Tag Archives: final showdown

Hot Fuzz: Guns a Blazin’

This movie may hold its place solidly in British Comedy, but this movie has one of the best final action sequences of all time. As a kid I fantasized after watching The Matrix, Lord of the Rings, etc. about busting in on some thugs and being strapped to the teeth. You know that scene I’m talking about:

I’m one of those guys who can make the auto gun noise with my mouth and dived onto my bed while shooting two finger guns through the air. I love all action movies and guns, swords, and martial arts really get my blood flowing. When you have an homage/spoof/comedy movie like this that lets out the little kid in you who fantasized about riding into town on a horse and lighting up the bad guys, you have come to the right spot.

You may not have come to the right spot if you don’t like a bit of British humor… or at least 2 hours of it. If you’re anticipating the final showdown and you have to wade

The Sandford Police Service.

through two hours of well crafted action jokes and situational comedy, that might kill it for you. Not for me.

So this is another in the Cornetto Trilogy from Edgar Wright and Simon Pegg, and they just keep getting better. Their next one on the list to end the trilogy is “The World’s End”. Maybe more zombies? Who knows… All I know is that they are fantastic. For the childhood that I had where Star Wars, action films, cartoons, and sci-fi knowledge was a everyday thing, this hits home. Very close to home. And I loved it.

Heaven’s fallen Angel.

Simon Pegg plays Police Officer Nicholas Angel (No. 777, if you didn’t get it already). He is the best on the force in London (he’d rather I say “police service” because it comes off as less aggressive) and is making all the other officers look bad. With the recommendation of all three superiors (Cameos by Martin Freeman, Steve Coogan, and Bill Nighy), Nicholas says goodbye to his former GF (played by Cate Blanchett in a white CSI outfit) and heads to Sandford Gloucestershire. (A fictitious name for a police situation town when running drills/scenarios.)

When Nicholas comes to Sanford, he is blown away by the life of the small town chum. The police station sees no action and Sanford is considered the safest town in England. Headed by Constable Frank Butterman (Jim

Friends forever.

Broadbent) and his son Danny (Nick Frost), Nicholas stumbles upon a bunch of “accidents” that could be nothing short of murders. Who is he to suspect? And who is he to trust? And finally, who is he gonna shoot up first?

I saw this movie in theaters after falling in love with Shaun of the Dead, I had to see it the first weekend out. I about died laughing every 15 minutes of the movie (usually more often). This movie has a lot more punchlines per minute than Shaun had, but every bit just as good. They watched over 150 action films to get the script to be just right (insert their own British flavor and Bam!). This movie went to great lengths to be successful, and rightly so. It delivered on all movie going levels. Entertainment. To the extreme.

There are a lot of great British actors in this movie as well. Obviously the buddy buddy duo of Nick Frost and Simon Pegg. You’ll never see two other actors onscreen who seem like they’re two best friends doing exactly what they wanna do.

Lunch. Dat. Shit.

They are living their dream making these movies. As I mentioned before, my idol Steve Coogan had a small part beside Martin Freeman (Tim from the Office) and Bill Nighy, the funniest old British man. The Andes as they were referred to, Paddy Considine (you might recognize him as Ross from The Bourne Ultimatum) and that great famous son, Rafe Spall. He lost a lot of weight and did some growing up to play the other Andy in this film, and I loved him.

This movie has the wit and fast cuts you’d expect from an action film. All the guns, action, and cheesy action comedy (combined with some really clever comedic work) make this one of the best comedies of the 2000’s (right beside Shaun). You won’t see comedies this entertaining and perfect come along that often, and also featuring a former James Bond, Timothy Dalton. It looks like a lot of fun was had with this film (with plenty of homages to other films) and it really is a laughable thrill ride with slangin’ guns. Perfection in a barrel. 9.7 out of 10.

 

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Dance Moms: My Only Reality T.V. Obsession

I have to admit here at the very beginning that I, for some strange reason that has sucked me into it, love Dance Moms. I can’t get enough of the fighting, the drama, and all the strange and delirious opinions that Abby Lee holds inside of her enormously inflated head. I’ve watched every episode, enjoyed the dance segments (as small as they are) and analyzed them with my long time dancing girlfriend and before mentioned, Kim. We had caught an episode or two in the past and I had tuned in and out with my mom and sister to see what all the fuss was about.

At first, I hated the crap out of it. I found it to be degrading, conflict infested, and just downright train wreck level television. I thought there could be no way this would ever catch on. Something I still don’t understand is why any of those upset women wouldn’t just stage a walkout and tell everyone not to go to

The wonderful children of Dance Moms:
Nia, Paige, Chloe, Maddie, and Kendall. (There are more)

Abby Lee’s Dance Company. If they all did, she loses business and gains a reputation as a terrible woman. That’s something this show has done for her, but that’s besides the point. She should realize even she’s replaceable. Three girls on the show have shown that so far. But this show has caught on, and its won my heart.

The beast rears its ugly head!

Should I even divulge any of the premise of this show to those of you who unfortunately happen to come across this blog in my post? Let’s see…. Well, the show starts off with the degrading pyramid. Although most of the girls at some point made it to the top, Maddie erroneously held the top for far too long. I don’t want to degrade any of the girls because they are all wonderful little people. But Maddie (the “star” of the show) has to realize that saying arrogant things on camera and crying when you don’t win are things you learn when your mother tells you not to cry in the meanest tone and you always win. Anyways, this whole post is gonna be one long rant.

Next comes a confrontation between one of the moms and Abby Lee or another mom. They train, for 5 days it always seems, and then comes the competition. In between that comes some of the most

The guns, one of Abby’s questionable decisions.

incredulous backstabbing, loud and obnoxious drinking, and one of the most refined, well spoken, and intelligent women I’ve seen on T.V. Nia’s mother, Holly. For that show, Holly is a godsend. She is a rock among the turbulent tides that is the other Dance Moms. And her daughter, although not treated as well as the other girls because she struggles to keep up, still wins when she is given the chance and helps the group win. She wouldn’t be included if she didn’t have the potential and the talent.

All too common in Dance Moms…

Then the competition comes. Maddie (or Chloe) wins and the group comes in 3rd to 1st. And if they don’t, it’s the girls’ faults, not Abby Lee’s. Watch some of these episodes. Marvel and wonder at how she never blames herself, knowing we are all humans and people make mistakes. Every episode, this woman makes mistakes. She is just such a ridiculous woman, I am awestruck at every turn and utter from her croaky voice (what speech problem does this woman have? Or does she just yell all the time because she’s so unhappy with everything?) and the morbidly obese body that at one point performed dances. She has her extreme faults and her struggles with her “nemesis” Cathy from Candy Apples in my home state of Ohio, which is somehow stupidly depicted as farm country. She lives in Canton, a suburban/city town next to Akron. Get your stuff right Lifetime.

There’s a final confrontation, sometimes between moms and who should have won, and then the show ends with the best cliff hangers I’ve ever seen provided from a show. That’s where I’d give the Bravo! Bravo! Encore! Encore! in this. And that’s it. Take that formula and repeat 13 times each season. And then what?!?!? Abby Lee gets put in her place and leaves on hiatus? This is perfect. If I, at any point in this show, could have sat Abby Lee down and shown her every time she was wrong or a Hitler himself in this show, she probably wouldn’t change, but I’d feel better. That woman needs to learn.

And she will never learn. These wonderful children will never know a more enjoyable dance experience. These moms (the few who just don’t understand) will

The best episode of all time. This is all that needs be shown.

never learn. And the cycle will continue. And I will continue to watch. I can’t get enough of this car accident dance television. And it’s not that the show, from a filmmaking standpoint is any good. Who knows if it’s scripted. But, in the end, the show is only good for human’s sick addiction to reality crap television. As much as I’ll fight it, this will be around for a while. God save us all. Overall, this show gets a 3.5 out of 10. May good things always be on these girls, and karma prepare a slap for everyone else. Me as well.


Fright Night (2011 Remix)

I gotta say I was not a big fan of this movie. I really didn’t know where this movie was coming from not having seen the original 1985 version and I didn’t know at all where it was going. With a cast of reputable kiddish actors lead by Anton Yelchin, I expected a bit more from this film. Souring the mood with a debilitating approach to lighting, this movie came at me from all the wrong places.

This is the story of a young man, Charley Brewster (Anton Yelchin). No longer the bullied in his high school, he has become the passive bully. He ignores his former friend Ed (Christopher Mintz-Plasse) and finds solace only in his airhead toolish friends and girlfriend, Amy (Imogen Poots. What a horrid name.) With Ed and their friend Adam (Will Denton, not all that important.) these three crusaders would L.A.R.P. and Dungeon Master themselves to death. They loved the

Colin Farrell was pretty dope.

occult and all these fantasy. And then one day, a vampire moves into town and starts killing.

I have to say I enjoyed the first scene of the film. Straight from a thriller horror movie, a boy is chased and killed along with his family by what appears to be a home invader. That was pretty intense and old schoolish. Always the suggestion and hinting at the supernatural. Then you find out it’s Adam. Feel a bit bad, move on. Ed ropes in Charley and is abandoned by the middle of the film. That’s the one part of the movie I felt they should have stayed on. Straying from the course and focusing more on the damsel in distress made the movie unoriginal. (or… followed the original 1985 version…) I loved Chris Mintz-Plasse in this movie. I hated him and everything else about Superbad. Go

Here's where the acting came from. And there's where the lighting went.

figure. But it was the friendship between these two and the fact that one needed the other just as much was what really struck a chord for me in this movie. And that only mattered for about 20 minutes. Screw that.

Then let’s get into how (okay it does relate to the original, but…) this movie resonates with Mom’s Got a Date with a Vampire. That was some good Disney joint back in the day. That dad from The Nanny, he was killin that shizz. And now, beef up and hottify the vampire to the point of ridiculousness. Enter Colin Farrell as Jerry, the next door vampire. His sexual appeal (not to me necessarily…) and his sarcastic charm made him a perfect fit for this film. Seducing Charley’s mom (Toni Collette) was a different story.Trying to convince the world of a vampire that will kill you if you don’t play by its weaknesses was a great aspect to this film. (Just like in Orphan. Watch it and you’ll understand.)

...On pushing it that he did well in this movie...

…But going to see your childhood hero and finding him to be a fraud is not. This leads me to say that the second half (and only part of the first half) of this movie was disappointing. I need to talk about this because this chews at me. David Tennant may be a fantastic Doctor on Dr. Who. But I really hope anyone who saw this film for him realizes that he was terrible in this movie. He is typecast forever as a quirky, know-it-all character… like Dr. Who. I don’t watch Dr. Who. And, taking David Tennant’s acting in this film, it was lackluster. Below par. I’m sad to say that when I had heard rumors he was going to play The Riddler in the new Batman movie that I can’t wait to miss. Too bad, so sad. Truly.

I don't think you can defend yourself, little Miss Poots.

So Anton Yelchin goes to find Peter Vincent (Dr. Who) in order to get an expert’s help with his vampire problem. He’s a sham and swears and drinks all the time. He can’t help save the damsel and needs some convincing in order for the final showdown. And I won’t ruin the ending, but movie writers or whoever decides this has to stop assuming that you can call something a vampire and then say its not and call it some succubus subhuman ground creature. Not true. It’s not a vampire is it? And yet it follows all the same laws of defeating a vampire? Make up your minds…

Bring it on, Anton.

All-in-all, the only bright lights in this dark vampire world were Anton Yelchin(sort of) and Chris Mintz-Plasse. If they had focused on their friendship and not unnecessarily focused on Imogen Pootz, the dud. (this girl has been in 28 Weeks Later, the failed sequel, and Jane Eyre. Bet she wasn’t good in either…) I don’t understand the high school mood they were going for, and a lot of the lines and cinematography fell flat for me. A little more of a dynamic, over the top approach to this horror comedy may have brough out that comedy, because it was lost on me. 4 out of 10.


Hobo With a Shotgun…

Okay, let’s try to tackle this cacophony of a train wreck with scene after scene making me yell out loud, “WHAT.” How do I even approach this? I think a good review of this would be to analyze the plot to really dig into the absurdity that is Hobo With a Shotgun.

Shot in the style of Grindhouse/Pulp Fiction/all of Quentin Tarantino’s crap, I really wish Jason Eisener had gone for a more original approach to this film. But hey, it’s a style people like that pisses me off, but that’s cool… I guess…

Anyways, plot. Hobo w/ a Shotgun (Rutger Hauer) rolls into a dead end town with no real goal other than to buy a mower. I know, you’re already wondering, “What the freakin’ Hell?” Suspend your disbelief, please. Hauer ain’t gotta have a purpose to buy a lawn mower. Anyways, first thing Hobo encounters, Drake

Why does this movie exist?

(Brian Downey) and his sons, Slick (Gregory Smith) and Ivan (Nick Bateman) have taken some dude and hung him by a manhole cover like a noose. Legs all hanging in the gutter and the manhole cover cheesily bending to allow him to move, they attach a barb wire noose around his neck and use Drake’s car to decapitate the dude. I thought, “Okay, I can roll with this.”

Rutger Hauer, you unbelievable bastard...

Then, Hobo gets pissed when his can cart gets picked off by Drake’s car. And Drake owns this town.  So you can be sure the final confrontation will be between Rutger Hauer, one of the strangest men in Hollywood, and Brian Downey, a no name actor. And for shame, former Disney Channel star Gregory Smith, you deserve to get your penis shotgunned off.

Drake, you sneaky old cod.

So Hobo roams around this shithole town, knowing that justice needs to be delivered. Who’s gonna do it? It’ll be him, but we have to wait 45 MINUTES FOR THIS. Crap. Slick takes this hoe (Molly Dunsworth)  back to his arcade full of cocaine and Hobo rescues her in the nick of time with his hobo prodding stick. After turning Slick into the police and expecting justice, Slick and Ivan screw his life up a bit more and toss him into the trash. (Insert retarded cheesy line here.) Being found by the prostitute who never makes a buck the entire movie (she was currently being talked to by a cop who wants to hurt himself more than have sex), she takes him back to her decent house with an empty picture frame and gets lectured about the majesty of bears.

I must be dreaming this scene can't be real...

Hobo goes to buy his lawn mower after recuperating and eating glass and witnesses a robbery at the pawn shop. So what does he do? Buys a shotgun and shoots every following bad guy in the stomach. Classy. Rutger Hauer mumbles the entire film and you’re supposed to understand his mindless ramblings. Didn’t get a damn word. Not a one.

There are some more lines about skate rape, a bus full of burn victim children, a town lynching of hobos, and then a final confrontation between these two

The useless prostitute, Abby.

juggernauts in full armor and prostitute with soldering iron skills. The town gangs together to rally the Hobo, the prostitute runs train on the juggernauts, and Hobo gives a touching speech to a hospital room full of frightened babies. People die, Hobo kills Drake, police gun down Hobo, credits roll in the blood. Moral of this waste of time story? Don’t let Hobos near any run down cities. Don’t let them buy lawn

Rutger Hauer. Scaring babies for far too long.

mowers or cart around tipsy shopping carts. Or even be in movies. (Other than Japanese ones.) I gotta say it, but despite the ridiculous antics of this film, I didn’t once laugh. I was distressed and felt like I was on a bad acid trip. Complete 0 out of 10. This truly was a skate rape.