A Film With Me In It

Leave it to the Irish to create such a dark and twistedly funny take on Final Destination meets the saddest of all losers who has to deal with it. A Film With Me In It is the story of Mark (Mark Doherty, writer and brother of co-star David O’Doherty) and how his career as an actor is really never going to take off. This gives an ironic sense to the title of the movie, based around an actor I’ve never heard of and a lot of my readers may have never heard of. From the very beginning, Mark Doherty’s acting comes off as quiet and reclusive, mixed with a hell of a lot of timidity. Mix this with the violent actions of the film and you have one of the funniest U.K. films I’ve ever seen.

A little more about Mark, the character. He lives in a small flat with his old arsed dog, and his completely catatonic brother in a wheelchair,

Mark, the fall guy.

David (David O’Doherty, his actual brother, as I’ve already said. The O’ makes all the difference). Being an actual comedian, it’s funny to see him not be able to say a damn thing throughout the whole film. Residing with him in his small and rundown flat is his girlfriend, Sally (Amy Huberman). She’s sick of everything that needs to be repaired and basically wants to leave Mark. Living in the same building is Mark’s alcoholic and gambling addict friend, Pierce (Dylan Moran). Fulfilling his role as the stereotypical Irishman, he’ll go out and drink, try and become a playwright, and end up at the races.

This may look familiar to another film…

Mark’s apartment is a deathtrap. The lights barely work. The window to the garden is a pair of slapped knuckles waiting to happen. Everything wobbles and creaks no matter what they try and do. And their landlord, Jack (Keith Allen) refuses to help repair anything until the rent is paid. With Mark being an out of work actor, there’s not a witch’s teat in Hell that he can ever scrape up enough dough to even fix the light bulb eerily flashing in the kitchen.

And that’s where things start to become a problem. A rising body count and a lot of individuals sticking their noses in where they don’t belong causes Mark and his “accomplice” Pierce to have to create a scenario in which all of  these “sequential accidents” cannot be blamed on the two of them. With a quick wit and a lot of dark comedy that comes from body removal, these two dig themselves a grave. Can they even get out?

That silly O’Doherty doesn’t get to say a thing.

I sincerely loved this movie. I was laughing constantly at Dylan Moran’s lines of sarcastic pessimism and Mark’s inability to respond in any way. There are a lot of tragic things that happen in this movie, and its almost hard to laugh at some of them. The measures these two have to go to is well beyond absurd. It comes up to the point of downright cruel. But what the two get out of it is a great script and some ideas that could potentially make them criminals for life.

And there was such an eclectic cast in this film! There are the Doherty/O’Doherty brothers, one of whom is a comedian. The other, more of a sick joke comedian. Even Dylan Moran is a comedian. Keith Allen has done everything from music to movies, stand up, and writing. Aisling O’Sullivan is a renowned Irish actress that takes the part of the sweet small town policewoman (AKA Garda). Round that out with a sneak appearance by Jonathan Rhys Meyers and you have yourself a wonderful little cast of simple comedy.

There’s some serious criminal activity going down.

This movie is dark. And I’m talking pitch black. There’s death, dismemberment, and not a heavy tear shed for anyone but the dog. A man down on his luck and it gets so much worse is hard to watch onscreen, especially when he just takes it. You need some sort of silver lining for a character like that. Well don’t you fret, there is one. And it may be the best little shiny cloud you’ll see all year. I was thoroughly wrapped up in this movie and its characters to the point where I would give anything for them to get away with it. If you wanna know what happens, you should definitely watch this film. You might find yourself loving it as much as I did. Although, this movie wasn’t one with me in it. 9.7 out of 10.

 

 

 

And here’s a little taste of what you’re getting into.

 

Bunny and the Bull

This movie came to me as a change of pace from jolly ole London. Straight from the director of The Mighty Boosh and Come Fly With Me (two BBC series I love, can’t go wrong with Noel Fielding or Matt Lucas) Paul King, this little movie, Bunny and the Bull is the story of agoraphobia. Stephen (Edward Hogg) travels through his past and towards his front door to face the past that created his fear of leaving his house. Hurt feelings are uncovered and adventures in the weirdest ways are had, and I loved every minute of it.

So let’s see… Stephen goes on a cross-Europe adventure with his friend and gambler Bunny (Simon

Bunny & Stephen on their outrageous adventure.

Farnaby). For all you Boosh fans, Farnaby played pie face and Howard Moon’s twin in The Mighty Boosh. His outlandish acting is required again as Bunny, an unlikeable character needed to drive Stephen from his rut and his home. There are some great parts to this movie. Like, first of all, Stephen’s England flat doubles as a OCD’er’s paradise. Every item used in his home, every routine, is boxed and categorized for later sentimental value. Its quite a sight to see. And what comes in contrast to this to bring Stephen’s life to a screeching halt?

What's going on here, Julian Barratt?

The most amazing animated backgrounds and interactive panels. Stephen and Bunny slip into couches, ride around in crabs, and cross maps in search of what Stephen has been missing. This quirky comedy comes with a dark side that is finally faced at the end of the film. And, although you may not like the way it ends, it brings a conclusion that Stephen, and hopefully the audience can live with. Liberation.

There are some great cameos in this film! Richard Ayoade (former Boosh shaman and now IT Crowd

The Amazing Noel Fielding!

star) plays a Museum Curator in Germany, specializing in cobbling and shoes. There’s Julian Barratt as Atilla, the Russian madman obsessed with dog’s tit milk, and Noel Fielding, as Javier the failed Spanish matador. With all these Boosh actors, what could be wrong with this quirkily dark film? Yes, you end up hating Bunny. Yes, you feel frustrated with Stephen’s insecurities. But it all comes together in the end. This movie deals with standing up for yourself. With taking a chance. With getting up after love and loss, sadness and fear strike you down. Because, as this movie would suggest, it’s always important to bet again on the long-shot.