Astounding is the only word I can think of and use to describe this movie. It has stunning visual effects (didn’t see it in 3-D, didn’t need to), gut wrenching gore and horror, and this air of mystery that hangs over the whole film. It is a part of the Alien series (5th installment) but at the same time it is set apart completely as its own film. A great cast was selected and an amazing backstory/ prequel was born and thus named Prometheus.
In this epic tale of just what happened before the Alien films, Elizabeth Shaw (Noomi Rapace) and Charlie Holloway (Logan Marshall-Green) are two archaeologists who have stumbled upon something fantastic. In different locations all around the world,
It all begins here.
spanning centuries, the same symbol of a gigantic man pointing to a specific star region, as if to say “Come find us.” Interested in this speculation, Peter Weyland (Guy Pearce) finances the whole thing with his massive amounts of dough and creates a ship, named Prometheus.
Janek and Vickers. Opposites attract?
Piloted by Janek (Idris Elba) and watched over by the android David (Michael Fassbender), after two years of flying, the crew lands on the distant planet the star map told them to come to. Under Meredith Vickers’ (Charlize Theron) watchful eye, the crew must find what they’re looking for, even if what they’re looking for is no longer around. What they find is more than they bargained for, and the must stop the deadly trap from making its ways to Earth.
Where should I begin in my shining review of Prometheus? Well, I think that finally technology in special effects has made its way up to Ridley Scott’s vision of what he has wanted the Alien films to look like. It’s space agey, cold and
An unknown marvel awaits.
clinical, and full of wonder and horror all at the same time. The planet storm was breathtaking, the creatures and surreal caverns were creepy and mammoth sized, this movie incorporated everything you wanted to see in our race discovering a planet in… 70 years.
Noomi Rapace, giving her heart and soul to Prometheus, as only she can.
This strong cast of actors all did their jobs in developing their roles in what you would expect of a spaceship crew. Idris Elba did a great job as the ship’s commander. Slightly minor, but he didn’t take shit from anybody as you would expect. Charlize Theron (in one of the only roles I applaud her in) plays the oddly robotic and bitchy overseer of the entire operation. She tows the line between sci-fi amazonian and unemotional human in a very convincing performance. Michael Fassbender stole the show again as the android, fully immersing himself in what Theron had to hint at. His intrigued and distanced character embodies what sci-fi novelists and movie makers have seen as a human robot for years (think Ian Holm in the original, but add the quirkiness of Jude Law in A.I.) And then there’s Noomi Rapace. This Swedish actress from The Dragon Tatoo series put her heart and soul into the part. She tired herself out, did some terrible yet necessary things to her body, and did it all with a British accent she had a coach for. Seeing her dive into a character that has to deal with all these terrible revelations was both disparaging and inspiring. She didn’t let what was happening put her down or stop her from her end goal.
The only true scene I wanted to see in 3-D.
One person I was particularly impressed with was Guy Pearce. I’ve loved him since The Time Machine remake (and Memento, of course) and think he was born to play in sci-fi films. His air of bravado and poise resonates in entitled sci-fi characters. And not to mention he’s playing an old man for 15 minutes of the film that you would barely recognize. And a great little cameo from another one of my favorite actors (since Watchmen), Patrick Wilson.
The music was orchestratedly stunning. At all the moments you feel fear or exhilaration in this newly discovered planet, it fills in with the proper soundtrack. Much as Gabe would describe it as a soundscape
No words can describe it.
that fills in all the spots of your imagination, this soundtrack did that for me. (Was it similar to the other Alien films? Let me know.)
Another thing that was so great about this film (haven’t I said enough?) is that you don’t have to be a die hard Alien fan to watch this movie. This movie itself can get you hooked in (being a prequel and all). I’ve only seen the first Alien and the AVP series (always been more of a Predator fan, sorry), and this movie makes me want to watch all of them. This movie tackles the mythology and world of a film that is also a film! Something made up and fantasized analyzing something else in the same manner? That’s wild! And I thought it was so well done and handled from such a organic and basic place that it made itself into this mythological God that could spark films and analysis for years to come. Until it becomes a reality.
… What started it all.
With all this ranting and raving about the film, why haven’t you X-ed out of my blog and already started up your car to go see this in theaters? You need to see this in order to boost the ratings and maybe someday prove that a genre other than drama can win the Oscar for best movie of the year. Because I would argue that this film is in the running for 2012. Just saying. I have no complaints and was mesmerized from the start of the film. Go see it. Now. 10 out of 10.
In this culmination of the Iron Man, Thor, Captain America, and Hulk series of movies comes The Avenger’s movie, produced by Marvel and Disney Studios. Okay, let’s be realistic about how much I know or care about the Marvel series and any of its connected works. There’s very little. I never really read comic books when I was younger, other than Ghost Rider and Spawn. I always had a thing for the darker characters and (other than Ghost Rider) not a lot of Marvel characters caught my interest that much. So I was apathetic as to the plight of the superheroes in this movie. Didn’t mean I wasn’t converted into a huge fan in less than 2 hours. This movie alone makes me wanna go back and watch all the others, just to know what went down.
Now it’s not that I’m completely ignorant of the superhero world. I love Batman (not so much these latest installments that showcase Christopher Nolan as the be all end all of Batman with his same cast from every movie that he loves so much)
Lookin’ good there, Evans.
and Spiderman (again, why are they making another one in less than 5 years of the last one? Yes, it may be “more true” to a comic, but Sam Raimi doesn’t need to be spit in the face. My favorite director doesn’t need to be shown up for no damn reason.) and Ghost Rider (we don’t need to get into the whole Nicholas Cage issue, just read my blog on the second movie). I followed the Blade films and even checked out a Hulk or two. I was a kid once, and cartoons are all about superheroes.
The Hulk. Become a fan.
Which, I find, comes at a fault. To realistically shape and morph comic superheroes into people and set them in a different medium is a bit weird to me. You got these groups of superheroes coming together and nobody finds it odd or strange in a modern society that all of this is coming up out of sci-fi fantasy make believe. To depict these dark characters for what is considered to be something that children collect and watch and slap a PG-13 rating on it so the younger kids who like this stuff can’t see it? It seems strange to me. If my little 5 year old cousin can’t see The Avengers and he loves Iron Man, what kind of a situation is that? Yes, there are those comics geared towards an older audience, but you’re still appealing to something meant for those who are younger. Just something to think about.
Enough of my rant about the paradox that is comics and comic book movies. The Avengers is a particular story that has been in the making for a while now. All of these movies were put out in anticipation of one film that would unite all these superheroes in a huge clash of good versus evil. I can tell you though, I have
Some egos clash right here.
no idea who the bad guys were or what their purpose was in coming to Earth other than to destroy it. Nothing gained, a planet destroyed I guess. But you bring together all these clashing egos and you have yourself a more dynamic and interesting squad than the Justice League or any other huge star superhero teams out there.
Go on and use those “superpowers” guys…
Meanwhile, at some underground base that S.H.I.E.L.D. runs…
Nick Fury (Samuel L. Jackson) has heard some terrible news about this source of power/reactor thing that is going to change the world, known as the Tesseract. Talk about throwbacks to Madeline L’Engle and A Wrinkle in Time. Loki (Tom Hiddelston) transports from this sinister looking purple planet and steals away Hawkeye (Jeremy Renner) and this scientist, Erik Selvig (Stellen Skarsgard). They plan to use the Tesseract for some nefarious deeds, and take down Thor and all the other superheroes who have done them wrong. Loki has a score to settle with his brother and he is seeking revenge through some freaky deaky alien people.
So Nick Fury decides its time to assemble the team. He gets Captain America (Chris Evans) who was frozen in some ice in the ocean from way back when. There’s Tony Stark, AKA Iron Man (Robert Downey Jr.) who has been working on some new energy sources and Hulk (Mark Ruffalo) who has been helping sick Indian children before he’s picked up by Black Widow (Scarlett Johansson). Rounding out the team is Thor (Chris Hemsworth), come to find his brother and stop him. With these ultimate superheroes (and those like Black Widow and Hawkeye who really aren’t anything special thrown in) comes ego clashing, fights on an epic scale, and one of the coolest final battles shot in Cleveland and made to look like NYC that you’ll ever see.
Looks like Cleveland to me…
I didn’t have a lot of problems with this film. Overall, it set out what it wanted to do, entertain and tell the story of the Avengers, and make as much money as possible off of the series. I mean, a BILLION DOLLARS?!?! That’s pretty redonkulous. The dialogue wasn’t too bad and cheesy like a stuffed Ritz or anything, although Samuel L. Jackson got the short end of the stick in this movie. He was really bad in comparison to everyone else. He came off as incompetent and not a hardass at all. For shame Samuel L., for shame. I really enjoyed Mark Ruffalo’s acting in this movie as The Hulk. He was witty and laid back enough to believe that he was truly holding back a beast. And when he finally let out all that anger, I instantly became a Hulk fan. On the spot when he punched that alien dirigible thing in the face.
Thanks for this one Joss Whedon. Not so much Nick Fury over there…
There were some stunning visual effects in the film and some free flowing action. Unlike other movies that have a lot of cheesy comedy for the fans, this movie was far different than those. This movie has some good humor for a bit of an older audience. And every character has their own comedic scene. This movie is a pretty good balance of comedy, violence, and full throttle action. At no point in the film was I bored, and that’s a good achievement for a 2+ hour film. And a setup for a sequel? I wouldn’t mind that at all. If it’s still in theaters (and at the time of posting, it is) go check this out. It’s got a good range for a film that a lot people will find fun and exciting. So suit up and join The Avengers, it’s a cinematic ride you don’t wanna miss. A solid 8.5 out of 10, perfectly good action/superhero movie.
Yuji Kaido and Marlene Angel are back again in this compilation film of Blue Gender, simply called, Blue Gender: The Warrior. My roommate and I had watched the series recently (as indicated by my blog review about it) and were excited to watch the alternate ending this movie promised. Unfortunately at the time, I didn’t realize that the events of the film would be identical to those of the anime, with line by line and scene by scene reshoots (probably cut and pasted, why waste the extra effort?) of the anime placed into movie format. The only thing different is that the producers of this anime placed some silly mullet hair on Yuji that he ritualistically cuts off later in the film when he becomes “The Warrior”.
I’ll just throw in a little plot summary for those of you who haven’t seen the series. Yuji Kaido is a sleeper, someone who
This looks familiar…
was awakened after being placed in cryogenic sleep for a disease he was being studied for. It’s a handful of decades later and Yuji has woken up to a world he doesn’t really want to be a part of. Gigantic killer bugs known as the Blue have taken over Earth, forcing humans to occupy outer space and slowly fight for dominance over the bugs. And its a losing battle so far.
Yuji and his savior, Marlene Angel must fight to get back to outer space (2nd Earth) and regroup for one last attack on those damn legged freaks. With only the slightest of twists there towards the end, its something you couldn’t miss guessing if you’ve seen the series. Just think Vietnam shell-shocked Yuji comes back to his senses. It’s a lot easier to watch than the anime if you want to save some time. But I would choose the anime over the movie, at least you get to learn the characters and see the development instead of being dropped in a point in time for 90 minutes.
Some of that famous B.G. action.
Eric Vale and Laura Bailey reprise their voice acting roles in the film and fulfill their roles just as well as they did in the anime. Two years later the anime production value hasn’t changed much, but that’s probably just the re-editing process. The plot is a bit lackluster for those who have seen the series, but entertaining nonetheless. At least the bugs get a bit more slayed in this film than in the series where they had to aim for their head-anuses, but whatevs. It’s all the same to me, and it’s just another anime-related item to check off my list. I did enjoy the series and this movie did a good job of summarizing. That’s about it. Whatever grade I gave to the series, subtract a point from that. There’s the rating. Cheers.
I’m not usually a fan of pre-2000’s anime. I love some of it, but a big killer for me of such a wide array of anime is the choppy animation. I know the times have been a-changin’, but that’s just the kind of person I am. I’m excited with the direction that anime is going, and this is one of those shows that kicked it off. Blue Gender is the show of a post-apocalyptic Earth that has been disheveled by gigantic bug creatures called the blue. One of those mecha shows in line with Evangelion and a little bit of Gundam, this show provided more than action, it provided mental breakdown and disaster.
Blue Gender is the story of one man, Yuji Kaido (Eric Vale). Let’s start off by saying I was happy to see Eric Vale do good justice to another hero in a series of heroic mecha shows I’ve seen him do. Anyways, Yuji is a sleeper, one of thousands of citizens of the world that were sent to sleep in the 2000’s. Now, 22 years after his slumber began, Yuji is abruptly awakened into a newly advanced world that is being slowly destroyed by a gigantic race of bugs. You may be wondering, “How did these bugs get so damn big? Are we in Honey I Shrunk the Kids?” No, that’s a strange assumption to be making. It will all be explained at the end.
Eight legged freaks?
So Yuji is accidentally awakened and he spends the first episode yelling and running around this scientific facility, trying to figure out what’s going on. He nearly dodges death and finds his way into the arms of a young, unfeeling cadet, Marlene Angel (Laura Bailey). The two of these spend a big majority of the show attempting to get into space to regroup on Second Earth. And that’s not where the show ends. That is a big discovery and a secret I will keep. Well worth the wait that this show still delivers all the way until the end.
Yuji, always emotional and humming.
At first this show started off similarly to Casshern Sins (refer to earlier blog if you need a refresher). Yuji and Marlene’s gang of soldiers are in a race to beat the clock back to Second Earth. But a lot of people die along the way. But a lot of new people are met at the same time. The first half of the show, basically, is Yuji’s discovery of just exactly the difference is between living on Second Earth. The schism between the two is brutal and astounding to him. This is where the heartfelt apathy is felt for humans in general. Then the show picks up with a lot of action and some role reversal, and you’re left with a “we must save the world” situation.
I don’t mind this construction in anime. What I did mind was a not so subtle undertone of sex in this sci-fi/horror/mecha anime. With this whole idea of
Yuji and his B.A. mech unit.
free love and no consequences came off as strange. Nobody cares about each other and this is really emphasized through Yuji’s eyes. But what I don’t get is that all this free sex is unabashedly displayed and done in front of everyone else. I get that this is a common theme in sci-fi novels, but I think it reflects poorly on the genre in that it really doesn’t have to do with anything and just comes off as awkward.
This show gets steamy.
Animation-wise, the show looked fine. There was a good deal of gore and mature content, and I was okay with that. I can imagine its stint on Cartoon Network’s Toonami must have been greatly edited. The recording of the dub was a bit low and I missed some key lines throughout. I don’t know if it was Netflix, but that was a bit of a problem and detracted from watching it. But that opening song sure is bumpin’. Overall, I really enjoyed that this show was more than your average mecha fighter. The characters had fight and soul, and it made out for a better plot and drama. I’m sure some other anime could take some cues from this formation. A well deserved 8.4 out of 10.
This 11 episode anime was a little break from the monotony of the longer, 26 episode anime I’ve recently been watching. Found on Hulu (and thank you Hulu for providing anime to a small portion of your viewing audience) I watched this one rather quickly, quite obviously. But I watched it quickly due more to the fact that it was so damn fascinating. I read that this was a highly overlooked anime due to its unconventional length and plot. I don’t know necessarily how to classify the genre of this anime, but I would consider it of a sort of sci-fi doomsday with a sort of revelation coming of age story. Classy.
This story centers around two twins, Thor and Rai (both voiced by Alison Viktorin). Having been born on the Balkan galaxy system (150 light years from Earth), the lead a more secluded life on a outlying planet meant only to be an
Key anime art of Jyu Oh Sei. Different, right?
imitation terraform of Earth. It’s been 250 years since humans left the planet and life has unusually declined in this new living environment. Odd, but at the same time an amazing twist for this anime. Thor and Rai are two young boys who, as is now the fashion, won’t see much past 40 or 50. Not fully knowing this, the two boys plan on separate futures, both leading them back to Earth.
Key characters of the show.
And then disaster strikes. Thor and Rai’s parents are brutally murdered in their science lab for what appears to be no good reason. Upon finding them, Thor and Rai are kidnapped and trasported to the prison planet Chimaera. Meant for the wicked and despicable of the Balkan system, these two must survive a bevvy of human killing plants and wildlife that threatens to consume them at any point.
And wouldn’t you know it! Rai is taken into the belly of a Belasoma and killed within the first 10 minutes of the show. Now that’s something to admire. An anime that’s not afraid to kill of an important character in the first episode. Although there are constant flashbacks to this loss, Thor (now as a slightly older boy, voiced by Sean Michael Teague) must fight to become the Beast King and escape Chimaera in order to find his parent’s killers.
Third, what a B.A.
With this interesting plot in place, a slow, yet steady forward progression was created all leading up to a climax that was reached effectively and not clicheingly at all in 11 episodes. With a great twist on the flora of Chimaera being more powerful than the humans who inhabit it, a sort of Jumanji situation is created for Thor and the other prisoners of a planet with no guards and cells, only the threat of death. Despite this threat of death, the humans of Chimaera don’t band together to stay alive. They separate into four clans who, for the most part, kill among themselves and each other. These clans are only separated by skin color (what a commentary!) and hold women in high esteem due to their being only 20% of the population. With an emphasis on the survival of the species with sex and violence, it’s quite the show to watch.
Chen kinda dropped the ball on the strong character list...
Although there are some setbacks. With this survival of the species, there comes this inner turmoil in all characters to hold onto their humanity. And, as the show progresses, it never seems that any of the main characters are in any danger. Yes, they’ve mastered a way of living on a death bound planet, but their lifestyles in a brutal world seem somewhat sercure and safe. Also, this is a prison planet. Why is there no mention of any crimes? Yes, Thor and Rai are completely innocent, but what about all the other characters? Are they there for the same reason? It may have been explained quite quickly at the end, but I’m not all too sure.
Tiz (Trina Nishimura). Sexual tension at its finest.
There was some fine voice acting in this anime as well. For the most part… Sorta. Sean Michael Teague seemed to be a bit too old and young at the same time for Thor as a 15 year old versus an 11 year old. His soft spoken words didn’t necessarily speak to a death hardened child, but he made up for it in the end. Tiz (Trina Nishimura) was fine, and she even reminded me of a younger Yuffie type character. She certainly looked and sounded it. Eric Vale performed wonderfully as the ambiguous character Zagi, leader of the misfit boys. And Third (Duncan Brannan) you’ll just have to watch the character he becomes. It’s quite a stirring ending of the show. And sadly, as usual, Chris Sabat’s character performed for one episode of awesomeness, and then died. So is life.
With a decent fluidity in the animation when it came to the fighting scenes (that’s a big key for me that makes or breaks my viewing experience) and great opening and closing songs, I really rathered enjoyed this anime about life in the dismal future, and find it gave me a glimmer of hope there at the end for humanity. So definitely check this out for a watch. A solid 7.4 out of 10.
Let me first start off by saying that the wikipedia description of this show really doesn’t describe what I actually witnessed in this show about wind and fire and earth powers (water was sadly left out). I must say that for an anime, straight out of Japan to pale in comparison to the Nickelodeon version of a similar show, is sad. But this show has achieved the impossible. And yet, this gives a lot of props to Avatar: The Last Airbender and the amazing creators behind it. It was a worthwhile show. But that’s not the point.
Let me kick something at you. “Kazuma Kannagi was considered useless within his family because he could not use “Enjutsu” (Blaze Technique), the power to control flames. When he was defeated by Ayano Kannagi, one of his very distant relatives, in a bout to decide
If only it were truly like this...
who would wield “Enraiha” (Blaze Lightning Supremacy), a sword that was wielded by the family heir, he was banished from the family. Four years later, he returns as a master of “Fūjutsu” (Wind Technique), the power to control wind, and with a new name: Kazuma Yagami. Soon after his return, he is reunited with Ayano and his younger brother, Ren, who is also gifted in Enjutsu. Soon, however, Kannagi family members are killed and the murder weapon is revealed to be Fūjutsu. Now Kazuma has to fight his family to prove that he is not the murderer and follow a series of adventures with Ayano.”
Okay, that is the bare bones plot… of the first 6 episodes. This show may start here, but it ends in a different dimension entirely. Thanks for not ruining the plot in your summary, Wikipedia, but you sure as Hell didn’t clue me in as to where this show was headed.
Stranger things have happened in this show.
And from that description alone, I got a different vision of what I thought this show would be. I was envisioning samurai fire sword wielders. Dynasty warriors shit. Real harcore fights. The reality? Modern day Tokyo with some decent fight scenes and not a whole lot about really redeeming himself with that murder on his hands. Nice.
That’s not to say that Kazuma Yagami (Robert McCollum) wasn’t a compelling character. He is by far one of the most compelling characters I’ve encountered in anime. Cast out by his family because of his differences at a young age, Kazuma must make his way in the real world with no real support. And he doesn’t just lay down and die. Oh no. He gets up, makes a pact with the Wind Gods, and comes back to lay waste to his family. Not actually kill them, but bleed them dry of their money by becoming hired help. And at every turn, Kazuma consistently tells the entire Konnagi family to go shove it. He truly doesn’t care if they live or die. Pretty much up until the last episode. You can’t deny that a character with those emotions shouldn’t be messed up. Well he isn’t, and he gets the job done when, with most other characters, he would sit down and cry about his dilemma. Job well done, Kazuma.
But back to the plot. After this little 6 or 7 episode arc of catching his framed killers, Kazuma and Ayano Kannagi (Cherami Leigh) go on random adventures that don’t come together into a coherent end that begins to form in episode 17 of 24. Yes, as small sections the first season and beginning of the second season seem
I bet you anything he's about to cry.
interesting. But when you see the leapfrog style of the entire anime, it almost seems senseless.
Other than that glaring problem, most of the voice acting in the english dub just doesn’t hold up. I know I really should’ve just watched this dubbed, but I wanted to give what I thought was going to be a decent anime a try. This anime that was neither here nor there in genre really took me for a loop. Wow. Cherami Leigh became an annoying time bomb, who, as in most shounen, couldn’t do a damn thing for herself. Ren (Josh Grelle) became a provincial crybaby over his big bro Kazuma, and most other voice actors fell by the wayside with their sub par performances.
I think that reason I’m tied up about this show is that it was so weak in plot, characters, and direction. It wasn’t what I expected and it showed. There’s a whole episode about perverts and panty shots for god sakes. I didn’t mind it for the comic relief, but a lot of this show, even in its most serious moments, came of as just plain comic and sad. I sadly give what I thought was going to be The Last Airbender, 4.1 out of 10.
I think this sums up everything about this show… And it’s not even good subbed…
I need to say this right now about the original Neon Genesis Evangelion. This is hard to watch. It’s harder to watch dubbed, at least, from my experience it is. I feel the director/writer Hideaki Anno said it best about the show. “It’s strange that ‘Evangelion’ has become such a hit – all the characters are so sick!” And to me, that’s not “sick” in a good way. These characters, to put it better, suck. The main characters of this anime somehow don’t develop as the show progresses. And their back stories and personalities are just as bad. I don’t mean to put down a classic anime, but this show had problems from its inception.
Okay, basic plot. Shinji Ikari, in the first episode, comes to Tokyo-3. He’s there because his father asked him
Shinji. Pouting and whining with no comfort from Rei.
to come. This sounds odd you say? Well it is. Shinji has not seen his father for years, basically they became estranged after his mother’s death. (And Shinji’s father was implicated… sort of… not really… I’m not sure…) His father, one of the creators of N.E.R.V., has created these “machines” known as Evangelions. EVA’s for short. And these machine’s soul purpose are to destroy Angels. These Angels have been hitting the Earth for the past 15 years. Known as 2nd impact, this Angel that comes to Earth is defeated, but not before major devastation is wrought. And because of the 2nd impact, Earth has been changed and N.E.R.V. and a coalition of countries have been tasked with defending the Earth.
Evangelion. A cast to hate due to their "sick"ness.
And it doesn’t stop there. Just wait til the last 2 episodes. Either it will bore you or fascinate you. Either/or, it will confuse you. In typical mecha WTF fashion, this show will confuse you. And/or frustrate you with its characters. First of all, scum of the Earth #1 is Shinji’s father, Gendo Ikari. He neglects his son, and then doesn’t care if he lives or dies. Quite the father figure. There’s Asuka Langley Soryu, the most annoying German/Japanese girl on the planet. If she’s not berating Shinji with insults and back-handed comments, she’s most likely speaking terrible German (That voice actress has no idea what German is.) And she hates her life. Basically. So that’s another strike against her, among countless strikes. Rei Ayanami is another classically boring character that is hard to comprehend. Her monotone voice (it’s explained) mixed with emotionless conversation makes her scenes hard to watch. Misato Katsuragi is a whorish female major with nothing more to do than worry about others and become promiscuously unsavory. Quite the combo, including a ridiculously sloppy apartment.
And those are just to name a few. And, as I said, the one bane of this show is that none of these characters change throughout the entire anime. Not a one. They all remain in their own worlds of self pity and pettiness until the end. And if that’s what other people got from this show, I’m sure that is also portrayed across the board, subbed or dubbed. I watched the dubbed and pretty much regretted it. It being a 1995 anime, precursor to the golden age of voice actors going on now, these voice actors are hired more for their voices than their acting skills. I will give credit to 2 though. Kyle Sturdivant does a great Greg Ayres impression without even knowing it as Kaworu Nagisa (can’t explain, too far in). And Aaron Krohn does a great job as Ryoji Kagi, Misato’s love interest and all around stud. Everyone else was most likely just in it for the chance to “attempt” to voice act. I’m not quite sure.
The EVAs are cool, I just don't know what to say about the show...
Other than that, I would give the show in total a 5.2 out of 10. The concept, above all, is actually very interesting. I have a soft spot for mecha anime, and this is considered one of the best and most original. It is a classic. But I’m not sure it suits everyone’s taste. And that’s why they re-did the ending and added the movies for a different perspective on Neon Genesis Evangelion. The comments on symbolism and religion are quite prominent. But not until the end. The psychological/philosophical musings became redundant, as it seemed they were just lines to fill time more than actual reevaluations of the meaning of life. But I am interested to see the takes that were made after the original. So we’ll just have to wait a while and see what’s in store. And I’ll make sure to make a review to fill in all my “fans” with. But seriously, if you view my blog weekly/daily, why not subsribe? It’d let me know what people wanna see me review and what people’s interests are. Thanks for reading always, it’s a real treat inviting you to The Abyss.
Even after watching this anime and reading about it, I am still at a loss for words. This anime, in a word, is confusing. To a high degree. I mean, this is intelligent, philosophical musings about the world and the purpose of life. As seen by the praying AutoReivs. That is one of those images that has stuck with me throughout the anime. Those androids, staring up into the sky, arms brought together in prayer, a rare piece of imagery that will continue to perplex me as I muse upon the meaning of Ergo Proxy.
Let me give you a bare-bones explanation of what I took away from the plot of this anime. This anime is
What is a Proxy?
focused mainly around the upper class citizens of Romdeau, one of the last vestiges of life on Earth. This is because of some great ecological disaster that happened sometime in the past that has forced dome-like structures to keep out the pollution and destruction of the outside world. Humans and AutoReivs (androids who are created for specific purposes to help humans) like in harmony, helping one another in their struggle to survive. And, even in this devastated world, there are those humans who are considered not to be citizens of Romdeau. One of these immigrants is Vincent Law (Liam O’Brien). With no past and what seems to be no future, this lowly character has some connection to the murders and soon to be discovered Proxies of this world. It is up to Rie-l Mayer (Megan Hollingshead) to discover the connection, and it is up to Vincent Law to discover his purpose. A daunting task that leaves me in awe and confusion.
Dark and foreboding? I think so.
This being a crime/suspense/thriller anime, and my wonderful girlfriend recommending it/loaning me the DVDs, I knew I would like this anime. I just didn’t realize how confused it would leave me. But, in this instance, I was not confused in a frustrating way. This anime invites watchers to come back and re-analyze this anime more than once. I feel its the only way to really grasp what this anime is trying to put across. Every episode, although some may seem disconnected to the flowing plot, are important in their scope. (One of the episodes deals with a Walt Disney look-alike and cartoon characters.) But these episodes enhance the meaning of what these characters are trying to discover. And, if you watch very carefully (as I will again), I’m sure the meaning of the show is laid out right before your eyes.
One difficulty I had following this anime was the dark way in which it was produced. The artwork is all dark from the very beginning. It’s hard to see things onscreen (or T.V.) and I felt like I was missing things that were quite important in the first few episodes. Looking back on it now, maybe you are supposed to view the anime through this lens as if you are in the dark, just like the characters. For the anime does begin to brighten as it progresses. Maybe that was the intention. Either way, this anime was truly dark, visually and psychologically. The implications that lay just beyond the plot gave it the weight of the foreboding apocalypse of the world, a comment on our own and the theorized one presented in Ergo Proxy. The way in which these images are presented is a whole other story. The combined animated mediums bring together a visual experience unlike most anime I’ve seen. This gives it that sci-fi feeling that the show really goes for, and I quite enjoyed the ride.
There were a few, although not many, notable good voice acting performances in this dubbed anime. (I might watch it subbed for fun later.) Most notably was Liam O’Brien as Vincent Law. His voice really stood out to me in a way that’s hard to describe. It was as if O’Brien knew the anguish that Vincent Law was facing in not knowing who he is and what his purpose is. Travis Willingham does a great job as Iggy, Rei-l’s AutoReiv and friend. (Loose term.) As funny
Confusing and good. Thank you Dameon Clarke.
as he is for a n android with little/no emotions, he brings life to a character that comes to realization that his purpose is flawed. Some of the best episodes come when Iggy comes to terms with that. Bravo, Travis Willingham. Patrick Seitz is amazing as Raul Creed, my favorite character in the anime. This Security Bureau head is a character of duty and conflict that comes because of that duty. He is always being pressured by the Regent and feels he has no breathing room. But when he lets all that go, then Patrick Seitz’s voice really shines through (best episodes towards the end). Another two voices that I’d just like to commend in passing are Troy Baker (my boy) and Dameon Clarke as two of the Proxies in the show (I won’t be specific, might ruin it). These elegant voice actors really bring a menacing element to the table in the way they present their characters, and they really flesh out the plot and bring to light just what Vincent Law is. Really amazing work.
Besides all this, you really have to watch the anime for yourself. If you’re a fan of dark, twisted, suspenseful anime, this is indeed for you. But make sure you’re willing to commit to a re-watch and thorough analysis. This may just existentially blow your mind. 8.8 out of 10.
I watched this Anime for Christopher Sabat, my favorite voice actor, and was surprised by what appeared to be a decent mecha anime. But, unfortunately, it really wasn’t that good. And so I was a bit disappointed. And then I got through 21 episodes. It got better, and I was surprised again. This whole roller-coaster of surprise and disappointment left me with mixed feelings about this anime, but, in the end, it’s up for you to decide.
This show focuses around the struggle between the humans that are left on Earth and the Shadow Angels, a race of “angels” that wish to harvest all the humans on Earth to add to their power. But there are some humans who won’t stand for it. These humans are known as elementals who can control certain powers that make them a threat to the Shadow Angels. These humans use what is known as Aquarion, a mechanized battle suit that, when combined by 3 elementals, will create a Gundam-like battle suit that can effectively battle the Shadow Angels’ Cherubim monsters. As the plot unfolds, the DEAVA, the last defense of the humans, comes upon Apollo, (Chrisopher Bevins) also known as Solar Wing, the last hope of the human race. With his help, Aquarion battles countless enemies in a effort to stop the Shadow Angels and bring an end to the war.
There are a lot of good voice actors in this show. Brina Palencia plays Silvia, the royal, yet prissy psychokinetic elemental who is said to be the reincarnation of Celiane, Apollonius’ human lover. Erica Vale plays her brother Sirius, the wind sword expert and other suspected reincarnation of Solar Wing. Colleen Clinkenbeard plays Reika, the girl with the worst luck in the world. Laura Bailey and Todd Haberkorn play the techie nerds Tsugumi and Jun Lee. Brandon
LET ME MERGE!!! (Suggestive?)
Potter does a great job as the strange, yet master-status Gen Fudou. But most memorably, this show has Travis Willingham as the hispanic Pierre (at least I think he’s hispanic) the footballer with the foot of fire. His voice acting, though undermined by the sexual obsession episode, is quite good in comparison to the rest of the cast.
But this begs the question. Why, with an all-star cast of voice actors was this show so poorly voiced? I think this has something to do with the premise of most of the episodes of the show. As the first episode indicates, this show is strangely devised and the episodes drag as its one battle per episode after another. With this slow progression of the characters comes a strange way in which to develop each characters. Whether it be the concept of virginity or anorexia, this show contains all kinds of strange premises with which to relate the characters. The best episode though deals with Travis Willingham’s character mocking/cosplaying all the other characters. But it isn’t until the last 5/6 episodes that the story progresses and becomes rather good. And if you can get through that much, my hats off to you.
This mecha anime really dropped the ball. As some claimed it was a mecha that really didn’t make a name for itself. It wasn’t unique and it wasn’t really anything special in its scope. Some of the animation itself was good, but overall the anime left me with a feeling of something to be desired. (It ended a lot like Xam’d.) But all-in-all, this was just a generic show. With sexualized merging/transformation sequences. I won’t even get into that. But yeah, 4.7 out of 10.
Ever since I saw the trailer for this video game, I had wanted it. I had no idea what to expect. Would it just be a hack and slash game with complete and utter destruction? Would it be a game of skill or button mashing? What it turned out to be was not what I expected.
Okay, look. I didn’t have the traditional childhood. I didn’t have a Nintendo and have a chance to play all the amazing Mario and Zelda that was out there. So big surprise to me when an Xbox 360/PS3 game comes out that is identical in its gameplay to Zelda.
Link?
It’s really a mixture of the fighting style of God of War and the puzzles of Zelda, but I was thrown off in the first place by the puzzles. Basic day in the life of Darksiders for me? Hey, here’s a block you have to move/portal you have to create. Find a way across without dying. Go. Needless to say I invested a lot of time viewing the walkthroughs online to figure this game out. Scoff if you will, it doesn’t detract from the satisfaction and action of this game.
Basic plot: You are War, one of the four Horsemen of the Apocalypse. You come to Earth because the seals have been broken and all out war has begun to take place on the planet. There are angels fighting demons, zombies, creatures, you name it. What War gets sucked into doing is representing the Scarred Council on Earth in what I would call restorative justice.
Quite big. Sure you can swing that?
So you start out the game with a bit of firepower. You have your gigantic sword, Chaoseater and a bit of hellish power, Chaos. This stuff can summons pikes from the ground, turn your skin to stone, summon hellfire, all sorts of cool trick War picked up off the street. As the game progresses, you gain access to other various items and weapons that kick even more ass. This gives you access to various areas you didn’t before and also contributes to an arsenal that mixes it up when beating the baddies.
Speaking of baddies, I love the characters in this game. Seeing as this game goes all biblical all over everyone’s asses, It’s a fun and easy way to learn a little bit of Old Testament. And then toss around those characters like rag dolls. I mean, come on, you are War, the most severely destructive of the Apocalypse Bros. The only characters you really don’t see are God and Satan. Even though they may be pulling the strings, all the demons and angels suffer for it.
I would also like to mention that this game reminds me of a game I played for XBox a while ago that focused on Spawn killin’ some angels and demons. It was great.
Weapon moves and combos in this game are great. The game has the “item store” quality to it where you go and collect upgrades based on the amount of carnage you incur. You gain health, armor, and Chaos as you find hidden chests throughout and that always makes for a great replay value when you didn’t find them all. (One reason I want to play again is to find all the Abyssmal Armor pieces, giving War an all new look.)
Only drawback. I took months, spread out, to play this game. I picked it up from Gamestop and took an inordinate amount of time beating it. Why? Some of those puzzles are so vague, there’s no definite way without the help of a game guide to beat them. If there wasn’t the internet, I would have never finished this game. And I don’t think it’s a intellectual issue. It was all about going with the 5 second cutscenes that tried to reveal everything at once for you to utilize to move forward. Not helpful.
War = Complete Badass
But hey, you get a badass steed and frolic through the blood and gore of the battlefield that was our home. I guess if you truly loved Darksiders, wait another year and you might find you can be an active participant in it when 2012 rolls around. Maybe you’ll even get a little glimpse of war.
Oh, and another thing. The voice actors in this film were great. Liam O’Brien (done an amazing amount of work in both anime and video games), Mark Hamill (amazing what he can do with his voice, he’s the Watcher), Phil LaMarr (always great, MadTV prepared him well), Moon Bloodgood (interesting voice actor choice), Troy Baker (RIDICULOUSLY GOOD), J.B. Blanc (great accent as Ulthane), and Fred Tatasciore (his list of video games and anime is so extensive. He’s everywhere.).
So definitely check this game out. It’s worth a play and who knows, maybe you’ll learn how to survive the apocalypse. Or maybe you’ll have a great time running train as War. 8.6 out of 10.
Astounding is the only word I can think of and use to describe this movie. It has stunning visual effects (didn’t see it in 3-D, didn’t need to), gut wrenching gore and horror, and this air of mystery that hangs over the whole film. It is a part of the Alien series (5th installment) but at the same time it is set apart completely as its own film. A great cast was selected and an amazing backstory/ prequel was born and thus named Prometheus.
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