This is one of those movies I had never heard anything about when it was first released, and became pleasantly surprised when I finally watched it. Russell Crowe is usually always a solid actor for me. A Beautiful Mind, Cinderella Man, Body of Lies, etc. He always comes across as clutch. So why would I have not checked out this great little thriller flick about a desperate man/dad trying to break his wife out of jail? The premise may be a little bit
An actor of ballin’ proportions.
unbelievable, but I always like to believe in a little bit of luck and a stroke of genius.
So the movie starts out on a pretty iffy note. A cat fight between working women. Elizabeth Banks plays Russel Crowe’s wife in this one, Lara Brennan. John Brennan is a well to do educator at a local school (or college, something or other) and loves his wife very much. But she appears to be a bit of a hothead. Arguing about boobs and whatnot, the night ends on a sour note. After the next day and some hours of work later, Elizabeth Banks returns home, finding some suspicious blood on her trench coat. Minutes later she is arrested by the police and charged with the murder of her boss. The hinging evidence on her conviction? A popped button on the “supposed other killer’s” jacket.
A happy family (without Ty Simpkins).
The years start to pass and John and his son Luke (Ty Simpkins) must cope without a wife and mother. Luke seems not to care and dumb old Elizabeth Banks seems tired and can’t even get an appeal. Even with Daniel Stern as your lawyer, Russell Crowe can’t catch a break. So he decides to do the unthinkable. Break his wife out of jail in an ingenious way. With some help from the great convict cameo by Liam Neeson, Russell Crowe has mere minutes to break his wife out and get out of the country. Can he do it?
Obviously I’m not gonna tell you the ending. But Russell Crowe is a straight boss in this film, as his ridiculous commitment to acting
A great scene a la The Fugitive. Looks like Banksy is a little worried about her acting career…
always shines in all his films. Elizabeth Banks, I could go without her being in any other movies. Her blonde and semi-intelligent facade is stellar-ly annoying and without question one of my least favorite actresses. It’s a good thing she’s in jail for most of this movie, because she has next to no screen time. Perfect. Ty Simpkins breaks onto the screen as the catatonic wonder, just as he did in Insidious. That kid could get any job… as a coma victim.
What I liked about this film? The preparation and plot that went into the execution of this film. It’s not really geared around action and drama, it’s more about the cold calculation that goes into doing such a risky thing. He’s almost caught multiple times and he even throws up because of how scared and nervous he is. He’s an average Joe and it
Liam Neeson, talking about breaking out of jail… and finding his daughter… and training Batman… and punching wolves…
shows in his frailty. But he’s a smart guy. And what I loved is that he used research and even Youtube to do some serious damage in the breakout department.
The acting across the board is pretty good in this film. Russell Crowe, ballin’. Elizabeth Banks, regrettable. Ty Simpkins, coma. Liam Neeson, badass as per usual since Taken. They even gave some opportunity to a deaf man who can ride a motorcycle like a boss. One thing that baffles me though is the repeated use of Olivia Wilde. She seems like a beautiful and kind person, but… what the hell? That woman has no remarkable acting skills. Dat shizz needs to stop, and now. I don’t like movies that use eye candy as a selling point. (Ahem *every Megan Fox film ever created* Cough) Oh well…
I tried to believe the situation despite the extenuating circumstances, and it still comes out to be a pretty solidly entertaining film. It didn’t
Could you leave your child at a gas station? All catatonic and whatnot?
do that well by critics’ standards, but to hell with professionally paid critics. I feel like most critics (older people than me, of course) have lost touch with what makes a successful and entertaining film these days. And with a Hollywood machine that makes things for profit, I can say without a doubt that the “art of film” is dead and really never was a factor in my lifetime. I know it’s harsh and critical of me to say, but that’s just how I view films. I am a pretty jaded person about the whole thing, I guess. But I love films anyways. Judge me if you want, let me know.
So I think of The Next Three Days as one of those films you show to new groups of friends every once in a while. It’s a thrill ride with well thought out planning and has a semi-satisfying ending. Comment on what you think about this post, but I’ll give Russell and his ballin’ acting in this one a 8.1 out of 10.
Do you like my North Face?
Leave a comment | tags: A Beautiful Mind, action and drama, annoying actress, appeal, arrest, art of film is dead, Average Joe, blonde, Body of Lies, breakout, cameo, cat fight, Cinderella Man, cold calculation, coma victim, committed, convict, critics, Daniel Stern, deaf actor, do the unthinkable, educator, Elizabeth Banks, eye candy, Hollywood machine, hothead, Insidious, jaded view, jail, John Brennan, Lara Brennan, lawyer, Liam Neeson, luck, Luke Brennan, Mega Fox, method actor, motorcycle, murder, Olivia Wilde, out of the country, police, popped button, preparation and plot, research, risky, Russell Crowe, smart man, solid actor, solidly entertaining, stroke of genius, successful and entertaining films, Taken, The Next Three Days, thrill ride, thriller film, Ty Simpkins, unbelievable plot, wife in jail, working women, Youtube | posted in Movies
That’s right, I watched it. After having watched the South Park episode, “The Passion of the Jew”, I had to check this out to see why I was laughing. And it wasn’t far off. Amid the screams and oddly modern Middle Eastern music, what Kyle Broflovski witnessed is what I witnessed, with the same face of horror and awe. Mel Gibson may be a crazy person who runs around in his underwear with guns and hates Jewish people
A handsome lookin’ Jesus.
excessively, but I’m going to try to be unbiased and non-sacrilegious at this juncture. I’m going to rate this as a movie, not as a representation of religion. So let’s try to be P.C. here, folks. This is Jesus after all.
So, most people, religious or not, know the story of the crucifixion of Jesus Christ. Just the title of it says it all. Jesus (played by Jim Caviezel) is betrayed by Judas (played by Luca Lionello) and beaten and crucified. This movie ties in all the trials and tribulations of Jesus in his last 12 hours before death, including a supernatural earthquake at the end. Insert Easter reference and you have what has been coined as “a two hour and six minute snuff film”. That’s not far off.
Okay, movie standpoint.
It is entertaining, like one of those public executions you can’t look away from. Like a schoolyard brawl. Like a car accident. It’s so horrific and brutal that you want to avert your eyes, but it is Jesus after all. The costumes seem to be taken straight from a nativity scene (or straight from the artwork that depicts Jesus’ death) and everyone
in this movie just can’t deny Jesus. He reattaches a man’s ear with just his hand for God’s sake!
But this movie starts to drag. In getting your point across, sure, you have to be accurate to an extent. But Jim Caviezel spent literally 2
… You know what, this was 90% of the film.
hours of the film writhing in agony and wanting to speak (as I’m sure he did at length in the Gospels) but not being able to make words through the gurgling blood. I’m about to throw out an obscure reference here. Has anyone seen the movie Waiting with Ryan Reynolds? Does anyone remember the new waiter that comes in (from Freaks and Geeks) who is always constantly interrupted until he erupts at the end of the film? That kind of epic speech is what I expected at the end of this film. Maybe that didn’t happen. But the biggest part I was looking forward to was the Roman soldier stabbing Jesus with the spear. This is due to my like of the movie Constantine. (Figure that one out.)
But yes, there could have been more of a focus on dialogue and deliverance of the emotions rather than a 2 hour visual narration of a man being beaten and tortured to death. I know that Mel Gibson said that Jesus had it worse than this movie depicted, but at some point it becomes the inspiration for a Saw film.
I got chills at this scene with the veil.
Coincidentally, the first Saw film came out in 2004 around the time of The Passion. Coincidence? It is. But what about the other 6 films? Hmm…
Pain fest and a half.
Jim Caviezel is praised for his performance in this film. Now, it’s a big role to take on that a lot of people wouldn’t do (is it sacrilegious, is it an homage? Iffy…) and I wouldn’t do it myself. But, I think the more powerful performances in the film came from Luca Lionello as Judas. His tortured character, as well as all the accompanying horrific images, really adds a damning element to the movie. You know he did the wrong thing, and he was to blame. It sent chills seeing him hung on that tree by the decaying horse.
Other strange performances came from Jesus’s mother, Mary. Maia Morgenstern, the Romanian actress really added an element of what appeared to be more a love interest than a motherly figure. (I know Jesus wasn’t romantically involved with
Monica Bellucci. Sexy since 33 A.D.
anyone, but if you kiss someone’s bloodstained feet, that’s pretty committed, I’d say.) She wept and stared throughout the whole film, saying maybe 3 lines. Visual film indeed. Speaking of visual, get a look at Monica Bellucci in this one as Mary Magdalene. You know after The Matrix series and Shoot ‘Em Up that this woman is packing a hot body underneath that shawl. She was the eye candy in this one, although Jesus was almost nude through the whole film.
If I have to say something really good, I was impressed highly with the make-up effects.
So you get all the iconic religious images and the Bible basically comes to life. Meanwhile, Judas is wiping his nose on wall and everyone is falling to their knees in despair. Even the head Jewish rabbi had the strength to rip two layers of woven clothing. That’s pretty redonk. But what was strange was all these representations of emotion are uncommon in the range of human emotions since the dawn of man. Showing emotions in these ways came off as too archaic to me, when the movie is trying to transmit emotion across the chasm to us modern viewers (at least, I felt that way…).
And now we get to the torture. The movie literally only focuses on this. One reviewer said it best when (along these lines) they said something about how watching this movie is not uplifting spiritually, it is more downtrodden and guilt ridden than
You wanna pass me some of my body?
anything else. I tend to agree. I just felt bad that people did this to Jesus (agnostically speaking, if this happened). Him falling over every 10 minutes made the movie drag almost to a comic degree. A ten minute flogging scene? I’ve already seen torture films that have more decency than this one. This movie takes violence to a degree that, although tame in comparison to films I’ve seen, it feels all the more real and uncomfortable because we’ve heard stories about this
… Aaanddd top it all off with Satan and the man baby.
gruesome affair. Add in a creepy Satan and man baby, and you have a film that is just too real and gritty, without much substance. From a movie stand point.
I’m not gonna take a huge stance on this from either side. I’m just gonna say it was weak for a movie from a movie enthusiast’s point of view. All visual, no grounded plot or substance of character. Jesus is spoken for and his story is taken for granted that the world already knows and doesn’t need cues. But, from a 2004 view, it did. Just an average film about the last hours of Jesus. Sorry if that offends… 5 out of 10.
Leave a comment | tags: 2 hour visual narration, 2004, agnostic, agony, anti-Semitic, archaic, artwork style, average film, Bible, big role, boringly drags on, coincidence, comid degree, Constantine, constantly interrupted, costumes, crazy person, crucifixion, damned, decaying horse, despair, downtrodden, earthquake, Easter, extreme violence, eye candy, flogging scene, Freaks and Geeks, Gospels, gruesome affair, guilt ridden, hanging, hates Jewish people, homage, horrific and brutal, horrific images, horror and awe, hot body, iconic religious images, Jesus, Jesus Christ, Jesus's Mother, Jewish rabbi, Jim Caviezel, Judas, Kyle Broflovski, last 12 hours, love interest, Luca Lionello, Maia Morgenstern, man baby, man's ear, Mary, Mary Magdalene, Mel Gibson, Middle Eastern music, modern viewers, Monica Bellucci, motherly figure, movie standpoint, nativity scene, new waiter, no epic speech, no grounded plot, not much substance, obscure reference, public execution, real and gritty, representation of religion, Roman soldiers, Romanian actress, Ryan Reynolds, sacriligeous, Satan, Saw films, severe beatings, Shoot 'Em Up, South Park episode, stabbed by spear, strange displays of emotion, strange performances, taken for granted, The Matrix series, The Passion, The Passion of the Christ, The Passion of the Jew, torture, tortured character, trials and tribulations, two hour snuff film, unbiased view, uncomfortable, very little dialogue, waiting, weak for a movie, weeping | posted in Movies