is set. The Ministry of Magic,
...Voldemort & Crew
Gringott’s, the Malfoy’s house, and even Hogwarts, this movie goes everywhere. And as the books did, everything sums up and becomes clearer and connected. People have always had problems with the movies not lining up with the books, but come on, there’s no way all of the info and exact actions of the books can be portrayed, so some slack has to be given to Warner Bro.’s. But that’s besides the point.
The action is fantastic. No 3-D for me though, there’s really no point in any film being in 3-D. I would continue to rant about this, but the movie industry likes the money coming in from it and doesn’t care about the headaches and unrealistic way 3-D alters the films. Oh well. The magic duels were great
Just some of the movie magic from Part 2
and the carnage was really brought to a level not a lot of children’s books would go to in theaters, hence, the PG-13 rating. The effects, as usual for every movie, every year, are top notch. The locations are interesting and breathtaking. (I always picture any adventure film outside must be filmed in New Zealand since LOTR.) It feels almost as if every location were waiting for the characters to return to play their part.
These 3 have thankfully improved over the years.
The acting, thank God, has gotten better with every film. Daniel Radcliffe’s flighty and flinty acting has improved to an acceptable level, but I’m sure, in most fan’s mind’s eyes, Harry should’ve been different. (No offense, you did the best you could Daniel.) Ron (Rupert Grint) with his older age has improved and gone on to make other good films (two I would recommend would be Driving Lessons and Wild Target.). Hermione (Emma Watson), in addition to her beauty, has become a wonderful young actress (come on, I’m her age and I’ve grown up with her basically.) who I’m looking forward to seeing in other films now that the H.P.’s are over.
There’s still the supporting cast (in reality, senior acting class that really give the movies their class) that needs to be mentioned. Snape (Alan Rickman) gives a stirring performance in Part II that was tearful, heartfelt, and lovely. It completely redeems his misunderstood character over the years. Ralph Fiennes is as
Snape. You were the best.
fierce as ever as Voldemort, scary and unrelenting as he was meant to be. Helena Bonham Carter plays the deranged (yet sexy, well at least to me) Bellatrix Lestrange, Voldemort’s right hand woman and biggest fan. Jason Isaacs plays Lucius Malfoy. Although completely defeated and beaten by Voldemort and his failings, I respect Malfoy and his wife and child, Draco (Tom Felton) for their misunderstood compassion shown in the films that is taken for cowardice. Rhys Ifans plays Xenophilius Lovegood, Luna’s father, a smaller part but still important. One of my favorite characters, besides Sirius of course.
Neville Longbottom. Just as heroic as Harry.
And there’s the rest of the kids. I won’t go through all the great acting that the students of Hogwarts have given over the years, but it’s spectacular. Neville becomes the hero he always could have been, Dean has gone through some freak growth spurt, Seamus still blows shizz up, and Luna is as quirky as ever. The whole Weasley family is amazingly brilliant, the Hogwarts teaching staff has all come back for the fight and Hagrid is disappointingly left out for pretty much all of the movie.
I feel a sadness in me as the books of my childhood leave me. When I turned 11, for that birthday I went to see the first movie with my friends. From the beginning I was blown away. The books I was reading were coming to life on screen. I was growing up with Harry as a constant friend. They were all my friends I would return to read and see every year. I, like everyone else my age, wished we were wizards. (Or had crushes on Emma Watson.) We wished we had the adventures of Ron, Harry, and Hermione. And now that it’s over, now that Voldemort has been beaten for good, what is there left to do? Will J.K. Rowling write more on Harry and his children’s lives? Will she be a one trick pony? I hope not. I hope generations to come see Harry Potter and become as bewitched with it as we all did. In its entirety, Harry Potter and the Deathly Hallows deserves the 10 out of 10. (Separately, Part 1 – 8.8 out of 10, and Part II – 7 out of 10) This magical empire has come to an end, but its the books that will be read and movies seen that will live on forever. In all those Muggles who believe in magic.
Will it continue? What is the future of Harry Potter?
This little gem of a horror movie scared me a bit the first time, but watching it again, I find it to be a worthwhile watch. Never having played the video games, I can appreciate the adaptation this game portrayed onscreen, and can understand if anyone was offended by this adaptation. But it really is up to those who see the film and have played the games to decide for themselves.
From what I gather from the films plot line, this is a story about a mother Rose De Silva (Radha Mitchell) searching for her adopted daughter, Sharon (Jodelle Ferland). She comes upon Silent Hill, the run down West Virginia coal town that has become a ghost town. While there, Rose comes upon some disturbing encounters that leads her to discovering the past behind her daughter. Along the way, Rose encounters undead coal miners, pyramid heads (popular cosplays, if I may add), and dead nurses. All of this leads to some comment on religion and you can decide what the end of this movie means to you.
I gotta say though, this movie did freak me out a bit the first time I watched it. The whole idea of the demonic children in Rose’s first encounter was a bit ridiculous. And I do admit that I watched this at 2 in the morning, a poor choice if I ever made one. But this movie really delivers when it comes to the effects. It may be 5 years old, but this movie is a true testament to how special effects and a digitally graphic environment hasn’t really changed all that much over the years. The guts and gore remain about the same in horror movies, if only the slightest bit more real. Otherwise I give this movie based on a video game (hint to where it gets its effects from) a rather solid grade when it comes to its effects.
And, from what I’ve heard from game players, the game experience itself is like a horror movie. Except its gameplay. And you can run away or *scoff* fight. In its similarity to Condemned, this game probably brings it pretty hard in the fright department. I will probably not be playing this game if it delivers the way that Condemned did. That was a fright and a half. Not to mention how, in the game world, you’re experiencing these frights firsthand, with no musical cues. Forget that.
Acting. Not too bad. Radha Mitchell was quite decent in the film as Rose De Silva, Sharon’s mother. I found it quite notable that she has had experience before
Radha Mitchell. Decent
in the horror movie department and I think that lended to an overall great heroine/woman in distress hybrid performance. Sean Bean was a classic Dad on a Mission character as Rose’s husband Christopher. Although he never entered Silent Hill, he provided the back story from beyond the white veil. Deborah Kara Unger was great and quite beautiful as Alessa’s mother, and I think the only problem was attempting to hide her good looks under some sort of old witch outfit in this movie. Another more notable actress was Alice Krige, the South African actress who usually (so far as I know) brings a dramatic performance to her films. And you definitely hate her guts in this film, trust me.
The ending came as a bit of a surprise, so far as how the religion and “survivors” of Silent Hill ties in. But a decent cast and good effects ties together what makes a good, at least one time watch of this film. And then hey, you can go play the video games if the movie sparks your interest to have the poop scared out of you as you play. But who knows what this movie will do for you. I commend five time French director Christophe Gans on his work. It seems this film was right up his alley. So if you want to have a demonic experience (apparently a demonic experience that’s being re-released? in 3-D) check this out. It’s worth at least a cringe. 7.3 out of 10.
Now I’m gonna take the leap here and suggest (as it probably has been, being a film out for 10 years now) that Anne Rice didn’t understand where this film was coming from or going. A little later, I’ll explain why. But it is sad for me to see that Rotten Tomatoes (or any other reviewer) thought that this film was so poor. I have reasons for liking it, but there’s truly really only one. But plot first.
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