It’s not every day you see Famke Janssen under house arrest for killing her husband. And it’s not every day that you see a vindictive poltergeist wreaking havoc all over her life for killing him. In this version of what I would consider Jennifer Lopez’s “Enough” gone wrong, Famke Janssen is haunted by her husband she killed in self defense. There are some frightening scenes and I really enjoyed the way that the jumpy scenes are strewn throughout without warning, not just built up until the end. With a minimal cast and quality acting, this was a horror movie that was unfortunate that I hadn’t seen sooner.
Marnie Watson (Janssen) is a newly paroled felon who has just been released from prison and given house arrest in her house. This is the very house that she killed her husband in in self defense. A little twists is that her husband was a police officer, and the partner cop to the man who will stalkingly watch her for the rest of the film, Officer Shanks
Famke Janssen, terrorized all over again.
(Bobby Cannavale). I was semi-impressed with Cannavale’s performance in this film, only because it wasn’t a stretch for him to play a hardened Brooklyn cop. He’s a character actor and it’s all good.
So Famke’s ass gets locked up with a house arrest anklet that only allows her to go within a 100 foot radius in her own house. If she leaves the confines of the house, the alarm will set off and she has only seconds to return to the barrier. This is a problem because parts of her huge and nicely furnished house are off limits to her, including the basement. Plot device, anyone? So Marnie returns to a semi-life of normalcy and goes about buying groceries, cleaning house, ad finding anything she can do to keep busy.
The face of a wife beater…
It’s not any help that the entire neighborhood doesn’t believe that she fought in self defense to save herself. Looked down upon by everyone, only one delivery boy, Joey (Ed Westwick) finds no problem with her. Attempting to be her friend, Marnie copes with a life of solitude. Until her husband starts attacking her from beyond the grave. In a series of scenes that bust up her and her house, Marnie starts reliving all the horrible beatings her husband gave her in life. And this time around, Marnie has had enough of this poltergeist B.S. She’ll fight back at any cost necessary. Without being able to leave her house, this plot restricts her from running away. It’s time to kill again.
I really liked the simplistic plot of this film. It was a creative idea, although I’m not sure they would lock her up in the same house she killed in, as poetically justified it may seem. There are some great haunting scenes in the movie involving a lot of things breaking (including some bones). Ed Westwick plays a reasonably real character in this film, although he’s a straight tool for his work on Gossip Girl. I’d say this is one of his better works. Hauntings and devilish exorcisms and demons are more my style when it comes to horror, so this movie was right up my alley. There’s a great kill scene in the movie, and, although the CG effects in this movie are a bit Syfy channel middle of the road, it doesn’t detract from the whole overall
I know I’ve been stalking you for a while now, but did you know you look like that read headed wench from X-men?
experience of the movie. It’s brutal, and it does the job of performing as a threatening and horrifying film (didn’t scare me much, but all the same, the lights were on).
Most of the time, I’m a tool.
The one thing that will either disappoint you or make you laugh will be the end of the film. There’s some strange confrontation and a ridiculous explosion of an ending that would give Michael Bay a boner. It ruins the whole otherworldly feel of the movie and gives rise to a really dumb explanation of why he’s haunting her and how to stop him. Everything is resolved and, in a really sloppy style for a poltergeist, Shanks believes her and gives her the happy ending she wanted from the beginning. It just really comes down to the sub-par dialogue at the end and that explosion. I can’t get over how that ruined the movie.
But, from beginning to middle, this movie was well executed. It has the right amount of horror and plot, jumpy scenes and furthering events. Famke Janssen did her job (not as Phoenix from X-men, obviously) and gave the woman in peril role new meaning. She fought back with a butch attitude I wasn’t entirely expecting. She doesn’t frighten away like most women do in films and really sticks it to her husband in the film. There’s a real in your face attitude about this horror movie and that made it a breath of fresh air. It’s only the ending that takes down the rating. I’ll give this little horror film a 6.2 out of 10.
Chucky and the Child’s Play series has haunted my dreams ever since I was 8 years old. And, watching this movie again, it still sent chills down my spine. Leave it to movies of years past to make me want to piss myself when newer films today with all their special effects can’t do crap. What a cruel world. For those of you who don’t know, Child’s play is the story of a young boy who just wants a doll for a friend. Lo and behold, his mother comes through and finds him just the doll he wants. And he’ll regret that decision for the next two movies.
So the movie starts out like this. Old Wormtongue AKA Charles Lee Ray (Brad Dourif) is running from his ultimate
Say hello, Andy.
nemesis cop, Prince Humperdink AKA Detective Mike Norris (Chris Sarandon). The final face-off takes place in a toy store in some bad part of town and Chucky takes his voodoo training and places his soul in the body of a doll until he can later reclaim his life. And, a few weeks after, we find little Andy (Alex Vincent) watching his favorite cartoon, the Good Guy dolls. Pleading with his mother who busts tooth and nail to scrape through life for her son, Mrs. Barclay (Catherine Hicks) finds one from a sketchy drifter and his cart of goodies.
The events of the movie are amazingly supplemented by a big buildup to the point where you finally see Chucky’s true face. What I found more frightening was Chucky imitating the Good Guy doll he is inhabiting. “Hi I’m Chucky, wanna play?” in that sing-song voice of a demonic child haunts my dreams frequently. His eyes opening and closing reminds me of why I fear the technology known as animatronics. (Forget ever going on the
I can feel the poop in the pants already…
It’s a Small World After All ride ever again.) His blinks and innocent movements feign away from the evil animatronic face that hides beneath the facade. But when Catherine Hicks, mother of 7th Heaven swears her head off, you can bet Brad Dourif won’t let that bitch talk to him that way.
The movie turns into a wild goose chase of little Andy accompanying Chucky around the beaten streets of Chicago in search of a way to return to a human form. When it’s revealed that the worst must be done, it all comes crashing down for Andy. It’s a race against the clock for Mrs Barclay and Detective Norris
Your fate is sealed, in 7th Heaven, Catherine Hicks.
when they learn that Andy wasn’t lying, ever. As the tagline says, “You’ll Wish it was Only Make-Believe”, I’ve wished that for so long.
And not to mention the doll that Chucky is based on. Don Mancini must have drawn on some evil inspiration that graced his mind when he found Robert the Doll. Considered one of the evilest dolls on the face of the North American continent, Robert the Doll haunted Key West painter Robert Eugene Otto for his entire life. Talking to it and finding himself scared to death, Otto never left Robert’s side. Attempting to kill and curse anyone around him and even moving on his own, Robert the Doll to this day, being his old 104 year old self, will change his face to a mortifying, contortion of a grin. I was impressed with Tom Holland, slasher director extraordinaire, use of P.O.V. and a creepy sense of crawling around on the floor. The use of doll doubles mixed with actual animatronics has frightened me and will continue to do so as long as dolls exist in this world.
With this success this cult horror classic has created, there’s no wonder there are another 4 films after this one, and talk of a remake. Brad Dourif does a wonderful job of giving off a gruff thuggish voice and continues to do so. This movie went above and beyond the PG-13 rating and decided some F-bombs would be appropriate to show the extent of Chucky’s evil. This movie may be one of those B-rated horror films, but it broke ground for a kind of horror that freaks a lot of people out, dummies and dolls. If it frightens you, it’s done its job. And Child’s Play sure does that for me. Just for the poop in the pants, 7.4 out of 10.
And here’s the original trailer to set your bones on ice.