50/50: Was Better Than 50/50

To keep things simple, this movie surpised me as a darker true drama comedy. I wasn’t sure about 50/50 going in, and I was surprised that I liked it more than 50/50 percent. I hadn’t seen any trailers, but knew I was going to see it based on my mom’s need to see it. That’s solely because Josephy Gordon-Levitt was meant to be play by fellow boss actor, James McAvoy. But, all the same, it was a moving film about cancer that I’d never really seen before. It was edgy with just the right amount of humor (AKA Hall scene, when you see it, you’ll know.) and just enough human connection. Although I thought it was going to be a comedy, I was pleasantly surprised to the contrary.

This is a true story (about one of Seth Rogen’s friends, I think) who was diagnosed with cancer in his late twenties. With seemingly nothing wrong in his life, Adam (Joseph Gordon-Levitt) is a radio producer in his prime with a

Gordon-Levitt coming to terms with cancer.

loving girlfriend, Rachael (Bryce Dallas Howard). His best friend Kyle (Seth Rogen) is a bit of a dick, but he really sticks by Adam. Include a neurotic, worrying mother (Anjelica Huston) and you’ve got the heartbreakingly bittersweet journey of one man’s back cancer.

There were lots of things I loved about this movie. First off, Adam and Rachael’s relationship. Adam, for lack of a better word, is spineless (and that’s a pun). He doesn’t assert himself anywhere in life, and you feel that would set up for his last run at life full force with his knowledge of cancer. But that’s not what happens at all. At least, not until the threat of

This scene was amazing because it was real.

death towards the very end. I have to say, the entire ending is one gigantic emotional scene. I’m pretty sure everyone shed at least one tear in that theater. Anyways, Rachael is an artist, and she has all of these “expos” and “galleries” all the time that gives her not much time for Adam, although she promises to stay by his side and help him through his disease. Fat lot of good that does.

Adam’s relationship with his parents is something I would have liked to see a lot more of. Adam’s father has Alzheimers and hasn’t remembered his son for quite some time. His mother has both her father and her estranged son to dole on, but never is really give the chance to help and care for them. Adam’s friendship with Kyle (AKA, Seth Rogen in every movie) is something that isn’t worthwhile until the end of the film. In a Knocked Up/40 Year Old Virgin mash-up, Seth Rogen drinks and smokes as he does in every movie and tries to get laid. He’s skinnier now, but it’s still sad. If this is how he truly acted around his real friend with cancer, I will now shudder with the thought.

Anna Kendrick. Yes.

Add also into the mix, Anna Kendrick. Current Twilight understudy, like many of the other Twilighters, she has broken away from the stereotypical marble mold and been given a chance for bigger and better works. I would say this is one of them. Playing an awkwardly naive therapist, Katherine attempts to help Adam come to terms with the idea of dying, although his chances are 50/50.

There are some eye opening scenes and experiences in this movie that I never really knew about. Chemotherapy and its aftermath looks horrendous and tragic. The diminishment of life that is experienced while just going through treatment is completely harrowing. The toll that cancer can play on not just the life of the person, but the life of everyone the person knows, is beyond comprehension. All of this issues come to a beautiful story about Adam that I would love to give credit to director Johnathan Levine and writer Will Reiser. With a great cast (besides Seth Rogen for the most part, but, if Seth Rogen is playing Seth Rogen, then it’s all good) and a fantastic delivery, this movie is worth a watch or two for a good life perspective switch. 9.3 out of 10.

Just overall fantastic.

 

Chocolate: Not Your Typical Muay Thai Film

In my searchings through the Martial Arts section at F.Y.E, I came across a Thailand Martial Arts films I had not heard of before. It featured, on the cover, a young girl, poised with swords in hand, the most intense look on her face as if to say, “Yeah, I’ll rough you up a bit, Van Damme style.” This immediately piqued my interest.  So I got it, took it home, and watched it with my best bud, E.

Let me just say, this is a major statement in the Martial Arts entertainment/otherwise industry. Not only does a girl do Tony Jaa like moves in this film, but she beats up guys 3-4 times her size. With a ridiculously good idea at its base, this solid films sets you up for an action packed Muay Thai styled film that didn’t disappoint, and never left an opportunity for a great new location for an action sequence.

So Zen (Yanin Vismistananda) is the subsequent child of a West Side Story love

Look at those moves. Wow, Yanin.

affair. One parent Thai and one Japanese, this love child of two warring factions is born autistic. Not only is she born autistic, but her concentration allows her to catch things thrown at her from all angles and allows her to pick up Muay Thai fighting techniques from the dojo next door and from T.V. (some great moves from Tony Jaa’s films, obviously a planted element from same director, Panna Rittikrai)

Literally. Destruction.

When things start to heat up with old wounds opening, Zen must protect her mother Zin (Ammara Siripong). The cancer eating away at her is expensive to treat, and Zen and Moom (Taphon Phopwandee) must team up to add an element of suspense and comedy to this film about how tweens can do anything. Collecting old debts and pissing off No. 8 (Pongpat Wachirabunjong) and getting her father Mashashi (Hiroshi Abe) involved, who knows what lengths an autistic girl will do to protect her family of attrition.

There are some really great elements in this movie that shine through in all of

I'm just gonna keep showing you these.

Prancha Pinkaew/ Panna Rittikrai’s work. First of all, fight locations. This movie has fight scenes in a ice factory, warehouse, slaughterhouse, and tea house, all in one. Using the layout of the locations in combination with Yanin and the stunt actor’s skills makes for a deadly combo that is played out poetically on film. Jumping over boxes, avoiding ice hooks and blocks, what could be better than imagining this all happening in an actual real life situation? This girl knows her stuff, and it shows hard.

How is this not a 12 year old girl?

And that’s another thing that impressed me so much. Yanin Vismistanada, a 24 year old Thai girl, master of Taekwondo with a 3rd degree Dan blackbelt, looks like a 12 year old. Looks can be deceiving. He moves are fluent, her Tony Jaa imitation is flawless, she’s got the works. Discovered on the Born to Fight set in 2003 by Panna Rittikrai himself, this girl is destined to eventually equal/surpass Jaa himself (or at least Dan Chupong).

Simply the best.

With some fantastic English spoken by both Thai and Japanese men (still needed subtitles though) and quite a few transvestites, speaking to Thailand’s rich heritage, this movie has a combination unlike anything I’ve ever seen. An inspirational movie speaking to how children can do whatever they wanna do, this movie is a definite need in anyone’s growing Martial Arts collection. I give this movie, in comparison to all other Panna Rittikrai/Muay Thai movies I’ve seen, a definite 9.5 out of 10.