Tag Archives: comic relief

Darker Than Black: Badder Than Badass

Thinking back to the days in which I spent less than a week watching Darker than Black, I only have fond memories. As it was with Basilisk (another anime I’ve reviewed about individuals with unique powers) so it was with Darker than Black. The idea of the Contractors and their Payments is really what sold me on the show. In a “post-apocalyptic world” in which the stars have forsaken us in place of demigods on Earth, a world of humans and the mythic becomes meshed into one. With its ridiculous beginning with two normal humans chasing down a Contractor. In an instant, with the breaking of some fingers, the Contractor goes flying off into the sky with his ability to defy gravity and control it to his will. Tell me that isn’t something badass-worthy.

Basic plot of the show: So this mysterious gate appears in Tokyo that appears to hold some mystical powers that alters the face of the earth. In South America, a team of changed human beings prepare to take out what is known as Heaven’s Gate, its twin in Tokyo known as Hell’s Gate. In a gigantic explosion with no known explanation, Heaven’s Gate is destroyed and the pasts of those involved become altered. It is up to Hei (Jason Liebrecht) to discover his past in

Hie and his ladies.

connection to the other Contractors around him.

It is these other Contractors that hold the key to exactly what it means to live in this new world of powers and new discoveries. The art of astrology has become relevant again as the Japanese government uses it in order to keep tabs on the Contractors of Japan. With the denotations of mere letters and numbers, the true names of the Contractors are not known, leaving the government at the mercy of the superhuman beings. Hie and his team consisting of Yin (Brina Palencia) a lifeless doll and tracking system, Huang (John Swasey) the team organizer, and Mao (Kent Williams) a former Contractor, now cat, travel the streets of Tokyo, performing missions given by The Syndicate. Through these missions, Hie and the others begin to discover their role in the Gates and what has been going on the last 10 years.

Yin, one of the more interesting characters.

The structure of the show is quite interesting. Although a continuous plot for Hie is not really put into effect until the last 10 episodes or so, the suggestion of a tying plot is frequently referenced to. Most of the beginning of the show flows between the Japanese government and its agents and a private investigator, intermingling Hie and his teams story. On the government side, Misaki Kirihara (Kate Oxley) is the head of an investigation team within the Public Security Bureau. Although she holds importance over the others, her subordinates Yusuke Saito (Chris Sabat) and Yukata Kano (Todd Haberkorn) provide support and comic relief in their roles. But the true comedy of the show comes from Gai Kurasawa (Brandon Potter) and Kiko Kayanuma (Brittney Karbowski). These two own their own private detective agency that comically coincides with just exactly what’s happening with Hie and the Contractors. Whether it’s looking for a cat or collecting stories on the true stars, Brandon Potter relentlessly blunders through as Gai and leaves a hilarious path of turmoil in his path.

And credit needs to be given to the Contractors of the show. November 11 (Troy Baker) is a ridiculously cool Contractor in league with MI6 and the British Intelligence Agency. With his ability to create ice from water spontaneously, November 11 comes across as a suave Bond character with the help from Troy

What a Bond you are, Nov. 11.

Baker. Maki (Maxey Whitehead) is a troubled little boy in league with, well, I’d rather you watch and find out (the plot comes in at this point), with the ability to create explosions with his hands, not unlike Kimblee of Fullmetal Alchemist (my favorite character, mind you and something I am currently re-watching). His troubled past leaves him struggling to be somebody among the wrong people. And a bit of an unspoken badass in the show, Wei Zhijun (Robert McCollum) pays with his own blood in order to lay waste to whatever it touches.

Ahhh, the power of blood.

Now these are only a few in a long string of Contractors that all have great backstories and well developed episodes. With about 2-3 episodes per character interaction, this eats up a good majority of a show. I had wished for a bit more of a straight-ahead plot the whole way through, but it didn’t detract from how good the show is. The voice acting is decent to good and really carries a lot of the show with the emotional scenes that creep up. What really captures me in this show is the excitement of a new Contractor and discovering their power and Payment. (I only capitalize because of those words’ importance.) The show, I guess, is really character driven and that’s the true charm of the show. The dark (hint hint) elements of the show don’t overburden the show or push it into the overdramatic, which really balances out the quality and amount of material the show covers. I really enjoyed myself while watching this and would suggest this to anyone who likes a good crime thriller action anime/film. Enjoy! 8.8 out of 10!

What's hidden behind that mask?


Kaze No Stigma: Avatar’s Estranged Cousin

Let me first start off by saying that the wikipedia description of this show really doesn’t describe what I actually witnessed in this show about wind and fire and earth powers (water was sadly left out). I must say that for an anime, straight out of Japan to pale in comparison to the Nickelodeon version of a similar show, is sad. But this show has achieved the impossible. And yet, this gives a lot of props to Avatar: The Last Airbender and the amazing creators behind it. It was a worthwhile show. But that’s not the point.

Let me kick something at you. “Kazuma Kannagi was considered useless within his family because he could not use “Enjutsu” (Blaze Technique), the power to control flames. When he was defeated by Ayano Kannagi, one of his very distant relatives, in a bout to decide

If only it were truly like this...

who would wield “Enraiha” (Blaze Lightning Supremacy), a sword that was wielded by the family heir, he was banished from the family. Four years later, he returns as a master of “Fūjutsu” (Wind Technique), the power to control wind, and with a new name: Kazuma Yagami. Soon after his return, he is reunited with Ayano and his younger brother, Ren, who is also gifted in Enjutsu. Soon, however, Kannagi family members are killed and the murder weapon is revealed to be Fūjutsu. Now Kazuma has to fight his family to prove that he is not the murderer and follow a series of adventures with Ayano.”

Okay, that is the bare bones plot… of the first 6 episodes. This show may start here, but it ends in a different dimension entirely. Thanks for not ruining the plot in your summary, Wikipedia, but you sure as Hell didn’t clue me in as to where this show was headed.

Stranger things have happened in this show.

And from that description alone, I got a different vision of what I thought this show would be. I was envisioning samurai fire sword wielders. Dynasty warriors shit. Real harcore fights. The reality? Modern day Tokyo with some decent fight scenes and not a whole lot about really redeeming himself with that murder on his hands. Nice.

That’s not to say that Kazuma Yagami (Robert McCollum) wasn’t a compelling character. He is by far one of the most compelling characters I’ve encountered in anime. Cast out by his family because of his differences at a young age, Kazuma must make his way in the real world with no real support. And he doesn’t just lay down and die. Oh no. He gets up, makes a pact with the Wind Gods, and comes back to lay waste to his family. Not actually kill them, but bleed them dry of their money by becoming hired help. And at every turn, Kazuma consistently tells the entire Konnagi family to go shove it. He truly doesn’t care if they live or die. Pretty much up until the last episode. You can’t deny that a character with those emotions shouldn’t be messed up. Well he isn’t, and he gets the job done when, with most other characters, he would sit down and cry about his dilemma. Job well done, Kazuma.

But back to the plot. After this little 6 or 7 episode arc of catching his framed killers, Kazuma and Ayano Kannagi (Cherami Leigh) go on random adventures that don’t come together into a coherent end that begins to form in episode 17 of 24. Yes, as small sections the first season and beginning of the second season seem

I bet you anything he's about to cry.

interesting. But when you see the leapfrog style of the entire anime, it almost seems senseless.

Other than that glaring problem, most of the voice acting in the english dub just doesn’t hold up. I know I really should’ve just watched this dubbed, but I wanted to give what I thought was going to be a decent anime a try. This anime that was neither here nor there in genre really took me for a loop. Wow. Cherami Leigh became an annoying time bomb, who, as in most shounen, couldn’t do a damn thing for herself. Ren (Josh Grelle) became a provincial crybaby over his big bro Kazuma, and most other voice actors fell by the wayside with their sub par performances.

I think that reason I’m tied up about this show is that it was so weak in plot, characters, and direction. It wasn’t what I expected and it showed. There’s a whole episode about perverts and panty shots for god sakes. I didn’t mind it for the comic relief, but a lot of this show, even in its most serious moments, came of as just plain comic and sad. I sadly give what I thought was going to be The Last Airbender, 4.1 out of 10.

I think this sums up everything about this show… And it’s not even good subbed…