Chocolate: Not Your Typical Muay Thai Film

In my searchings through the Martial Arts section at F.Y.E, I came across a Thailand Martial Arts films I had not heard of before. It featured, on the cover, a young girl, poised with swords in hand, the most intense look on her face as if to say, “Yeah, I’ll rough you up a bit, Van Damme style.” This immediately piqued my interest.  So I got it, took it home, and watched it with my best bud, E.

Let me just say, this is a major statement in the Martial Arts entertainment/otherwise industry. Not only does a girl do Tony Jaa like moves in this film, but she beats up guys 3-4 times her size. With a ridiculously good idea at its base, this solid films sets you up for an action packed Muay Thai styled film that didn’t disappoint, and never left an opportunity for a great new location for an action sequence.

So Zen (Yanin Vismistananda) is the subsequent child of a West Side Story love

Look at those moves. Wow, Yanin.

affair. One parent Thai and one Japanese, this love child of two warring factions is born autistic. Not only is she born autistic, but her concentration allows her to catch things thrown at her from all angles and allows her to pick up Muay Thai fighting techniques from the dojo next door and from T.V. (some great moves from Tony Jaa’s films, obviously a planted element from same director, Panna Rittikrai)

Literally. Destruction.

When things start to heat up with old wounds opening, Zen must protect her mother Zin (Ammara Siripong). The cancer eating away at her is expensive to treat, and Zen and Moom (Taphon Phopwandee) must team up to add an element of suspense and comedy to this film about how tweens can do anything. Collecting old debts and pissing off No. 8 (Pongpat Wachirabunjong) and getting her father Mashashi (Hiroshi Abe) involved, who knows what lengths an autistic girl will do to protect her family of attrition.

There are some really great elements in this movie that shine through in all of

I'm just gonna keep showing you these.

Prancha Pinkaew/ Panna Rittikrai’s work. First of all, fight locations. This movie has fight scenes in a ice factory, warehouse, slaughterhouse, and tea house, all in one. Using the layout of the locations in combination with Yanin and the stunt actor’s skills makes for a deadly combo that is played out poetically on film. Jumping over boxes, avoiding ice hooks and blocks, what could be better than imagining this all happening in an actual real life situation? This girl knows her stuff, and it shows hard.

How is this not a 12 year old girl?

And that’s another thing that impressed me so much. Yanin Vismistanada, a 24 year old Thai girl, master of Taekwondo with a 3rd degree Dan blackbelt, looks like a 12 year old. Looks can be deceiving. He moves are fluent, her Tony Jaa imitation is flawless, she’s got the works. Discovered on the Born to Fight set in 2003 by Panna Rittikrai himself, this girl is destined to eventually equal/surpass Jaa himself (or at least Dan Chupong).

Simply the best.

With some fantastic English spoken by both Thai and Japanese men (still needed subtitles though) and quite a few transvestites, speaking to Thailand’s rich heritage, this movie has a combination unlike anything I’ve ever seen. An inspirational movie speaking to how children can do whatever they wanna do, this movie is a definite need in anyone’s growing Martial Arts collection. I give this movie, in comparison to all other Panna Rittikrai/Muay Thai movies I’ve seen, a definite 9.5 out of 10.

Horrible Bosses

So this movie probably is no longer in theaters, but when me and my roomie all the way out there in London (this is a shout out E. Miss you.) caught this movie in theaters, it was in its 6th week showing. I think that itself says a lot about just how good this movie is. Plus the aged ticket vendor woman who told us this adult movie full of swearing, drugs, and new age humor for the 20 year olds was “funny as poop.” So yeah, I had to check out this movie. I mean, come on, Jason Bateman and Charlie Day in the same film? Perfect. This was a movie worthy of its under-hype, so to speak.

In this film of every Average Joe’s fantasy, three friends Nick

Trio of champions.

(Jason Bateman), Dale (Charlie Day), and Kurt (Jason Sudeikis) all hate and want to kill their bosses. Nick’s boss is a psychopathic withdrawing bastard (Kevin Spacey) who forces Nick to stay late, work often, and never give him that sought after promotion. Dale’s boss is ironically a maneating sex addict (Jennifer Anisten) who just wants Dale, despite knowing full well that he’s engaged to marry. And Kurt’s boss, the toolish son of the former boss who kicks the bucket and takes over by default (Colin Farrell). With this trio of terror, the boys just don’t know what to do to rid themselves of these terrible bosses with a job market where there’s no chance of redemption.

Until one day, Mutherf@#$er Jones (Jamie Foxx) stumbles upon them. And by that, I mean Nick and the gang to rovin’ around in a black neighborhood and stumble upon one mean Jones who’s willing to help them get rid of their bosses for a small fee.  And what does he do? He becomes their “murder consultant,” and helps them to kill each other’s bosses. What transpires is one of the funniest series of events that I’ve ever seen on film in the last 5 years. Other than 30 Minutes or Less, and that review will be coming shortly.

The good and bad. This film was shorter than I wanted it to be. This film needed to be longer. This 98 minute film could’ve been fleshed out to a 2 hour movie and I wouldn’t have complained for a second. There’s always more comedy that can be shoved into a film, and this movie could’ve used it for the full $10 movie theaters are charging now. Other than that, maybe Jason Sudeikis wasn’t the best SNL choice to go with in this film. I didn’t mind him, but at the same time, I didn’t really notice if he was funny at all.

It was mostly on Jason Bateman and Charlie Day, coupled with Colin Farrell’s hilarious scenes of

These 3 brought the house down.

cocaine and Kung Fu, that brought the brunt of the comedy in this film. I love the way in which Farrell can make fun of himself and not always go for the better roles that cast him in a better light (I’m just glad he doesn’t do movie like Alexander anymore…). But yes, Jason Bateman performs in his prime (Arrested Development level) and I’m happy to see he’s really putting work in this year with The Change Up and an Arrested Development movie in the works.

Charlie Day. Thank you for living.

Charlie Day. What is there to say about Charlie, member of one of the greatest trios to ever grace cable television on Always Sunny in Philadelphia. His signature character of the bumbling idiot shines through again in a Hollywood blockbuster meant for his caliber of acting skills. I know it may seem that Charlie Day will be typecast forever, but I could care less. His fantastic attitude and demeanor as a character actor could be the same in 1000 films and I’d watch every one.

Kevin Spacey gives a great dickish performance, in coupling with Jennifer Anisten trying on some level to reclaim some never found sex idol roles in this film. Sure she looks nothing like her normal self in this movie, but

Let the On Star begin.

damnnnn. Wow. With some great On Star humor and some great banter between Jason, Jason, and Charlie, this movie performs on par with The 40 Year Old Virgin, #1 in my favorite comedies of all time. (Since then Judd Apatow has never made another funny movie.) I give credit to Seth Gordon in this breakout directing “debut”. His work on The Office, Modern Family, and Parks and Recreation gave him some experience going into a full length Hollywood film. And definite props to Michael Markowitz and John Francis Daley (among others) for great dialogue between three great characters. 8.8 out of 10.