To be honest, I had no idea what this movie was going to be about when I first started it. I searched Netflix for movies starring Christian Bale and/or Ewan McGregor and
The perfect glamster couple. (Collette + Meyers)
found this little gem. (I think gem’s the right word to use for this movie in particular.) Not a strong runner in the money department, this movie has a star studded cast but boasts the time and effort of an independent film with a message to put across. I was perfectly okay with all the homosexuality as well. And trust me, there was a lot.
And it wasn’t even a gay vibe from the outfits.
This movie exudes glam and glitter more than any other film I’ve ever seen. In the same documentary/journalistic vein of Party Monster (review a few entries back), this movie handles the earlier era of Glam Rock (back in the 70’s). Knowing not much about glam rock other than David Bowie, it was interesting to see a character based on him. This movie performs as an homage to David Bowie and Iggy Pop, but with less of a focus on the drugs and more on the sex. I wasn’t expecting as much of a straight edge film, but this movie doesn’t leave out the Sex, Drugs, and Rock ‘n’ Roll.
And here’s something even weirder. I’m not that huge of a fan of glam rock. Sure, I have Gary Glitter’s Rock ‘n’ Roll Pt. II on my iPod, but that’s about as far as it goes. Oh, and this:
That’s the extent of my glam rock knowledge. But what surprised me about this film is how much I enjoyed the musical soundtrack of the film. The movie was right in informing me from the very beginning that I should turn up the volume on my T.V. I thoroughly enjoyed the songs of the 70’s, and had no idea how much I would enjoy glam rock. John Rhys Meyers and Ewan McGregor both lent their vocals to the soundtrack to give it a truer feel to the film, something I always
The fantastical outfits.
But let’s get into the story a little bit. Structured after what is considered by every film student as the greatest film of all time, Citizen Kane, this movie attempts to uncover the glittery veil on who Brian Slade (John Rhys Meyers) truly was. Arthur Stewart (Christian Bale) is a journalist and former glam enthusiast who has come full circle in what used to be his glory days. He has been charged with unearthing the truth on Slade/Persona known as Maxwell Demon. After he pulled a fake assassination stunt at one of his concerts, he fell from grace and landed in obscurity. Meanwhile, everyone around him give their opinion of what their lives were like with Brian Slade around.
The Glam-man Rises.
It’s interesting to see how involved Christian Bale’s character was with the glam scene and those who surrounded Brian Slade. In a world of blossoming bisexuality, all of the characters explore just what it means to be human through sexual interaction. At the same time that it could be discomforting to someone who is against abnormal sexual acts, this movie doesn’t play it up to more than it is, human interaction on a very base and carnal level. It is always amazing to see actors perform onscreen what they truly aren’t in real life. All three (Bale, Meyers, and McGregor) are straight men. They all simulate homosexual acts (kissing, suggestive thrusting, etc) on camera in front of what I would expect is a mixed morals cast and crew. When you slip into something you’re not and sell it, I give you props for that.
The costumes and personalities flair onscreen creating something pretty to look at as well as substance for a story about a form of music that swept both the U.K. and America. With this clash of countries (Ewan McGregor plays Curtis Wild, a glam rocker from Michigan) and love all over, this movie
Ewan McGregor, showin’ it all.
professes love and understanding, no matter what beliefs, morals, or nationality. I was impressed with John Rhys Meyers haunted acting (just as I was with Culkins in Party Monster) and everyone did their share. Christian Bale created a character conflicted with his sexual identity and his confused past, while Ewan staged an opposite character that embraced all life offers. It was a dazzling performance by everyone, including Toni Collette. Throw in Eddie Izzard to add some pizzazz and you have yourself a great cast of rockers.
A side you’ll never see of John Rhys Meyers.
And that’s what I loved about this movie. This isn’t your average film. Combining the worlds of musical and sexual liberation created something that an outsider like myself wouldn’t be able to acquire otherwise. The actors deliver superbly and the songs and colors create a fantastical cosmic journey you don’t want to end. If they couldn’t strung a series of glam rock music videos together, I wouldn’t have complained. So I say anyone looking for a change of pace to life should check out this film. It’s fab. 8.4 out of 10.
Now how did I happen to come upon this movie? I’m pretty sure at some point my dad rented this movie and I sat down to check it out for a few minutes. The opening scene rolled and I saw Seth Green in some strange garb. Wondering what he could possibly be doing in this movie, I of course sat down and watched the rest. I was pleasantly surprised. I found Party Monster, the club story of Michael Alig and James St. James to be a standout movie to me with its content and acting. Knowing very little about the club scene in NYC of the
A little taste of some club kids.
1980’s and 90’s (other than that there was one), this movie was a breath of fresh air and done in such an interesting way, for me, that I have to rave (sorry for the pun) about it for a post. Bear with me.
Party Monster is the documentary turned feature film that was first referred to as Disco Bloodbath by James St. James, the author of his own memoirs. After the film Party Monster was released, he changed his book to a title of the same name. The book features James’ club life as a Club Kid of the 80’s and 90’s, and his friendship with Michael Alig, the self proclaimed “King of the Club Kids”. It all ends in ruin though,
Culkin’s fearless role.
for Michael, while James has kept up a stunning career involved with some art collections and blogging (gotta dream the dream right? Be up there with James St. James someday…).
The film starts out with a recreated interview with Seth Green playing James St. James. From the start, we are given this surreal interview (parts of Party Monster are based on the shockumentary) in which the film interacts with James’ retelling. With a heavy drug influence and surreal dance scene, we begin to realize this is more of a fabulous retelling mixed with a truthful undertone.
I have to say how impressed I was with Macaulay Culkin’s performance in this film. I think it was right of one critic to call it “fearless”. Coming from a well known and loved kid actor and maturing into what we see in front of us on camera, it is a strange change. He
That’s pretty camp-esque.
has become even more aloof (he doesn’t discuss his personal life regardless) and what just seems more drawn from the world than usual. His drug charges, relations to Michael Jackson in his youth, and a shaky parent/child relationship attributed to the actor we see today. And I’d say I was blown away by his performance. He presents a character in a fast paced world of clubbing, drugs, and sex. He has no filter, no inhibitions. He takes what he wants. And he does it all with a vague, drug addled look on his face that screams with pain behind the eyes. It was haunting at the same time that it was surreal and campy. Impressive.
Too ironic that this actor has played 2 characters named Angel…
I think the same and to a lesser degree goes for Seth Green. Although his life wasn’t as “complicated” as Culkin’s was, Seth Green was a child actor as well (Stephen King’ It, for example in 1990). He has become wildly successful in my book with Robot Chicken among other works, and I found this role to be a change of pace. Playing a flamboyant and glamorous club kid like he did (which pales in comparison to pictures, unfortunately), I was still fond of the semi-bravado he brought to the film. He still gets a nod for a job well done from me.
This movie and the documentary are a cult classic. And not the typical cult classic I’d watch that centers around a failed
Did I fail to mention Marilyn Manson had a transsexual role in this film? Oops…
action/horror movie. This movie is a representation for a different walk of life. For wanting to live bigger than yourself with dreams of being who you are, and showing that on the outside with how you dress and act (minus the drugs, I’d hope). The fans of Rocky Horror Picture show, the club kids of today, the LGBT community should feel empowered by such a successful and powerful role model. A couple of individuals who brought NYC to its knees in the 1980’s and 90’s, now that’s impressive. Every decade has its Kings, and these Club Kids were it.
Green and the realest of St. Jameses.
So overall I was impressed with the film’s content and delivery. Fenton Bailey and Randy Barbato have brought to light a film about the fabulous and the downfall. My eyes have been opened to another side of life, and I found it quite interesting. For those who want to broaden the mind and see what it’s like for 90 minutes to live glam like a skrod, check this film out. 7.7 out of 10.