I’m pretty sure I saw this movie in its last leg of showings in theaters. I had wanted to see it for a while (bar people hating on it for having Kristen Stewart) and was happy to finally see it. My overall impression was good of the film, but for different reasons other than the typical for liking a movie. But I’ll get to that in a second. On an average Friday, in an average theater, among other couples who seemed they wanted to do nothing
Ah yes, a Twilight reference.
more than make out for $10.50 at a poor film, I watched Snow White and the Huntsman.
The story is a bit different than your average Disney movie. Based more on the darker version of events from the Grimm Bros., this movie attempts to scare more than romanticize. I think that’s why people had a problem with the plot because they were expecting this all too romantic kissing scene, and they didn’t get it because that’s not what this movie was about. A strong female character is created to battle an even stronger female character, not really making it about the Huntsman at all (a character
Lookin’ pretty fierce there, Thor.
I developed a liking for from Rutger Hauer’s surprisingly good performance of it in The Tenth Kingdom). And for those of you out there who labeled this a Twilight-like movie from the start, you were wrong. Just because Kristen Stewart is in a film does not mean it has anything to do with Twilight. Shame on you.
So, plot. (As if there were those of you out there who didn’t have a semblance of Snow White.) So one day Snow White’s mom has a little inkling to go out in the garden when it’s snowing. Pricks her finger, 3 drops of blood, bam! You have a baby and a dead mother during
Maybe if I scream they’ll appreciate my performance…
childbirth. King Magnus (Noah Huntley, I thought I recognized him from 28 Days Later…) raises her and loves Snow White to no end. Then, after a cinematically striking 2 minute fight, Magnus finds his new Queen, Ravenna (Charlize Theron). Snow White (Stewart) grows up to be sooooo beautiful that the Evil Queen can’t stand it. Wanting to eat her heart for immortality (remember this is a fairy tale, you adults out there), Snow White escapes and the Queen sends the Huntsman (Chris Hemsworth) after her. Let the pursuit begin.
Oh, the wonderful textures…
The casting in this movie was really hit or miss. Kristen Stewart did what little job she could to hold the lead role together, putting on a weak English accent. I can’t blame her when other lesser known actresses were up for the part and they weren’t given it. Sadly, that’s what happens when you’re popular, you steal all the roles. Charlize Theron thought screaming for no reason at certain points would get her acting across more powerfully. That childlike antic won’t get you far, I’m afraid. She was constantly trying to create this Shakespearean demon witch that just came across as weak and sad. Chris Hemsworth was as macho and boring as usual (sorry Thor, but if you are in every movie with a cleaving/hammering device of some sort, you’re typecast. Just like Orlando Bloom as Legolas. Has anyone seen the archery scene in the Musketeers remake?) as the Hunstman. Sorry, that was a long side note. Okay, let’s go through the list of people they chose before they decided on Hemsworth.
A Viggo Mortensen stand in? Perfect!
Tom Hardy. I can see him in the role after the trailers from the new Batman movie. Not a huge fan (he has the Christopher Nolan brand all over his ass. Of course he’s gonna get work…) but he would’ve done the job. Johnny Depp. Never appropriate for an action role. He did well in the POTC movies, but what the Hell kind of offer is that? As Daniel Tosh said, “Cool should have a cutoff, and my vote is 48.” Sorry John Depp, you’re out. Then there was Viggo Mortensen. Now there’s a fantasy actor. The quintessential Aragorn. He has been looking for a reason to come back to fantasy/action films, I’m sure. But he turned it down as well. Maybe the age difference when it comes to Stewart? Who knows… Hugh Jackman. The last one asked before Thor. Wolverine? Sure, he’s pretty ballin. But he declined as well. So, after all these turn downs, the studio turned to a man who’s good with hammer like objects. Great goin’ there, Chris Hemsworth.
But there is a silver lining to this movie. The dwarven cast. The second I saw who they cast as the Seven Dwarves, I was in Heaven. You couldn’t pick a more perfect English cast to play all 7! You got Bob Hoskins leading the group. Elderly and
Mayhem while you work.
blind, he’s good no matter if he’s Smee or Roger Rabbit’s partner. Ian McShane, the Deadwood master. I was surprised he was pretty damn good. Johnny Harris from Black Death. Word. Toby Jones, the infamous voice of Dobby the House Elf. I’d rather remember him from other roles, but he was great as well. Eddie Marsan, another great English actor. I like his smaller roles in V for Vendetta and The Illusionist. People will know him from Sherlock Holmes. Ray Winstone, the gruff talking Mr. French from The Departed. Now he’s a good actor. And Nick Frost of the Pegg/Frost duo. Need I say more? And I’d also like to give a little nod to Brian (pronounced Breen) Gleeson. He’s an up and coming English actor who actually made me shed a tear in this one. Wow, that paragraph was a mouthful of excited English actors.
I like touching silky things.
And now I come to my main point of why I liked this movie. It was pretty to look at. Every scene had some special effect or interesting texture that I wish I could’ve reached out and touched in the film. As it is Rupert Sanders first film, it is understandable that it looks this way. He started off as a English commercial director. He has to sell a product based on look. That’s why this movie is so visually appealing. The fur, the white paint you see in the film, the forest scenes, everything looks so good you could eat it in Willy Wonka’s candy room. And that’s something you don’t always see in every movie. So a bit of a bravo for that.
So you may not be able to see this movie in theaters now, but check it out when it gets its DVD/Blu-Ray release in September of 2012. It was an enjoyable watch for the sights and sounds, but always remember that can only take you so far in a film. 6.4 out of 10.
Get some of that troll…
Leave a comment | tags: 28 Days Later, action role, age difference, Aragorn, archery scene, Black Death, Bob Hoskins, boring, Brian Gleeson, candy room, Charlize Theron, Charlize Theron poor performance, Chris Hemsworth, Christopher Nolan, cinemtatically striking, cool cutoff at 48, Daniel Tosh, darker version, Deadwood, demon witch, Dobby the House Elf, DVD Blu-Ray release, dwarves, eat her heart, Eddie Marsan, elderly and blind, English cast, English commercial director, enjoyable to watch, Evil Queen, fairy tale, fantasy action films, fantasy actor, first film, forest scenes, fur, good overally impression, Grimm Brothers, hammer, hit or miss casting, Hugh Jackman, Ian McShane, immortality, interesting textures, Johnny Depp, Johnny Harris, King Magnus, Kristen Stewart, Legolas, macho, Mr. French, Musketeers remake, new Batman movie, Nick Frost, Noah Huntley, not a Disney movie, not romantic, not Twilight related, Orlando Bloom, Pegg Frost duo, Pirates of the Caribbean, pretty to look at, Queen Ravenna, Ray Winstone, recently in theaters, Roger Rabbit, Rupert Sanders, Rutger Hauer, screaming and yelling, sell products, September, Seven Dwarves, shed a tear, Sherlock Holmes, sights and sounds, silver lining, small roles, Smee, Snow White, Snow White and the Hunstmen, special effects, strong female lead, The Departed, The Illusionist, The Tenth Kingdom, Thor, Toby Jones, Tom Hardy, turned down, typecast, up and coming English actor, V for Vendetta, Viggo Mortensen, visually appealing, voice actor, weak and sad, weak English accent, white paint scene, Willy Wonka, Wolverine | posted in Movies
In a movie undeservedly put under the radar, it came as a surprise to me after watching Black Death that it wasn’t a more well liked and well known film. Among a handful of other medival pieces on Netflix (such as Ironclad, and Season of the Witch – review coming soon) this one, I would say, stood out as the #1 spot on the leaderboard. I mean, come on, you got Sean Bean as the lead. He puts his own amazingly remarkable mark on any and all medieval period pieces he does (Lord of the Rings, Game of Thrones). So its time to delve into those boils and see what’s good.
This movie starts (and focuses) around the account of a young monk in training. All around him, Osmund (Eddie Redmayne) sees the pestilence of the plague as a blight from God himself. As the movie begins, we even discover that he himself was being tested to see if he caught the plague. As a devastating disease that just took hold of his Church by the throat, Osmund finds himself in turmoil. His new found love Averill
Ulric and his gang at a witch burning. Monty Python style.
(Kimberley Nixon), something the Church wouldn’t approve of, must leave the confines of the monastery and find safety in a forest village far from the reaches of the plague. She promises to go, but will only wait for Osmund for 7 days.
With this separation between human love and the love of God, Osmund must make a choice to choice (although it would be frowned upon if he left the Church at all). Upon praying to God for some sort of sign on which way to go, Ulric and his band of merry men roll up hard to the Church to find a guide.
There are repenters in every one...
There is talk of a necromancer in a swamp somewhere near where Osmund is familiar with. Double whammy for him? He can meet his wench on the way. Overjoyed at the excuse to peace out (deuces style), he volunteers to lead Ulric. After some minor preparation, they head on out.
Here’s where things get sticky. Some people die, some people may (or may not) have the plague, and this village they find in the swamp, hasn’t been touched by the plague. So Sean Bean and his boys suspect witchcraft. And they’ve brought some deadly torture devices to get some confessions and drag home one witches corpse. Utterly decieved, Osmund has no choice but to go on this miniquest for God and his way of life.
The travelling troupe.
I don’t want to reveal too much about the ending, but think The Wicker Man. it doesn’t matter which version (Cage or no Cage) but watch that first and prepare for the medieval version afterwards. It’s not all that uncommon, I’m sure, for a movie to be inspired by another, and I found this version of a society that’s not what it seems to be quite unnerving. Upon looking into this movie, I got worried they’d introduce some B.S. magical element into the story. And I wasn’t having that from a movie that came from a very real place. (Speaking of real, we’ll have to talk about the realness that is Season of the Witch.)
Sean Bean. Witch hunting.
Luckily, I was spared and the movie satisfied me like a goat-wrapped Snickers. And you wanna know who stole the show? It wasn’t Sean Bean. He gave his great performance as his stock Boromir character. It was good, no doubt, no doubt. The real ingenious lay in the true to life performance from Eddie Redmayne. A relatively young actor I’ve not heard much from (other than the big works he’s done that I haven’t seen yet) has been doing period pieces like its his job. I mean, My Week with Marilyn? Who but the Redmayne is lucky enough to do that? But what I really felt about his acting is that he wasn’t faking. He looks like a normal person (of the time period) and I felt his true anguish and terror. Nothing felt forced. It was a spot on acting job.
But I do give Sean Bean his credit. I know that every time I watch a Sean Bean
The evil wench, Carice van Houten.
film, I’m getting a true to life, Shakespearean performance. He cuts no corners when it comes to true acting. On some other levels I found John Lynch’s role as Wolfstan to be riveting. As the older and wiser 2nd in command, Wolfstan tries to protect all that he can and do so with kindess. That kind of heartfelt performance comes from some attention to detail. A little nod to Andy Nyman, a pretty funny guy who applied some dark comedy to Black Death. This was a big turnaround role for me last seeing him as the portly and spunky friend of a friend in Death at a Funeral (the real one). I mistook Johnny Harris, the big old badass with twinblades for Eddie Marsan, and if you’re familiar, you may understand my mistake. Both bald, both bearded, both decent actors.
Will love find a way in such dark times?
As with most adventure movies like this (not exactly adventure, I guess I mean questing), you get to know all the characters in the travelling party a little bit. But not enough to really care whether some of them live or die. I mean… Griff and the mute guy Ivo in this movie? One had boils and one couldn’t talk. Not much was lost when they were killed. Not to say their characters weren’t important, it’s just with movies like this, you can tell the expendables from the not so. So when it comes down to the last guys, then you feel the heartache.
And with this classic film form in mind, the storyline bloodily zips along to its conclusion. Some twists and turns and some witches who burn, the transformation of Osmund is the final result of this film. Told in an almost brutal, Gerard Butler in Beowulf kind of way, a bit of magic never hurts to mix in. This movie delivers how its supposed to and makes for a fine period piece. I’ll give it an 8.1 out of 10.
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