It’s all fun and games to playa hate on Ping Pong. But not to the Chinese. In a sport that originated in China (not in England, as white people claim, apparently…) Chinese people take the art of the Pong very seriously. (Balls of Fury can make fun of this one all they want. Yes, at times that movie was funny, but it is considered a sport.) But this movie
Yao Ming ballin’ it up at a Ping Pong table?
doesn’t take itself too seriously. Written by Jimmy Tsai the star of the film, combined with Jessica Yu’s directing and co-writing, comes a lighthearted and inspirational film that resets the Chinese at the top of the crop in table tennis.
At the start of the film we are introduced to C-dubs (Jimmy Tsai). He has amateur dreams of becoming an NBA basketball player, following in the famous footsteps of Yao Ming. In a mock interview with someone made to look like Ron Howard (Jonathan Oliver playing “Jon Howard), C-dubs attempts to shake the Asian stereotypes that are held over his head with his ghetto dialect, an effort in vain.
Everyone has 4th grader friends, right?
His parents, Mr. (Jim Lau) and Mrs. (Elizabeth Sung) Wang find him lazy and apathetic to the world of Ping Pong, despite owning and operating a Ping Pong equipment shop and Ping Pong lessons at the local community center. Spending all his days with his black friend, JP Money (Khary Payton) and his 4th grader friend Felix (Andrew Vo), C-dubs looks hopeless. Until the day that his older brother Michael (Roger Fan) gets into an accident with his mother, who is no longer able to host her Ping Pong lessons. It is up to C-dubs to hold down the fort and teach some Ping Pong.
As you can expect from an inspirational film like this, C-dubs is very resistant at first. He goes to the community center with no desire to
DESTROY THOSE FOOLS.
teach, despite having a talent from a young age. You know it’s getting in the way of his training for basketball, but there’s a little surprise with that… With the help of his elementary level school friends and the interest of a young and beautiful Chinese woman, Jennifer (Smith Cho). When rep is on the line, C-dubs picks it up and realizes he has been a mess his whole life. Time to step up to the paddles.
King Erotic, you’ve come back…
There are a few great appearances in this movie. Stephanie Weir from MadTV makes an appearance as the awkwardly racist Ping Pong judge. Shelley Malil from The 40 Year Old Virgin is also featured as the father of one of the awkward Indian kids who is to smart for his own good. And, what may be the best, is Khary Payton as C-dub’s black friend. Many may not recognize him, but his was King Erotic in the Troy/300 spoof, The Legend of Awesomest Maximus. Man was he latently homosexual in that movie…
The acting was fine and there were laughs and comedy throughout. Every time there is a swear word, a basketball bounce is played over it (making it funnier than if they had sworn). It’s a movie for teens that teaches a lesson about good
Asian fury.
sportsmanship, as well as race relations. Never judge a book by its cover (i.e. C-dubs and his bball dreams) and always have in the back of your mind that what you say may offend others. It has a nice message and doesn’t take itself too seriously. It’s semi-entertaining and may not be funny for everyone, but check it out. You might learn something. 6.4 out of 10.
It is not wrong when I say that 50 Cent is the best actor in this film. Nor is it wrong to say that I watched this movie for 50 Cent and 50 Cent alone. He is my guilty pleasure actor. No matter what he does, I have to see it. He got me through some thuggish times in 8th grade…
Setup is the story of 50 Cent, better known in this film as Sonny. One of the most un-hoodrat names I’ve ever heard, but what can you do? Sonny has two friends, Vincent (Ryan Phillippe) and Dave (Brett Granstaff). They plan a heist and do the job. On a dock somewhere nearby, they stop. Vincent gets out and betrays Sonny and Dave by shooting them in the chest. For Sonny, this means revenge. For Dave, this is a metaphor for his career. Goodbye Dave.
This film, although a 50 Cent joint, was so unremarkable to me. The people that they robbed were planned ahead of time and “set-up” 50 and the gang. Vincent/Phillippe is a whiny, strange wigger biatch who deserves what he gets coming at the end. His lady gets glass coffee tabled and this strange Hispanic assassin who does it comes up like a deadly fairy. And here we go with another Lucky Number 7leven situation again. Bruce Willis comes in as this eccentric, unemotional crime boss, Jack Biggs. His part is simple, and, more importantly, basic. I could not even say that his acting was decent in this film. 50 Cent blew everyone out of the water.
Let's cheers to my horrible acting, for I am Bruce Willis.
One scene I will say I enjoyed in this movie was the Randy Couture scene. This MMA fighter is the biggest fool of them all and, when they say don’t play with a loaded gun, he does. In one of those corny lines (“Don’t shoot yourself”) Randy thinks his massively shaved head will shield any incoming projectiles. Lesson is, you will end up in some strange chemical factory chop shop were you go through this darkly satirized meat grinder.
Three big old gangsters, in a van. Bye Dave.
The mob guys are lame and there’s this odd standoff between the gangsters of the street and the high end Italian gangsters (if that was what they were going for…). The plot is basic, the characters are basic, and 50 Cent steals the show. I don’t know what more to say. That arms dealer was mad funny though. I give him props for making one of the darker scenes of the movie really funny. But you can’t make one good 5 minute scene and an hour and 35 minutes of crap. It just can’t make up for it. But I gotta give my props to 50 Cent. He pulled this up from a 1 out of 10 to a 2.6 out of 10. Way to go.
Ever since my girlfriend and her sister cosplayed the Thompson twins from Soul Eater, I had developed a growing
Liz and Patty. Yes.
interest in watching Soul Eater. I didn’t realize at the time what this show would hold in store for me. (Added bonus if Christopher Sabat does any voice in an anime.) As I began watching this 51 episode anime, I found myself falling in love with the characters and caring for what would happen to them (although I had the ending ruined for me by complete accident.) It didn’t detract from the pulse-pounding episodes of battle after battle that ensued, and I found a new love in this Halloween-type anime that sent chills down my spine and laughs throughout my body as I spent a week watching this amazing anime. I was enraptured.
This anime follows the story of three “Meisters” and their “Weapons.” These duos of weapon and wielder take on what are known as Kishins, the tainted souls of creatures that have become monsters and feed on other people’s souls. Once 99 Kishin souls are collected, and one witch’s soul, then the weapon is deemed worthy of being used by Lord Death. This grim reaper is the essential Headmaster of the DWMA, also known as the Death Weapon Meister Academy. He installed this school to battle Kishins, and it has done a good job up to this point.
The doom and gloom of Death City.
It is at this point that things begin to go downhill. The evil witch Medusa (Luci Christian) and others have made plans to bring down the DWMA, and it is up to three brave Meisters, Maka Albarn (Laura Bailey), Black Star (Brittney Karbowski), and Death the Kid (Todd Haberkorn) to defeat the evil plot of the witches and Kishins. Teamed up with their weapons, Soul Eater (Micah Solusod), Tsubaki (Monica Rial), and the Thompson twins Liz (Jamie Marchi) and Patty (Cherami Leigh).
So it may seem weird that Meisters, who are people, are fighting using weapons who are also people. But these people are born with the ability to change into weapons at will. These weapons are special as well. A Meister and its Weapon have a special bond known as Soul Resonance. This bond allows Meister and Weapon to combine into one soul and creates a higher power in which to defeat enemies. But these three are not on the level of the Professors or Lord Death himself at the DWMA. And it is the school’s purpose to train these Meisters and Weapons in order to make them formidable opponents against Kishins.
The one thing that stands out about this anime, to me, is the style in which the plot is set. The doom and gloom of death and souls is combined with the comedic
Soul Eater. With some pizazz.
drawings of the artists. This gives it an anime meets Nightmare Before Christmas feel to it. The grinning Sun and Moon with blood dripping from their teeth give it that comedic element, mixed with the morbid. The grim reapers and monster encountered, drawn in what appears to be Jack the Ripper Whitechapel area sets up one of the best environments I’ve ever encountered in an anime.
Black Star. Badass.
And there are some great english voice actors that are in this anime. It would take too long to give a whole list, so I’ll just highlight a few. I thought Micah Solusod gave a great performance as Soul Eater, Maka’s weapon scythe. His grave voice and determined attitude comes across great through Micah, although I’ve never heard of him before. Brittney Karbowski was amazing as the cocky Black Star, my all time favorite ninja child and all around badass. John Swasey was great as Lord Death. His goofy voice gave the anime a Jack Skellington element with his personality and outlook. Vic Mignogna was hilarious as Maka’s father and Death Scythe Spirit. His obsession with seeking his daughter’s approval was always worth a laugh. Chuck Huber was fantastic as the madness induced Professor Doctor Franken Stein. His tormented character fought back and forth, and this was amazingly done by Huber. Maxey Whitehead was great as the insecure, gender-bender Crona. The duo of Crona and Ragnarok against the world and the lack of acceptance was heart wrenching to say the least. And yes, Troy Baker was amazing as Excalibur, the useless, fool dueling weapon of legend and lore.
And that’s about it. To get too much into the story might ruin the anime with spoilers, so I’ll leave you with this. If you’re looking for a light-hearted shonen with gore, guts (courage/bravery), and glorious fighting, this anime is for you. I give Soul Eater a 9 out of 10.
And here’s a taste of the show with a tribute to Death the Kid and the sexy Thompson Twins. Hooray.
So this is one of the best anime I’ve watched. Ever. I mean hands down ever. I think this should be a mandatory requirement for all anime fans to watch. In one sitting. I had to load episodes from the internet, but I loaded them 1o at a time and would site for 3 hours watching al 10. This show blew my mind. It has the most intricate plot with twists and turns. It’s one of those pieces of art that you watch and you have to choose a side. (Clearly there’s only one side to choose in this anime.) But it’s harder than that. It’s about morality.
Light vs. L. Who will win?
Ethics. The worth/cost of a life. And whether or not it is just to take a life in the pursuit of justice and goodness. And if humankind can itself be gods.
So this anime is about Light Yagami (Brad Swaile). One day this 17 year old student, top of his class, suave, genius prodigy finds this notebook. And in it are instructions. If a name is written in this book with the persons face in mind, that person will die of a heart attack in 40 seconds. If a cause of death is established in those 40 seconds and the
Light Yagami. God of the New World.
details written in 6 minutes and 40 seconds, then the person will die that way if the means of that death can be accomplished. This is basically disregarded by Light as some ridiculous joke. Until he tries it. Then Light is thrust into a world of possibilities no one before could possibly imagine. And, using this Death Note, Light will become the God of the New World.
There is some baggage that comes with the Death Note. A Death Note can only be found by a human on Earth if it is dropped by a Shinigami. These quite strange, queer, funny creatures come from “limbo” as best I can figure. Their world is dissolving and Ryuuke
Ryuuke. He likes apples.
(Brian Drummond) has grown tired of the days of gambling bones and sleeping. He hungers for intrigue and excitement, and nobody better than Light can give that to him. Light’s attitude towards the power to kill brings surprising results. Light only kills criminals. Ryuuke follows him around, unseen by humans other than Light, for only humans who have touched the notebook can see Shinigamis. And it is Ryuuke’s duty to remain on earth with Light until it is his time to leave Light upon his death.
And from there the show picks up. Light soon becomes Kira (the Japanese pronunciation of Killer. Stereotypical right?) and creates a following. But the justice system won’t stand for that shit. They’re gonna put a stop to him right? So L(Alessandro Juliani), the greatest investigator/crime solver in the world, better than the Hardy Boys and Nancy Drew combined, will do just that. And the chase begins. From here, the twists and mind games that’re played throughout the show display the amazing mind behind Tsugumi Ohba, creator of the manga.
I love Light Yagami. Thank you Brad Swaile.
Let me just say that my explanation/review of this anime comes nowhere near doing it justice. Although this anime was picked up by a Canadian company for dubbing, this doesn’t detract from the quality. Canadian voice actors are just as good as American voice actors. Case in point: Light Yagami’s voice actor, Brad Swaile. This guy must rock the mike when he’s recording. His manical laughs, his brilliantly intelligent air about him, it all fits the character. To a tee. Forget watching the subbed version, this guy brings this show home himself. Also of notable mention is Alessandro Juliani, the voice of L. Although his noises when interacting with food may seem off-putting, it enhances the strangeness that is L. L’s character is quirky and cold, intelligent and funny, but, to me, altogether annoying. And that’s why I chose the side of Light. Okay, not just because of the voice acting. To put my own opinion out there, Light’s sense of justice and genius mind are completely superior to L. In every way. Besides that, yes, L is respectable. But altogether inferior. But that’s where the dichotomy of the show comes from. And that’s why I enjoy the battle of the minds so much.
Also of notable mention in the voice acting department is Brian Drummond, Â the voice of Ryuuke. All these Shinigami have sort of a grating, holier than thou, tone of voice to them and Ryuuke is no exception. Although he may play the part of jester, Brian Drummond brings an almost threatening aura to Ryuuke that makes him seem capable of anything being a God of Death. Chris Britton also gives a great performance as Soichiro Yagami, Light’s father. (I’m not gonna go into details about him, you must watch!) The grave, business air of Soichiro is what gives a respectable dignity to himself. Chris Britton’s caring and
Soichiro Yagami. Badass Dad.
intelligent voice lends itself to the character and really helps to envision a father worried for his family. Vincent Tong gets my honorable mention as Touta Matsuda, the goofy, caring, blundering police investigator of the Kira case. (This is inevitably what develops from Light’s mass killings of criminals.) He cares about the case, but he’s young at heart and this comes through strong and clear from Vincent Tong’s performance, making him an endearing character.
Teru Mikami. You'll see...
Another boss character from Death Note with a great voice actor is Kirby Morrow as Teru Mikami. (Now I can’t go into detail about this character, but look out for him!) Kirby does a great job of a devotional character willing to do whatever it takes for justice. Take that explanation as you like it. This show’s also great because there’s a culture crossover with Americans involved as well. And this shows itself in Raye Penber, voiced by Michael Adamhwaite. Adamthwaite (although a minor character) gives a great performance being an English speaking actor doing a English speaking character (not having watched the subbed, I don’t know exactly how this crossover works) and is quite the interesting character with a humble background.
But enough about voice actors. I could go on for far too long. The art is great too. It’s subtle dark colors mixed with flickering lights and dark corners gives it that seedy underbelly, nobody is who they say they are, investigation feel. This show is dark. I mean, come on, it’s about death. Characters are messed up in this show. But it’s all about the intelligence, it’s about the wording, and, most importantly, it’s all
Oh, did I mention there are live action movies?
about the deductions. The Shinigami, although otherworldly, become believable in this setting that seems it could never happen. I was never surprised or in disbelief by this anime, because it makes the impossible, possible. And that’s where the magic comes from.
So watch this show. Please check it out. It’s well worth its weight in gold. This show sets the bar unbelievably high for anime, and I think could make the jump into pop culture. Or, I wish it would. Love it, love it, love it. 11 out of 10. (Because I can.)
Oh, and this anime has one amazing intro. Check it (if you’re a metal fan).
What more is there to say about this academy award winning film that hasn’t already been said? It’s touching, it’s moving, it’s inspiring, and it’s also funny. I found it quite funny at the same time that it was moving. I didn’t get a chance to see this film in theaters, but after watching it on DVD, I wish I had. I did enjoy this movie, and, as much as I hate being part of the crowd in my opinions, I have to give this movie credit. Tom Hooper did a great job directing and every line was well crafted and delivered and gave The King’s Speech its comedy and intellectual gravity. (Thanks to David Seidler for that.) So let me just point a few things out and get this film out of the way.
First of all, scenes and costume. The 1920’s/30’s era is one of my favorites. I know a lot about it. And this movie holds true to
You got something to say?
how that era looked quite well. I’m not as familiar with the English aristocracy, but this film really seems to draw on the way in which British royalty functioned and looked. It was a nice touch, seeing as I have a great appreciation for the British, as well as my mom. (Whose appreciation is bigger.) I especially liked the scene in which King Edward VIII (Guy Pearce) comes in to England via plane. That plane was niiiiiiice.
The actors. Top-notch. We got Colin Firth as Bertie (King George VI). I don’t have to say it, but I think he was great. And it shows in the fact that he won Best Leading Actor. Now Geoffrey Rush, he’s one of my favorite actors of all time. I fell in love with him as Captain Barbosa in Pirates and Peter Sellers in
You will always inspire me, Geoffrey Rush.
The Life and Death of Peter Sellers. And as Lionel Logue, he is funny, inspiring, moving, and everything else this movie provides, embodied in a character. Helena Bonham Carter is quite good as Queen Elizabeth and brings her homely, sensitive, caring nature to the role. Guy Pearce, another of my favorite actors, was great in his small role as Bertie’s brother, King Edward VIII. Although he’s seen as quite the jerk in this film, I loved his character and sympathized with his pursuit of love over duty. Michael Gambon (the current Dumbledore) also makes a nice appearance as King George V, and Timothy Spall makes a nice little appearance as Winston Churchill, a perfect fit out of many who have portrayed Churchill in the past.
And that’s really about all I have to say. Yes, it was an amazing movie. It deserved the awards it got. And I will, this once, tend to agree with critics. 8.9 out of 10.
It’s all fun and games to playa hate on Ping Pong. But not to the Chinese. In a sport that originated in China (not in England, as white people claim, apparently…) Chinese people take the art of the Pong very seriously. (Balls of Fury can make fun of this one all they want. Yes, at times that movie was funny, but it is considered a sport.) But this movie
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