In this sequel to the French action film, Banlieue 13, also known as District 13, there’s more parkour and straight up ass kicking to the extreme in this film. Taking place 3 years after the events of the first, Ultimatum is a movie that really makes me wanna go back and watch the first. That’s how good this movie was, it makes me wanna watch the first one (although I understood what was going on) just so I can connect the two and rewatch the second one. That’s what’s good with this film. Word.
In this film, David Belle and Cyril Raffaelli reprise their roles as Leito and Damien, the hard hitting cop and parkour specialist. In this movie (and I’m assuming it’s a continued story from the first) there’s still a District 13 in France,
Dave and Cyril, Damien and Leito, back again.
comprised of thugs and gangsters from every major European nation. There’s the Jews, the Blacks (Africans, I’m pretty sure), the Asians, and so on and so forth. In a symbolic representation of the tensions felt between races, this movie really speaks to race relations in a modern society, if left unchecked. With these problems plaguing the French government, the DISS (also known as the Department of Internal State Security) has some big plans for this district.
After busting some dumb thugs who see a man in heels and a wig and assume he’s a woman, Leito (Belle) takes them out one by one with a medicinal gun. He drops them down this conveniently placed sewer grate and looks good all the while doing it. I don’t think it means I’m gay that I found him to be attractive as a woman, I had no idea at first that he was a man, which I think is a bit of a bravo for the makeup crew on this movie set. The movie industry does wonders. Afer a job well done, Leito goes back to his flat and bangs his black girlfriend. Then he’s kidnapped for a drug framing. And this is where the conspiracy starts.
Just a taste of the parkour in the film.
While in jail, Leito calls on his best friend Damien to help get him out, which he thankfully agrees to. With some great parkour moves and some investigating of his own, Damien and Leito discover a plan that will rock all of District 13. Will they be able to stop the dastardly plan? It’s all up to Damien and Leito and their French stunt skills.
What I really liked about this film was the realistic stunts. And the way those realistic stunts flow in between a well delivered plot with some good rapport and dialogue. Leito goes from shoving his foot down some punks’ throats to Damien jumping effortlessly from building to building in order to save the day. And who knew that parkour could save someone’s life? The last scene is quite mind blowing and full of adrenaline pumping destruction from every gangster in the film. Any scene between Damien and Leito is a natural conversation between friends, although I know nothing of the French dialect and its intonations. Just two friends destroying and having a good time doing it.
The classic batch of gangsters.
The idea behind the movie is pretty cool, and I’ve not seen that many French films before. Luc Besson has written some badass films in the past (Transporter Series, The Fifth Element, etc.) and this movie is no exception. You know that old stereotype about French being sissies? Watch this movie and tell me that to my face with a straight look. I was impressed with the wide ranging cast of ethnicities and the
‘Bout to kick some ass, all while savin’ a Van Gogh.
deliverance in lines. There’s a bit of that cheesily delivered lines, and some lines you wouldn’t believe people in government wouldn’t ever say, but this action movie doesn’t go overboard. And that impressed me. With a movie like this that can keep you entertained at every turn with its fast paced filming and action, you can’t do anything but want more of it. And that’s exactly what I’m gonna do. Impress me some more France. I’m listening. A solid 7.3 out of 10.
Leave a comment | tags: Africans, Asians, ass kicking action, attractive as a woman, Banlieue 13, black girlfriend, Blacks, cheesy lines, Cyril Raffaelli, Damien, David Belle, DISS, District 13, District 13: Ultimatum, doesn't go overboard, entertaining, European nations, fast paced, framed for drugs, France, free flowing movie, French action film, French are not sissies, French dialect, French films, French government, full of adrenaline, good film, good idea behind the movie, good rapport, hard hitting cop, impressive, investigation film, Jews, Leito, Luc Besson, makeup crew, medicinal gun, mind blowing final scene, parkour, parkour specialist, race relations, realistic stunts, save the day, sequel, symbolic representation, tensions between races, The Fifth Element, thugs and gangsters, to the extreme, Transporter Series, well delivered plot, wide ranging cast, writer | posted in Movies
This is The Abyss, back from quite a long break. I had plans for some blogs and now I’m about to make good on those blogs. Think of this as my New Years resolution. And I’m here to bring all my fans the needed reviews they’ve been missing. Be ready for more anime, more movies, and hopefully more CD/music reviews. Without further ado, here we go.
This one’s an old Halloween classic from way back in the day. And by back in the day, I mean a day before my time, 1973. Telling you I watched this for the third or fourth time on Halloween just dates exactly when I last planned on blogging. (Never again will there be such a lag! I promise.) The Exorcist, I feel, is the quintessential and original possession/scary movie that is a staple and cornerstone for all other movies from then to now. I can’t think of a single film that hasn’t followed the plot or a similar one to The Exorcist. (I’d love to get into the Exorcism of Emily Rose, but that’s for another time, another style.) Let’s go through this, shall we?
First things first, it’s usually an innocent or pure soul (in this case an innocent little girl, Regan, AKA Linda Blair) but is not limited to innocent little girls. I’d say the basic requirements for a possessed soul is someone who believes or formerly believed in God (check out my blog review on The Rite) and there has to be an element of easy access subversiveness to the character. The helplessness degree of the character is quite important. And there always has to be a disbelieving, logical character that stands in the way of the evidence before them. (Alright, got that little analysis out of the way, correct or no.) Throughout the course of the film, the ideas of what is real and the truth of evil is revealed changing all those involved. And The Exorcist is what started it all.
So Regan MacNeil (Linda Blair) is the daughter of a burgeoning actress in the busy city of D.C., on a visiting acting job. Without any real presence of a father, Chris MacNeil (Ellen Burstyn) is left to raise a well behaved daughter with the constant chance of moving for other career opportunities. But there’s something that stops Mrs. MacNeil in her tracks in D.C. Without any warning or
The many horrific images of Regan (Linda Blair)
explanation (the only flaw that holds this film back) Regan comes down with what seems to be a disease. Doctors can’t explain it and psychiatrists blame it on some sort of psychosis. With the added addition of the unorthodox Father Karras (Jason Miller) and the loss of his dear old Italian Catholic mother, Karras must struggle with keeping his faith and logically saving a young girl’s life.
Okay, let’s talk about the beginning of this film. The archeological dig in Northern Iraq? Father Merrin’s part in this film doesn’t seem to connect, other than his experience and work with exorcisms. The artifact that Father Merrin (Max von Sydow) finds is clearly Devil-related, but does it in fact relate to the possession of Regan? Three times of watching that and the plot never really explained that. (Maybe I should watch Exorcist: Beginnings to explain it…) Other than that, we have the basis for the greatest and most prolific exorcism horror film of all time.
Explain this, mortal fools.
The acting… Let’s talk about the acting. Well, for starters, Linda Blair really gives it all she has for this role. Add the special effects, split pea soup, and human defying physical body effects, you got one terrifying little girl. And the things they make her say, it brings a tear to my eye to think the ruined childhood that Linda Blair must have had. Having to grow up so fast, dropping a few F-bombs and a genitalia slang here and there. That’s some mad props for a girl who knew what she was saying is bad morally, but gave it her all as she screamed it in multiple grown-up’s faces. Jason Miller (ironically named Damien… or is that the wrong timeline… did The Omen come before?…. Drat.) plays Damien Karras, a Father of the church. His acting is standard for the disbelieving role he must play, and his final scenes are performed with aplomb. And Max von Sydow was great with his performance of the exorcism. But, seriously, how old is that guy? He looks so old in this movie, and yet, he’s just as old looking in Minority Report. 30 year difference? I guess it’s possible in the realm of Hollywood.
So what more is there to say about this groundbreaker of horror? This movie pushed the boundaries with its R rating and graphic images of pure evil. The acting works, and, for some, (like my father) this movie still shakes them to the bone. With a movie like this that may have pushed thousands of people away from ever watching a movie like this again, this movie is really worth a watch or two. Or how about a Halloween tradition every year, just like the self-titled Halloween series. Who knows? It’s just important to know this origin of horror really deserves a 9.3 out of 10.
... Don't forget the face of evil...
Sidenote? Anybody going to see The Devil Inside? Let me know how it is with a comment on this post! If it’s good, I’ll check it out for myself!
Leave a comment | tags: 1973, acting mother, archeological dig, belief in God, body effects, chilling child actor, Chris MacNeil, classic horror film, cornerstone of horror, Damien, disbelieving logical character, diseased, easy access, Ellen Burstyn, Exorcism of Emily Rose, exorcisms, Exorcist: Beginnings, Father Karras, Father Merrin, graphic images, groundbreaker of horror, Halloween, Halloween movie, helplessness, innocent little girl, Italian Catholic mother, Jason Miller, late post, Linda Blair, Max von Sydow, Minority Report, more posts, New Years resolution, Northern Iraq, old man, original possession movie, plot holes, psychosis, pure evil, pure soul, R rating, real face of evil, Regan MacNeil, ruined childhood, scary movie, special effects, split pea soup, struggle with faith, subversiveness, The Abyss, The Devil, The Devil Inside, The Exorcist, The Omen, The Rite, Washington DC | posted in Movies