The Matrix: Sci-Fi Excellence

And now I begin the journey of slobbering and raving all over The Matrix series. You know those experiences in movies when, after it’s all over, you want to believe what you saw is real? I had that. And the insane desire to practice martial arts moves. I can say with pure conviction that this movie was the exact point where I defined

That’s a stunner right there.

myself as a person. My love for action/martial arts films started here. My love for metal also started here. With how I’m saying this was such a definitive movie in my life, how can it not be considered amazing and a game changer?

For those who don’t know what The Matrix as a movie/concept is, I’m not gonna reveal too much, but I’m going to talk about this movie at great length. So sit back, relax, and be ready to jump into that rabbit hole.

Mr Anderson…

The Matrix is the story of Neo (Keanu Reeves), a computer hacker by night and a computer programmer by day. The duality between his life is cleverly dictated by colors and clothing as well as surroundings. On a constant search for Morpheus (Laurence Fishburne), Neo must steer two lives as Mr. Anderson and Neo in order to bring some semblance to his life. But he discovers something he may not have expected. In a chance encounter with Trinity (Carrie-Anne Moss), Neo realizes the truth about the turn of the century world we live in even as we speak.

In a world so heavily controlled by technology and computers, it isn’t any wonder that a film with complete computer

Black is back.

dependence would be created. It adds an element of mystery to it when the creators of the film, the Wachowski Brothers, are really not well known at all. Wanting to keep their own privacy, it seems as if these brothers know something about the world they’re not supposed to tell…

He is the one. (How many times have you seen this homaged in movies?

I truly love all the influences that the Wachowski Brothers drew on in order to make this movie. Anime style world and immersion, sci-fi concepts and futuristic ideas of control and advancement, Kung Fu fight scenes, even turn of the century CG effects and camera techniques. This movie, in 1999, was the true game changer when it came to creating a whole new era of cinematography and special effects through computer graphics. This movie was well thought out in all aspects and stands as one of the last true bastions of original thought in cinema. Stand aside Inception, you took your “original” ideas from The Matrix. (The whole time I was sitting in the theater at Inception, I thought hmmm, this seems familiar… A dream within a dream? More like, are we within the Matrix?)

She wrecks pretty hard in this one.

Some people criticize the first film for creating this amazing start to a story with original story and unconventional means of explanation. Then the second half of the film deals with guns and fighting, turning into a traditional action film. That is EXACTLY what I wanted from this film. I am a sucker for great fight scenes and lots of blood and carnage. This movie made me think at the same time that it delivered in a visually stunning way. When you can cross genres like this film did, you know you created something unique.

Add to wonderful things about this film: acting. You got a great cast that each person has done a handful of works, but not that well known. You got Laurence Fishburne, a man who will always been seen as

The greatest fight scene of all time.

Morpheus. His ability to act as sensei and grandmaster of knowledge and leadership shines in this film. Joe Pantoliano as Cypher. He did some work before this, but I felt this was a springboard for a lot of actors to get bigger and better work heading into the 2000’s. His “cheesy action lines” felt well delivered, as did every line in this film. This is one of those movies in which every line feels original, as if Neo is awaking to a world where everything is new and fresh. That’s excellent. Carrie-Anne Moss is the sexy, badass, femme-fatale chick who rocks the short haircut and kicks in bullet time. I had no idea who she was, but this movie made me aware a woman can be just as cold and calculated in a film like this. Cue every other female hero in a movie after this one.

A world gone wrong.

And then we come to Keanu Reeves as Neo. People complain he didn’t do well. People make fun of Keanu Reeves in general as always playing that dumbass Ted from the Bill & Ted movies. I would say he lost the surfer accent in this movie and really took the reins. His character dictates the film and discovers himself throughout the series, regardless if anyone thinks Keanu is a good actor. Here’s the thing though. Could you imagine anyone else in the role of Neo? Will Smith turned it down because he felt he wasn’t mature enough of an actor to do the role. And Nic Cage was offered the role. As amazing of a movie as that would’ve been, it wouldn’t have been as good. I think the Wachowski Brothers made the best choice possible. Of anyone.

So you got the great acting, the amazing cinematography and effects, and an amazing storyline. What more could you need? ENTER THE AMAZING SOUNDTRACK. Don Davis absolutely

Mind bending with Aang. (Am I right?)

created the best score possible to set the tone for this movie. An amazing brass section to create revelation moments throughout the film, making the jumps and feats seem that much more badass. Quick trills and a pounding bassline when needed just to make you wish you were onscreen, in the Matrix, doing what Neo is doing. When a soundtrack, not even the songs used, can pump you up that much, that is an award winning musical score.

And then there’s the songs from the film. Marilyn Manson, Rob Zombie, Deftones, Rage Against the Machine… Talk about all the 1990’s greats that have exploded into the 2000’s. This movie made “Calm like a Bomb” at the end feel like the only song anyone could ever

I’m calm like a bomb.

end a film with. So kick ass. When I heard those ending credits roll, I knew what kind of music would define my life for the rest of it. Superb.

So combine all these outrageously amazing aspects into one film and create a series out of it? You have me hooked for life. I would consider this in the top three movie trilogies of all time, probably #1 of all time. Nothing gets better than this if you love movies. No question. 10 out of 10. Check it out to see just how deep the rabbit hole goes (I also love Alice in Wonderland. Go figure.)

The Great Happiness Space

In this documentary by Jake Clennell (a UK documentarian), the world of Ouran High School Host Club comes to life. In Osaka, Japan, the Cafe Rakkyo is a place for tired and worn down women to come and feel healed, emotionally and probably physically, by the male hosts. With lots of drinking and fake flirting, Clennell dives into the secrets and tips of being a Japanese male host.

For Jake Clennell’s first time doing a documentary, he does a great job. In a mere hour and fifteen minutes, he captures the host life through a

Not your average Ouran boys…

handful of interviews and first hand events. Centered around the owner of Cafe Rakkyo, Issei, who every girl loves and wants to be with. His animal magnetism comes from the way in which he tailors himself to what a girl wants. And what’s the endgame? Money.

This entire interview/documentary is about a human’s instability. Growing up into such a business mogul the way in which Issei did has sacrificed something. Even those who have come in fresh to the game (as one host did) notice something different about themselves. The hosts can’t escape the attraction to the girls (some say love, others say connection) but in the end there is a lot of focus on materialism. Fashion designer clothes, accessories, hairstyles, it’s all about selling themselves to entice women to come to their host club. They lose the excitement of falling in love with someone and lose senses of trust, commitment, and honesty.

Some cute Asian cuddling?

From someone who doesn’t know a thing about host clubs or anything other than from anime, it comes as a culture shock. To see men in a power and control of sexuality and a socialite position in quite in contrast to America. Here, women hold all the power when it comes to sex. We pay for their drinks, we are the ones that instinctively flock towards them in clubs and bars. Men actively seek women in this country. It is up to the women to say yes or no.

But, in the world of Japan, men are the ones in these types of clubs that dictate the tempo. Women pay for privacy and one on one time with them. Women buy the men drinks in order to loosen them up and make them more friendly towards them. These women spend

Just your average host selection bar…

thousands of dollars a visit in order to woo these men. A male host starting off can make $10,000 American dollars a month. How insane!

And then comes the issue of who comes to these host clubs. More often than not, they’re call girls/prostitutes who have just gotten off work. They come to relax and enjoy time away where they’re the ones being catered to. The Osaka district in Japan is drenched in sex. Male businessmen, young impressionable females, host club employees, it’s everywhere. And to see a place that encourages social interaction other than sex is something interesting and new.

The real message to take away.

In the end, as these boys emerge from their cavernous man-den, the come out drunkenly into the sunlight, falling over, hair a bit askew, wanting a good night’s rest. And they’ll be back in a few hours to do it all over again. Issei heads back to his apartment, speculating about his future life and if he’ll ever marry. But what this documentary has delved into is that this may not be the case for this host culture. A bunch of boys jaded by love and what it means to be faithful, who knows if they’ll ever find love. All I know is that this documentary was entertaining and complex, insightful and opened a whole new culture aspect to me (being interested in Japanese culture and all). If you like pretty Asian boys or just something that will make you more aware and intelligent on Japan, you need to check this out. It’s pretty deep. 7.2 out of 10.

Casshern Sins: Robotic Humans, or Human Robots?

Hey all you readers out there! It’s been too long, so now I’ve returned in full force! Expect over the next few days to be reading over 10 new posts! I’m pumped and I hope you all are too. So let’s get down to this.

A little while ago, I watched Casshern Sins, the story of a mecha dramatic tragedy in which the world is ending and there’s no glimmer of hope in sight. And who is this tragedy all due to? Casshern. The misunderstood tragic hero of this tale is said to be invincible. By destroying the Sun Called Moon, Luna, Casshern has gained invincibility and is now sought by all robots to be consumed. Why he is sought to be cannibalized, you may ask? Casshern, with his everlasting life, appears to be the only cure in a world that now is overrun with the Ruin. The Ruin is a disease of sorts that begins to slowly errode the machines. With their metallic bodies rusting, it seemed as if the immortality that had been achieved by humans and robots alike. With the meshing of these two races into one race against time, Casshern must rediscover his murder of Luna and the world in which he has destroyed.

Now, to tell the truth, this anime threw me for a loop. I had caught the first 4 episodes at Anime Boston and I found it to be dark and interesting. With a sort of

The interesting art of Casshern.

animation and drawing style I’d never seen before, the first 4 episodes seemed to flow with a slow undercurrent slowly building. Never having seen what Masaki Takei has done before (it seems as if he’s written/created smaller works dealing with sci-fi/fantasy) I was intrigued with the way in which this anime looked. With swooping hairstyles and slender, fluid characters up against the blocky, brutal masses, this sci-fi drama blends the worlds of what’s real and what is seen as the apocalyptic future into one.

Eric Vale gives a stirring performance as Casshern.

What really caught my eye about this anime was some of the voice acting. Not knowing which characters would remain constant after the first 4 episodes, I found Eric Vale, the voice of Casshern, to be a compelling and distant character. His innocent voice withholding power to end lives creates a construct in a character often show in control, but that’s the last thing that Casshern is. Lyuze (Brina Palencia) gave another angle to Casshern Sins with a character with a soft side and revengeful edge. Another few actors that round out the top actors of this anime are Jerry Jewell, Shelley Calene-Black, and Jason Douglas, characters that’re introduced later in the anime.

And now I come to the bad point about this anime. The cyclical nature of this anime is its downfall. Despite the draw of the first four episodes, the following 20 episodes follow in the same fashion. Casshern, on his journey of discovery, comes across characters with tragic and emotional pasts. And what happens? He passes on past them and continues on his way. Either through destruction or heartbreak, Casshern can’t seem to come to terms with those around him and his uncontrollable power. But this anime, if you can get past its monotonous pace, really makes up for this in its art style and fluid animation in a rigidly dying world. So I encourage you to check it out. I give Casshern Sins a 5.8 out of 10. The Abyss is back in full force!

If anything, the fluidity may blow you away.