I had a strong desire to see this movie when it came out, but if I saw every movie I wanted to when it came out, I would be poor. Thank you, Netflix. Anways, Vanishing on 7th Street had its ups and downs for me as I was watching it. To classify it as a thriller over a horror movie would be accurate, as it didn’t have too many bumps or jumps.
Something’s wrong… is it my acting?
There is one scene that may frighten you (I was wearing headphones and sitting too close to my computer), but overall there really only is one. Supernaturally it’s interesting, but the plot left something to be desired.
Let me explain. When I watch a horror movie, by the end, 9 times out of 10, I want the horror to be delved into or explained. To leave it open ended leaves a bad taste in my mouth. I want the origin story of the evil force at least. Where did these beings come from? Why are they here? Why do they need to frighten and kill? What will they do?
Little Ani, you did your job.
This movie didn’t give any of that. In a series of postulations, Vanishing on 7th Street entered in with this ungodly being/s that took away probably 99% of the world’s population. Paul (John Leguizamo) is just chilling up in his projection room, minding his own business, with his head-lamp on. Everyone in the mall disappears and nobody knows why. Cue Chris Bosh the actor and the scariest moment in the film. We head over to Rosemary (Thandie Newton) and her search for her baby, Manny. Then hit up Luke (Hayden Christensen), the lead actor in this horror shin-dig and you have yourself 3 of the last 4 people remaining in… Detroit? I have no idea…
After three days of darkness and people being taken away, you already knew after the first scene that anyone with a
That rave was a bit too redonk…
portable light was going to survive. It was self evident. What you didn’t realize is how fast Hayden Christensen would adapt and become a hardened badass about the whole thing. None of them know what the hell is going on, but they will for damn sure survive longer than I’ve seen anyone in a supernatural thriller. Go get ’em.
The acting wasn’t bad overall. I usually rag on Hayden Christensen for his ruining Star Wars, but he did his job well in this one. He was the brutal survivor everyone needs on their team in this one, and rightly
Probably shouldn’t crouch by all that gas…
so. Thandie Newton was the beautifully tragic character that has to, of course, hold onto her religion in order to survive. (There’s always one in every bunch…) And then there’s John Leguizamo. He needs to stick to just doing Sid in Ice Age, because his acting wasn’t contributing anything in this live action. Jacob Latimore, he was a pretty damn good child actor in this one. Bravo.
So without much explanation of delving into the topic, Brad Anderson skirts around the issue that every horror film should explain/explore at the end. Sure everyone in a movie can die, but you have to then have some sort of closing argument for why it all happened. In the
That plane be tankin’.
world of Hollywood, people don’t feel comfortable with unexplained evil for evil’s sake. There has to be a motive, a reason. If all you can come up with is Roanoke Island, you are sorely mistaken. And Brad Andersen directed The Machinist for Sweet Baby Ray’s sake! A hit and a miss, this movie holds the middle of the road for all the promise it held, and not giving away anything in the end. 6.2 out of 10.
Leave a comment | tags: adaptation, average acting, baby, beautifully tragic, Brad Anderson, brutal survivor, bumps and jumps, child actor, Chris Bosh, darkness, destroyed world's population, Detroit, did the job, evil force, hardended badass, head lamp, held promise, hit and miss, Hollywood, horror movie, Ice Age, Jacob Latimore, John Leguizamo, lead actor, live action, Luke Hyaden Christensen, Manny, middle of the road, motive, needs some explanation, Netflix, not much explanation, one frightening scene, open ended, origin story, Paul, portables lights, projection room, random location, reason, religion, Roanoke Island, Rosemary, Sid, skirts the issue, something to be desired, Star Wars, supernatural, Thandie Newton, The Machinist, thriller more than horror, unexplained disappearances, unexplained evil, ungodly being, ups and downs, Vanishing on 7th Street | posted in Movies
I had never in my 21 years of life ever before seen a RoboCop film. Hearing of how cheesy they look today and how they would insult my CG effects sensibilities, I was hesitant to check out this film on Netflix. My roommate did only the slightest of convincing and we sat down to watch. I was pleasantly surprised. Being hailed as a good film in its time for the issues it brought up and the icon it created, RoboCop can be seen as an overall achievement for all its done. And, right in the vein of claymation/animatronics that I’ve come to love too. Thank you Hellraiser.
RoboCop is the story of a rundown Detroit (as if Detroit didn’t already have a bad rap…) in which crime runs rampant. In such a desperate time, Detroit’s police force has been bought out by the Omni Consumer Productions Corporation (OCP). Hoping to bring up the efficiency of justice, OCP has created some prototypes to help this along. In error, OCP’s senior VP Dick Jones (Ronny Cox) creates a robot that malfunctions and maliciously kills a fellow worker. With this disaster under wraps, it is up to another boardmember, Bob Morton (Miguel Ferrer) and his robotic-cop idea to shine. In this cutthroat world of business, anything goes. (And this is an issue later.)
The future of policing.
Meanwhile, a newcomer to the Detroit scene is hittin’ the streets. Alex Murphy (Peter Weller) is a transferred cop out to prove just how good he is. And prove he does. He gets kidnapped by a gang led by a man named Boddicker (Kurtwood Smith). You may recognize him as Red from That 70’s Show. I’ll always remember him from RoboCop. Anyways, Murphy gets lit up. And I mean shotgunned to death. Arm destroyed, torso torn, shot dead. Animatronics at its most frightening. It was intense to say the least. You can guess where the rest of the movie goes at this point. Murphy is turned into RoboCop and helps clean up the streets. But there’s mischief afoot. And some inside guys need to be taken out.
Peter Weller, you freaky old bastard you.
All in all, the acting was sub par in this movie. I didn’t recognize many of the actors, although I had seen Miguel Ferrer in something or other. Peter Weller is more of a cult classic actor/T.V. production actor, and completely fell under my radar. You know who didn’t? Ray Wise. This best of the B-rated actors is quite high quality in my book. This Tim and Eric returner is the best hug teacher and Shrim disposer out there. Thanks and Great Job!
Other than that, not a lot stood out to me in this film. The plot chugged along, the ending could have ended a bit sooner, and I think this is one of those movies which could have a successful remake. And I don’t say that often. Some updated acting and an even darker element to this movie would really spice it up as a need to see action movie. Still set it in the 1980’s, this movie could benefit from a touch-up. But enough about that. The simple fact that this movie was so successful it created a merchandise franchise. I give props to a film that can create more than a movie from their idea. Good ideas about the crime of America and its economy went into this film, something to be commended on. Let’s see a remake soon… maybe. 5.5 out of 10.
You're in for a world of hurt, Red.
1 Comment | tags: 1980's, Alex Murphy, animatronics, B-rated actor, bad rap, Bob Morton, Boddicker, CG effects, cheesy, claymation, clean up the streets, crime, crime of America, cult classic, darker element, desperate times, Detroit, Dick Jones, economy, future is born, good film, Great Job!, Hellraiser, hug teacher, icon, intense action, justice, Kurtwood Smith, long ending, merchandise franchise, Miguel Ferrer, mischief afoot, Netflix, OCP, Omni Consumer Productions, Peter Weller, police force, prototypes, Ray Wise, Red, remake soon?, RoboCop, Ronny Cox, Senior VP, shotgunned to death, Shrim, sub par, successful remake, That 70's Show, Tim and Eric, touch-up, TV movie, world of business | posted in Movies