I was pleasantly surprised by this film I had never heard anything about. The second I saw Edward Norton playing twins, my mind jumped to Nicholas Cage in Adaptation. And I love that film because of him and everything about it. So I got a little bit excited once I saw both of them interacting together onscreen. A film that centers around the lifestyle of weed and academia, I know one half of. But that didn’t detract from my enjoyment of the film. It enhanced it with how intelligently represented both sides are.
I think it was best said by whoever put it on Wikipedia when they said this film has everything of the great tragedies. Mistaken identity, betrayal, violence, loss, and all that good shizz. I was hooked the second Ed Norton stepped on camera as his
Two brothers, one person.
intelligent half, Bill Kincaid. He gives such a convincing performance as the well-to-do, goody-goody brother of the family that went off to college to become a thinker. And that scene is completely contrasted by his portrayal as Brady Kincaid, the equally intelligent marijuana grower. Both sides have an intelligent way of speaking (despite the Oklahoma “Southern” accent) and it comes off as very entertaining to hear their rapport.
A great little cast.
So the movie’s about Bill and Brady, the Kincaid twins. One has aspirations of Harvard and the other aspirations of a lucrative weed business. They parted ways long ago after differences in family experience and got on fine. But things haven’t been going so well for Brady. Brady tricks Bill into flying out by faking his own death and meeting up with Brady’s associate, Rick Bolger (Tim Blake Nelson). After everything gets figured out, Bill finds out that Blake needs him to pose as himself while he goes out on some business. All he has to do is visit their mother, Daisy (Susan Sarandon) and everything will be fine. But, of course, that’s not how things turn out.
There’s a great quality of culture clash in this movie when North meets South, East meets West. Although both characters started out in the OK, they have drifted apart and need to reconnect. There’s a great subtle love/seducing interest between Bill and a small town girl, Janet (Keri Russell). She noodles and ropes them broncos and all that shit, and its strange for Bill to find a girl just as knowledgeable when it comes to poetry. There’s a clash between the greater Christian community and the Jews in this movie as well. Big props for Richard Dreyfuss pulling off the kinky role of Jewish mob boss in this film. And never forget about the little guy, a great job by John Pais.
What a great Jewish badass.
People had a problem with the move from the comedic to the dark and tragic, but it didn’t bother me as much. Moving from quirky to murky isn’t as hard as people take it to be in films. This movie leans in that direction from the beginning with the drug running and gang violence and can’t end well because movies have to have that element of loss or gain. If Bill came down and visited his mother and nothing bad happened and things went off without a hitch, this movie would be about 45 minutes shorter. So I give the benefit of the doubt to this film for tiptoeing around that issue.
I was pleasantly surprised how well Tim Blake Nelson directed and wrote this movie, as well as starred in. He pulled off the trifecta well and made a compelling story all at once. From only knowing him as
That’s some great work you’re doing there, Mr. Pendanski.
Mr. Pendanski in Holes, he made one hell of a movie. There’s not a lot of focus on the life Bill had (obviously this movie is meant to change him towards family) and it’s a lot about going back to your roots. I thought Edward Norton did an amazing job in both roles and made me think (if I didn’t know it was Edward Norton) that it was two different people. Let’s jump back 50 years when filming two people at once was more of an amazing thing and blow some minds. Maybe roll up a joint (this movie is really not about weed at all…) and enjoy some Leaves of Grass. Its limited release and Sundance Premier really secured this as a not well known good movie. I’ll give it a 7.7 out of 10.
So this great little film appeared to me when it first came out to be a joke. I thought, “How could this movie be serious? Liam Neeson, a late 50’s year old man running around destroying people? No way…” But it was the truth. This movie came out with the full intention of blowing people’s minds. And, coming on the heels of the Bourne series, it kinda did. This movie functioned more as a sleeper film and turned into a classic (at least among my friends). I feel its a film most action fans can get behind, and I’ve heard talk of a Taken 2. Let’s hope it goes just that far.
So the plot of this movie is quite basic. Recently estranged from his wife and daughter, Byran Mills (Liam Neeson) feels separated and alone from the family he loved and lost due to his work habits. After a birthday party and run-in with a would
Where is my daughter?!?!
be star killer, Mills finds himself right back in the thick of his former lifestyle. And to make it worse, his daughter wants to leave the country with her friend, without adult supervision. Knowing the dangers of the outside world, Mills is hesitant at first, but is ever so gently tricked into letting his daughter go. And what happens? Of course, his daughter is kidnapped and she’s give 96 hours to be found.
But, as we all know, Liam Neeson has a special set of skills that make him a nightmare for men like those who kidnapped his daughter. And “good luck” to him. Will Neeson save the day? Watch the movie to find out. I find the abandoned father come back to save his little girl the most endearing part of this movie. (Not a emotional movie to begin with, but still.) The reconnaissance and lucky breaks that Neeson catches with finding his daughter is almost to good to be true, but I suspend my belief. (I mean, he found his daughter’s jacket at a construction site whorehouse by a random conversation? Right…) Other than that, this movie is pure and simple badassery.
Not even the French government will stand in his way.
Not much to say about acting or the stunts, it was all legit. Liam Neeson gave a powerhouse performance as a seasoned actor will naturally do. Maggie Grace gave a good performance as Mills’s daughter Kim, and Olivier Rabourdin gives a great performance as the conflicted cop, Jean-Claude. Trust me, some unexpected shizz is gonna go down. Set with a French landscape to fuel the story, this movie is worth checking out. Some scenes will leave you a bit breathless and its all worth it. 7.7 out of 10.
So I just finished this movie and, I have to say, I was blown away by its simplicity. I’m pretty sure this movie had about 5 shooting locations, and this simplicity alone was touching and dramatic. This film about the entity that is Charles Darwin and the theory that changed the world through conflict, was one of anguish, inner turmoil, and alienation. This movie may have been pure speculation about the life of Darwin and his quest to write “Origin of the Species,” but it is rare to encounter a film that makes you believe that the actor who is Darwin must have known Darwin. Must have been Darwin.
I had heard about this movie a year or so ago and have always had an affinity for Paul Bettany. All of his
Paul Bettany as Darwin with his Wife Jennifer Connelly as, well, his wife.
work is top shelf stuff. And Creation is no exception. Another amazing piece from across the sea, and it kept me entranced in Bettany and those around Darwin. The 1850’s was a time of religious dominance and this film portrayed that quite clearly. It is this conflict between science and religion (still ongoing) that frames the film. It is not all encompassing of the purpose, but gives substance to the interactions between work, family, and the past.
Martha West as Emma Darwin. What a relationship they had.
There are two amazing relationships that also frame this movie. The first is between Darwin and his daughter Annie (Martha West). The conflict between the live Annie and the memory of her past self haunts Darwin throughout the film. Annie loves her father and his dedication and fervor for life. And at the same time, she loves her mother and the devotion she shows to her religion. As Bettany says ever so touchingly, “I thought we were making the perfect child.” But it is this child that causes the loss of faith as well as the devotion to his soon to be world changing book. And, with every painful interaction, Darwin is forced to face the demons of his past and the issue that this creates with his family, most importantly his wife. And therein lies the second best relationship portrayed in the film. Between Darwin and Emma (Jennifer Connelly), there is an ocean. Emma’s religion and Darwin’s science seem to be the issue at the heart of the problem, but in a surprising and touching twist, it is the daughter that causes the rift. And the resolution is worth the watch in itself. It is rare in films that a leading man and lady would be married in real life. This is one of them. And I give that credit to whoever cast a married couple in a role like this. It’s absolutely amazing to watch two people with chemistry that is based in life to interact on film. Every scene with their interaction is so fluid and natural that I was blown away by how wonderful it must be to be those two in love. Quite literally the best part of the film.
Quite similar.
And there are a few notable mentions to make about minor acting parts. Freya Parks does a great job as Etta, the oldest of Darwin’s children, fighting for the attention of her father who is perpetually focused on the memory of his dead daughter. Her scenes are touching and tragic in the way that she tries and seems to flounder without any affection from her father. The last scene, something to see. Benedict Cumberbatch (BBC’s current Sherlock) gave a great minor performance as Mr. Hooker, one of Darwin’s confidantes and emotional support in his hour of need when it comes to writing his book. And Martha West, bless her heart, gave it her all as Annie, the focus of Darwin’s obsession and past regrets. Having to play a protagonist and antagonist simultaneously must be quite hard for a child, and she pulls it off with aplomb.
You may have noticed the title of this blog. And I would have to say this plot reminds me of A Beautiful Mind, the great Ron Howard award winning story of another theorist who could see figments of his imagination, John Nash. All of the dramatic elements are there and its done with the same grace. I gotta give credit to Jon Amiel, a director who I’ve not seen do anything like this before, directing with all he has. Throw in some scenes straight out of The Fall with their exotic nature, and you have a recipe for a great movie. 9.5 out of 10.
So this is one of the best anime I’ve watched. Ever. I mean hands down ever. I think this should be a mandatory requirement for all anime fans to watch. In one sitting. I had to load episodes from the internet, but I loaded them 1o at a time and would site for 3 hours watching al 10. This show blew my mind. It has the most intricate plot with twists and turns. It’s one of those pieces of art that you watch and you have to choose a side. (Clearly there’s only one side to choose in this anime.) But it’s harder than that. It’s about morality.
Light vs. L. Who will win?
Ethics. The worth/cost of a life. And whether or not it is just to take a life in the pursuit of justice and goodness. And if humankind can itself be gods.
So this anime is about Light Yagami (Brad Swaile). One day this 17 year old student, top of his class, suave, genius prodigy finds this notebook. And in it are instructions. If a name is written in this book with the persons face in mind, that person will die of a heart attack in 40 seconds. If a cause of death is established in those 40 seconds and the
Light Yagami. God of the New World.
details written in 6 minutes and 40 seconds, then the person will die that way if the means of that death can be accomplished. This is basically disregarded by Light as some ridiculous joke. Until he tries it. Then Light is thrust into a world of possibilities no one before could possibly imagine. And, using this Death Note, Light will become the God of the New World.
There is some baggage that comes with the Death Note. A Death Note can only be found by a human on Earth if it is dropped by a Shinigami. These quite strange, queer, funny creatures come from “limbo” as best I can figure. Their world is dissolving and Ryuuke
Ryuuke. He likes apples.
(Brian Drummond) has grown tired of the days of gambling bones and sleeping. He hungers for intrigue and excitement, and nobody better than Light can give that to him. Light’s attitude towards the power to kill brings surprising results. Light only kills criminals. Ryuuke follows him around, unseen by humans other than Light, for only humans who have touched the notebook can see Shinigamis. And it is Ryuuke’s duty to remain on earth with Light until it is his time to leave Light upon his death.
And from there the show picks up. Light soon becomes Kira (the Japanese pronunciation of Killer. Stereotypical right?) and creates a following. But the justice system won’t stand for that shit. They’re gonna put a stop to him right? So L(Alessandro Juliani), the greatest investigator/crime solver in the world, better than the Hardy Boys and Nancy Drew combined, will do just that. And the chase begins. From here, the twists and mind games that’re played throughout the show display the amazing mind behind Tsugumi Ohba, creator of the manga.
I love Light Yagami. Thank you Brad Swaile.
Let me just say that my explanation/review of this anime comes nowhere near doing it justice. Although this anime was picked up by a Canadian company for dubbing, this doesn’t detract from the quality. Canadian voice actors are just as good as American voice actors. Case in point: Light Yagami’s voice actor, Brad Swaile. This guy must rock the mike when he’s recording. His manical laughs, his brilliantly intelligent air about him, it all fits the character. To a tee. Forget watching the subbed version, this guy brings this show home himself. Also of notable mention is Alessandro Juliani, the voice of L. Although his noises when interacting with food may seem off-putting, it enhances the strangeness that is L. L’s character is quirky and cold, intelligent and funny, but, to me, altogether annoying. And that’s why I chose the side of Light. Okay, not just because of the voice acting. To put my own opinion out there, Light’s sense of justice and genius mind are completely superior to L. In every way. Besides that, yes, L is respectable. But altogether inferior. But that’s where the dichotomy of the show comes from. And that’s why I enjoy the battle of the minds so much.
Also of notable mention in the voice acting department is Brian Drummond, the voice of Ryuuke. All these Shinigami have sort of a grating, holier than thou, tone of voice to them and Ryuuke is no exception. Although he may play the part of jester, Brian Drummond brings an almost threatening aura to Ryuuke that makes him seem capable of anything being a God of Death. Chris Britton also gives a great performance as Soichiro Yagami, Light’s father. (I’m not gonna go into details about him, you must watch!) The grave, business air of Soichiro is what gives a respectable dignity to himself. Chris Britton’s caring and
Soichiro Yagami. Badass Dad.
intelligent voice lends itself to the character and really helps to envision a father worried for his family. Vincent Tong gets my honorable mention as Touta Matsuda, the goofy, caring, blundering police investigator of the Kira case. (This is inevitably what develops from Light’s mass killings of criminals.) He cares about the case, but he’s young at heart and this comes through strong and clear from Vincent Tong’s performance, making him an endearing character.
Teru Mikami. You'll see...
Another boss character from Death Note with a great voice actor is Kirby Morrow as Teru Mikami. (Now I can’t go into detail about this character, but look out for him!) Kirby does a great job of a devotional character willing to do whatever it takes for justice. Take that explanation as you like it. This show’s also great because there’s a culture crossover with Americans involved as well. And this shows itself in Raye Penber, voiced by Michael Adamhwaite. Adamthwaite (although a minor character) gives a great performance being an English speaking actor doing a English speaking character (not having watched the subbed, I don’t know exactly how this crossover works) and is quite the interesting character with a humble background.
But enough about voice actors. I could go on for far too long. The art is great too. It’s subtle dark colors mixed with flickering lights and dark corners gives it that seedy underbelly, nobody is who they say they are, investigation feel. This show is dark. I mean, come on, it’s about death. Characters are messed up in this show. But it’s all about the intelligence, it’s about the wording, and, most importantly, it’s all
Oh, did I mention there are live action movies?
about the deductions. The Shinigami, although otherworldly, become believable in this setting that seems it could never happen. I was never surprised or in disbelief by this anime, because it makes the impossible, possible. And that’s where the magic comes from.
So watch this show. Please check it out. It’s well worth its weight in gold. This show sets the bar unbelievably high for anime, and I think could make the jump into pop culture. Or, I wish it would. Love it, love it, love it. 11 out of 10. (Because I can.)
Oh, and this anime has one amazing intro. Check it (if you’re a metal fan).
I was pleasantly surprised by this film I had never heard anything about. The second I saw Edward Norton playing twins, my mind jumped to Nicholas Cage in Adaptation. And I love that film because of him and everything about it. So I got a little bit excited once I saw both of them interacting together onscreen. A film that centers around the lifestyle of weed and academia, I know one half of. But that didn’t detract from my enjoyment of the film. It enhanced it with how intelligently represented both sides are.
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