Tag Archives: damsel in distress

Fullmetal Alchemist: Brotherhood

I don’t know how long this review may turn out to be, but I have so much to say on the topic of Fullmetal Alchemist/Fullmetal Alchemist: Brotherhood. In what I would consider, and what others would consider to be one of the greatest and most well known anime of all time, Fullmetal Alchemist delivers on so many levels. It has so much going on and so many characters to follow and love that it’s going to be quite hard in keeping this short (that’s what she said).

All that being said, Fullmetal Alchemist: Brotherhood (And its original show I’ve watched as well, and own) is the story of Edward (Vic Mignogna) and

Too many great characters to count.

Alphonse (Aaron Dismuke/Maxey Whitehead) Elric. These two brothers are into alchemy, the mystic version of what we today call science. In a world apart from our own, Ed and Al delve into the inner workings of things like equivalent exchange (In order for something to be gained, something must be lost of equal value.) and alchemic circles. Seeming to be something of the occult, these two delve into what is common practice of the early 1900s.

Living happily with their mother and father (for a time, until he leaves) Ed and Al become engrossed in the world of Alchemy. Taking every opportunity they can to learn about its secrets, the two become formidable alchemists in their own right at a very young age. And then, tragedy strikes.

Ed and Al, two brothers on an adventure.

Struck down by some unexplained illness, Ed and Al’s mother dies at an unexpected and early time in her life. While the two of them are still young (7 and 9), they attempt the taboo. The attempt to perform human transmutation. With what appears to be a straighforward procedure, the two attempt to create life from the makings of a human (i.e. water, carbon, trace elements, etc.). What they don’t account for is what costs them. Taking Ed’s right arm and left leg and Al’s entire body, Ed barely saves Al’s soul by attaching it to a suit of armor in the corner of the room. Debilitated and with no family left except some loving family friends, Winry Rockbell and her grandmother, Pinako, these two burn down their family home and leave Risembool.

This leads Ed and Al to pursue the only other alchemic object that readers of Harry Potter will be familiar with. The Philosopher’s Stone. This magical object, in the context of FMA, can circumvent the need for equivalent

Always leaving Winry behind to cry...

exchange. This object, they believe, will allow them to get their bodies back and return to a life of normalcy. But with the heavy prices and hardships in store, it won’t be that easy. Providing his services to the military state of Amestris as a “dog of the military”, a state alchemist. With Al along, the two must discover just what it means to put it all on the line for the Philosopher’s Stone.

Alchemy. It's hip.

I don’t want to go into too much detail about the later workings of the plots that go down in FMA and FMAB. After a certain amount of episodes, the two diverge in plot. Fullmetal Alchemist doesn’t follow the original plot of the manga, while Brotherhood follows it exactly. Never having read the manga (I’m an anime person, sorry.) I didn’t have a problem with either. There is some big debate and divisive opinions on the matter, but I feel the two shows stand apart, despite being about the same things. Both are quite satisfying in the end.

Great characters, old and new.

In any case, the characters in this show are wonderful. So is the voice acting. Actually, if I may be so bold, the English voice actors are just as popular with this show as the Japanese ones. Funimation did things right when they got the rights to this show and casted accordingly. But enough about that for now. We have to talk characters. I guess I’ll have to talk about characters without revealing anything about the plot. Hard to do, but I’ll manage.

Well, there’s Ed and Al, of course. These two drive the plot and give

Armstrong. Always good for a shirt rip.

wonderfully heartfelt and considerate characters to the show. Ed can be a bit hotheaded (and therein lies the comedy) but his stubborn attitude and realistic view of the world really shape our view into the world of Fullmetal Alchemist. With Al, who’s just as important, comes the caring and gentle giant (because of the suit of armor) character that I secretly admire greatly. His only flaw and greatest strength is that he cares too much. Winry comes across as the weeping damsel in distress,  one of the only female characters in the show to do so. Functioning as a sort of love interest in what is collectively called a shounen, this girl can pack a punch… comedically, whenever she needs to.

Kimblee. Badass. All in white.

And then there are some of my favorite characters. There’s Zolf J. Kimblee, the most badass villain and coolest alchemist to grace the series. With the power to alchemically turn anything into a bomb at his whim, he lays waste to everything in his paste. His nonchalant attitude about life and the love he holds for chaos is something I find to legit to quit in villainous characters. There’s Scar, the Ishballan priest turned freedom fighter. After his people were destroyed in a civil war, Scar ditches his name and uses the powers granted him by his brother in order to kill those alchemists who wronged him. He’s a bit of a conflicted character who really jumps around in the series, but he’s well worth rooting for. Roy Mustang and his surly crew of officers. Mustang is a high ranking officer among the military and effectively rules it with his ability to set anything on fire. Mirrored in his fiery attitude, he has the ambition to rule the country as Furher someday. (Amestris is basically Germany in the early 1900s. Almost hard to swallow that they’re reflecting Nazisms in this show, but it’s a choice.)

This was legit.

Then there are these creatures in the world known as Homunculi. I can’t say anything more about the topic (it’s too damn important), but I can say that they’re named after the 7 deadly sins. Their powers and personalities reflect that, and look out for Greed, Gluttony, and Pride, three of my favorites. Wrath used to be one of my favorites, but he/she is two different characters in FMA and FMAB. All of the Homunculi are key in the plot and well worth picking your favorite for how diverse and interesting their characters are. With two different explanations as to their origins, you can pick your favorite.

I enjoy this.

Now that I’m thinking about all the things that FMA/FMAB has to offer, I am starting to wish I had done a separate blog on Fullmetal Alchemist. These shows are two worlds apart, and similar in so many ways. There’s just so much to go into in detail and scope, and just not enough time to discuss it in. I don’t want to bore anyone with a long winded review, but if you do have questions you’d like answered or a specific topic I should review on my blog, let me know via comment or something. I’d love to talk about it!

Oh, all the characters and the plot I can’t get into and all that good shit. I’m now seeing this review as more of a teaser than anything. The intricate plot and reveals of both versions are well worth it. The dialogue and emotions will enrapture you in joy and sorrow. I can’t talk this up enough, can I? Well I wanna mention voice actors in English before I give this show the 10 out of 10 it deserves.

Can't even explain what's going on here.

Vic Mignogna is as iconic and well known for his voice as Edward Elric as the Japanese voice actor. Loved by many, he may always be recognized as Ed. Aaron Dismuke, one of the youngest voice actors to grace Funimation, got his start from a very young age as Alphonse Elric. With a voice that began to change as the show went on, it was all too unfortunate that Aaron could no longer fulfill the part. Maxey Whitehead did a good job in her own right, but there was

Here's a little throwback Greed.

a distinct difference in Al’s soft spoken voice. Travis Willingham delivers well as Roy Mustang, the fiery commander of the Amestris military. In what I would consider an improved performance from the original FMA, he really allowed his character to come out in Brotherhood.

Caitlin Glass does a phenomenal job as the constantly emotional Winry at all the right points. I must say though that I liked Dameon Clarke far more as Scar than J Michael Tatum. The gruff demeanor of Scar, I feel, leans more towards a man of few words than a gruff sounding religious freak. Just saying.

You beat them back, Scar, you religious freak you.

Both good, just drastically different. Who else should I mention… Eric Vale was badass as Kimblee with his, “I don’t care, I’m nuckin’ futs crazy. I’ll kill you.” attitude. Enough said there. Laura Bailey is as sexy as ever as Lust, the sexiest of the Homunculi. Troy Baker, more than Chris Patton, in the original, provides a great “I want the world and I’ll do anything to get it” voice as Greed. And, exclusively to Brotherhood comes Lin Yao, a prince from Xing with one of the best scenes and deliveries in the entire show, done by Todd Haberkorn. The goofiness of Todd disappears behind the character of Lin Yao and become something entirely different. And, of course, Christopher R. Sabat is amazing as with everything he does as Alex Louis Armstrong, the Strongarm Alchemist.

So with all these great things all in one amazing anime, why haven’t you already seen this/are watching it now? There’s no need to read this review when all I could have said is watch this show. Watch Fullmetal Alchemist and tell your friends about it. Subbed or dubbed, it doesn’t matter. Watch both versions and compare, let me know which one’s your favorite. Bask in the glory that is FMA/FMAB. It’s all good so trust The Abyss and jump right in. It’s worth it. 10 out of 10.

It all comes full circle. Full alchemy circle.

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Fright Night (2011 Remix)

I gotta say I was not a big fan of this movie. I really didn’t know where this movie was coming from not having seen the original 1985 version and I didn’t know at all where it was going. With a cast of reputable kiddish actors lead by Anton Yelchin, I expected a bit more from this film. Souring the mood with a debilitating approach to lighting, this movie came at me from all the wrong places.

This is the story of a young man, Charley Brewster (Anton Yelchin). No longer the bullied in his high school, he has become the passive bully. He ignores his former friend Ed (Christopher Mintz-Plasse) and finds solace only in his airhead toolish friends and girlfriend, Amy (Imogen Poots. What a horrid name.) With Ed and their friend Adam (Will Denton, not all that important.) these three crusaders would L.A.R.P. and Dungeon Master themselves to death. They loved the

Colin Farrell was pretty dope.

occult and all these fantasy. And then one day, a vampire moves into town and starts killing.

I have to say I enjoyed the first scene of the film. Straight from a thriller horror movie, a boy is chased and killed along with his family by what appears to be a home invader. That was pretty intense and old schoolish. Always the suggestion and hinting at the supernatural. Then you find out it’s Adam. Feel a bit bad, move on. Ed ropes in Charley and is abandoned by the middle of the film. That’s the one part of the movie I felt they should have stayed on. Straying from the course and focusing more on the damsel in distress made the movie unoriginal. (or… followed the original 1985 version…) I loved Chris Mintz-Plasse in this movie. I hated him and everything else about Superbad. Go

Here's where the acting came from. And there's where the lighting went.

figure. But it was the friendship between these two and the fact that one needed the other just as much was what really struck a chord for me in this movie. And that only mattered for about 20 minutes. Screw that.

Then let’s get into how (okay it does relate to the original, but…) this movie resonates with Mom’s Got a Date with a Vampire. That was some good Disney joint back in the day. That dad from The Nanny, he was killin that shizz. And now, beef up and hottify the vampire to the point of ridiculousness. Enter Colin Farrell as Jerry, the next door vampire. His sexual appeal (not to me necessarily…) and his sarcastic charm made him a perfect fit for this film. Seducing Charley’s mom (Toni Collette) was a different story.Trying to convince the world of a vampire that will kill you if you don’t play by its weaknesses was a great aspect to this film. (Just like in Orphan. Watch it and you’ll understand.)

...On pushing it that he did well in this movie...

…But going to see your childhood hero and finding him to be a fraud is not. This leads me to say that the second half (and only part of the first half) of this movie was disappointing. I need to talk about this because this chews at me. David Tennant may be a fantastic Doctor on Dr. Who. But I really hope anyone who saw this film for him realizes that he was terrible in this movie. He is typecast forever as a quirky, know-it-all character… like Dr. Who. I don’t watch Dr. Who. And, taking David Tennant’s acting in this film, it was lackluster. Below par. I’m sad to say that when I had heard rumors he was going to play The Riddler in the new Batman movie that I can’t wait to miss. Too bad, so sad. Truly.

I don't think you can defend yourself, little Miss Poots.

So Anton Yelchin goes to find Peter Vincent (Dr. Who) in order to get an expert’s help with his vampire problem. He’s a sham and swears and drinks all the time. He can’t help save the damsel and needs some convincing in order for the final showdown. And I won’t ruin the ending, but movie writers or whoever decides this has to stop assuming that you can call something a vampire and then say its not and call it some succubus subhuman ground creature. Not true. It’s not a vampire is it? And yet it follows all the same laws of defeating a vampire? Make up your minds…

Bring it on, Anton.

All-in-all, the only bright lights in this dark vampire world were Anton Yelchin(sort of) and Chris Mintz-Plasse. If they had focused on their friendship and not unnecessarily focused on Imogen Pootz, the dud. (this girl has been in 28 Weeks Later, the failed sequel, and Jane Eyre. Bet she wasn’t good in either…) I don’t understand the high school mood they were going for, and a lot of the lines and cinematography fell flat for me. A little more of a dynamic, over the top approach to this horror comedy may have brough out that comedy, because it was lost on me. 4 out of 10.


RomeoxJuliet: Neo Style

And yet I keep coming back. I know I’ve been gone for a short while, but those college finals are creepin’ up on me. But I’m here for yet another anime review, and this time, it’s academically related.

So this time in Anime Club, we watched RomeoxJuliet, the slightly altered fantasy version of the classic Shakespearean teen angst play, Romeo and Juliet (not much of a title change). But this time, it’s different. No spoilers (already had it ruined for me before I saw the ending) but it’s not as different as you’d think. Slightly different. Okay, kind of a major plot twist ending. And yet, still romantic and tragic. Yeah…

So this is the story of Juliet “Insert ridiculously long middle name here” Capulet, the remaining member of her noble family who were wiped out 14

Juliet. More manly/aggressive.

years ago by the evil Montagues. It was a good thing she had Conrad (who was only a badass in his earlier years. Now he looks like a whiny old coot.) or else she may not have survived, thus, no need for this anime. But anyways, now her and her family’s followers are out for revenge. But for the first 5 episodes or so, she doesn’t know she’s of royal descent. But yeah, of course that changes her and gives her a bit more of an edge and a chip on her shoulder. It’s expected.

But what does she do before she learns this sworn hatred of the ruling Montague family? She falls madly and irrevocably in love with the son of that

Romeo. Pansy.

evil bastard, Romeo Montague. I feel like it was a love based on herbology, but that’s for another review. Just know: irises. So this complicates things. OH, AND DID I FORGET TO MENTION? They have been passing off Juliet as a boy for the last 14 years of her life. She’s been Odin, knowing she was a girl, but she never knew why. Now she does. And now, Romeo is sexually confused. Add that little twist to your lemonade why don’t you.

So the rest of this little Twilight romance (yes, there are references) is played out in Neo Verona, a floating island above God knows what and it’s falling apart. That’s cool. But these little lovebirds must decide what’s more important, love/angst or their families, and we all know how that one goes. But it’s a great twist and quite worth a look see.

Great supporting cast.

Things I liked. The use of other characters from other plays. If only in name, this was a great tribute to Shakespeare, and, being in a Shakespeare class now, I can appreciate the sentiment. Again, I also liked this anime because it didn’t follow the exact plot of Romeo and Juliet. It used the new additions and twists to carry along a well told out story to a new end. Quite interesting if I do say so myself. Looking back on the list of voice actors, I wish I had watched this dubbed and not subbed. J. Michael Tatum as William “Willy” Shakespeare? Thanks very much I’ll take that.

The animation/art was quite good and the plot was ripe for the homages. The ending reminded me of Xam’d untimely end, but I think that’s the only reason I liked it. Otherwise the ending was terrible. The explanation, the random use of the tree of life… I was a little thrown off by how out of place it all was and why any of it was relevant. You have this nice little Romeo and Juliet plot zooming along and then you throw that tree/world wrench in there. Completely unnecessary. Other means to end the anime would have been appreciated.

Other than that, quite a good show. The story empowered Juliet instead of making some damsel in distress out of her, and it actually turned the story around completely. It made Romeo into the princess in the tower and quite

How cute. He's "watching" her from afar.

the whiny, unlikeable counterpart to Juliet. It took a while, but he came into his own. Tybalt destroyed people, I loved the Curio/Francisco (Eric Vale, by the way) dynamic, and it was all good (sort of) in the end. If you’re a Romeo and Juliet fan, or a Shakespeare fan in general, check this out, it’s worth the watch/twist. 6.8 out of 10.

Did I mention this anime ruined Josh Groban’s “You Raise Me Up” forever. Well, it sorta did. But here it is all the same.