Tag Archives: father

The Woman in Black

I probably shouldn’t have watched this movie so late at night, but not for the reasons you’re thinking. I was falling asleep about 30 minutes in. I awoke for the more scary and chilling parts, but this movie really was your typical, “run of the mill” horror

A “dad” on a mission.

movies. It has the traditional elements (haunted house, ghosts and evil hags) you always see in films, but I think it attempts to rise above the others with one simple element. Daniel Radcliffe.

The Woman in Black is the story of Arthur Kipps (Daniel Radcliffe). Somehow a father at 22 (were they trying to pass him off as older with the facial hair?) but playing a 24 year old, I guess it’s not too far off to

The horrors pop up in places you wouldn’t expect…

assume this relationship was possible. A godfather to the son (Misha Handley) he has onscreen? That’s a bit weird… Anyways, Arthur is a lawyer sent to a small town out in the boonies (or British equivalent) in order to settle some business with an abandoned house that was recently vacated (or death-cated, wow, didn’t need to say that…).

While there, Arthur is shunned by the village folk, noticing a

Must… resist… eye…. twitch…

mysterious hint to the air around the town and what they’re trying to hide. With the help of an older gentleman, Mr. Daily (Ciaran Hinds), Arthur attempts to discover what’s wrong with the house and what The Woman in Black truly is. And, I’m telling you, it ain’t all pretty…

They killed Cedric! Wait…

As a whole, the movie isn’t that bad. It has it’s jumps and scares throughout in dark corners and at times you wouldn’t expect. In true haunted house fashion of the 1800’s, there are creepy old dolls (my favorite), squeaking chairs, and ancient vibes that make you feel unsettled because it is a time period so far removed from our own. I like that it chills in the traditional way. Doesn’t mean there aren’t its share of problems.

Daniel Radcliffe was picked, I feel, in order to raise buzz about the film. Plain and simple. It’s a damn shame that movies do this, but I don’t think this movie had anything else going for it anyways. In my opinion, I would’ve picked an older actor to portray a dad, because every fan of Harry Potter that went into this film was anticipating teenager Potter. I did too. And I was

One of the creepier parts of the film…

waiting for his lackluster acting and twitchy left eye to kick in as well… (Watch the HP series, you’ll see it all over every movie.)

The ending was sort of a dud of a twist, or a crappy cop-out. Arthur does what he needs to do. He sympathizes with the Woman in Black and lost his wife, all things that should’ve made him a worthwhile hero in this tale of horror. You were thinking man who conquers true life fairy tale. You get a relentless terror that doesn’t even know when the movie’s actually over. Arthur conveniently finds the clues he needs to solve the puzzle, moving quickly and not allowing any time to ruminate on the conundrum of the film. It’s a straight and away chiller with only a handful of good thrills. You know what’s going to happen

It’s not such a wonderful Wizarding world after all…

before it happens, leaving the plot as crap and the scary moments as the only things holding the film together. I don’t like to judge that harshly, but I have to put my foot down here.

So watch The Woman in Black if you’re not expecting much from a horror movie. If you are a horror fan, I would say steer clear of this one. You only feel disappointed by movie’s end. I give Daniel Radcliffe props for attempting to break the mold, but this wasn’t the movie to start it on. Better luck next time. 4.7 out of 10.

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Deadfall: So many good things go oh so wrong…

Let me start this off with a short video that I watch at least one time a day to calm the nerves:

If you watch Deadfall, a couple of scenes from one of his best performances from that Youtube compilation will start to look familiar. And that’s all you’ll really remember about this film.

And that is exactly what makes this film remarkable. Nicholas Cage’s performance, with his strange wig hair and dark sunglasses and matching mustache, is so over the top you can’t believe it actually made it into the film. What did the director ask him to do? There are times when he stumblingly mumbles over half the lines. Others, he’s had to dub over the original audio because it was so incoherent. Did they allow the great Nic Cage to do what he wanted during this film, most likely drunk and living it up? I hope so.

Everything else about this movie is so basic. Joe Donan (Michael Biehn, the man I will always remember from The Abyss as Lt. Coffey) is a con artist who accidentally shot his dad, Mike Donan (James Coburn) in a con. With his father’s last dying wish, Joe

The legendary Nic Cage.

travels to his father’s brother’s place and finds himself in a whole new world of cons and deceit. Nicholas Cage is actually only in the middle third of the film, but his performance as Eddie is unforgettable.

And would you believe it that there are two other good actors in this film? Leave it to Francis Ford Coppola’s nephew and Nicholas Cage’s brother, Chris Coppola to utilize his connections. There’s Peter Fonda as, get this, Pete. He’s only in it for about two scenes, but he makes more of an impression than a lot of the other actors in this film. And, in my favorite performance of the entire film, is Charlie Sheen. Playing the smooth pool player, Sheen dazzles onscreen with intelligent lines, a cool attitude, and a suave look. He actually plays a realistic looking conman, unlike EVERYONE ELSE. For shame…

That woman was in it, but I didn’t care.

With unremarkable acting from a very minimal script, I’m sure it was hard to ever make this into a B-rated movie. It clings onto a solid C if anything, and wishes it could rise. You know what brings it out of the dregs of all those other movies you were never meant to see? NICHOLAS CAGE. This man is a legend. He can take any average college film and turn it into something you should see before you die. That man is King Midas. This movie became gold when he graced it for 45 minutes. After he leaves the silver screen (if it ever made it to that), it all goes downhill. There’s some creepy German doctor from The Human Centipede with a scissor hand for God sakes! That was less entertaining than one scene of Nic Cage ripping it up. Damn it, all movies need to have Nic Cage in it at all times. He should’ve been the star (no offense, Biehn. Wasn’t your best.)!

So watch this for the Cage. Ignore all else. By all means, stop watching after his unfortunate end. It’ll be worth it. Trust me. Deadfall as a whole, 3.1 out of 10. Nic Cage’s performance? 10 out of 10.

Absolutely wonderful. 10 out of 10 Nic Cage.

 


Assassin’s Creed: Revelations. A Nice Sendoff…

After having played these games faithfully over the years, I was kind of disappointed with the way Ezio and Altair’s storyline ended. These two historical badasses have taught me that I can view the wonderful views of Europe and  Asia from my sofa, and I learned a thing or two along the way. And what’s better than playing as a grizzled and gray old master? But what wasn’t great was the quickly knotted and severed storyline that just led Ezio to Altair through Constantinople. With some strange new additions and a lot of DLC I’ll never be able to play (more that I don’t care to), Revelations left a bittersweet taste in the mouth.

The story is quite simple (especially if you recently played Brotherhood). It’s been a few years and Ezio is starting to show his age. Now that is something I was impressed with in this game. To grow older and wiser with a character as the game progresses? THAT’S A GENIUS MOVE. I loved every second of knowing just where Ezio came

A few of the character types for AC: Revelations.

from and where Altair was going. It was an intelligent gameplay device for the series. So there’s now older Ezio, (known as the Mentor) who has come to Constantinople, formerly known as the Byzantine Empire. With warring factions of Assassin’s and hidden Templars vying for the city, it is up to Ezio to lead the charge against the unwelcome squatters.

Gotta love the Creed.

Okay, Ezio’s other purpose for coming to the Middle East. Altair, in one of the best opening videos for the game series ever, left a door locked for his lineage to discover hidden within Masayaf. Ezio rambles some henchmens’ brains and finds the door, only to discover he must find some keys in order to unlock it and find the secret weapon behind it. They’re scattered throughout Constantinople by the workings of Marco Polo and his father. Using book clues and a lot of cutlery, Ezio swings through the rooftops of the city in order to unlock the secret.

Even further in the plot is Desmond. He just hoo-hawed Lucy and is now in a coma inside of the Animus 2.0. With the help of the figment of Subject 16, Desmond must combine his Altair past lives and Ezio past lives in order to come back from the brink.

Ezio struggling a bit himself, on the edge.

Okay, gameplay: It’s the free running slaughterfest you would expect from the AC series. Ezio is older and shows it with his speed and dexterity. What could he need at this point, you’re wondering. 1 simple solution. Hookblade. This new addition to Ezio’s weaponry allows him to zipline through the city and avoid/slay guards at will. Think of it like a cane for an old man (with a blade hidden inside). Combos are as brutal and fresh as ever. Collectibles and city restoration are normal. But there were some problems.

A bit of the hookblade action.

Having to defend Constantinople from the Templars was annoying as poop. Around every corner, one of the Assassin’s Guilds was under attack. And then you’d have to do some Bloons Tower Defense all over their ass, and that took up time and cut away from you actually doing the slaughtering. There were too many missions with the Assassin recruits and having to visit them and wipe their bottoms wasn’t helping anything. And trying to get any semblance of achievements or furthering the percentage of completion in the game was weighed down by silly side missions and a block building game with Desmond. This is why I will always love the original more than any of the others. Missions, flags, and killing at will. There’s none of this side quests, hidden gems, and pampering the city B.S.

Ah yes, the young Altair. Notice the scar above his upper lip. That looks familiar…

With all of these problems aside, it was a pretty weak sendoff for Ezio and Altair. Yes, you walk around as Altair at 80+ doing some elite pwnage (never use that normally, guess I want to seem like a true gamer…)  and some nice explosions to walk away from, but nothing you would expect from the mind blowing storyline this game series has created. You find the goods, and then one of the biggest cliffhangers ever. Assload of credits and back to some freeplay. Damn it all to Hell, with AC3 coming out, you could’ve gotten me a bit more excited. So I’ll leave you with this. Play the game because it’ll make you feel a bit closer to Ezio and Altair. There are some great bits, but far from Brotherhood or AC1/2. The visuals are stunning and the history is rich, and that’s what I play these games for. Enjoy it while you can until you forget about it because you’re too busy hiding boners from AC3. Just a little bit longer… A solid 6.7

Get some of that carnage.

out of 10.


Rise of the Planet of the Apes

So the second I saw that this movie was coming out, I became instantly pumped to see it. I thought the Planet of the Apes with Mark Wahlberg (and Tim Roth mind you) was fantastic, although it didn’t receive the best of reviews. I thought, “Hey, if they’re willing to take a chance on another one, going back to tell the origins of the rise of the apes, then I gotta see this.” And see this I did. And I loved every minute of it. It wasn’t the fuel-injected adrenaline ride you expect from the trailers, it delivers a more insightful, sensitive side to Caesar and his rise to intelligence.

The Rise of the Planet of the Apes all starts with a cure for Alzheimer’s. With the AZ-112 cure, Will Rodman

Oh hey Andy Serkis, didn't realize you were Caesar.

(James Franco) has found, through ape testing, that it does in fact, reverse the effects of Alzheimer’s. With this amazing breakthrough, all those affected across the world could be cured of this fatal disease. But in a horrible accident, it appears as if the cure is not yet ready for human testing. But, as its discovered, it is sort of ready for human testing (hard to explain). But one of the apes who was tested with the AZ-112 is in fact, hyper-intelligent. Accelerating through intelligence at an incredible rate, Caesar as he is come to be known lives with Will and learns like an overly strong young boy.

Caesar and the cause of destruction, AZ-113.

Over the years, Caesar comes to resent his entrapment indoors and wishes for a more stimulating environment. But when he acts out, he is punished and taken to a wildlife “reserve” for apes. Horribly mistreated, Caesar uses his intelligence to begin the fall of mankind. I shouldn’t divulge anymore, but its well worth the watch. One thing I gotta say is that the 3-D animated apes in this film are phenomenal. The use of intelligent sign language, the movements and natural positions and actions of the apes implies that the makers of this movie really put in the effort to study apes. This build-up and framework of the apes and their rise to dominance really creates a background for an incredible plot.

And no, this movie isn’t completely unbelievable. At first, the apes’ goal are to find their own home and live there peacefully without abuse. Using their new found intelligence, they do so. But there are adverse effects to the AZ-113 (new Alzheimer’s drug) this time. And this creates a problem that causes the destruction of the humans of this world. So no, to all you out there that may say, we’d destroy those damn, dirty apes. We destroyed ourself.

With a few notable actors, this movie really brings together a good cast to tell a good story. With James Franco as the research scientist in search of a cure for

A touching, powerful film.

his father (John Lithgow), I feel the pain that losing a father could cause in this situation. It pains Franco to see his father in such a situation where he is no longer himself. And so does Caesar. Freida Pinto gives a good supporting performance for James Franco as his fellow ape lover and wife, Caroline Arahna. Tom Felton, as I’m sure most H.P. fans would agree, comes out of left field in this movie as a jerky daddy’s boy who just doesn’t like those not like himself (AKA Apes). I did enjoy his character and am happy to see he’s getting work after the H.P.’s are over. And David Oyelwo gives a good performance as the greedy exec, Steven Jacobs (Sounds like Steven Jobs… JK.)

So, all in all, this film delivered. Even Andy Serkis got in on the action as the voice of Caesar. It’s no wonder that Weta Workshops was the creation force behind the apes. With the fluidity of the story and the focus on the apes, this movie itself even became taken over by the apes. I also found it very interesting that I could identify certain apes in this film with their counterparts in the Planet of the Apes (aka, Tim Roth as Caesar, Korba as Cary-Hiroyuki Tagawa’s ape Krull, and Buck the gorilla as Michael Clarke Duncan in the film as well.) With this connection and the set up for two more films from Rick Jaffa and Amanda Silver, this could be a promising trilogy. 9.2 out of 10.


Creation: The “A Beautiful Mind” of the 1800’s

So I just finished this movie and, I have to say, I was blown away by its simplicity. I’m pretty sure this movie had about 5 shooting locations, and this simplicity alone was touching and dramatic. This film about the entity that is Charles Darwin and the theory that changed the world through conflict, was one of anguish, inner turmoil, and alienation. This movie may have been pure speculation about the life of Darwin and his quest to write “Origin of the Species,” but it is rare to encounter a film that makes you believe that the actor who is Darwin must have known Darwin. Must have been Darwin.

I had heard about this movie a year or so ago and have always had an affinity for Paul Bettany. All of his

Paul Bettany as Darwin with his Wife Jennifer Connelly as, well, his wife.

work is top shelf stuff. And Creation is no exception. Another amazing piece from across the sea, and it kept me entranced in Bettany and those around Darwin. The 1850’s was a time of religious dominance and this film portrayed that quite clearly. It is this conflict between science and religion (still ongoing) that frames the film. It is not all encompassing of the purpose, but gives substance to the interactions between work, family, and the past.

Martha West as Emma Darwin. What a relationship they had.

There are two amazing relationships that also frame this movie. The first is between Darwin and his daughter Annie (Martha West). The conflict between the live Annie and the memory of her past self haunts Darwin throughout the film. Annie loves her father and his dedication and fervor for life. And at the same time, she loves her mother and the devotion she shows to her religion. As Bettany says ever so touchingly, “I thought we were making the perfect child.” But it is this child that causes the loss of faith as well as the devotion to his soon to be world changing book. And, with every painful interaction, Darwin is forced to face the demons of his past and the issue that this creates with his family, most importantly his wife. And therein lies the second best relationship portrayed in the film. Between Darwin and Emma (Jennifer Connelly), there is an ocean. Emma’s religion and Darwin’s science seem to be the issue at the heart of the problem, but in a surprising and touching twist, it is the daughter that causes the rift. And the resolution is worth the watch in itself. It is rare in films that a leading man and lady would be married in real life. This is one of them. And I give that credit to whoever cast a married couple in a role like this. It’s absolutely amazing to watch two people with chemistry that is based in life to interact on film. Every scene with their interaction is so fluid and natural that I was blown away by how wonderful it must be to be those two in love. Quite literally the best part of the film.

Quite similar.

And there are a few notable mentions to make about minor acting parts. Freya Parks does a great job as Etta, the oldest of Darwin’s children, fighting for the attention of her father who is perpetually focused on the memory of his dead daughter. Her scenes are touching and tragic in the way that she tries and seems to flounder without any affection from her father. The last scene, something to see. Benedict Cumberbatch (BBC’s current Sherlock) gave a great minor performance as Mr. Hooker, one of Darwin’s confidantes and emotional support in his hour of need when it comes to writing his book. And Martha West, bless her heart, gave it her all as Annie, the focus of Darwin’s obsession and past regrets. Having to play a protagonist and antagonist simultaneously must be quite hard for a child, and she pulls it off with aplomb.

You may have noticed the title of this blog. And I would have to say this plot reminds me of A Beautiful Mind, the great Ron Howard award winning story of another theorist who could see figments of his imagination, John Nash. All of the dramatic elements are there and its done with the same grace. I gotta give credit to Jon Amiel, a director who I’ve not seen do anything like this before, directing with all he has. Throw in some scenes straight out of The Fall with their exotic nature, and you have a recipe for a great movie. 9.5 out of 10.


Neon Genesis Evangelion

I need to say this right now about the original Neon Genesis Evangelion. This is hard to watch. It’s harder to watch dubbed, at least, from my experience it is. I feel the director/writer Hideaki Anno said it best about the show. “It’s strange that ‘Evangelion’ has become such a hit – all the characters are so sick!” And to me, that’s not “sick” in a good way. These characters, to put it better, suck. The main characters of this anime somehow don’t develop as the show progresses. And their back stories and personalities are just as bad. I don’t mean to put down a classic anime, but this show had problems from its inception.

Okay, basic plot. Shinji Ikari, in the first episode, comes to Tokyo-3. He’s there because his father asked him

Shinji. Pouting and whining with no comfort from Rei.

to come. This sounds odd you say? Well it is. Shinji has not seen his father for years, basically they became estranged after his mother’s death. (And Shinji’s father was implicated… sort of… not really… I’m not sure…) His father, one of the creators of N.E.R.V.,  has created these “machines” known as Evangelions. EVA’s for short. And these machine’s soul purpose are to destroy Angels. These Angels have been hitting the Earth for the past 15 years. Known as 2nd impact, this Angel that comes to Earth is defeated, but not before major devastation is wrought. And because of the 2nd impact, Earth has been changed and N.E.R.V. and a coalition of countries have been tasked with defending the Earth.

Evangelion. A cast to hate due to their "sick"ness.

And it doesn’t stop there. Just wait til the last 2 episodes. Either it will bore you or fascinate you. Either/or, it will confuse you. In typical mecha WTF fashion, this show will confuse you. And/or frustrate you with its characters. First of all, scum of the Earth #1 is Shinji’s father, Gendo Ikari. He neglects his son, and then doesn’t care if he lives or dies. Quite the father figure. There’s Asuka Langley Soryu, the most annoying German/Japanese girl on the planet. If she’s not berating Shinji with insults and back-handed comments, she’s most likely speaking terrible German (That voice actress has no idea what German is.) And she hates her life. Basically. So that’s another strike against her, among countless strikes. Rei Ayanami is another classically boring character that is hard to comprehend. Her monotone voice (it’s explained) mixed with emotionless conversation makes her scenes hard to watch. Misato Katsuragi is a whorish female major with nothing more to do than worry about others and become promiscuously unsavory. Quite the combo, including a ridiculously sloppy apartment.

And those are just to name a few. And, as I said, the one bane of this show is that none of these characters change throughout the entire anime. Not a one. They all remain in their own worlds of self pity and pettiness until the end. And if that’s what other people got from this show, I’m sure that is also portrayed across the board, subbed or dubbed. I watched the dubbed and pretty much regretted it. It being a 1995 anime, precursor to the golden age of voice actors going on now, these voice actors are hired more for their voices than their acting skills. I will give credit to 2 though. Kyle Sturdivant does a great Greg Ayres impression without even knowing it as Kaworu Nagisa (can’t explain, too far in). And Aaron Krohn does a great job as Ryoji Kagi, Misato’s love interest and all around stud. Everyone else was most likely just in it for the chance to “attempt” to voice act. I’m not quite sure.

The EVAs are cool, I just don't know what to say about the show...

Other than that, I would give the show in total a 5.2 out of 10. The concept, above all, is actually very interesting. I have a soft spot for mecha anime, and this is considered one of the best and most original. It is a classic. But I’m not sure it suits everyone’s taste. And that’s why they re-did the ending and added the movies for a different perspective on Neon Genesis Evangelion. The comments on symbolism and religion are quite prominent. But not until the end. The psychological/philosophical musings became redundant, as it seemed they were just lines to fill time more than actual reevaluations of the meaning of life. But I am interested to see the takes that were made after the original. So we’ll just have to wait a while and see what’s in store. And I’ll make sure to make a review to fill in all my “fans” with. But seriously, if you view my blog weekly/daily, why not subsribe? It’d let me know what people wanna see me review and what people’s interests are. Thanks for reading always, it’s a real treat inviting you to The Abyss.


Death Note: Simply Amazing

So this is one of the best anime I’ve watched. Ever. I mean hands down ever. I think this should be a mandatory requirement for all anime fans to watch. In one sitting. I had to load episodes from the internet, but I loaded them 1o at a time and would site for 3 hours watching al 10. This show blew my mind. It has the most intricate plot with twists and turns. It’s one of those pieces of art that you watch and you have to choose a side. (Clearly there’s only one side to choose in this anime.) But it’s harder than that. It’s about morality.

Light vs. L. Who will win?

Ethics. The worth/cost of a life. And whether or not it is just to take a life in the pursuit of justice and goodness. And if humankind can itself be gods.

So this anime is about Light Yagami (Brad Swaile). One day this 17 year old student, top of his class, suave, genius prodigy finds this notebook. And in it are instructions. If a name is written in this book with the persons face in mind, that person will die of a heart attack in 40 seconds. If a cause of death is established in those 40 seconds and the

Light Yagami. God of the New World.

details written in 6 minutes and 40 seconds, then the person will die that way if the means of that death can be accomplished. This is basically disregarded by Light as some ridiculous joke. Until he tries it. Then Light is thrust into a world of possibilities no one before could possibly imagine. And, using this Death Note, Light will become the God of the New World.

There is some baggage that comes with the Death Note. A Death Note can only be found by a human on Earth if it is dropped by a Shinigami. These quite strange, queer, funny creatures come from “limbo” as best I can figure. Their world is dissolving and Ryuuke

Ryuuke. He likes apples.

(Brian Drummond) has grown tired of the days of gambling bones and sleeping. He hungers for intrigue and excitement, and nobody better than Light can give that to him. Light’s attitude towards the power to kill brings surprising results. Light only kills criminals. Ryuuke follows him around, unseen by humans other than Light, for only humans who have touched the notebook can see Shinigamis. And it is Ryuuke’s duty to remain on earth with Light until it is his time to leave Light upon his death.

And from there the show picks up. Light soon becomes Kira (the Japanese pronunciation of Killer. Stereotypical right?) and creates a following. But the justice system won’t stand for that shit. They’re gonna put a stop to him right? So L(Alessandro Juliani), the greatest investigator/crime solver in the world, better than the Hardy Boys and Nancy Drew combined, will do just that. And the chase begins. From here, the twists and mind games that’re played throughout the show display the amazing mind behind Tsugumi Ohba, creator of the manga.

I love Light Yagami. Thank you Brad Swaile.

Let me just say that my explanation/review of this anime comes nowhere near doing it justice. Although this anime was picked up by a Canadian company for dubbing, this doesn’t detract from the quality. Canadian voice actors are just as good as American voice actors. Case in point: Light Yagami’s voice actor, Brad Swaile. This guy must rock the mike when he’s recording. His manical laughs, his brilliantly intelligent air about him, it all fits the character. To a tee. Forget watching the subbed version, this guy brings this show home himself. Also of notable mention is Alessandro Juliani, the voice of L. Although his noises when interacting with food may seem off-putting, it enhances the strangeness that is L. L’s character is quirky and cold, intelligent and funny, but, to me, altogether annoying. And that’s why I chose the side of Light. Okay, not just because of the voice acting. To put my own opinion out there, Light’s sense of justice and genius mind are completely superior to L. In every way. Besides that, yes, L is respectable. But altogether inferior. But that’s where the dichotomy of the show comes from. And that’s why I enjoy the battle of the minds so much.

Also of notable mention in the voice acting department is Brian Drummond,  the voice of Ryuuke. All these Shinigami have sort of a grating, holier than thou, tone of voice to them and Ryuuke is no exception. Although he may play the part of jester, Brian Drummond brings an almost threatening aura to Ryuuke that makes him seem capable of anything being a God of Death. Chris Britton also gives a great performance as Soichiro Yagami, Light’s father. (I’m not gonna go into details about him, you must watch!) The grave, business air of Soichiro is what gives a respectable dignity to himself. Chris Britton’s caring and

Soichiro Yagami. Badass Dad.

intelligent voice lends itself to the character and really helps to envision a father worried for his family. Vincent Tong gets my honorable mention as Touta Matsuda, the goofy, caring, blundering police investigator of the Kira case. (This is inevitably what develops from Light’s mass killings of criminals.) He cares about the case, but he’s young at heart and this comes through strong and clear from Vincent Tong’s performance, making him an endearing character.

Teru Mikami. You'll see...

Another boss character from Death Note with a great voice actor is Kirby Morrow as Teru Mikami. (Now I can’t go into detail about this character, but look out for him!) Kirby does a great job of a devotional character willing to do whatever it takes for justice. Take that explanation as you like it. This show’s also great because there’s a culture crossover with Americans involved as well. And this shows itself in Raye Penber, voiced by Michael Adamhwaite. Adamthwaite (although a minor character) gives a great performance being an English speaking actor doing a English speaking character (not having watched the subbed, I don’t know exactly how this crossover works) and is quite the interesting character with a humble background.

But enough about voice actors. I could go on for far too long. The art is great too. It’s subtle dark colors mixed with flickering lights and dark corners gives it that seedy underbelly, nobody is who they say they are, investigation feel. This show is dark. I mean, come on, it’s about death. Characters are messed up in this show. But it’s all about the intelligence, it’s about the wording, and, most importantly, it’s all

Oh, did I mention there are live action movies?

about the deductions. The Shinigami, although otherworldly, become believable in this setting that seems it could never happen. I was never surprised or in disbelief by this anime, because it makes the impossible, possible. And that’s where the magic comes from.

So watch this show. Please check it out. It’s well worth its weight in gold. This show sets the bar unbelievably high for anime, and I think could make the jump into pop culture. Or, I wish it would. Love it, love it, love it. 11 out of 10. (Because I can.)

Oh, and this anime has one amazing intro. Check it (if you’re a metal fan).