Tag Archives: cheesy

My Name Is Bruce… Campbell.

I am not afraid to admit without guilt and shame that I am a Bruce Campbell fan. I watch the Evil Dead trilogy with religious zeal and enjoy Sam Raimi immensely as one of my favorite directors because of the work he and Campbell did together. (This extends into Sam Raimi’s Spider-Man trilogy, and the new Spider-Man can go and suck on that. Screw the new movie, without even seeing it.) The fact that Bruce Campbell has made a life for himself, shamelessly making B-rated movies in his cheesy and infallible way makes

Bruce Campbell. Here to save the day, in a cheesy way.

anyone who sees his movies realize the lovable goofball that is inside him.

And My Name is Bruce is no exception. In this ode to Bruce Campbell, the small town of Gold Lick has unleashed a demon back from its days when it had Chinese men building the railroads. The got locked down in a mineshaft and a demon known as Guan-Di looks over them. And bean curd. When two unsuspecting teens looking for a romp with two quite strange and unattractive goth girls, all Hell breaks loose.

The cheap Chinese demon emerges!

After the comical slaying of these two bimbos and the friend who accompanied him, Jeff (Taylor Sharpe) seeks out his personal hero, Bruce Campbell. Being a big fan of all his films and knowing that he’ll know what to do, Jeff kidnaps Bruce. Thinking it’s all part of the birthday surprise that his manager Toddner Mills (Ted Raimi) set up, Bruce goes along with it, expecting the cameras and stardom. He’ll do anything at this point, living in a trailer with his drunken dog and no one that loves him. He falls for Jeff’s mom, Kelly (Grace Thorsen) and saves the day. What could be better for Bruce Campbell?

This movie hits all the major points of Bruce Campbell’s B-rated career. He fights

A little bit of that lovable cartoon comedy.

sci-fi/fantasy killer bugs and demons, he swoons the ladies with his famous lines like, “Give me some sugar, baby” and “Hail to the king.” His cheesiness in this film is outweighed by the arrogant figure they create for him that he has to overcome throughout the movie. He has a big head that no actor like himself should have, and rightly so. But everyone can’t get enough of the Bruce at the end of the day.

I have to say it, but that Grace Thorsen has mighty big boobs in this movie. Give me some of that sugar, baby…

It was a reminiscing sort of a film that just takes you back through the heyday of Bruce. A cheesy little podunk town and goofy comic lines that no one but a 6 year old would laugh at. There’s slapstick and a bit of swearing that sets this above a PG-13 rating, but it’s all in fun. Even Sam Raimi’s brother Ted makes some character appearances

The unstoppable Bruce Campbell.

throughout the film. Overall, I was impressed with a film that takes a childhood hero and makes a joke about him. All in fun, this movie is good for any Bruce Campbell/ Evil Dead/ Bubba Ho-tep/Anything he does is gold fans out there. For what it was, it was a 7.1 out of 10.

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Baby’s Day Out: My Slapstick Childhood Returns

I love this movie poster.

The second I saw that this film came on Netflix, I pooped my pants, very similar to what Baby Bink would’ve done (although they’re 18 now…) . This movie made me laugh so hard when I was younger and I really found it to be an endearing movie for children of all ages. Heck, I’m 21 now and I enjoyed it just as much as when I was 8. The Worton twins are adorable and have great movie presence for how young they are. It may have taken a lot of shots to get those adorable faces to do what they wanted, but they got the right shots. My childhood was not soon forgotten when I watched this movie again. I remembered every part.

Baby’s Day Out is the story of a baby in a suburb of Chicago. With his well-to-do family always wanting their child to be the center of attention, Laraine (Lara Flynn Boyle) and Bennington (Matthew Glave) want Bink’s picture in the newspaper. (They use such pretentious names to show that all they care about is high class image and money.) Three no-good lousy crooks find the photography company and take their place, posing as professionals. Their names? Joe Matengna, Joe Pantoliano, and Brian Haley. If only they could’ve gotten a third Joe/Italian gangster to fill out the trio…

The dastardly trio.

Baby Bink is kidnapped and the crooks demand a ransom. With the FBI on the job (such a high class mission right?), it’s only a matter of time before Baby Bink is found. But Baby Bink doesn’t need their help. He has the power of comedic timing and slapstick comedy and wit on his side. And this is the exact point where a lot of critics were lost on finding this film redeemable. It is cheesy, but at least they got a good cast to fill out the humor. Look, this is Joe Pantoliano, before Joe Pantoliano was Cypher from The Matrix. Yes, he did good work before, and after, but that was when Pantoliano came into my awareness.

Look at this cute baby. Staring death in the face.

And I have no problem with the cheesiness of this film. It can be cheddar for all I care, this movie appeals to the child’s audience and the child in all of us. And my inner child tells me I loved slapstick back in the day. This movie delivers it well, just like Home Alone. And apparently this did well in the box office… And in Southeast Asia… Weird.

So bring in the wonderful elements of great Italian actors, slapstick, and a cute baby, and this movie is gold. It is so endearing and the music sweeps you away into the children’s book that Bink is reliving. That’s what I liked about it, that element of magical whimsy. The magical sense of adventure that lies in the bottoms of all of our hearts is reinvigorated by a baby crawling around Chicago. Who knew?

This gets a bit ridonkulously funny.

And there are so many great scenes! The apartment rooftop scene screams of parkour gone wrong. (Just watched District 13: Ultimatum. Can’t get Parkour out of my head.) Matengna delivers his big boss with a boo-boo lines so well and, surprisingly, Pantoliano is a great buffoon. I love that he’s bald in this like he always is, it gives a great slapstick element to the trio. My favorite scene in the Primate house is wonderful and gets me every time. Not to mention the fire crotch scene (you’ll get what I mean when you watch this too and relive your childhood). With all things good and cute in this movie, who wouldn’t want to watch this for the coo’s and awwwww’s, mixed with a laugh in there for all ages? It’s a wonderfully nostalgic experience. A well worth it 8.6 out of 10 (by my childhood grading scale).

Look at this cute face. Check it.


RoboCop: The Future is Born

I had never in my 21 years of life ever before seen a RoboCop film. Hearing of how cheesy they look today and how they would insult my CG effects sensibilities, I was hesitant to check out this film on Netflix. My roommate did only the slightest of convincing and we sat down to watch. I was pleasantly surprised. Being hailed as a good film in its time for the issues it brought up and the icon it created, RoboCop can be seen as an overall achievement for all its done. And, right in the vein of claymation/animatronics that I’ve come to love too. Thank you Hellraiser.

RoboCop is the story of a rundown Detroit (as if Detroit didn’t already have a bad rap…) in which crime runs rampant. In such a desperate time, Detroit’s police force has been bought out by the Omni Consumer Productions Corporation (OCP). Hoping to bring up the efficiency of justice, OCP has created some prototypes to help this along. In error, OCP’s senior VP Dick Jones (Ronny Cox) creates a robot that malfunctions and maliciously kills a fellow worker. With this disaster under wraps, it is up to another boardmember, Bob Morton (Miguel Ferrer) and his robotic-cop idea to shine. In this cutthroat world of business, anything goes. (And this is an issue later.)

The future of policing.

Meanwhile, a newcomer to the Detroit scene is hittin’ the streets. Alex Murphy (Peter Weller) is a transferred cop out to prove just how good he is. And prove he does. He gets kidnapped by a gang led by a man named Boddicker (Kurtwood Smith). You may recognize him as Red from That 70’s Show. I’ll always remember him from RoboCop. Anyways, Murphy gets lit up. And I mean shotgunned to death. Arm destroyed, torso torn, shot dead. Animatronics at its most frightening. It was intense to say the least. You can guess where the rest of the movie goes at this point. Murphy is turned into RoboCop and helps clean up the streets. But there’s mischief afoot. And some inside guys need to be taken out.

Peter Weller, you freaky old bastard you.

All in all, the acting was sub par in this movie. I didn’t recognize many of the actors, although I had seen Miguel Ferrer in something or other. Peter Weller is more of a cult classic actor/T.V. production actor, and completely fell under my radar. You know who didn’t? Ray Wise. This best of the B-rated actors is quite high quality in my book. This Tim and Eric returner is the best hug teacher and Shrim disposer out there. Thanks and Great Job!

Other than that, not a lot stood out to me in this film. The plot chugged along, the ending could have ended a bit sooner, and I think this is one of those movies which could have a successful remake. And I don’t say that often. Some updated acting and an even darker element to this movie would really spice it up as a need to see action movie. Still set it in the 1980’s, this movie could benefit from a touch-up. But enough about that. The simple fact that this movie was so successful it created a merchandise franchise. I give props to a film that can create more than a movie from their idea. Good ideas about the crime of America and its economy went into this film, something to be commended on. Let’s see a remake soon… maybe. 5.5 out of 10.

You're in for a world of hurt, Red.


The Legend of Awesomest Maximus

So I happened to catch this National Lampoon flick on Comedy Central and tuned in and out during the film. I found some parts funny and really wanted to catch the whole, uninterrupted, uncensored movie all at once. And let me just tell you why the idea to watch this C-rated comedy even crossed my mind. Me and my friends are big fans of spoof movies. We are just as big of fans of 300 and Troy. So I had to check this movie out. Why? It combines a plot that makes fun of BOTH.

Now the events are slightly jumbled and there’s not necessarily a dividing line between what parts are making fun of

I gotta say, Orlando was quite the hilarious character in this film.

which movies, but here’s the gist. Awesomest Maximus (Will Sasso, making fun of a bumbling Leonidas from 300) is also a married member of the House of Troy. (A little Troy for you there.) With their incredible strength pitted against the strength of Greece and their King Erotic (Khary Payton, spoofing on Xerces. Little tid bit, Khary Payton does voices and in fact does the voice for Cyborg of Teen Titans.) King Erotic’s best warrior Testiclees (Ian Ziering spoofing on Achilles) in search of fame and glory, battles anyone in his way. And the Troy King’s (Rip Torn) son, Orlando (Gary Lundy spoofing on Paris, played by Orlando Bloom, ironically) is gay.

Workaholics is my shizzzzz.

So what happens? Well, if you’ve seen Troy, then you may know. Awesomest and Orlando travel to Greece to make peace with King Erotic and, in doing so, ¬†Orlando, although gayer than every Broadway musical ever made, steals the King’s wife Hottessa (Kristanna Loken spoofing on Helen), and they escape to Troy. With the ensuing battles and scenes of pure raunchy comedy, elements of Troy, 300, and even Gladiator are interspersed. What’s great about this is that these scenes touch on the funniest and cheesiest parts of Troy and 300 and make quite the mockery of them. I rather enjoyed it and found it to be quite the watch.

There was nothing really remarkable about the movie, because, as expected, it was a low budget

Thank you Will Sasso for a comedic spoof of Gladiator proportions.

nude/sex joke/raunchy romp film. I mean, come on, there are boat scenes with absolutely nothing but the bare minimum and blue painted backgrounds. But that’s not the point of the film. And although this movie may take many parts that were already spoofed in Meet the Spartans, they take a slightly different approach on those scenes. Without the big budget and the ability to show breasts, this movie takes sex jokes to the extreme. Include the Workaholics cast and Tony Cox, the black midget, and you have a comedy spoof worth at least one watch. So check it out. 5.2 out of 10, purely for spoof power.