Ricky Gervais and Stephen Merchant have done it again, this time exploiting the little people. Or as they like to be called, dwarfs. The dwarven kind in this mockumentary are represented by Warwick Davis, dwarf star extraordinaire. In a fake and awkward version of his true life, Warwick Davis explores what it’s like to have no work, a divorce, and unending amount so debt. And I laughed through every second of it.
Thanks to HBO, this show and Ricky Gervais’ Animated Podcast were brought to my
Let the awkwardness ensue.
attention at the same time. I love both of them and this show was just quicker to finish (other review coming shortly). Life’s Too Short follows Warwick Davis, the person and the character, around for 7 episodes seeing just what kind of mischief he gets into in his typical life. But this isn’t your average Warwick Davis, the lovable Wicket Ewok we see when he was 11 in Star Wars: Return of the Jedi. This is something more horrendous.
Now that’s a great pic.
Warwick in this show is a selfish, deceitful, and overall poor sport actor down on his luck. He feels his fame should be giving him more than it is right now and he won’t let anyone get in his way. He has small man syndrome (and appropriately so) and is always offended by midget. I have a fear of midgets usually (saw Chucky too early and connected the two) but when it’s Warwick Davis, you have to love him.
I mean, look at his career. There’s Star Wars, The BBC specials of C.S. Lewis’s Narnia series, and the amazing Leprechaun series (I love it and always will. Too funny and classic.) The 10th Kingdom, my favorite, and the Harry Potter series as Flitwick, the Charms Professor. He has a better and more lucrative career than a lot of little people, and people love him for that. I haven’t seen Willow yet (a running joke in the
The creators shunning the little guy. Classic.
show) but I damn well plan on watching it now.
This show highlights everything that Gervais and Merchant wanted to do in The Office. After meeting Warwick in Gervais’ Extras, they started talking about this project. With my hopes up for more than a Christmas Special (come on Season 2…) I really enjoyed this awkward social situational comedy from the masters.
Every episode hits you harder than the last, with some great star appearances thrown in. I must say, I don’t like Johnny Depp, but in this show he really knows how to make fun of himself. Liam Neeson was hilarious (although unintentionally), and Sting was just a dick. I loved Warwick’s dimwitted assistant, Cheryl (Rosamund Hanson) and everything she said and how she said it was pure comic gold. I know it’s wrong to think that when Warwick falls over during the show is the funniest part, but it’s one of those old gags you never get tired of seeing. Warwick himself was funny, but he knows how funny it is for a little person to struggle in normal everyday things.
Critics said this show was too awkward and similar to The Office that Gervais and Merchant were just getting lazy. Sure they were lazy. But they were lazy with a formula that was going to work from the
The toilet troll emerges!
beginning no matter what. I sincerely relish awkward moments in TV and movies (especially real life) and seeing a show that focuses on it to the point of painful, that’s spot on comedy. The drier and darker the better. Although I did at some points want Warwick to win some of the moments in life, it just wasn’t in the cards. Oh well, you win some, you lose most.
So with an awkward show like this and a dwarf who can poke fun at themselves, it’s fun to watch a car wreck comedy. Don’t wanna look, but can’t stop. Oh, and here’s the real Warwick for ya, just so you know where he’s coming from. Enjoy just like I enjoyed Series 1. 8.6 out of 10.
Going into this I expected slice of life, girl power anime. Coming out, I cursed the Demon Lord himself for not allowing Ai Yazawa to continue the manga that has for so long been on hiatus. Without the manga continuing, there can be no anime of epic downfall and emotional turmoil. And no happy ending for Nobu and Hachiko either… Oh well, they worked with what they had.
And boy, did they have a lot. Nana is the story of, well, two girls with the same name, Nana. Normally when I see the word Nana, I think old lady. But, in the realm of Japanese anime, Nana means 7 (please stop me if I’m being redundant). And these two girls come from separate worlds. Nana Komatsu (Hachiko, her pet name meaning 8), comes from a well to do, middle class family with nothing but dreams of a happy family life with her boyfriend, Shoji. Nana Osaki is a punk rocker with no family past to speak of and a whole lot of rage and cigarettes to sing about. One day they meet on a train and their lives are changed… forever?
People do some great artwork for this show.
A lot of stuff happens in the span of this 47 episode anime. Relationships are founded and lost, friends are made and lost, basically, a lot of stuff is found and subsequently lost. There’s pain and anguish, scenes of sexy times, and a lot of cigarette smoke. But hidden behind that cigarette smoke is one thing. The love of ambition and love itself. Nana Osaki won’t let anything get her down and plans on beating the rivalry that is created between her band Blast! and her boyfriend’s band, Trapnest. This dynamic in itself creates problems between the bands as both sides become intertwined in a web of secrecy, seduction, and snarky conversations.
What I found great about this show was the even distribution given between the two Nana’s. Hachiko is given equal time at the beginning with her relationships and problems of fidelity and then Nana Osaki is given her time to shine as her
Ren and Nana, two loves from opposing bands.
band becomes popular in Tokyo. The chance happening of meeting each other on the train and the separate lives that come together under one apartment roof is an interesting premise that is buffered with good turns and emotional climaxes. The characters are diverse and strong in their certain flaws which gives an element of a darker relationship based “slice of life” anime that is where it really hits hardest.
But there are flaws. And it’s not that flaws are bad. But all of these characters are passive. They allow everything to happen to them by key characters. Not to divulge too much, but Takumi Ichinose of Trapnest controls the last 20
The most smoking ever. This show is adverts for smoking.
episodes of this anime. And the decisions you’d like to see happen for that happy ending don’t happen, but you are sort of okay with it at the end (other than the hiatus placed on this manga…). But the ineptitude and inability of certain main characters to function is just staggering. It makes you hate them and wish for them to move at the same time. Heartbreaking.
Just a taste of the manga that needs to be brougt back.
Other than that, work on your shipping skills and hope for the best for the Nana’s. The voice acting is fantastic and there’s a character for everyone to love in this show. It’s simple charm about people attempting to achieve their biggest dreams, however big or small makes for a great anime. ‘Cause, come on, who wouldn’t want to follow a band around as they become famous, being their friends and just having the ride of your life! Enjoy the amazing music by Olivia and the quirky animation and raw human emotions and talent portrayed by the voice actors (subbed for this one). I give Nana more than just a 7, I give it an 8.1 out of 10. Recommended for anyone interested in life and love.
And here’s a little taste of the music of Nana in this first opener.