Tag Archives: classic film

Shaun of the Dead

Okay, so here we go with the Simon Pegg/Edgar Wright film that started off the whole shebang. Shaun of the Dead, that classic film that everyone and their mother owns (well my mom likes it in any case) truly is a spectacular romantic spoof about zombies. Let’s see if I can remember back to the first time I watched it…

Back when I first laid eyes on this film, I’m pretty sure I had no idea who Simon Pegg was. I hadn’t seen Spaced (not until much later) and I was woefully unaware of what hilarious

A wonderful cast doing it on the night.

antics lay before me in this film. Leave it to the British to be so damn clever that they turn a zombie movie into one of the funniest films of the last 10 years (soon to be followed by Hot Fuzz). The first in what hopes to be a trilogy entitled “The Three Flavours Cornetto Trilogy” (every film so far has featured a Cornetto), I laughed hysterically (or at least I think I did back in 2004) to Shaun of the Dead.

A lot of the zombies in the film are shown in other scenes, and are fans of Spaced or just happened to be around the time of shooting.

Fantastic plot ensuing. Shaun (Simon Pegg) has an average life with a girlfriend, Liz (Kate Ashfield) who expects a bit more from their relationship. Ed (Nick Frost) lives in a shared flat with Shaun and their dickish roommate Pete (Peter Serafinowicz), and every night ends at the Winchester pub. After Shaun was supposed to finally arrange a nice night out, he messes up after a scrambled day at work, and Liz breaks it off with him. Planning on doing anything to get her back, Shaun and Ed wake up the next day to a zombie apocalypse. Guess things’ll be a bit more complicated than planned.

Let’s start with the filming. This movie, which, in my adolescence I thought was directed by Simon Pegg, was creatively done by Edgar Wright. With the combined writing and direction powers of

See, it’s gotta be good, she’s smiling.

Wright/Pegg, there’s nothing they couldn’t do. This movie uses interesting and dramatic quick cuts, ominously toned music at ironic parts, and comedic timing within the camera angles and cuts. It does mean a lot for a camera’s direction and cinematography to dictate the pacing and comedy of a film. This one has that. You’ll see the same thing in Hot Fuzz (a more action-y edge) and Edgar Wright’s Scott Pilgrim vs The World (a review I did a while ago).

That’s some classic Nighy right there.

The cast is also full of a bunch of wonderful British actors. Of course there’s the Simon Pegg/ Nick Frost bromance/friendship duo. It’s the only couple in Hollywood that I would consciously ship together despite just being two men who are friends. You have Dylan Moran, star of Black Books and the recently reviewed A Film With Me in It. This Irish actor plays the dick and four eyes, David. But he’s a lot more than that and shows up in other Simon Pegg vehicles. I give this guy his props, he’s damn funny. There’s Lucy Davis who plays the slightly slow failed actress, Dianne. Most British comedy fans will know of her from the UK’s Office as Dawn, one of my favorites (I currently worship Ricky Gervais).  There’s Bill Nighy, POTC’s Davy Jones and Underworld’s head vamp and one of my mom’s favorite British actors. A cameo is made by Rafe Spall, son of Timothy Spall as Noel, one of Shaun’s co-workers at the tech shop. He’s slimmed down a bit for other roles and most recently

The Wright stuff.

appeared in Prometheus (you gotta check him out, he’s going places).

This movie’s just a great watch and gets better every time you watch it with inside jokes and new groups of friends tuning in. (At least in my experience.) There’s nothing wrong with it, and it delivers on the horror fan and comedy fan that both dwell within me. If you’re any sort of a geek and love sci-fi/video games/movies/fantasy, this movie is for you. It’s a cricket bat to the head and worth all the injuries. 9.3 out of 10.

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Lock, Stock, And Two Smoking Barrels

I gotta tell ya, if you didn’t already know this about me, I love British films. I’ve watched the casts in British T.V., films, and American movies alike, starring alongside other big name actors. They crush their lines with timing and precision, they hold an air of Shakespearean flair, and

The Lock and Stock gang (not actual name).

they got the whole suave, posh thing goin’ on. I gotta hand it to Jason Statham, he’s a godawful muscle man stunt actor in American films, but he fits right in when the rest of the cast is from the U.K. And Lock, Stock, and Two Smoking Barrels is this perfect case when it comes to that. A flavorful British cast with a renowned British director in one of his first film debuts, Guy Ritchie. Let the guns fly and the villains die.

Always out for a pint.

That’s basically what this movie is. Although there’s not really any big hero vs. villain gun fights or anything (you can’t tell the heroes from the villains anyway. Why would you want to?) you love the situation and the feel of the movie. It seems like everyone in the film has got a mouth on them, and they all speak the crime lingo. Everyone’s out for themselves with the big payday, and this movie has a big payday indeed.

The movie starts out with Bacon (Jason Statham) a two-bit swindler who speaks easy and cons you out of your money. Selling less than par jewelry, he and Eddy the Card Shark (Nick Moran) run through the streets of London after they’ve been had. Meanwhile, Tom (Jason

Talk about your smoking barrels…

Flemyng) is finishing his last deal with Nick “The Greek” (Stephen Marcus). He’s the brash leader of the group. Then there’s Soap (Dexter Fletcher), the straight walking saucier chef of the bunch. They all bring together 100,000 pounds for Eddy to play with versus Harry “The Hatchet” (P.H. Moriarty). After being forced into a loan and some shady dealings with some cameras and Morse code, Eddy loses and all four of the guys have to pay back 500,000 pounds. Oh no.

Cage match. For keeps.

With no means of being able to pay Harry back, the gang decides to drop in on a fellow gang’s robbery idea, stealing from the thieves. With a domino effect of a plot ensuing, you’ll never see the ending coming (or will you?). I personally was very satisfied with this film. Considered one of those “classic films” you should probably see before you die, I do agree. It is. It has a witty cast and a great vibe to it that just reeks of British gangster (as it should. They’re pretty ballin’.)

I want to spend a bit more time on that ballin’ cast I was talkin’ about. I already said Jason Statham, familiar with his feet set on the other side of the pond (not in America, obviously). There’s Nick Moran, who is someone I’ve seen occasionally in small roles, but after seeing this, I think he is destined for bigger and better things.

You bald buffoon.

Jason Flemyng is one of those actors I love seeing (besides his classic role and Dr. Jekyll and Mr. Hyde in The League of Extraordinary Gentelmen), and I can’t get enough of his versatility. It was nice to see Dexter Fletcher without gray hair (he plays Nathan’s dad in the British T.V. show, Misfits) and his character is worth a few laughs. And I have to admit that I found P.H. Moriarty to be a pretty nefarious gang boss in this one. He played Gurney Halleck in the Dune series movies for cryin’ out loud! And there’s Vinnie Jones, the former club soccer player in England. Ever since he did this movie, he’s been poppin’ up all over the place. More power to him.

I’m the Juggernaut, female dog.

I loved the plot of this film. I don’t know if I can speak highly enough of it. It has at least 6 moving parties in the film (even some bumbling idiots you wouldn’t expect to do much), and everyone gets in a whole lotta shenanigans by the end. It’s not very often you see such complicated plots like this with such a great amount of dialogue that is pulled off so well. Leave it to the British to do that.

Combine all this with a solid soundtrack, colorful references and

Let’s get it poppin’.

language and a dialect all its own, and you have a crime film that defines the late 1990’s (even into the 2000’s). I’m just sorry I hadn’t seen this earlier. It kicked my ass, and left me wanting to see some other crime flicks. Looks like Revolver and RocknRolla are up now on my list of things to watch. 8.8 out of 10.