Finally, here’s the long awaited post from my Dad for his Father’s Day present. Enjoy!
On the surface, Close Encounters of the Third Kind, released in 1977, is a story of how three individuals’ lives become intertwined when some possible alien ship encounters are experienced. Roy, an electric company engineer in Indiana, has a growing need to understand if he is crazy or if he has really received a message from the aliens. Jillian, a single mother from the same area of Indiana and her three-year-old son have received the message too and the aliens have apparently taken a particular liking to the little boy. The final character is Frenchman Claude Lacombe who is part of an international team both reaching out to the aliens and investigating the people the aliens have affected.
It would be easy to say I like Close Encounters because it is a Steven Spielberg movie. He both wrote and directed the film, and it was early on in his career when I feel he had a great child-like sense of wonder in his storytelling (E.T.: The Extra-Terrestrial, Raiders of the Lost Ark, Empire of the Sun). I also think he was enjoying his time saying, “I really get a big budget and get paid for having fun?” I could say I like the movie for the gifted John Williams score. I could discuss the symbolism of communication like languages (French, Spanish, Indian, English), physical interaction (radar, toys, sign), and art (music, painting, sculpture) to show that even humans have a hard time so why do we think the aliens could easily get their message across. I could say I like the 70s costumes – which weren’t costumes at the time but who would have put Teri Garr in a short yellow nighty and robe with earthy clogs – brilliant!! And I do think the special effects are good with the alien ships, the clouds, the lighting, the sandstorms, etc. I guess the problem I have is with the aliens. Why are there three different kinds of aliens so vastly different from each other?
My favorite part of the movie is the hero portrayed by the everyman who has been tapped for an adventure – Roy Neary. Despite his obstacles – like his beautifully portrayed dysfunctional family, like everyone thinking he is crazy, like his own belief that he is on the edge of sanity – he faces his fears, does the right thing, and is rewarded in the end. Richard Dreyfuss, who had been acting at this point for over 10 years but hadn’t had a great deal of recognition except for his role of Curt in American Graffiti and Hooper in Stephen Spielberg’s Jaws, is fantastic in this role. He shows anger, wonder, insanity, happiness, and despair. He gets to be in the action sequences – driving in the chase, driving cross country, climbing the mountain; being interrogated by the “bad guys;” saving the girl. He deals with the mundane – his son’s math homework, kids that want to stay up late (watch for a great quote – “I told them they could only watch five commandments), a boss who doesn’t want to talk to him, and a wife who cares for him but can only take so much. And he does it all while trying to figure out his purpose in life. He gets the Oscar nod from me!
So do yourself a favor, when you don’t feel the need for extreme action or extreme thought but want to play with your mashed potatoes, play in the dirt, and watch a great actor having a great time with a great script, get lost in the wonder of Close Encounters. It is better than Goofy Golf or Pinocchio. I give it a 9.9 out of 10!
Leave a comment | tags: 1977, 3 year old son, 70's costumes, alien ship, American Graffiti, art, bad guys, big budget, child-like sense of wonder, Claude Lacombe, Close Encounters of the Third Kind, clouds, communication with languages, cross country, Curt, dad, driving chase scene, dysfunctional family, Empire of the Sun, English, ET: The Extraterrestrial, face your fears, fantastic leading role, Father's Day, French, Frenchman, good special effects, Goofy Golf, great quotes, great script, guest blogger, having fun, Hero, Hooper, humans, Indian, Indiana, insanity, international alien investigation team, intertwining, Jaws, Jillian, John Williams, lightning, mashed potatoes, math homework, mountain, mundane scenes, music, Oscar worthy, painting sculpture, physical interaction, Pinocchio, play in the dirt, problem with the aliens, radar, Raiders of the Lost Ark, Richard Dreyfuss, Roy, Roy Neary, sandstorms, save the girl, score, sign, single mother, Spanish, Steven Spielburg film, symbolism, Teri Garr, the everyman, three individuals, toys, wrote and directed | posted in Movies
I’m going to say as little as I possibly can about this show while trying to talk about this show and how interesting it was for me. Also, in this review, I’m going to attempt to talk about characters in such a vague way that I don’t reveal anything about the plot and just encourage you to watch the show. Impossible task? Challenge accepted.
This is an anime set in the Prohibition Era of America in the early 1900’s. There is an element of magic and mystery that intertwines itself in this show so that you have to accept what’s possible with the impossible. There are gangsters, and, orignally, magicians (of a sort). The characters range from the mentally unstable to the kind and thoughtful. With inspiration from the film, The Untouchables, the gangster and his New York accent come to life in the world of the speakeasies.
There are a lot of characters...
When you first begin to watch this show, you may become frustrated. A lot of characters and events are thrown at you all at once. Told from so many perspectives, it can become overwhelming in the first couple of episodes. But have patience. In a nonlinear plotline that comes together in pieces, this show was ingeniously crafted to have the characters drive the story until the plot becomes clear. Just remember when watching that the Flying Pussyfoot (really don’t like the name though) is the central event of the series. Things occurring on the train, for the most part, are happening in the real time (I think…) while all other events of the early 1930s are flashbacks, or maybe even flashforwards. Still not entirely sure. It’s a show worth watching through more than once.
What's going on?
With all the gangster families, it can become hard to determine just exactly who is who and who did what and who is wanted for what purpose. With all the accents and the strange character names, (Jacuzzi Splot. Enough said.) with three different gangster mafioso families going on at once (the Gandors, the Genoards, and the Martillos) including Jacuzzi’s gang and the Russo family, toss in Isaac and Miria, and you have a lot of chaos all at once. Nothing is as it seems and nothing seems to make much sense in the Baccano! world. It’s all about the ending payoff.
A few noteworthy voice actors in the dubbed version to speak of. You have to start with Isaac Dian and Miria Harvent. J. Michael Tatum and Caitlin Glass
Isaac and Miria. Best.
really branch their talents to their extremes with two ridiculous thieves with no care in the world and no idea what’s going on. John Burgmeier puts on an English accent as a character I can’t reveal (sorry). And R. Bruce Elliott places a mean old Russian bastard who is actually a terribly villainous magician. Joel McDonald in a surprisingly heartfelt performance gets his Brooklyn on as Jacuzzi and Nice, his eye-patched love interest and crime partner is nicely done by Colleen Clinkenbeard. Throw in a Frenchman in jail and you have the wide ranging and seductive talents of Eric Vale. Throw in Todd Haberkorn and his always likeable goofy characters and you have a Baccano! cast.
I love this man so much.
But, I could never forget the big standout in the show. In a very underrated voice actor comes one of the best performances of his career. Ladd Russo, a highly skilled and highly delusional killer is voiced by Bryan Massey. His questioning and highly energetic character from My Bride is a Mermaid, Shark, returns as another kind of inhuman being. Ladd is vulgar, he is brutal, and he is one of the most likeable and sinister characters in the series. Any guy who can walk into a room and say, “I like you! F%*k you!” deserves respect.
Let's get to pokin'.
And for the rest, AKA the amazing plot, you have to watch it for yourself. In the same vein of shows as Durarara! (interesting, both are marked with exclamation points…) comes a character driven show with a great payoff. Watch it for the characters and voice acting. Watch it for the interesting non-linear plot. Watch it just to watch it. It’s well worth a shot. You just might find what you’re looking for in a show in this 16 episode anime, Baccano!
Leave a comment | tags: 1930's, a lot all at once, amazing plot, America, Baccano!, big standout, Brooklyn, brutal, Byran Massey, Caitlin Glass, challenge accepted, Chaos, character driven plot, Colleen Clinkenbeard, crazy, crime partner, dubbed version, Durarara!, early 1900's, English accent, Eric Vale, eye-patch, flashbacks, flashforwards, Flying Pussyfoot, Frenchman, Gandors, gangster families, gangsters, Genoards, goofy character, great payoff, heartfelt, highly energetic, impossible task, in jail, ingeniously crafted, inhuman being, Isaac and Miria, Isaac Dian, J. Michael Tatum, Jacuzzi Splot, Joel McDonald, John Burgmeier, just watch it, kind and thoughtful, Ladd Russo, likeably sinister, mafioso, magical element, magicians, many perspectives, Martillos, mentally unstable, Miria Harvent, My Bride is a Mermaid, mystery, New York accent, Nice, non-linear plotline, Prohibition Era, R. Bruce Elliott, ridiculous thieves, Russian bastard, Russo family, say as little as possible, Shark, skilled and delusional killer, speakeasies, strange accents, strange character names, The Untouchables, Todd Haberkorn, train, underrated voice actor, vague description, villain, vulgar, watch more than once | posted in Anime/ T.V.