The time has come to talk of things. Of films that are the best of Comic Kings. And yes, this movie has wings. I am now ready to beamingly review The 40 Year Old Virgin, my favorite of all comedies. A close second is Dumb & Dumber, followed by Meet The Spartans. But more about that later.
This movie is revolutionary. In a first in grossout comedy, this movie tackles sex. And other things. But mostly sex. And they do it in such a hilarious way that it feels like a high brow poop joke for men. Steve Carell breaks onto the scene in this one after Anchorman, and we have established the comedic actors who will dictate standout comedies for the next 5 or 10 years. (Seth Rogen hasn’t stopped… he maybe should have…) But in the best work that Judd Apatow has ever put out, The 40 Year Old Virgin stands at the pinnacle of best comedies of all time.
The 40 Year Old Virgin is the story of Andy (Steve Carell) a worker at a tech store (Smart Tech) with not much of a life outside his apartment. His co-workers think he’s weird and he doesn’t help refute that claim. It isn’t until one night over a game of poker (with one of the funniest scenes in comedic history) that the guys find out why he’s so strange.
He’s a virgin.
And that’s not even the whole hilarious scene! A lot of the jokes and quotes me and my friends use come from Paul Rudd and Romany Malco. So it just shows that the whole cast was integral in creating a superb comedy.
But with David (Paul Rudd), Cal (Seth Rogen), and Jay’s (Romany Malco) help, Andy sets out on the road to not becoming a virgin. Many hilarious scenes and antics later, Andy meets Trish (Catherine Keener) who shows off a fantastic body for an older woman, if I may add. The go on a whole buttload of dates and Andy finds love before sex… Or does he?
A hard and true scene. This actually happened.
This movie literally is too legit to quit. Most of the lines in this film were improvised right on camera. I myself own the unrated edition with 17 extra minutes, and it is one of the funniest experiences to watch this with my friends. Me and my friends had plans to remake this for ourselves, scene by scene, and adapt it to 4 18 year old guys. Those dreams are still alive in fact. If only…
Gotta slay some hoodrats. Boom, boom, boom.
I have become a big fan these actors because of this movie. Paul Rudd is hilariously and deliriously lost in lost love over a great cameo by Mindy Kaling (Kelly of The Office) as the infamous Amy. Paul Rudd is the character I related to in the movie with the lines that made me laugh the most. Romany Malco is genius in this movie, bringing his ghetto flavor to the film. I haven’t seen him in much else, but this movie has him shining with all the rest. Seth Rogen, well, I liked him more at the time. He has turned into that character in every comedy who just smokes weed and drinks all the time. He doesn’t add much to the comedy. But he did in this one.
And then there’s the infamous Steve Carell. Right before The Office took off, this was his role. He was born to play this role (seeing as he helped write it and produce it). He was fresh and new at this point and untested in the world of comedy. He’s outrageous when he needs to be, he was awkward and lovable, and he just knows how to deliver lines that sound
But each timeeeee…
You know how I know you’re gay? You like Coldplay.
unnatural coming from a man of his age. Fun fact, my mom went to Denison University with Steve Carell in college. He was a senior (and her R.A. if I’m not mistaken). He was involved in improv and comedy and there’s a picture of Steve during the porno scene that he turns around. He has a mustache, and he had one in college. That was a college photo. That’s pretty cool if I do say so myself.
So you got a great cast and some great cameos by some up and coming comedic stars. Jonah Hill makes an appearance as the overweight and strange eBay store customer. Jane Lynch, before Glee took off, played the Smart Tech boss and
The cast of champions. Looks like Rudd is rockin the clip on phone belt…
sexually aggressive woman, Paula (she’s a lesbian, BTW). Steve Carell’s wife, Nancy Carell makes an appearance as the sex education worker. David Koechner, co-star with Steve in Anchorman pays a visit, as well as Kevin Hart, the short and black comedian in one of the funniest scenes in the film. “I’m talkin’ frosty.” Oh, and if you look to the left in the first shot of the first club scene they take Andy to, you’ll see Jenna Fischer chilling on a couch as an extra. Check it out.
So what more could I say about this movie to make you go and watch it right now? Great comedy, hilarious, outrageous jokes, and an all-star cast of soon to be big actors. Judd Apatow did something right in directing this movie along with giving Steve Carell the chance to be the “It Kid” of comedy. I love every minute of this movie and I hope you will too. Best comedy of all time. 10 out of 10.
Okay, so here we go with the Simon Pegg/Edgar Wright film that started off the whole shebang. Shaun of the Dead, that classic film that everyone and their mother owns (well my mom likes it in any case) truly is a spectacular romantic spoof about zombies. Let’s see if I can remember back to the first time I watched it…
Back when I first laid eyes on this film, I’m pretty sure I had no idea who Simon Pegg was. I hadn’t seen Spaced (not until much later) and I was woefully unaware of what hilarious
A wonderful cast doing it on the night.
antics lay before me in this film. Leave it to the British to be so damn clever that they turn a zombie movie into one of the funniest films of the last 10 years (soon to be followed by Hot Fuzz). The first in what hopes to be a trilogy entitled “The Three Flavours Cornetto Trilogy” (every film so far has featured a Cornetto), I laughed hysterically (or at least I think I did back in 2004) to Shaun of the Dead.
A lot of the zombies in the film are shown in other scenes, and are fans of Spaced or just happened to be around the time of shooting.
Fantastic plot ensuing. Shaun (Simon Pegg) has an average life with a girlfriend, Liz (Kate Ashfield) who expects a bit more from their relationship. Ed (Nick Frost) lives in a shared flat with Shaun and their dickish roommate Pete (Peter Serafinowicz), and every night ends at the Winchester pub. After Shaun was supposed to finally arrange a nice night out, he messes up after a scrambled day at work, and Liz breaks it off with him. Planning on doing anything to get her back, Shaun and Ed wake up the next day to a zombie apocalypse. Guess things’ll be a bit more complicated than planned.
Let’s start with the filming. This movie, which, in my adolescence I thought was directed by Simon Pegg, was creatively done by Edgar Wright. With the combined writing and direction powers of
See, it’s gotta be good, she’s smiling.
Wright/Pegg, there’s nothing they couldn’t do. This movie uses interesting and dramatic quick cuts, ominously toned music at ironic parts, and comedic timing within the camera angles and cuts. It does mean a lot for a camera’s direction and cinematography to dictate the pacing and comedy of a film. This one has that. You’ll see the same thing in Hot Fuzz (a more action-y edge) and Edgar Wright’s Scott Pilgrim vs The World (a review I did a while ago).
That’s some classic Nighy right there.
The cast is also full of a bunch of wonderful British actors. Of course there’s the Simon Pegg/ Nick Frost bromance/friendship duo. It’s the only couple in Hollywood that I would consciously ship together despite just being two men who are friends. You have Dylan Moran, star of Black Books and the recently reviewed A Film With Me in It. This Irish actor plays the dick and four eyes, David. But he’s a lot more than that and shows up in other Simon Pegg vehicles. I give this guy his props, he’s damn funny. There’s Lucy Davis who plays the slightly slow failed actress, Dianne. Most British comedy fans will know of her from the UK’s Office as Dawn, one of my favorites (I currently worship Ricky Gervais). There’s Bill Nighy, POTC’s Davy Jones and Underworld’s head vamp and one of my mom’s favorite British actors. A cameo is made by Rafe Spall, son of Timothy Spall as Noel, one of Shaun’s co-workers at the tech shop. He’s slimmed down a bit for other roles and most recently
The Wright stuff.
appeared in Prometheus (you gotta check him out, he’s going places).
This movie’s just a great watch and gets better every time you watch it with inside jokes and new groups of friends tuning in. (At least in my experience.) There’s nothing wrong with it, and it delivers on the horror fan and comedy fan that both dwell within me. If you’re any sort of a geek and love sci-fi/video games/movies/fantasy, this movie is for you. It’s a cricket bat to the head and worth all the injuries. 9.3 out of 10.
I’m a huge fan of the Coreys and vampire movies. So why wouldn’t I watch The Lost Boys for kicks? This amazingly 80’s film explores every young boys fantasy of being the next Van Helsing, and lookin’ classy with quaffed hair. The featheryness makes me laugh to no end, and there’s even a classic saxophone player with spandex and a mullet. What could be better about the original Lost Boys?
In reference to Peter Pan’s own Lost Boys, this movie highlights a few adorable 80’s
Some 80’s flair.
hearthrobs entering into their later teen years (or around those parts). Throw in a bit of fantasy horror and you got yourself a cult classic. But you wouldn’t expect anything less from Batman Forever and Batman & Robin creator, Joel Schumacher. I’ve seen The Lost Boys: The Tribe, and let me tell you, Joel Schumacher was needed on the set of that one. It didn’t have a tenth of the flair this one did.
Catch me in Speed 2!
Michael (Jason Patric, star of failed sequel, Speed 2: Cruise Control, but still a very hunky 80’s dude) is moving with his single mother Lucy (Dianne Wiest) and younger brother Sam (Corey Haim, classic.) to a fictional town in California based on Santa Cruz, where it was filmed. Moving in with their farty and cantankerous old fool of a grandpa (Barnard Hughes), they find the night life of the boardwalk to be too enticing. There are some other characters who find the boardwalk just as… delicious.
David (Kiefer Sutherland) is the leader of a gang of vampires who patrol the boardwalk, looking for recruits and meals alike. Drawing in Michael with the use of a female counterpart named Star (Jami Gertz), Michael is tricked into drinking vampire blood and participating in their 80’s hoodlum outings. Sam recruits the help of the Frog Brothers (Corey Feldman and Jamison
Classy Edward Hermann.
Newlander) in order to classically fend off and kill a whole den of the bloodsuckers of the night.
This movie is just too classic to even consider talking smack about. It’s a cult classic, it’s renowned for its classic scenes and 80’s cast of the who’s who of actors. It has both the Coreys. What more do you want? All you need is Corey Haim and the Feldog, don’t you?
Can I talk a little more about the Coreys? I think this clip from Robot Chicken can sum up my adoration for the Lost Boys.
You see what I mean? Nothing could be better. Lost Boys Style.
A bit bug-eyed, eh?
This movie sticks to the classic ideas about vampires and all that jazz. Stakes, garlic (not really though), sunlight (but it only bothers them if they’re being transformed), batlike appearance at times, sucking blood, invite into the house, etc. But it’s more about the 80’s. There is a man, Tim Cappello, who plays the saxophone in this movie so provocatively and strangley that it stands out. You know why?
That’s why. Sexy Sax Man Sergio Flores. The best. Tim Cappello in this movie inspired this prank video. Far reaching, right?
What more is there to talk about? The acting is fine, and the cast, well, it’s phenomenal. Dianne Wiest of my favorite Hallmark Channel original, The Tenth Kingdom? She was a frightening Queen Witch in that shizz. The Coreys, enough said (Goonies, Stand By Me, etc. etc.) Jami Gertz from Still Standing the TV show? Keifer Sutherland, the badass of 24 making
Bill the Biker.
Lost Boys Style!
one of his first films other than Stand By Me? That’s a wonderful little beginning right there. Alex Winter, the infamous Bill of Bill & Ted’s Excellent Adventure and Bogus Journey? He’s even in with The Red Hot Chili Peppers (i.e. directed a music video!). And classic Edward Hermann providing the voice of documentaries and TV specials for years. Standout cast right there.
So just watch this. You know you want to. Anytime you feel down, this movie will pick you right up, just like any good 80’s movie does. No question, 10 out of 10. Gotta love the Feldman’s deep and froggy voice in this one. Superb.
Astounding is the only word I can think of and use to describe this movie. It has stunning visual effects (didn’t see it in 3-D, didn’t need to), gut wrenching gore and horror, and this air of mystery that hangs over the whole film. It is a part of the Alien series (5th installment) but at the same time it is set apart completely as its own film. A great cast was selected and an amazing backstory/ prequel was born and thus named Prometheus.
In this epic tale of just what happened before the Alien films, Elizabeth Shaw (Noomi Rapace) and Charlie Holloway (Logan Marshall-Green) are two archaeologists who have stumbled upon something fantastic. In different locations all around the world,
It all begins here.
spanning centuries, the same symbol of a gigantic man pointing to a specific star region, as if to say “Come find us.” Interested in this speculation, Peter Weyland (Guy Pearce) finances the whole thing with his massive amounts of dough and creates a ship, named Prometheus.
Janek and Vickers. Opposites attract?
Piloted by Janek (Idris Elba) and watched over by the android David (Michael Fassbender), after two years of flying, the crew lands on the distant planet the star map told them to come to. Under Meredith Vickers’ (Charlize Theron) watchful eye, the crew must find what they’re looking for, even if what they’re looking for is no longer around. What they find is more than they bargained for, and the must stop the deadly trap from making its ways to Earth.
Where should I begin in my shining review of Prometheus? Well, I think that finally technology in special effects has made its way up to Ridley Scott’s vision of what he has wanted the Alien films to look like. It’s space agey, cold and
An unknown marvel awaits.
clinical, and full of wonder and horror all at the same time. The planet storm was breathtaking, the creatures and surreal caverns were creepy and mammoth sized, this movie incorporated everything you wanted to see in our race discovering a planet in… 70 years.
Noomi Rapace, giving her heart and soul to Prometheus, as only she can.
This strong cast of actors all did their jobs in developing their roles in what you would expect of a spaceship crew. Idris Elba did a great job as the ship’s commander. Slightly minor, but he didn’t take shit from anybody as you would expect. Charlize Theron (in one of the only roles I applaud her in) plays the oddly robotic and bitchy overseer of the entire operation. She tows the line between sci-fi amazonian and unemotional human in a very convincing performance. Michael Fassbender stole the show again as the android, fully immersing himself in what Theron had to hint at. His intrigued and distanced character embodies what sci-fi novelists and movie makers have seen as a human robot for years (think Ian Holm in the original, but add the quirkiness of Jude Law in A.I.) And then there’s Noomi Rapace. This Swedish actress from The Dragon Tatoo series put her heart and soul into the part. She tired herself out, did some terrible yet necessary things to her body, and did it all with a British accent she had a coach for. Seeing her dive into a character that has to deal with all these terrible revelations was both disparaging and inspiring. She didn’t let what was happening put her down or stop her from her end goal.
The only true scene I wanted to see in 3-D.
One person I was particularly impressed with was Guy Pearce. I’ve loved him since The Time Machine remake (and Memento, of course) and think he was born to play in sci-fi films. His air of bravado and poise resonates in entitled sci-fi characters. And not to mention he’s playing an old man for 15 minutes of the film that you would barely recognize. And a great little cameo from another one of my favorite actors (since Watchmen), Patrick Wilson.
The music was orchestratedly stunning. At all the moments you feel fear or exhilaration in this newly discovered planet, it fills in with the proper soundtrack. Much as Gabe would describe it as a soundscape
No words can describe it.
that fills in all the spots of your imagination, this soundtrack did that for me. (Was it similar to the other Alien films? Let me know.)
Another thing that was so great about this film (haven’t I said enough?) is that you don’t have to be a die hard Alien fan to watch this movie. This movie itself can get you hooked in (being a prequel and all). I’ve only seen the first Alien and the AVP series (always been more of a Predator fan, sorry), and this movie makes me want to watch all of them. This movie tackles the mythology and world of a film that is also a film! Something made up and fantasized analyzing something else in the same manner? That’s wild! And I thought it was so well done and handled from such a organic and basic place that it made itself into this mythological God that could spark films and analysis for years to come. Until it becomes a reality.
… What started it all.
With all this ranting and raving about the film, why haven’t you X-ed out of my blog and already started up your car to go see this in theaters? You need to see this in order to boost the ratings and maybe someday prove that a genre other than drama can win the Oscar for best movie of the year. Because I would argue that this film is in the running for 2012. Just saying. I have no complaints and was mesmerized from the start of the film. Go see it. Now. 10 out of 10.
You may be wondering that yourself after you see Underworld: Awakening in theaters (if it still is…) The second I saw this movie was in development WITH KATE BECKINSALE, I got really excited. This beautiful English goddess needs no introduction. The face and star of the Underworld series ( I won’t include Rise of the Lycans) comes back with a more violent and sexy force in this movie. And, at 39 years of age, Beckinsale is looking wonderfully sexy and vibrant, despite the whole vampire/death dealer thing.
I would say this tagline of this movie is “Where’s Michael?” because it is the most classic line from the trailer. Yelling in the face of some unfortunate human, Selene just wants to know where her lover is. Is that too much to ask?
Where is Michael?
Apparently it was too much to ask to get Scott Speedman to return in this film. From the first moment you see him, you know something’s up. He seems CGI, and, in fact he is. Shown for an entire 30 seconds of screen time, Michael goes from badass hybrid to invisible hider. The original purpose of the film is to find him, but it becomes complicated.
This scene was sexy.
Here’s some context. The war raging on for centuries between the Vampires and Lycans has a new contender. The humans have entered the battle and have learned the weaknesses to decimate both sides. In a terrible twist of fate, Selene and Michael are captured and are being held in a laboratory under cryogenic (?) freezing for over 10 years. (Was it 10? The number was a bit fuzzy…) Upon being released by some unknown third party, Selene awakens to a world she is unfamiliar with. All that remains with her is her ability to kill, and kill well.
After some romp stomp destroying of some lab guards, Selene begins to get her wits about her. Realizing she is not in a position of advantage, she begins her quest in finding Michael. This is complicated by what she perceives to be visions from Michael’s own eyes being projected to her. She follows them and what she finds is a young girl. A hybrid young girl. With things thrown out of whack and nothing as it appears, Selene and the last of the vampires must fight in a world where there enemy is no longer the Lycans, but what would appear to be a lesser subspecies. Us.
Time to lace up.
I gotta hand it to the creators of Underworld. You take a 6 year break from Evolution with Kate and come back just as hard as the original 9 years before this one? You have to know some die hard fans are gonna watch it regardless. Me being one of those die hard fans of Beckinsale and everything Underworld really helped out. The first one becoming a cult classic solidifies any future work on Underworld and makes it all the more interesting when, yes, they suggest a 5th one. Bring it on.
There's some violence for ya.
I really gotta say though, this one hit hard with the violence. There’s really not a big break between action scenes, but some of the action scenes really drive the plot in an unusual way that I haven’t seen in many action movies. Removing the fight scenes from the plot is a way to entertain without bogging down the stylized violence, but this movie said, “Eh, why can’t we have both?” And I agree. There are plenty of successful action movies out there that can balance what the genre promises with a bit of good storyline. And the Underworld series is one of those.
But yes, there are throat slashing scenes, lots of bullet holes through Lycan carcasses, and, really, not a lot of sympathy for the Lycans in general. In a
The last hopes for the Vampires.
series that kind of set up this idea between supernatural being unity, Lycans vs Vampires probably won’t die anytime soon. With hybrids and the humans as the common enemy, I expected some teamwork, but this movie takes it in a direction that makes sense as well without the Vamycans combine. Although, as anyone knows who has seen this series, humans shouldn’t be a threat to these races, but it happens. I guess if Van Helsing can do it… Others can.
I love that suit. And those guns. Everything.
The acting in this movie was fine, but not the main focus/intent of the creators. Kate Beckinsale, instant loveable classic. At her age, looking that good, the mist rolling over her naked body. Chills. Stephen Rea kind of came out of left field for me. One of the most experienced actors in the movie, his villainous nature came as strange. One, because he’s one of those self-absorbed, nerdy villains without the ridiculously gothic quality of say Bill Nighy or Michael Sheen. Two, his son Quint (Kris Holden-Ried) had an English accent in this movie and Stephen Rea as his father, Dr. Jacob Lane, didn’t. Those little nuances can bother a person.
I mean, at some points in the film, there were accents when there didn’t have to be, and others were there should have been (I guess). Beckinsale sounds wonderfully elegant as Selene with her British accent, but with Eve (India Eisley) it came off as awkward. An 18 year old girl portraying a 12 year old girl (it was close) with an English accent, in a city that I feel was in America,
I just have to include this shot. Chills.
seemed out of place. But the girl did her job, despite some of her only experience coming from The Secret Life of the American Teenager (utterly horrid).
That was also something that struck me as odd with Theo James in this film. As with some other British newcomers to the silver screen, David (Theo James) showed a slight potential as a relatively important character in this film. Bringing back the classic whips from the last scene in the original Underworld, he delivered his lines with a British accent, in an altogether unconvincing way. Charles Dance as his father, Thomas, one of the last remaining bastions of the Vampire dynasty, did a fair job, but he wasn’t a Bill Nighy type of character. He made his mark though.
You did okay, Theo.
Before I wrap this up, just wanted to throw a little shout out Wes Bentley’s way. This guys was a simple character who released Selene from her cryogenic sleep and got none of the credit. I’ve admired Wes Bentley ever since American Beauty (…and Ghost Rider) and I feel he is an underrated actor. So I would like to give him a nod in this uncredited role in Underworld, even though he was dropped out a window.
It's about to get heavy.
So, all-in-all, Underworld: Awakening did justice to the Underworld series. There was a great deal of action, although no Michael, and a plot that satisfyingly gave a chance for an Underworld 5. A fabulous twist that I didn’t see coming progressed the overall plot and left me falling in love with Selene all over again. I would agree with IMDB’s rating of this movie of a 7 out of 10, but, as a huge fan, I’d bump it up to a 7.7 out of 10. Nice job.