Hellraiser 3: Hell on Earth

And this is where the Hellraiser series begins to fall flat. Bought by Miramax, an American company. Pinhead crosses the ocean and finds his feet on shaky ground in Hellraiser 3: Hell on Earth. Claiming that “Hell has come to Earth,” this installment enters the club scene of New York in the early 90’s. (Or some such city…) With Clive Barker becoming a co-producer and a basis for the series, this is where the Jenga tower gets wobbly.

In this part of the series, Kirsty is no longer involved. She did her duty to send back the Cenobites to Hell and gains a well deserved rest. It is now her testimony on a couple of psychiatric tapes that give clues to the new main female protagonist of the film. Pinhead has been rent in twain and his former self as Captian Elliott Spencer and his id as Pinhead (both Doug Bradley as classically usual) are about to throw down. It is up to young reporter Joey Summerskill (Terry Farrell) to reunite the two.

This really was the best scene though. Yay sacrilege!

Basic plot? Here goes. J.P. Monroe (Kevin Bernhardt) is a pimpin’ playa hatin’ psycho club owner of the aptly named Boiler Room. (This club was incidentally the most expensive aspect of the production and was filled with cast, crew, and friends.) In order to exude this strangely masochistic feel, J.P. gets his hands on the pillar of souls from the last movie, containing Pinhead’s veracious killing streak. After sucking in one of J.P.’s sluts, Pinhead emerges, asking for more souls to release him from his prison.

J.P.'s pimpin' Pillar of Souls!

Meanwhile, Joey Summerskill is on the case! Like a modern day Nancy Drew, Joey walks the bad streets of her newly formed beat, somehow stumbling on this supernatural case of torture. With the chance meeting of J.P.’s main squeeze Terri (Paula Marshall). Once they discover the secrets of the Lament Configuration, things get weird. Although, Joey has been having some strange Vietnam flashbacks of her father dying in Vietnam. I don’t know the time frame on this movie, but I really am not seein’ it.

The bastardized Cenobites pull Joey's hair!

With a whole new crew of Cenobites (because all the originals died in the last movie, but come back in the fourth for no reason…), these rip-off cyborgs must be stopped at all costs and Pinhead must be stopped from his sacrilegious ways. I wasn’t so sure about the ending, but hey, this movie was the weak link.

I dunno about this movie, it was just strange overall. After having so much fun watching the first two, the third kind of burnt me out on the series. What makes the next one even better is a little secret about the director (I can’t wait to tell you all!). With Clive Barker as a backseat driver in this series from this point on, it makes it hard knowing he is not the driving force behind what’s going on onscreen. The acting became worse, I cared less about the characters, and the only good thing that came out of this one in the series was a bit more development with Pinhead’s character. Leave it to an American company to make a great horror series lame (insert every Asian horror movie and its destruction when turned into an American remake).

With that in mind, I am not disappointed with the Hellraiser series overall. This one had a bit less gore and animatronics, but just a bit. The kill scenes became comedic, and the Cenobites were bastardized American versions of Chatterbox, Butterball, and The Female. With the amount of over the top gore in this movie, I felt short changed. It gets a bit better in Bloodline, but not a whole lot. Hopefully the stride will be regained in 6… But I gotta give Hell on Earth less than 1 or 2, it’s a saddening 3.8 out of 10.

I will survive.

Deadman Wonderland: This Ain’t Your Average Alice…

This show was ridiculous. Not exactly a fall through the rabbit hole, but this was a wonderland all its own. Ganta Igarashi is not your typical Alice and there’s no white rabbit to lead him along his way. With a endless repertoire of  metal instrumentals and scenes of excruciating death, this show comes almost as close as Metalocalypse does with its protagonists, Dethklok. In some ways it almost goes farther. Pretty scary, right?

This show is sparked all by one little middle school massacre. A mysterious Red Man (if you remember way back when in my reviews, kinda looks like Skull Man) comes bursting through the window of Ganta’s school and kills all of his classmates. And you know who gets blamed? Ganta. Put on a trial and given the death sentence, Ganta must attempt to survive the Hell on Earth that is Deadman Wonderland.

And I would venture to guess that Deadman Wonderland is worse than Hell. There are dog races in which any participating runners have to dodge death in all forms and only one can survive to win cast points. Cast points are the

The Deadman Wonderland Prison. Fun, huh?

currency in which an inmate can buy and survive in Deadman Wonderland. It is especially important to gain cast points (not magically nerdy, mind you) so you can buy Candy. Candy are capsules of disgusting sweets that counteract the poison in your metallic neck leash. So despite being on death row to be executed, Ganta has to attempt to survive, every day.

Are we all really just prisoners of life? (Joke)

Inmates, other than being subordinate to the guard staff, are given free reign to destroy each other. Ganta is constantly in fear for his life, being a scrawny middle school midget with quite a rap of offenses that would piss most guys off. And it’s not only that. The Red Man Ganta encountered bestowed some strange crystal upon his chest that allows Ganta to use what are later referred to as Branches of Sin. This use of the blood as a weapon become quite helpful with Ganta’s “body type,” but the fallback (as there always is) is that Ganta has to fight in Carnival of Corpses (pronounced by the Japanese as Cannibal Corpse. Coincidentally, songs similar to the huge body of work Cannibal Corpse has created play during these fights) which could kill him at any moment. It just looks so promising for Ganta doesn’t it? You’ll have to watch to find out.

The voices of some of the characters are fantastic. Romi Park, famous voice actor of the Japanese version of Fullmetal Alchemist, Edward Elric, is a bit whiny, but gets the job done as Ganta. Tsunenaga Tamaki is wonderfully twisted and done by Junichi Suwabe. And finally, Senji, the badass, ripped Branches of Sin fighter Crow, is admirably done by Masayuki Katou. I was overall impressed.

Now let’s talk about that animation quality. It’s dark and bloody. Very

Pretty sick, right? Good old Red Man

reminiscent of  Metalocalypse. I guess that’s why I liked it so much (look for this review in the coming months). The fluidity of the blood coursed throughout the veins of this sadistic fighting sci-fi anime in every scene. With more swearing than I’ve ever read in any subbed anime, I gotta say it was ridiculous to hear bleeps in Japanese. With other problems that probably cut this show short to 12 episodes, its unfortunate that the show was cut so abruptly short. But it ended in a way I didn’t expect either.

The realest.

Azuma Genkaku (Toshiyuki Morikawa) was a fantastic way to end it. Tying the whole metal music themed anime together, Azuma wields an axed guitar that allows him to supersonically bend the Branches of Sin wielders to their knees. His tragic past is explored and brought to the forefront to end the show (an unfortunate end, both for the show and Azuma) although I found him to be one of the most compelling and interesting  characters in the show. With nothing certain and a future in Deadman Wonderland ahead, what will happen to little “Alice” Ganta? Check out this show, it’s definitely worth the horrific watch. A solid 9.7 out of 10.

What will happen "down the rabbit hole?"