Ghost Rider 2: Spirit of Vengeance

The second I saw this trailer in theaters and Ghost Rider is pissing fire, I lost my mind. First, I am a huge Nicholas Cage fan and love all of his work, good or bad. Second, I am a huge fan of the Ghost Rider comics. And this movie came up just at the right time. The first one didn’t do it for me. It gave me a small taste of the Ghost Rider I’m familiar with from the comics, but wasn’t true enough. This one, thankfully, redeemed that for me a bit.

In this installment of what I hope turns into a yearly thing, Ghost Rider is back. With a vengeance. Etc., etc., etc. And this time, Johnny Blaze is trying to hold back his powers. Knowing that, if he unleashes them, The Rider will kill those he loves and hates, Blaze must hold back the demon. This works for a time but soon, his powers are needed to save the world.

Nic Cage is back, with a more badass bike.

At the start of this film, in a nondescript location, Moreau (Idris Elba) is a drunken vigilante priest set out to warn a castle full of monks that they are no longer safe and cannot protect a young boy named Danny (Fergus Riordan) who is said to have the Devil within him. He must be kept from evil before the day of reckoning, and, of course, that’s not gonna happen. A swat-like takedown ensues and Danny and his mother Nadya (Violante Placido) are forced to leave the safety of the castle. Moreau performs a dastardly move and protects Nadya and Danny for a while.

Guilty.

Meanwhile, after Moreau escapes from his lofty predicament, he seeks out the help of Johnny Blaze, The Ghost Rider (Nicholas Cage). Confining himself to a shed in the middle of Europe somewhere, Blaze vows never to allow his powers to be used again. When told of Danny’s situation and the promise that Moreau can help remove his powers, Blaze agrees to let The Rider out one more time.

Nadya and Danny are on the run from Ray Carrigan (Johnny Whitworth), a no good gun runner and overall punk who is in league with Rourke, The Devil (Ciaran Hinds). He is successful in kidnapping him a number of times and it is up to Moreau, Nadya and Blaze to save him before it’s too late.

How is this drunk man driving?

I was more impressed with this movie more than the other one. Scott M. Gimple, Seth Hoffman, and David S. Goyer wrote a better script/plot that allowed for more elements of The Ghost Rider universe to enter. Johnny Blaze’s conflicted feelings come into effect in this movie. Although Peter Fonda didn’t come back for Mephistopheles (The Devil), Rourke was a poor substitute. Hinds’ decrepit body was no appeal for a diabolical devil. Blackout was a good addition to the series, although the decaying thing isn’t really a part of it, and Blackout is more a factor in the Danny Ketch/Ghost Rider series. Including Danny as a suggestion for the continuation for the Marvel Knight’s Ghost Rider was exciting, but that Fergus kid was a strange one.

Good old Johnny Whitworth is back!

The writers got most of the powers right, and even added a new one. Leaving out the Penance Stare was a bit disappointing and I really enjoyed that in the last film. But what was cool about this one was the ability for The Rider to create any vehicle into a Hellfire machine. I know it’s not true to the comics, but the CG suggestion of it was pretty badass. What they should have brought in was The Rider’s shotgun which projects hellfire. That’s what I’m talkin’ about.

I think where most people got hung up on this movie was Nic Cage’s performance. His performance comes off as over the top manic, and, if he had toned it down, things may have gone over better. His age is also a factor in the movies. A much younger Johnny Blaze probably would’ve been better. And the “Cage stigma” on the film probably stigmatizes the whole thing, but hey, as least it was a more truthful approach to Ghost Rider.

A little bit of the Nic Cage madness.

Other than the Cage’s acting, I was impressed with Idris Elba’s performance in this movie. This English actor badass from the 5th season of The Office as Charles Miner and his hit/award winning show Luther, his acting really attempted to tie down the movie in a more dramatic superhero style. Violante Placido wasn’t bad, although hard to pinpoint where she was coming from in this movie. The most exciting part for me in this movie was the return of Johnny Whitworth to my knowledge in the film world. After having not seen him since The Rainmaker, I was happy to see his good lookin’ mug again. And Ciaran Hinds just came across as some decrepit pedophile, no thanks to a strangeness in his character’s lines.

Get a taste of them comics, G.R. fans.

Other than that, I’m glad that The Rider returned. And Nicholas Cage thought, “Hey, I’ll reprise the role and give the people a show.” With a darker outlook on the Ghost Rider series, I really appreciated this one more than the other. And hope for more. Much more. This Ghost Rider gets a 7.5 out of 10.

The Adventures of Tintin: The Best

Awwww yeahhhh...

Just to let everyone know, I’m about to rave about how good this movie is. I’m already gonna give this a 10 out of 10, no worries. I’m gonna give this best animated film of 2011. As if there was any competition. I’ve been reading Tintin graphic novels since I was a wee lad. This stuff, pardon my French, is my shizz. I love Tintin and his trusty wire fox terrier, Snowy. Captain Haddock is hilarious with his alliterative swear words. The mysteries are fun and engaging for all ages. And this movie EPITOMIZES everything that was good about the comics. I can’t think of a single book/comic/graphic novel that completely translates a movie from the work that you loved. (If you can refute this statement, post one. You can’t, but you can try.)

From the amazing minds of Steven Spielburg and Peter Jackson, the story of the ace journalist/detective Tintin comes

Tintin and Haddock, on the adventure.

straight from the first comic. The meeting of Haddock. Flawless. I felt I was re-reading the first graphic novel. Page for page. In 107 minutes, I was taken into a world I could completely believe in. A world I wished I existed in since I was 9. Now this has been a ridiculously good year for Spielburg. He directed The Adventures of Tintin and War Horse. One is a heartwarming story about a horse getting Oscar buzz, the other is an amazing story about the greatest hero of all time, and it was judge by its earnings in America. Come on, are you serious? Let’s see… Oh my, it made a measly $10 million domestically. It floundered here in the U.S. Hmmmm… $270 in foreign box offices? It just looks to me as if people abroad (where Tintin originated) appreciate it far more than those here who lack a bit of ecclesiastical appreciation. I’m not blaming anyone, it just goes to show we need to publish and distribute more Tintin comics here.

How great does that look? Bell and Serkis, experiencing innovation.

Back to Spielburg. (Sorry Peter.) Along with these great directing jobs, Spielburg executively produced 4 T.V. shows (one of those being Terra Nova, getting some buzz there, the other big one, Falling Skies) and a series of big blockbuster movies. Those being Cowboys and Aliens (need to see), Transformers 3 (eh… no), Real Steel (big no), and Super 8 (HELL YES). Toss in War Horse and Tintin and you got a sextuple threat right there. I’d call that a year of bank. But I guess that’s not to try to detract from Peter Jackson’s contribution. Jackson has The Hobbit: An Unexpected Journey two parter to look forward to releasing. That’s gonna do just as well as the LOTR series for shizzle.

What other names can I boast about related to this movie? Well, there’s John Williams on the orchestra chops. Check out about every single Spielburg/Lucas movie and you’ll find J. Williams name tagged on there. Anybody who can cinematically sweep me off my feet with a recognizable build, that’s gold right there. AND THE VOICE ACTORS. That’s just think about that for a second. Voice actors. I know they’re acclaimed actors, but they use their voices to bring this movie together. And a bunch of great names to talk about in relation to their characters.

There are no words for how incredible this is.

Jamie Bell as Tintin. Right there. That’s a big name with some great roles attached to it. The boy of Billy Elliot among other great English roles this guy has taken? Fantastic. I used to do my own English accent in my mind to pretend I was Tintin, but now Jamie Bell’s voice will forever signify and epitomize who Tintin is. Andy Serkis and Captain Haddock. PHENOMENAL. I’ve never known an actor who can throw out a cacophony of voices and make them all sound legitimate. His drunken Scottich drawl is just exactly what Haddock ordered. His buffoonery and hijinks really carry the story along, as Tintin and his levelheadedness truly get them out of some sticky situations. Here, get this. Daniel Craig AS THE BAD GUY. Who saw that coming? Playing the nefarious Sakharine/Red Rackham, Craig really steps it up by expanding his acting chops inside a recording booth. Nick Frost and Simon Pegg as the Thompson twins? I’ll take some of that. They were funny in the comics and in the movie as well. Spot on. Toby Jones as Silk the pickpocket? I thought at first that he would be Professor Calculus when I first saw him, but that wasn’t the case. (Professor Calculus was supposed to be in Red Rackham’s Treasure, but only introduced.) Even Mackenzie Crook, side star of the Pirates series as the wooden eyed lackey and star of The Office (U.K.), offered his voice as Tom, one of the lackeys of Haddock’s former crew. And, get this as well, even Cary Elwes, star of Saw 1 and The Princess Bride, lends his voice as a minor character! (Look for him as a pilot on the biplane!) Everyone English wanted to get in on the action of Tintin!

Let’s talk about the animation! This new age of 3-D digital animation is just phenomenal. Anything can be done with today’s technology. I would give this movie and the recently made L.A. Noire game the tops for this category of innovation. When you can make iconic cartoon characters seem real and RESEMBLE the voice actors who play them? Kudos. I will give a standing ovation to that. The amazing attention to details with shadows and minor costume effects and the tiniest of details is just mental. You have to really care about the work you’re doing to be that good. And I’m sure all the people that worked on this movie were.

There are so many great comedic/fast paced action sequences in this movie as well! The scenes on the Karaboudjan ship and the flashbacks to the Haddock/Rackham fight were epic (and I don’t use epic lightly). And the final chase scene at the end are the epitome of badass. Even the final battle between Haddock and his ancient rival are just too amazing. Bravo on all accounts of action.

Just. Fantastic.

I gotta tell ya, there is just no end to my love of this movie and Tintin and all his adventures. I hope they make a movie for every single graphic novel. The start up of every story is great. Tintin stumbles on some piece of history and it ties him into a dangerous adventure that will test his mind and body. He should be every young man’s hero and role model. And speaking of young children, I was happy to see how many parents took their children to see this movie. It’s age appropriate and wonderful for the entire family, young and old alike. It has everything and leaves you wanting more. The entire time. I can’t get over it. A

Tintin 4 Life.

perfect, flawless 10 out of 10. Best film of 2011? Maybe… Tintin will tell.

X-Men: First Class

So I’d been planning to see this movie with my mom for some time. We’re big James McAvoy, and this movie quickly jumped to the top of our list. We thought, “Hey, James McAvoy. A new X-men movie that looks quite good? Definitely.” And he didn’t disappoint. And neither did anyone else in the film X-Men: First Class. I did expect to take the phrase “First Class” literally, but I was a bit mistaken. (I thought this movie would focus on the first young group that Charles Xavier took into the X-Men academy. Guess not.) But I wasn’t disappointed at all. This movie delivered. I would say it did, even more than the original trilogy.

So the plot of this movie is the origins of the X-men. I’m pretty sure it holds true to the comics, and I think this

The rivals unite.

was a big plus. (Maybe a few liberties were taken?) But, either way, this 1960’s set X-men classic follows the origins of Erik Lensherr/ Magneto (Michael Fassbender) and Charles Xavier (James McAvoy). This is before Charles was given his wheelchair (explained) and so that’s why you see him puttering around on his own two legs. The hip, suave, young Xavier (a welcome change from Patrick Stewart’s stuffy portrayal of Professor X) has just become a Professor from Cambridge based on his work on human mutation. (Fitting right?) Parallel to this, Erik is on a rampage (using his harnessed powers) to destroy the German Nazis that imprisoned him during WWII and killing his mother. It was this pain that unleashed his powers as a young boy.

And it is through the power of the government that these two come together to team up for the only time in their lives. To stop an evil mutant of unspeakable power, Sebastian Shaw (Kevin Bacon) these two must recruit other mutants across the world in order to prevent nuclear disaster. As you watch the movie, you find that, in fact, the X-Men were what prevented the Cuban Missile Crisis. And then, as expected, things fall apart for the duo, leading up nicely to the next movies made years ago.

It sent chills down my spine when he put that helmet on.

I’ve heard people didn’t like this movie. People gave this a bad review and I was surprised. I found this to be a decent movie that was respectable among X-men entertainment. So I found it hard to believe, with such a good cast and decent special effects, how this movie could even be viewed as a bomb. I mean, come on, James McAvoy (great actor) and one of my personal favorites, Michael Fassbender? You can’t get much better than that. Throw in a handfull of cameos (yes, a scene of Hugh Jackman as Wolverine and Rebecca Romjin as a view of the older Mystique.) and great foreshadowing, and you have a great prequel.

I mean, I can’t say enough about the cast this film boasts. I have to say again, James McAvoy. Having another big action film under his belt, Wanted, he is perfectly comfortable as an action hero (although be it a passive one). Michael Fassbender. He is no newbie when it comes to action films. 300, Centurion, Inglorious Basterds. This guy has done some of the best action films of the decade. And he’s such a malicious character actor that when you see him as the villain, you can actually see the evil seething from him. Kevin Bacon. I haven’t seen him in a while and they hid it well in the trailers that he was in the movie. And as the villain? That was a shock. But still, he was quite devious. Combine that with Nicholas Holt as Beast (great job to say the least) and Jennifer Lawrence (academy award winner for Winter’s Bone.) among other X-Men, and you have a great cast.

Great group. Great cast. Great movie.

From the director Matthew Vaughn, director of some pretty badass action films, Layer Cake (personal favorite), Kick Ass, even Stardust was decent, you have to expect some good acting combined with great visual chemistry. There’s a great scene with Michael Fassbender absolutely destroying some Argentinian Nazi fools that brims with gorish action. This movie screams great summer film. If Stan Lee’s onboard (not just for the money, I hope) then it has to be good. His baby creation has come to life once again and it’s all good. 8.8 out of 10.