Tag Archives: cop

The Killer Inside Me (2010)

IFC films has brought to my attention another great film I would have otherwise missed. The Killer Inside Me is a gruesomely depicted film, void of emotion, that really showed off how well Casey Affleck could act. Better than his brother, but that’s not hard to imagine. A lot of things struck me in the slowly paced film noir (reminded me of the South’s version of L.A. Noire) about a man spiraling out of control that I wasn’t expecting. You think he was made a killer out of happenstance. You learn something frighteningly different.

Lou Ford (Casey Affleck) is a well to do sheriff in a small podunk town. He’s called out one day to a run down house outside of town in order to force a well known prostitute to abandon her position there. What

A ridiculously twisted performance.

happens is something you wouldn’t expect. This nice boy is smacked across the face and forced to leave. But he finds love, and pain, in the prostitute he brutally beats back. In a sadomasochistic love affair, Lou and Joyce (Jessica Alba) hatch a plan with unexpected drawbacks.

A twisted love affair.

What blew me away in this film was in fact Casey Affleck’s performance. Whenever you are introduced to a character in a film, especially the main character, you want that person to wow you. They’re the person you’ll most likely be following the entire film. And when a character like this who is seen as so traditionally brutal and evil, without an emotion on his face, somewhere inside you wants to root for them. You become so wrapped up in a good actor’s performance that you don’t wanna see it end with them getting caught.

There were some other great appearances in this film as well. The classic Ned Beatty makes an appearance as the rich

Podunk Noir.

villain, Chester Conway. From the outset of the movie, you think he’s the bad guy. But how little you know… Tom Bower from my favorite horror movie, The Hills Have Eyes, makes a great minor role player as the head Sheriff Bob Maples. His southern drawl and terrible drinking problem made him a great comedic relief at times. Elias Koteas, one of those standard character actors makes an appearance as the union leader, Joe Rothman. Ever since I first laid eyes on his acting, I realized Koteas can slip into anyone’s skin and make it seem natural. And Bill Pullman makes a great cameo towards the end as a lawyer. I had a little chuckle with that.

Always gotta look… sharp.

I think what upset a lot of people about this movie (confirmed by Wiki, as usual), is the violence towards women. All of Lou Ford’s sexual interests is beaten to death or near death throughout the film by him. It is in fact hard to watch, but it wouldn’t be a movie about a killer if he never did anyone in… What disturbed me more, personally, is the belt strangling Jessica Alba and Kate Hudson, more than the punches and bruises. The perverse and weird that is meant for behind closed doors, flaunted on camera, and no one mentioned that as a point of discomfort? Oh wait, sex is art and violence in movies is inexcusable… I get the double standard… So where does violent sex acts stand?

This movie, at its core, for me, was about a man losing control of his life. He was a normal person, with some major

Whatcha doing there, Alba?

developmental bumps along the way. He thought becoming a police officer would set him on the right track, but he grew bored. He needed the excitement of the extraordinary and the ability to get away with it as a cop gave him his high. Up until the very end, he felt he could get

Watch the world burn.

away with it. When all was said and done, he still kept his cool and let the world burn around him. It was an eerie film to witness, but made all the more interesting by its brutality and poetic separation from humanity.

If you’ve played L.A. Noire, or love noir films, you have to check this movie out. It breaks away from the genre and sets itself apart as a twisted version of what it sets out to do. It may have upset people who didn’t want to see it, but it may just be right for you to see. Let me know what you think. 9.1 out of 10.

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Hobo With a Shotgun…

Okay, let’s try to tackle this cacophony of a train wreck with scene after scene making me yell out loud, “WHAT.” How do I even approach this? I think a good review of this would be to analyze the plot to really dig into the absurdity that is Hobo With a Shotgun.

Shot in the style of Grindhouse/Pulp Fiction/all of Quentin Tarantino’s crap, I really wish Jason Eisener had gone for a more original approach to this film. But hey, it’s a style people like that pisses me off, but that’s cool… I guess…

Anyways, plot. Hobo w/ a Shotgun (Rutger Hauer) rolls into a dead end town with no real goal other than to buy a mower. I know, you’re already wondering, “What the freakin’ Hell?” Suspend your disbelief, please. Hauer ain’t gotta have a purpose to buy a lawn mower. Anyways, first thing Hobo encounters, Drake

Why does this movie exist?

(Brian Downey) and his sons, Slick (Gregory Smith) and Ivan (Nick Bateman) have taken some dude and hung him by a manhole cover like a noose. Legs all hanging in the gutter and the manhole cover cheesily bending to allow him to move, they attach a barb wire noose around his neck and use Drake’s car to decapitate the dude. I thought, “Okay, I can roll with this.”

Rutger Hauer, you unbelievable bastard...

Then, Hobo gets pissed when his can cart gets picked off by Drake’s car. And Drake owns this town.  So you can be sure the final confrontation will be between Rutger Hauer, one of the strangest men in Hollywood, and Brian Downey, a no name actor. And for shame, former Disney Channel star Gregory Smith, you deserve to get your penis shotgunned off.

Drake, you sneaky old cod.

So Hobo roams around this shithole town, knowing that justice needs to be delivered. Who’s gonna do it? It’ll be him, but we have to wait 45 MINUTES FOR THIS. Crap. Slick takes this hoe (Molly Dunsworth)  back to his arcade full of cocaine and Hobo rescues her in the nick of time with his hobo prodding stick. After turning Slick into the police and expecting justice, Slick and Ivan screw his life up a bit more and toss him into the trash. (Insert retarded cheesy line here.) Being found by the prostitute who never makes a buck the entire movie (she was currently being talked to by a cop who wants to hurt himself more than have sex), she takes him back to her decent house with an empty picture frame and gets lectured about the majesty of bears.

I must be dreaming this scene can't be real...

Hobo goes to buy his lawn mower after recuperating and eating glass and witnesses a robbery at the pawn shop. So what does he do? Buys a shotgun and shoots every following bad guy in the stomach. Classy. Rutger Hauer mumbles the entire film and you’re supposed to understand his mindless ramblings. Didn’t get a damn word. Not a one.

There are some more lines about skate rape, a bus full of burn victim children, a town lynching of hobos, and then a final confrontation between these two

The useless prostitute, Abby.

juggernauts in full armor and prostitute with soldering iron skills. The town gangs together to rally the Hobo, the prostitute runs train on the juggernauts, and Hobo gives a touching speech to a hospital room full of frightened babies. People die, Hobo kills Drake, police gun down Hobo, credits roll in the blood. Moral of this waste of time story? Don’t let Hobos near any run down cities. Don’t let them buy lawn

Rutger Hauer. Scaring babies for far too long.

mowers or cart around tipsy shopping carts. Or even be in movies. (Other than Japanese ones.) I gotta say it, but despite the ridiculous antics of this film, I didn’t once laugh. I was distressed and felt like I was on a bad acid trip. Complete 0 out of 10. This truly was a skate rape.