Tag Archives: compassion

Interview with the Vampire: The Vampire Chronicles

Most of the time when you hear a vampire movie is being made, you don’t ever think it will ever get any Oscar buzz. In the case of Anne Rice’s novel turned movie, Interview with the Vampire, that’s a different story. Winning best score and art direction, even

Two regal and noble vamps.

nominating Kirsten Dunst for best supporting actress, this movie cleaned up for a drama about blood suckers. With an all star cast including Tom Cruise, Brad Pitt, and Antonio Banderas, what woman could resist the allure of at least two hunky men? For me, I couldn’t resist a movie spoken in Old English (Shakespeare style).

At the start of the film, we encounter a reporter (Christian Slater, supposed to be played by River Phoenix before his untimely death) following an interesting man with long hair. Before he knows it, he is cornered by what he finds to be a vampire from the late 1700’s. His name is Louis (Brad Pitt, french pronunciation) and instead of sucking his blood dry, he tells him of his story. How he was turned and why he is here, now, telling him all this.

Is Jumanji what tainted this wonderful performance from Kirsten the child actress?

It all starts when Louis loses his wife and child, feeling as if he is a soulless human, wandering through the world in a cold daze. Seeking any means of escape, he encounters Lestat (Tom Cruise), a malevolent vampire who wishes to fulfill his wish, but not in the way he thought. Becoming companions, Lestat teaches Louis the way of the vampires and encourages him to enjoy the new life he has now. But Louis’ problem is that he still feels human with compassion and sympathy, not wanting to live a life alone, in the dark. Forever.

The movie moves through to the present day, skipping a few decades here and there, a century or more until we come to the point where

Great costumes.

Brad Pitt is talking to Christian Slater. It’d be interesting to see Louis enter the 20th century, but the movie was 2 hours long as it was. It covered all the important parts of a period piece film, with elegant and regal outfits galore. The music I didn’t notice as much (sorry those who won an Oscar for the soundtrack) but I was more swept up with the look and feel of the film. Elegant, but always with that underlying element of death.

Hispanic thunder.

I had tried to catch this movie earlier, but I’d only seen snippets of it. I always came in on that depressing scene with Kirsten Dunst and I was like, “I gotta check this movie out.” Sitting down to an elegant (not Underworldy) film about vampires, I had no idea what to expect. Anne Rice, another woman who wrote about vampires? Pleasantly surprised was the end result.

I really liked all the performances in the film. I think that, and the writing/scripting for the film really set it apart from other vampire movies. You felt like they were humans first, and you forgot that they were out in the dark all the time. The language is poetic and fluid, and seems to slip off their tongues as if it was first nature. Tom Cruise (although people may shit all over his attempts as an actor for his beliefs in Scientology) was ballin’ in this film. He’s one of those actors that you know it’s him, and you’ll always see him as Tom Cruise and not the character he’s playing. But by god, he can deliver a vengeful rage of a line or something just as emotionally stirring. He’s a very

‘Sup, Slater?

engrossing actor and needs to be given credit for it. Beliefs/opinions needs to be separated from a body of work. They have nothing to do with each other.

As for the rest of the cast, they all did just as well. Brad Pitt (other than a Fabio looking vampire with long hair) is emotion filled and  a likable main character. That’s what he usually is. Kirsten Dunst was a phenom as a child actress in this movie, playing the adult in children’s clothing, Claudia the vampire. You know those performances where you see it and you think, “That girl was in Spider-Man with a snaggle

Vampires you can fall for.

tooth…” That’s a “wow” performance. Antonio Banderas, you don’t see him that much anymore these days (other than Nasonex commercials). But I appreciated his accent all the same. The Hispanic Schwarzenegger. Rico Suave.

With a great cast and some spectacular settings, who wouldn’t believe this was a well done period piece. And I love a good period piece. This film deserved awards and it really focused on the humanity of the vampire. People didn’t like The Queen of the Damned in the mind of Anne Rice, but we’ll see what I have to say on the matter… 8.5 out of 10.


Bowling For Columbine

In one of the only documentaries that I respect of Michael Moore’s, Moore investigates the gun culture that takes America by storm. Looking at it from the angle of the Columbine High School Shooting, Moore suggests that the gun nuts of America and the way in which we perceive the 2nd Amendment is basically bonkers. Anyone can get a gun and they’re not always used for self defense or hunting. From the get go, you know where Michael Moore is coming from, and pretty much this whole documentary ain’t pretty.

Named after the fact that Eric Harris and Dylan Klebold went out bowling the morning before they tragically went wrong, Bowling for Columbine takes us to the ten pins. After some frightening images here and there, Michael Moore can never seem to help

A frightening image of a man.

attacking the administrations in power (more often Republican than Democrat) and the wrong things they always do (never the right). With a documentary such as this that tackles everything related to and around guns, Michael Moore correctly attempts to narrow down the cause for all the gun violence in America.

He compares the U.S. to other countries, examines what other people have blamed for gun violence, and brings it all crashing down on Charlton Heston, head of the NRA. In what I thought was his best

Let me just scare Charlton Heston into saying he’s sorry. Will that help?

segment of the documentary, Michael Moore allowed Marilyn Manson to defend himself with a wider audience than he may get otherwise. (Not to say he doesn’t, he’s an amazingly talented and magnetic performer.) Manson proves himself to be an intelligent and understanding person (contrary to the images and rants against him) and shows that compassion and listening may have helped the shooting and others around the world.

But I stop here for a moment to acknowledge information that has come to my attention. Thanks Wikipedia, although you may be wrong some of the times, you bring things to light I never knew. In the

Marilyn Manson, a wonderfully talented man and artist.

criticisms of Michael Moore’s documentary, he is annihilated. Some of it may have been by conservatives who believe in the right to bear arms, but a lot of it is coming from those he wronged in the film and otherwise. He was wrong about Lockheed and the particular plant he went to. He was wrong about the violence rates and some of the causes. And he ambushed Charlton Heston (as I felt he did) and inaccurately portrayed Trey Parker by associating him with the cartoon he showed minutes after.

Here’s where most people should come up against a brick wall with Michael Moore. He’s fat. He’s gross. These two aspects of his outer appearance would frighten most people he would talk to or try to approach. (I can understand that police officer wandering off when Michael Moore complained about the Hollywood sign. He had better things to do.) When listening to him talk and seeing the way he presents himself, it almost appears that he has a mental disorder. No joke. The way he holds himself in his documentaries gives a lot of people pissed off impressions of him. And sometimes rightly so.

One of the more well done parts with Moore helping out victims of Columbine.

Because it didn’t just stop here. He goes on to make 4 MORE DOCUMENTARIES ATTACKING THE REPUBLICAN ADMINISTRATION. At this point, he has turned into a huge gargantuan baby who is fed up with the system. He whines and puts up his yellow police tape and carries his bag around crying for money for the people. His head got bigger than it should have after the success of his first few documentaries and he thought that was a green light for as much more as he wanted to make. For shame.

So although I liked the idea and parts of this documentary, when Michale Moore puts his name on something, expect the huge range of bias he’s bringing to the table. Don’t take everything at face value. Because although in this very documentary, Michael Moore says that America has a state of fear going on, he is

Well deserved? You be the judge.

perpetuating it and stirring things up more by showing us why we should be afraid and not other things like invigorated to fight or do something. Damn it, Michael Moore, show some class. And that’s my rant. Bowling for Columbine, 6.1 out of 10. Michael Moore as of today, a whiny baby 0 out of 10.