The Killer Inside Me (2010)

IFC films has brought to my attention another great film I would have otherwise missed. The Killer Inside Me is a gruesomely depicted film, void of emotion, that really showed off how well Casey Affleck could act. Better than his brother, but that’s not hard to imagine. A lot of things struck me in the slowly paced film noir (reminded me of the South’s version of L.A. Noire) about a man spiraling out of control that I wasn’t expecting. You think he was made a killer out of happenstance. You learn something frighteningly different.

Lou Ford (Casey Affleck) is a well to do sheriff in a small podunk town. He’s called out one day to a run down house outside of town in order to force a well known prostitute to abandon her position there. What

A ridiculously twisted performance.

happens is something you wouldn’t expect. This nice boy is smacked across the face and forced to leave. But he finds love, and pain, in the prostitute he brutally beats back. In a sadomasochistic love affair, Lou and Joyce (Jessica Alba) hatch a plan with unexpected drawbacks.

A twisted love affair.

What blew me away in this film was in fact Casey Affleck’s performance. Whenever you are introduced to a character in a film, especially the main character, you want that person to wow you. They’re the person you’ll most likely be following the entire film. And when a character like this who is seen as so traditionally brutal and evil, without an emotion on his face, somewhere inside you wants to root for them. You become so wrapped up in a good actor’s performance that you don’t wanna see it end with them getting caught.

There were some other great appearances in this film as well. The classic Ned Beatty makes an appearance as the rich

Podunk Noir.

villain, Chester Conway. From the outset of the movie, you think he’s the bad guy. But how little you know… Tom Bower from my favorite horror movie, The Hills Have Eyes, makes a great minor role player as the head Sheriff Bob Maples. His southern drawl and terrible drinking problem made him a great comedic relief at times. Elias Koteas, one of those standard character actors makes an appearance as the union leader, Joe Rothman. Ever since I first laid eyes on his acting, I realized Koteas can slip into anyone’s skin and make it seem natural. And Bill Pullman makes a great cameo towards the end as a lawyer. I had a little chuckle with that.

Always gotta look… sharp.

I think what upset a lot of people about this movie (confirmed by Wiki, as usual), is the violence towards women. All of Lou Ford’s sexual interests is beaten to death or near death throughout the film by him. It is in fact hard to watch, but it wouldn’t be a movie about a killer if he never did anyone in… What disturbed me more, personally, is the belt strangling Jessica Alba and Kate Hudson, more than the punches and bruises. The perverse and weird that is meant for behind closed doors, flaunted on camera, and no one mentioned that as a point of discomfort? Oh wait, sex is art and violence in movies is inexcusable… I get the double standard… So where does violent sex acts stand?

This movie, at its core, for me, was about a man losing control of his life. He was a normal person, with some major

Whatcha doing there, Alba?

developmental bumps along the way. He thought becoming a police officer would set him on the right track, but he grew bored. He needed the excitement of the extraordinary and the ability to get away with it as a cop gave him his high. Up until the very end, he felt he could get

Watch the world burn.

away with it. When all was said and done, he still kept his cool and let the world burn around him. It was an eerie film to witness, but made all the more interesting by its brutality and poetic separation from humanity.

If you’ve played L.A. Noire, or love noir films, you have to check this movie out. It breaks away from the genre and sets itself apart as a twisted version of what it sets out to do. It may have upset people who didn’t want to see it, but it may just be right for you to see. Let me know what you think. 9.1 out of 10.

The Trip: A Short Review

Here’s a little interesting film I enjoyed with my mother and fellow blogger (see the side of my blog for her page) about the wonders of Steve Coogan and Rob Brydon. In a great move by these two fantastic English actors, a show these two did a few years ago was edited down and turned into a “best of” compilation of their hilarious interactions in this film simply called The Trip. In this movie, Steve Coogan and Rob Brydon expand on their characters of a hilarious movie they did quite a while ago, A Cock and Bull Story.

So Steve Coogan is at a lull in his career and decides to take a little break from whatever work may come his way. In order to impress his American girlfriend and try to get some action, he arranges to do a food tour around the U.K. But things go wrong. Coogan’s girlfriend backs out and Steve must find someone to go with him on this restaurant journey. Lo and behold, Rob Brydon an “acting friend” of his agrees to go along. Without any opportunity of furthering his career or relationship with his girlfriend, Steve Coogan must endure a few weeks with what he seems to consider Hell.

Rob and Steve. Psychos.

Let me just start off by saying that the Steve Coogan/Rob Brydon combo is just pure genius. A cynical downer (Coogan) and a middle of the road family man (Brydon) creates someone with nice comments and someone to shoot them down with a negative blaster. What’s more, this movie makes Steve Coogan seem like the crankiest, worst actor of all time. He puts himself in such tense, awkward situations, you ever wonder how he finds women to cheat on his girlfriend with. With his career in the dumps, you can expect absolutely no good ending for Coogan and Co.

Coogan at the crossroads.

But that’s the charm of the English and their humor. Not everything has to end so happy go lucky and perfect. What would be better now would be to watch the show and see how much of a spiral Steve Coogan goes through. (It wouldn’t be much longer than the movie, but it would still be legit.) Where the real humor comes in this film is the impersonations of Rob Brydon. And, not to be outdone, Steve Coogan attempting to correct the impersonations of someone far better than him. The imagined mediocre lives of these two characters comes to fruition as the tale continues to the point where the two are happy to return home more than anything else. And the Michael Caine impression. BEST SCENE EVER.

If you’re a fan of Steven Coogan and his films/shows:

Knowing Me Knowing You With Alan Partridge, I’m Alan Partridge, A Cock and Bull Story, Hot Fuzz (cameo), Hamlet 2, Tropic Thunder, or any of Coogan’s Baby Cow production shows,

then definitely check this out. I’m not as familiar with Rob Brydon other than A Cock and Bull Story, but he was well worth the watch for his comedic relief in one of the darker comedies I’ve ever seen. You really have to appreciate the down in the dumps/dump on myself comedy that Steve Coogan exudes. And I do. I find Steve Coogan, as I will review in the future, as one of the funniest men of *gasp* the world. Give him a try, he’s worth it. (And Rob Brydon.) 9.6 out of 10.

Darkest scene ever.