Tag Archives: character driven

Eve no Jikan: Time of Eve

Wow, it’s been a long time in the making, but this is my 201st post, just passing my 200th. I am now, after this, completely caught up and ready to go on to new up to the minute update sort of things. What I mean is my posts will be more raw and fresh in my mind because I just watched it. My list of updates/posts is done and it’s time to revitalize this old beast. So strap in for this last amazing little anime review and then get ready for Misfits Season 3 afterwards. You’re gonna have no idea what hit you with that one.

In Eve no Jikan/ Time of Eve, the world has been revitalized by robots. And, most recently, it has upgraded to androids who can act and look like humans. It’s your basic I, Robot issue right here. Right down to the 3 laws that govern robots. This might have taken some cues from the novel I, Robot was based on. Anyways, Rikuo Sakisaka is a

There’s only one rule here in this saloon.

teenage high school boy who has an android at home, Sammy. She cooks and cleans and makes one mean coffee. Upon updating her one day, Rikuo comes across some odd place that Sammy went in his phone. Inviting his friend Masakazu Masaki to come along, they both stumble on something that it taboo for both of them.

All the wonderful characters and images!

Time of Eve, this hip little cafe is made for robots and humans. And the only rule is that you are not allowed to discriminate between them or call the other out. The only real difference between the two of them is that androids have halos above their heads. But in the Time of Eve cafe, it goes away and both become human (in a way).

At first, Rikuo and Masaki are horrified at what they find. They know that treating a robot like a human is a stigma among humans, known as dori-kei or adnroid-philia. To treat or love a robot like a human is wrong to these boys, and that’s what makes this cafe so frightening. Over time Rikuo finds he likes coming to the cafe and a gap is bridged between robots and humans. Analyzing the loopholes of the laws that govern robots and what it means to “protect humans”, Rikuo and Masaki’s lives are changed by the Time of Eve.

Can there be love? Or constant separation?

This anime is very character driven and very touching. It has its funny moments when the music stops and the camera zooms in on an awkward moment or something, but overall heartwarming. The regulars of the cafe are humans and robots, and there’s no need to try to tell the difference. Every episode focuses on a different regular, eventually coming full circle. There’s a wonderful little girl named Chie who thinks she’s a cat. Some wonderfully old school robots who just want to be treated like humans, and Sammy, a robot who just loves her master.

I’m glad to see a movie was created after this anime came out. Found only on the internet as an ONA, this anime has been lucky enough to become popular enough to be made into a full length feature. (I have yet to watch it, but I would probably say the same things about this that I would about the movie.) It’s one of those quick anime that

A touching scene, one right after the other.

passes you by, but leaves a warm spot in your heart that stays with you, long after you may forget the character’s names. This anime sends a message about the future of our world and whether or not it is okay to discriminate now and in the future as well. And I would say that’s an emphatic no.

It’s quirky at the same time that every episode ends on a small tear streak down your cheek. The animation style is fluid and breathtaking, combining 3-D animation with 2-D humans and characters. This technique makes the characters stand out being flat in this futuristic world. The camera rotates around the cafe as if it is a real life scene, speaking to the movie lovers in all of us. Coming from a sci-fi background that has only seen flat and unemotional characters, this future set sci-fi genre anime breaks the rules and makes you feel. There may be hunks of cold metal onscreen, but they have warm hearts. That’s what I found cute and appealing about this 6 episode anime. It sucks you in with these short episodes with a trilling and romantically inclined music score, and leaves you feeling good at the end. Any anime like that deserves an 8.8 out of 10.

And here’s a cool AMV to prove my point.

 

 

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Nabari no Ou: The Emotional Dance of Ninjas

Does everybody remember that Ninjas vs. Pirates debate a few years ago? During that whole ordeal, I never took sides. But now that I’ve watched Nabari no Ou, I’ve decided I would definitely side with the Ninjas. In this anime of love (the… strange kind), betrayal, and apathy, Miharu Rokujou (Brina Palencia) must discover just what it means to be a ninja and follow the path. In a war of ancient ninjas and the pervasion of the modern world, the Shinobi of the old ways must fight for a future which still finds ninjas to be relevant. And this is decided through the power of the Shinrabansho.

Miharu is a 14 year old apathetic middle schooler, floating through life. One day, one of the teachers at his school attacks him from nowhere, throwing shiuriken and jumping from tree to tree. Not fully

Miharu and his wily ways...

understanding what’s going on or why this man was attacking him, Miharu is saved at the last minute by one of his other teachers, Tobari Kumohira (Eric Vale). Hearing the word Shinrabansho and not fully understanding, Miharu is thrown into a dreamlike state in which a “fairy” speaks to him about his inner power. Meanwhile, outside, Tobari-sensei seals this hidden power inside Miharu, protecting him for a time from himself.

With the conclusion of this night fight, Miharu is from now on protected by Tobari and two of his classmates, Kouichi Aizawa (Chris Burnett) and Raimei Shimizu (Kate Oxley). With their help and the guidance of the Fuuma village ninjas, Miharu and his friends must find the forbidden secret arts of each ninja clan and use them in order to extract or use Miharu’s Shinrabansho. With a surprising ending and quite a few turns or loyalty, this show really delves into what it means to trust and believe.

The power of the Shinrabansho!

I really liked the fluidity of the fight scenes and the use of ninja arts in this show. This is coming from someone who just recently got into Naruto, the slightly retarded, childish version of Nabari without a whole lot of plot. (Well, I like it though…) With every character skinny as a pole, it’s almost easy to believe the gymnast like moves of these stylishly dressed ninjas. I was a big fan of the fact that not every character in this show was a ninja though. Yes, it’s hard to think that Miharu never really fights (a hard thing for me to get over when it comes to protagonists), but he makes it for it with his wiles. What’s great is the samurais, ¬†Raimei and her badass bro, Reiko Shimizu (J. Michael Tatum). He’s said to have killed every member of the Shimizu family, by himself, when he was very young. Can’t get more destructive than that.

As with most shounen I’ve been watching, there’s a focus on an overarching plot with little sections running throughout, resulting in the product of the ending. I’m not opposed to this structure, but, coming from a movie lover, it’s slightly difficult in getting over a show that doesn’t trudge ahead by sticking to one linear plot. But I digress. There are a bevy of interesting characters in this show that really stand out to me. I would say Yoite (Joel McDonald) is the strongest of the crew. In what seems to be an antagonist role, Yoite slowly becomes an emotional character that lots of other characters begin to put stock in. In the end, Yoite becomes somebody that changes the face of all those involved, whether they realize it or not. Shifting focus between characters is an interesting tactic in plots, and this was pulled off well.

The Fuuma clan, ready to fight.

I had problems with Miharu, and its mostly due to his apathetic nature. With characters like this, they seem to let things happen to them without truly doing anything themselves. To not connect with others or attempt to find any form of help/solace really frustrates me as a viewer. Those who don’t attempt to find help in others or really care about anything leaves them floating in a void. And this helps no one. In contrast to that, Tobari-sensei attempts at every corner to help Miharu and the other because of the sins of his past. His caring nature and fatherly approach are really pronounced and worth admiring. (Some people may not like him, but I find him to be likable.)

With a more artistic, flowing feel, I found Nobari no Ou to be a compelling and interesting take on what it means to be a shounen about the popular topic of ninjas. From a emotional standpoint, the focus on characters rather than action is commendable. The use of powers and ninja arts is almost poetic in their symbolism and stand out in comparison to the actual weapons used. Not a bad voice acting crew with a lot of notable names, it is a decent body of work. Enjoy the boy on boy love too! (Not exactly, but you’ll see what I mean.) 7.1 out of 10.

A little bit of that boy love for ya.


Wolf’s Rain (Strayyy)

So, I’ve been getting behind on my posts, and I’ve been watching a lot of anime. So now I think it’s time for another.¬† Wolf’s Rain, produced by Bones and licensed by Bandai, is a story of wolves. Who look like humans. But are wolves. Who look like they can act like humans. But are detectable by some as being wolfish. A little elaborate, I know, but when you see it, which you will after reading this, you’ll understand. But these wolves live in the human world. And they’re after only one thing. Paradise. And they’re the only ones who can find it.

The story starts off rather intensely. No introduction of characters, just train robbery. Gigantic explosions. And then we meet Tsume (Crispin Freeman). He’s a complete badass (come on, his voice actor is Crispin Freeman, my hero) and he’s not even the MAIN CHARACTER. But Tsume robs and plunders until one day he and his gang come across a gigantic “dog” hidden in a tree. This dog? Wolf. Kiba (Johnny Yong Bosch A.K.A. Green Ranger). He’s pretty badass, and as the story develops, we find him to be the leader of the pack. Along with these two, we have Hige, (Joshua Seth) the hungry rambunctious sniffer, and Toboe (Mona Marshall) the whiner with the best of intentions.

The story gets heavy as these two encounter Cheza (Sherry Lynn) and who becomes their arch-nemesis, Lord Darcia III (Steven Blum). The search all over the decaying human world for Paradise using Cheza, the biologically successful human flower, to achieve their dream of paradise. The ending is sad, confusing, and uplifting, all at the same time. You won’t regret a watching of this show.

Now down to the nitty gritty likes and dislikes. The show length was great. It was a fast-paced, character driven, subplot induced thrill ride. Loved it. Didn’t love that there was a disc that Bandai decided to release called Recollections. This disc, these 4 episodes. Recap. In full, up to that point. It helped my girlfriend catch up, I almost fell asleep. If you do watch this anime, skip episodes 15-18. Those episodes went unaired. You can guess why. Other than that, the anime was fantastic.

The animation was really great on this anime. It was quite cinematic, and to me, felt like I was riding the crest of a video game, playing as Kiba, destroying with Tsume, that kinda thing. It was fantastic. Cheza, okay, Cheza was kind of annoying. “This one is hurt,” “This one is happy,” “This one feels your sadness.” How about… “This one will either stop using third person or shut up?” That would’ve been nice. There’s just that one incompetent character in every anime, and she’s it. Nobody in that wolf pack is annoyed by her. They like being petted by her. Probably because all she is is a flower.

Lord Darcia was fantastic, the fight scenes were epic, the Nobles, were mysterious, it was great. If I had to compare it to another anime that it’s like, I’d have to say none. It’s the classic adventure epic (Comparable to Lord of the Rings) that really takes itself out of the anime genre and becomes something far more. And best part? It’s all capped with a great opening theme. “Stray” by Steve Conte. This song will annoy you to the point that you’ll fall in love with it. It’s so 80’s, it’s ridiculously awesome. Download it, listen, love it. In fact here it is.

Great anime, definitely a 9 out of 10. Happy watching and thanks for visiting the abyss.