Fright Night (2011 Remix)

I gotta say I was not a big fan of this movie. I really didn’t know where this movie was coming from not having seen the original 1985 version and I didn’t know at all where it was going. With a cast of reputable kiddish actors lead by Anton Yelchin, I expected a bit more from this film. Souring the mood with a debilitating approach to lighting, this movie came at me from all the wrong places.

This is the story of a young man, Charley Brewster (Anton Yelchin). No longer the bullied in his high school, he has become the passive bully. He ignores his former friend Ed (Christopher Mintz-Plasse) and finds solace only in his airhead toolish friends and girlfriend, Amy (Imogen Poots. What a horrid name.) With Ed and their friend Adam (Will Denton, not all that important.) these three crusaders would L.A.R.P. and Dungeon Master themselves to death. They loved the

Colin Farrell was pretty dope.

occult and all these fantasy. And then one day, a vampire moves into town and starts killing.

I have to say I enjoyed the first scene of the film. Straight from a thriller horror movie, a boy is chased and killed along with his family by what appears to be a home invader. That was pretty intense and old schoolish. Always the suggestion and hinting at the supernatural. Then you find out it’s Adam. Feel a bit bad, move on. Ed ropes in Charley and is abandoned by the middle of the film. That’s the one part of the movie I felt they should have stayed on. Straying from the course and focusing more on the damsel in distress made the movie unoriginal. (or… followed the original 1985 version…) I loved Chris Mintz-Plasse in this movie. I hated him and everything else about Superbad. Go

Here's where the acting came from. And there's where the lighting went.

figure. But it was the friendship between these two and the fact that one needed the other just as much was what really struck a chord for me in this movie. And that only mattered for about 20 minutes. Screw that.

Then let’s get into how (okay it does relate to the original, but…) this movie resonates with Mom’s Got a Date with a Vampire. That was some good Disney joint back in the day. That dad from The Nanny, he was killin that shizz. And now, beef up and hottify the vampire to the point of ridiculousness. Enter Colin Farrell as Jerry, the next door vampire. His sexual appeal (not to me necessarily…) and his sarcastic charm made him a perfect fit for this film. Seducing Charley’s mom (Toni Collette) was a different story.Trying to convince the world of a vampire that will kill you if you don’t play by its weaknesses was a great aspect to this film. (Just like in Orphan. Watch it and you’ll understand.)

...On pushing it that he did well in this movie...

…But going to see your childhood hero and finding him to be a fraud is not. This leads me to say that the second half (and only part of the first half) of this movie was disappointing. I need to talk about this because this chews at me. David Tennant may be a fantastic Doctor on Dr. Who. But I really hope anyone who saw this film for him realizes that he was terrible in this movie. He is typecast forever as a quirky, know-it-all character… like Dr. Who. I don’t watch Dr. Who. And, taking David Tennant’s acting in this film, it was lackluster. Below par. I’m sad to say that when I had heard rumors he was going to play The Riddler in the new Batman movie that I can’t wait to miss. Too bad, so sad. Truly.

I don't think you can defend yourself, little Miss Poots.

So Anton Yelchin goes to find Peter Vincent (Dr. Who) in order to get an expert’s help with his vampire problem. He’s a sham and swears and drinks all the time. He can’t help save the damsel and needs some convincing in order for the final showdown. And I won’t ruin the ending, but movie writers or whoever decides this has to stop assuming that you can call something a vampire and then say its not and call it some succubus subhuman ground creature. Not true. It’s not a vampire is it? And yet it follows all the same laws of defeating a vampire? Make up your minds…

Bring it on, Anton.

All-in-all, the only bright lights in this dark vampire world were Anton Yelchin(sort of) and Chris Mintz-Plasse. If they had focused on their friendship and not unnecessarily focused on Imogen Pootz, the dud. (this girl has been in 28 Weeks Later, the failed sequel, and Jane Eyre. Bet she wasn’t good in either…) I don’t understand the high school mood they were going for, and a lot of the lines and cinematography fell flat for me. A little more of a dynamic, over the top approach to this horror comedy may have brough out that comedy, because it was lost on me. 4 out of 10.

Horrible Bosses

So this movie probably is no longer in theaters, but when me and my roomie all the way out there in London (this is a shout out E. Miss you.) caught this movie in theaters, it was in its 6th week showing. I think that itself says a lot about just how good this movie is. Plus the aged ticket vendor woman who told us this adult movie full of swearing, drugs, and new age humor for the 20 year olds was “funny as poop.” So yeah, I had to check out this movie. I mean, come on, Jason Bateman and Charlie Day in the same film? Perfect. This was a movie worthy of its under-hype, so to speak.

In this film of every Average Joe’s fantasy, three friends Nick

Trio of champions.

(Jason Bateman), Dale (Charlie Day), and Kurt (Jason Sudeikis) all hate and want to kill their bosses. Nick’s boss is a psychopathic withdrawing bastard (Kevin Spacey) who forces Nick to stay late, work often, and never give him that sought after promotion. Dale’s boss is ironically a maneating sex addict (Jennifer Anisten) who just wants Dale, despite knowing full well that he’s engaged to marry. And Kurt’s boss, the toolish son of the former boss who kicks the bucket and takes over by default (Colin Farrell). With this trio of terror, the boys just don’t know what to do to rid themselves of these terrible bosses with a job market where there’s no chance of redemption.

Until one day, Mutherf@#$er Jones (Jamie Foxx) stumbles upon them. And by that, I mean Nick and the gang to rovin’ around in a black neighborhood and stumble upon one mean Jones who’s willing to help them get rid of their bosses for a small fee.  And what does he do? He becomes their “murder consultant,” and helps them to kill each other’s bosses. What transpires is one of the funniest series of events that I’ve ever seen on film in the last 5 years. Other than 30 Minutes or Less, and that review will be coming shortly.

The good and bad. This film was shorter than I wanted it to be. This film needed to be longer. This 98 minute film could’ve been fleshed out to a 2 hour movie and I wouldn’t have complained for a second. There’s always more comedy that can be shoved into a film, and this movie could’ve used it for the full $10 movie theaters are charging now. Other than that, maybe Jason Sudeikis wasn’t the best SNL choice to go with in this film. I didn’t mind him, but at the same time, I didn’t really notice if he was funny at all.

It was mostly on Jason Bateman and Charlie Day, coupled with Colin Farrell’s hilarious scenes of

These 3 brought the house down.

cocaine and Kung Fu, that brought the brunt of the comedy in this film. I love the way in which Farrell can make fun of himself and not always go for the better roles that cast him in a better light (I’m just glad he doesn’t do movie like Alexander anymore…). But yes, Jason Bateman performs in his prime (Arrested Development level) and I’m happy to see he’s really putting work in this year with The Change Up and an Arrested Development movie in the works.

Charlie Day. Thank you for living.

Charlie Day. What is there to say about Charlie, member of one of the greatest trios to ever grace cable television on Always Sunny in Philadelphia. His signature character of the bumbling idiot shines through again in a Hollywood blockbuster meant for his caliber of acting skills. I know it may seem that Charlie Day will be typecast forever, but I could care less. His fantastic attitude and demeanor as a character actor could be the same in 1000 films and I’d watch every one.

Kevin Spacey gives a great dickish performance, in coupling with Jennifer Anisten trying on some level to reclaim some never found sex idol roles in this film. Sure she looks nothing like her normal self in this movie, but

Let the On Star begin.

damnnnn. Wow. With some great On Star humor and some great banter between Jason, Jason, and Charlie, this movie performs on par with The 40 Year Old Virgin, #1 in my favorite comedies of all time. (Since then Judd Apatow has never made another funny movie.) I give credit to Seth Gordon in this breakout directing “debut”. His work on The Office, Modern Family, and Parks and Recreation gave him some experience going into a full length Hollywood film. And definite props to Michael Markowitz and John Francis Daley (among others) for great dialogue between three great characters. 8.8 out of 10.