Astounding is the only word I can think of and use to describe this movie. It has stunning visual effects (didn’t see it in 3-D, didn’t need to), gut wrenching gore and horror, and this air of mystery that hangs over the whole film. It is a part of the Alien series (5th installment) but at the same time it is set apart completely as its own film. A great cast was selected and an amazing backstory/ prequel was born and thus named Prometheus.
In this epic tale of just what happened before the Alien films, Elizabeth Shaw (Noomi Rapace) and Charlie Holloway (Logan Marshall-Green) are two archaeologists who have stumbled upon something fantastic. In different locations all around the world,
It all begins here.
spanning centuries, the same symbol of a gigantic man pointing to a specific star region, as if to say “Come find us.” Interested in this speculation, Peter Weyland (Guy Pearce) finances the whole thing with his massive amounts of dough and creates a ship, named Prometheus.
Janek and Vickers. Opposites attract?
Piloted by Janek (Idris Elba) and watched over by the android David (Michael Fassbender), after two years of flying, the crew lands on the distant planet the star map told them to come to. Under Meredith Vickers’ (Charlize Theron) watchful eye, the crew must find what they’re looking for, even if what they’re looking for is no longer around. What they find is more than they bargained for, and the must stop the deadly trap from making its ways to Earth.
Where should I begin in my shining review of Prometheus? Well, I think that finally technology in special effects has made its way up to Ridley Scott’s vision of what he has wanted the Alien films to look like. It’s space agey, cold and
An unknown marvel awaits.
clinical, and full of wonder and horror all at the same time. The planet storm was breathtaking, the creatures and surreal caverns were creepy and mammoth sized, this movie incorporated everything you wanted to see in our race discovering a planet in… 70 years.
Noomi Rapace, giving her heart and soul to Prometheus, as only she can.
This strong cast of actors all did their jobs in developing their roles in what you would expect of a spaceship crew. Idris Elba did a great job as the ship’s commander. Slightly minor, but he didn’t take shit from anybody as you would expect. Charlize Theron (in one of the only roles I applaud her in) plays the oddly robotic and bitchy overseer of the entire operation. She tows the line between sci-fi amazonian and unemotional human in a very convincing performance. Michael Fassbender stole the show again as the android, fully immersing himself in what Theron had to hint at. His intrigued and distanced character embodies what sci-fi novelists and movie makers have seen as a human robot for years (think Ian Holm in the original, but add the quirkiness of Jude Law in A.I.) And then there’s Noomi Rapace. This Swedish actress from The Dragon Tatoo series put her heart and soul into the part. She tired herself out, did some terrible yet necessary things to her body, and did it all with a British accent she had a coach for. Seeing her dive into a character that has to deal with all these terrible revelations was both disparaging and inspiring. She didn’t let what was happening put her down or stop her from her end goal.
The only true scene I wanted to see in 3-D.
One person I was particularly impressed with was Guy Pearce. I’ve loved him since The Time Machine remake (and Memento, of course) and think he was born to play in sci-fi films. His air of bravado and poise resonates in entitled sci-fi characters. And not to mention he’s playing an old man for 15 minutes of the film that you would barely recognize. And a great little cameo from another one of my favorite actors (since Watchmen), Patrick Wilson.
The music was orchestratedly stunning. At all the moments you feel fear or exhilaration in this newly discovered planet, it fills in with the proper soundtrack. Much as Gabe would describe it as a soundscape
No words can describe it.
that fills in all the spots of your imagination, this soundtrack did that for me. (Was it similar to the other Alien films? Let me know.)
Another thing that was so great about this film (haven’t I said enough?) is that you don’t have to be a die hard Alien fan to watch this movie. This movie itself can get you hooked in (being a prequel and all). I’ve only seen the first Alien and the AVP series (always been more of a Predator fan, sorry), and this movie makes me want to watch all of them. This movie tackles the mythology and world of a film that is also a film! Something made up and fantasized analyzing something else in the same manner? That’s wild! And I thought it was so well done and handled from such a organic and basic place that it made itself into this mythological God that could spark films and analysis for years to come. Until it becomes a reality.
… What started it all.
With all this ranting and raving about the film, why haven’t you X-ed out of my blog and already started up your car to go see this in theaters? You need to see this in order to boost the ratings and maybe someday prove that a genre other than drama can win the Oscar for best movie of the year. Because I would argue that this film is in the running for 2012. Just saying. I have no complaints and was mesmerized from the start of the film. Go see it. Now. 10 out of 10.
If you want to enjoy one of the best visual experiences of your life, look no further than Ga’Hoole. A movie all about owls and the legends that bind them, this film is an amazing visual journey combined with some of the best digital animation I’ve ever witnessed. This is the only children’s movie I’ve ever wanted to see in 3-D. This movie destroyed my life and my preconceived notions on how to experience a movie, and reconstructed it entirely. I have to say, most of the plot was lost on me at parts because I was just enjoying what I was witnessing. I’m sure with Zack Snyder on board as the director of the film that the plot was adequate, but where he shines is his shot design.
So let me try to piece together what I gathered from this movie. Soren (Jim Sturgess) is a barn owl (they gave them a different name…) with a happy
This is what it's all about.
family. His older brother Kludd (Ryan Kwanten) and younger sister Eglantine (Adrienne DeFaria) and parents, Noctus (Hugo Weaving) and Marella (Essie Davis). I gotta hand it to Hugo Weaving for taking such a small part with the dramatic chops his voice holds, i.e. V for Vendetta. The younger owls all being fledgelings, they are still learning how to fly. They sit around all happily and whatnot in their hole in the tree and listen to stories told about the Legends of the Guardians. Fun.
Ahhhh, the Guardians...
And then things go from fine to horrifically wrong. Soren and Kludd do some showboating and find themselves in a cage match with a Tazmanian Devil (to tell you the truth, couldn’t tell what it was at the time). These two get picked off by some mean mugging owls and are taken away to some canyon base way out in the middle of wherever on Earth this movie is supposed to take place. (I guessed Austrailia due to the accents…) Upon discovering themselves in a bad situations. Kludd and Soren are put in a bad situation. They must fight for Metal Beak (Joel Edgerton) and his mate Nyra (Helen Mirren). Soren says hell no and Kludd allows himself to be roped in.
Soren, on his way down to the slave camp, encounters an elf owl named Gylfie. The two stick together and fake out their captors by pretending to be
This is the scene that blows minds.
moonshined (or moon lighted, whatever it is). Finding the help of one of their captors to be quite helpful, the two escape the canyon and head to find the tree that houses all the Guardians. On the way they meet Twilight (Anthony La Paglia) and Digger (David Wenham). This kooky pair is a minstrel and a whacked out digger (hence the name) that find solace in each other somehow. It turns out later that Twilight is a big badass fighter that can destroy about 500 bats.
A picturesque world in some faroff place... (Austrailia?)
Upon reaching the sea, in one of the most amazing visual scenes I’ve ever witnessed, they come upon the tree and recruit the owls in order to bring down some evil Mother’effers. With talons bared and metal steel forged for claws, these owls really tear into one another. Some betrayal and some harrowing experiences turn Soren and his friends into the Guardians of Ga’Hoole, and a bunch of other words and phrases they used I didn’t understand.
I have to comment on the cast of this movie. There are a lot of voices that I really couldn’t match with faces when I watched this. Looking back now, Zack Snyder and the casting director must have put some deep thought into a bunch of Austrailians and people who can do the accent for this movie. Hugo
Who knew Hedwig ruled the Guardians?
Weaving and his small part as the loving father. Word. He was born in Nigeria. That’s way out there but not a stretch with all the English accents he’s done. He has quite an interesting voice. Jim Sturgess? He was key as Soren. English, but he made me forget how much I hated Across the Universe. Here’s one out of left field. Ryan Kwanten, star of Dead Silence, was Kludd. His voice was so under the radar for me that I had no idea he was from Austrailia. Bravo right there.
Can this get any more spectacular?
Helen Mirren, the always popular and go to English actress for all things Mirren. DAVID WENHAM AS DIGGER. I could not pick that up at all. Who knew Faramir of Lord of the Rings could pull off such a silly and dorky voice like that. Should’ve remembered his character from Van Helsing… Abbie Cornish as the barn owl love interest towards the end of the film? Word. Another Zack Snyder influenced girl right there from my favorite, Suckerpunch. Even Leigh Whannell, director of the Saw series and star of Saw 1 was in this movie to lend his Austrailian accent. And let’s talk about the powerhouses! Geoffrey Rush as the crazy old Ezylryb, and he was eccentric and wonderful as Barbossa himself. Sam Neill, that dinosaur hunting bastard. What an expansive cast!
So, combine that amazing talent with the LITERALLY MOST RIDICULOUS COMPUTER GRAPHICS AND VISUAL EXPERIENCE OF MY LIFE. Let’s roll back time for a bit and return to 2011 in which I could see this movie in theaters, front row, 3-D. This is just one of those missed experiences that most kick themselves for. Soren rolling through the rain, the beautifully coreographed airborne fighting scenes. It’s as if King Leonidas and his Spartans could fly and were doing so in amazing HD slow motion. Get at me about that idea Snyder. It’s an idea worth pondering.
Who will win in the end?
I’m not sure about the plot. Zoned that out a bit. But who knows, I’m sure the book(s) were wonderful. And that probably attributed for a great, formulaic children’s movie. Simple and easy to follow. Journey, battle, heroes. It kept me interested and I’m sure, no matter the age, it would speak to all of our inner children. So check it out, even if you don’t feel like being childish. Watch it because it will blow your eyes out with its amazing look. That’s all you need to know. A definite 10 out of 10 for visual, 6.2 out of 10 for plot, all around 8.5 out of dat 10.