I think I just appropriately changed the title. Because I was expecting gore, but not the magnitude I was given. I was relentlessly pounded with blood and carnage to such an excessive degree that I was in awe and stitches from all the laughing, at the same
Ah yes, the ever popular school girl…
time. This movie is satirically poking fun at the horror/gore genre, even putting gore in the title. It never takes itself too seriously (although some of the actors onscreen may have to deliver some of their lines with a straight face) and it has all the fun you’d ever want from a fantasy/anime/comedy/horror film (look at all those genres in a line…). I was fascinated and swept away by this Japanese wonder.
For as much of a plot as there is here goes nothing. Ruka (Eihi Shiina) is a member of he futuristic Japanese police force. In a similar situation to RoboCop, the police have been revamped with privatization. This is all in order to defeat
You love to see the woman from Audition in some hand rain… (That’s what it was tagged as…)
anime-like creature villains known as Engineers. Created by an evil mad scientist (Itsuji Itao), these Engineers have key-like tumors placed into their bodies (like a macabre Kingdom Hearts) that allow them to regrow injuries into gory and grotesque weapons. Ruka is a special member of the task force that is sent out to handle these demons with her always trusty katana. What a relief that swords are more effective against evil in the future than guns are…
After discovering an evil plot and a hidden past, Ruka must embrace who she is and destroy everyone in her path. This leads to a whole lotta ridiculous gore (basically things you can’t do to or with the
human body) and some of the funniest dismemberment scenes I’ve ever witnessed in a film. I was loving it and never wanting the blood spurts and cut in half bodies to stop (that’s a classic M for Mature anime scene for ya). This movie makes no real attempts to take itself seriously, and I was happy to see that. When you watch the scene in the Engineer bordello, you’ll know what I’m talking about.
Just all that gore…
This film is also interspersed with dark infomercials that pop up on the T.V.’s throughout the film. There’s proper swords for Hara-kiri (Japanese ritualistic suicide), mini-kawaii boxcutters for wristcutting (Kawaii meaning cute), and a whole lot of anti-suicide ads. I’m not sure what some of them were for, but maybe it just meant that suicide or mutilation leads to the creation of more Engineers? Strange…
This movie literally has some of the most messed up gore I’ve ever seen. Entering into a reality of warped body image, this movie can do what it wants. Anybody who is an Engineer can recreate themselves into a warped version of themselves with weapons of personality attached to themselves. A venus flytrap for legs, a
There’s no end to the weird.
katana arm, chainsaw on a chain… and my favorite I can’t mention that you’ll have to see to believe. I said before that A Serbian Film left me in awe and despair. This film had the same amount of disturbing scenes, but it was all done with a smile on its face. I like this one far better.
Everything is over the top and there’s far more blood than you’d actually think can be in one human body. It’s all tongue in cheek with unrealistic corpses and bottles that can take your whole face off. This movie can’t even go a whole 5 minutes without another dismemberment. I loved every minute of it. It is truly one of those cult classics that ranks up there with Evil Dead in the way it’s presented. So if you like horror/gore movies like that, you have to see this. A big word up for Tokyo Gore Police. 9.1 out of 10.
I was in a state of shock and awe after this film. I thought I had found my favorite horror films, but Audition really blew those out of the water. This perfect balance of horror and troubling thriller really sets the bar high for any films after 1999. Takashi Miike has made a masterpiece of a mindf@#$k with Audition. And the fact that Rob Zombie, John Landis, and Eli Roth said this film was difficult to watch, it has to be golden.
Shigeharu Aoyama (Ryo Ishibashi) is a recently widowed movie producer. He’s been quite distant and lonely lately, and his son, Shigehiko (Tetsu Sawaki) has noticed it. Encouraging his dad to at the very least start dating again, Shigeharu turns to his
The audition begins. This is one of those other shots they held really long so you couldn’t see her face. Chilling.
friend, Yasuhisa Yoshikawa (Jun Kunimura), a fellow movie maker for ideas. This is where he has a stroke of genius. In proposing a new movie idea, these two scoundrels will have an audition (hey, there’s the movie title!) for the leading lady. Shigeharu can choose his top 30 and narrow it down from there, giving the lead to the best actress, but he can claim his favorite choice for his wife.
Ballin’ disturbing images.
Feeling slightly uneasy about this, Shigeharu goes into it half-assed. He dawdles around until he finds a young woman who stops his heart still. Asami Yamazaki (Eihi Shiina) is a former ballerina with a very high guard and a delicate personality. He tragic past and broken dreams intoxicate Shigeharu and he must have her at all costs. After a few dates, Shigeharu starts to notice something different about her. And once she disappears, he digs up a past he never wanted to find.
I have to say it, this is a dope ass film. It’s such a twisted film with a plot that leaves you with no idea what’s going on. What people talk about is the torture scene at the end. Needles, dismemberment, blood, this scene houses the entire NR rating for the
A feeling of unsettling fear…
whole film. People have left disgusted and sickened, but that’s what would have kept me in the film. I’ll admit it, I love torture and horror. Anything that makes people, as an audience, feel unclean is wonderful. For someone to go into a movie like this and realize something about their sensibilities by the time they leave is an experience worth having. It taps into our minds and shows us just how terrible the world can be. But shouldn’t be.
I was impressed with a lot of things about this movie. Eihi Shiina’s performance in this film was chilling and horrific. She seems to be such a nice little girl, but her unemotional, uncaring side is what frightens people. It makes people feel uncomfortable with how relentless and completely honest she is as a character. She hypnotizes the bugs into her web and leaves them there to die by her fangs.
You’ll never wanna guess what happens…
A lot of the film has these extremely long held camera shots in it. The action will stay on one angle and deliver a whole piece of dialogue without moving. You’re anticipating some movement (like you would with most films) but it doesn’t come yet. It waits, and waits, and waits until you feel uncomfortable. The whole movie is made to feel unsettling. It’s a tortuous waiting game of when will the knife fall, until it does (and only in the last 15 minutes).
The surreal quality at the end of the film also really spoke to me. You fade in and out of the torture scene, you see past events as Shigeharu couldn’t have seen them. The past is rewritten. You lose all sense of control and awareness as the drugs settle into Shigeharu. You completely give your control over to Asami, something that is unsettling for people to do, even in real life. You lose yourself to this poisonous flower and have no feeling of waking up. There is a bit of a jarring from this final scene that didn’t need to happen. No happy ending was necessary, and yet Takashi Miike allowed it to happen. It would’ve had such a sweetly unsatisfying ending if it had the villain succeeds ending…
But, all in all, this movie delivers on a horror lovers level and a thriller/psychological level. You feel off either way after you’ve watched this. And that’s what horror movies like this set out to do from the start. No wonder this has a cult
WHAT’S IN THE BAG?!?!?
following. It should have. Asian filmmakers know how to do the horror genre right, and this is no exception. This is the movie that made the rule. 9.4 out of 10.
Leave it to the Irish to create such a dark and twistedly funny take on Final Destination meets the saddest of all losers who has to deal with it. A Film With Me In It is the story of Mark (Mark Doherty, writer and brother of co-star David O’Doherty) and how his career as an actor is really never going to take off. This gives an ironic sense to the title of the movie, based around an actor I’ve never heard of and a lot of my readers may have never heard of. From the very beginning, Mark Doherty’s acting comes off as quiet and reclusive, mixed with a hell of a lot of timidity. Mix this with the violent actions of the film and you have one of the funniest U.K. films I’ve ever seen.
A little more about Mark, the character. He lives in a small flat with his old arsed dog, and his completely catatonic brother in a wheelchair,
Mark, the fall guy.
David (David O’Doherty, his actual brother, as I’ve already said. The O’ makes all the difference). Being an actual comedian, it’s funny to see him not be able to say a damn thing throughout the whole film. Residing with him in his small and rundown flat is his girlfriend, Sally (Amy Huberman). She’s sick of everything that needs to be repaired and basically wants to leave Mark. Living in the same building is Mark’s alcoholic and gambling addict friend, Pierce (Dylan Moran). Fulfilling his role as the stereotypical Irishman, he’ll go out and drink, try and become a playwright, and end up at the races.
This may look familiar to another film…
Mark’s apartment is a deathtrap. The lights barely work. The window to the garden is a pair of slapped knuckles waiting to happen. Everything wobbles and creaks no matter what they try and do. And their landlord, Jack (Keith Allen) refuses to help repair anything until the rent is paid. With Mark being an out of work actor, there’s not a witch’s teat in Hell that he can ever scrape up enough dough to even fix the light bulb eerily flashing in the kitchen.
And that’s where things start to become a problem. A rising body count and a lot of individuals sticking their noses in where they don’t belong causes Mark and his “accomplice” Pierce to have to create a scenario in which all of these “sequential accidents” cannot be blamed on the two of them. With a quick wit and a lot of dark comedy that comes from body removal, these two dig themselves a grave. Can they even get out?
That silly O’Doherty doesn’t get to say a thing.
I sincerely loved this movie. I was laughing constantly at Dylan Moran’s lines of sarcastic pessimism and Mark’s inability to respond in any way. There are a lot of tragic things that happen in this movie, and its almost hard to laugh at some of them. The measures these two have to go to is well beyond absurd. It comes up to the point of downright cruel. But what the two get out of it is a great script and some ideas that could potentially make them criminals for life.
And there was such an eclectic cast in this film! There are the Doherty/O’Doherty brothers, one of whom is a comedian. The other, more of a sick joke comedian. Even Dylan Moran is a comedian. Keith Allen has done everything from music to movies, stand up, and writing. Aisling O’Sullivan is a renowned Irish actress that takes the part of the sweet small town policewoman (AKA Garda). Round that out with a sneak appearance by Jonathan Rhys Meyers and you have yourself a wonderful little cast of simple comedy.
There’s some serious criminal activity going down.
This movie is dark. And I’m talking pitch black. There’s death, dismemberment, and not a heavy tear shed for anyone but the dog. A man down on his luck and it gets so much worse is hard to watch onscreen, especially when he just takes it. You need some sort of silver lining for a character like that. Well don’t you fret, there is one. And it may be the best little shiny cloud you’ll see all year. I was thoroughly wrapped up in this movie and its characters to the point where I would give anything for them to get away with it. If you wanna know what happens, you should definitely watch this film. You might find yourself loving it as much as I did. Although, this movie wasn’t one with me in it. 9.7 out of 10.
And here’s a little taste of what you’re getting into.