To be honest, I had no idea what this movie was going to be about when I first started it. I searched Netflix for movies starring Christian Bale and/or Ewan McGregor and
The perfect glamster couple. (Collette + Meyers)
found this little gem. (I think gem’s the right word to use for this movie in particular.) Not a strong runner in the money department, this movie has a star studded cast but boasts the time and effort of an independent film with a message to put across. I was perfectly okay with all the homosexuality as well. And trust me, there was a lot.
And it wasn’t even a gay vibe from the outfits.
This movie exudes glam and glitter more than any other film I’ve ever seen. In the same documentary/journalistic vein of Party Monster (review a few entries back), this movie handles the earlier era of Glam Rock (back in the 70’s). Knowing not much about glam rock other than David Bowie, it was interesting to see a character based on him. This movie performs as an homage to David Bowie and Iggy Pop, but with less of a focus on the drugs and more on the sex. I wasn’t expecting as much of a straight edge film, but this movie doesn’t leave out the Sex, Drugs, and Rock ‘n’ Roll.
And here’s something even weirder. I’m not that huge of a fan of glam rock. Sure, I have Gary Glitter’s Rock ‘n’ Roll Pt. II on my iPod, but that’s about as far as it goes. Oh, and this:
That’s the extent of my glam rock knowledge. But what surprised me about this film is how much I enjoyed the musical soundtrack of the film. The movie was right in informing me from the very beginning that I should turn up the volume on my T.V. I thoroughly enjoyed the songs of the 70’s, and had no idea how much I would enjoy glam rock. John Rhys Meyers and Ewan McGregor both lent their vocals to the soundtrack to give it a truer feel to the film, something I always
The fantastical outfits.
But let’s get into the story a little bit. Structured after what is considered by every film student as the greatest film of all time, Citizen Kane, this movie attempts to uncover the glittery veil on who Brian Slade (John Rhys Meyers) truly was. Arthur Stewart (Christian Bale) is a journalist and former glam enthusiast who has come full circle in what used to be his glory days. He has been charged with unearthing the truth on Slade/Persona known as Maxwell Demon. After he pulled a fake assassination stunt at one of his concerts, he fell from grace and landed in obscurity. Meanwhile, everyone around him give their opinion of what their lives were like with Brian Slade around.
The Glam-man Rises.
It’s interesting to see how involved Christian Bale’s character was with the glam scene and those who surrounded Brian Slade. In a world of blossoming bisexuality, all of the characters explore just what it means to be human through sexual interaction. At the same time that it could be discomforting to someone who is against abnormal sexual acts, this movie doesn’t play it up to more than it is, human interaction on a very base and carnal level. It is always amazing to see actors perform onscreen what they truly aren’t in real life. All three (Bale, Meyers, and McGregor) are straight men. They all simulate homosexual acts (kissing, suggestive thrusting, etc) on camera in front of what I would expect is a mixed morals cast and crew. When you slip into something you’re not and sell it, I give you props for that.
The costumes and personalities flair onscreen creating something pretty to look at as well as substance for a story about a form of music that swept both the U.K. and America. With this clash of countries (Ewan McGregor plays Curtis Wild, a glam rocker from Michigan) and love all over, this movie
Ewan McGregor, showin’ it all.
professes love and understanding, no matter what beliefs, morals, or nationality. I was impressed with John Rhys Meyers haunted acting (just as I was with Culkins in Party Monster) and everyone did their share. Christian Bale created a character conflicted with his sexual identity and his confused past, while Ewan staged an opposite character that embraced all life offers. It was a dazzling performance by everyone, including Toni Collette. Throw in Eddie Izzard to add some pizzazz and you have yourself a great cast of rockers.
A side you’ll never see of John Rhys Meyers.
And that’s what I loved about this movie. This isn’t your average film. Combining the worlds of musical and sexual liberation created something that an outsider like myself wouldn’t be able to acquire otherwise. The actors deliver superbly and the songs and colors create a fantastical cosmic journey you don’t want to end. If they couldn’t strung a series of glam rock music videos together, I wouldn’t have complained. So I say anyone looking for a change of pace to life should check out this film. It’s fab. 8.4 out of 10.
This is one of those movies you don’t think much of when you see it first released, but comes back to surprise you. I had no idea how much homosexuality, adult themes, and gay sex would be portrayed in this film. At all. I sat up late the night I watched this, clutching my pillow, wondering if Ace Ventura was really kissing Obi-Wan. It’s not that I’m opposed to the lifestyle and part of the sexual spectrum these characters lay on. It’s just so surprising to see how committed actors can be to a role they’re given. And it can turn out to be the best of performances.
In I Love You Phillip Morris, Steven Jay Russell (portrayed by Jim Carrey) is a local police man and loving husband to his wife, Debbie (Leslie Mann) and daughter. The
Carrey and Mann, a loving couple?
only thing he can’t get over is that his mother gave him up for adoption when he was a baby. In search of his true mother, he finds that she gave him up… and kept her other children.
With his life’s dream fulfilled and ruined all in one fell swoop, Russell is involved in a bad car accident, changing his life around. He resolves to live his life the way he wanted to for so long. And that life he will pursue will be as a gay man. I thought the first angle of this movie, never having read the accounts of Stephen Jay Russell or anything related, was going to be about him being a con man. I didn’t realize he was going to find his homosexual roots before he met Phillip Morris in jail, but that was just my movie plotline brain buzzing. All the more power to him, because his cons and jail escapes were unbelievably top notch.
A little bit of the lavish life for a pair of gay men.
So Russell meets other men, some sexual interaction (AKA butt sex. I must add this scene, although dramatized, shocked the shit out of me.) and he meets his Latino boyfriend, Jimmy (Rodrigo Santoro). After his losing bout with AIDS, Russell goes for one last big haul, and gets himself thrown in jail. But that wasn’t before trying to escape in the only way he knew how. Con city, bro.
While in jail, Russell meets Phillip Morris (Ewan McGregor). The gentle and noble disposition of Morris changes something in Russell’s deceiving nature changes. He looks out for someone other than his
The moment they meet. In jail. How touching.
own interests and finds true love in a world that had given up on him and his ways. It is at this point that Russell will do anything in order to get Phillip Morris out of jail and to make a stable life for the both of them. As luxurious as that may come off…
What overall impressed me about this film were Jim Carrey and Ewan McGregor’s performances. They were so convincing as a loving couple onscreen that you had to root for them, even if one of them was a con man. The kisses felt real, the holding and touching was that of a chemistry ridden couple. And by couple, I mean just any kind of couple. Gay, bisexual, straight, biracial, you name it, they showed the characteristics of two people in love. By the end of the movie, no matter how homophobic the person watching may be, you came to like and accept Russell and Morris for who they are. That’s something that can cross all lines when it comes to the world of movies.
Some of that steamy man love.
The other thing that I loved about this movie were the cons. And based on real cons, as far as I can see. This entire movie was based on Steve McVicker’s novel about Steven Jay Russell’s life entitled, I Love You Phillip Morris: A True Story of Life, Love, and Prison Breaks. These cons are so well played out that you could only believe they would work in the movies. Or, in this case, Texas or one of the Southern states. Yes, a slight against Southerners from the liberal movie makers, who knew? But how well and entertaining they were to watch one right after the other. You felt shame for the law enforcers and businessmen by the end of the film for being so able to be swindled.
This movie takes a whole new approach to the con man, and to relationships in general. How far would one of us go to break their love out of jail? To risk it all one something illegal in order to see their love happy and smiling? That is exactly what Stephen Jay Russell did. And the end of the movie let’s us know that he is serving a life sentence under constant surveillance, while Phillip Morris was finally let out in 2006. This movie of the con man, set in the 1980’s and 90’s, really explores an era that was exploring itself. This movie shows the liberation of the man from his chains, both
literally and symbolically. And Jim Carrey gave one of his best quirky drama performances in a long time. I love all of his work, and this is another title to notch in his bedpost. Gay con artist. A well deserved 8.8 out of 10.
So I’m sure there are those of you out there that follow The Onion News Network and enjoy all their satirical articles and videos. But the pinnacle of The Onion News Network? The Onion Movie. This movie takes all the best things of the 2000’s and put it all together into one satirical piece. With lead news anchor Norm Archer (Len Cariou) this movie destroys America and everything that has laid underneath its seedy underbelly for the last 100 years.
The layout for this movie is fantastic. Interspersed with reports from Norm (almost SNL style but with a serious delivery), this movie goes through a wide range of staged skits that connect one to another, characters bounce in and out in some
Norm Archer. You master.
wild ride of hot topics of 2008 and before. It’s pretty much ridiculous. I mean, a lot of the skits deal with stereotypes, racism, failed products, the American war machine, economy, and entertainment industry. In this movie, nothing is safe. And I loved every minute of it.
With my second time viewing it and showing it to an Onion News virgin, it was fantastic to anticipate all the sketches that were coming. I mean come on, the Queen Nathan? That is completely unexpected and a slap in the face with homosexuality’s member. The unknown stereotypes? I mean, who knew Peruvians jump in to save the day and shoot laser beams? With a multitude of black jokes (alcoholics, robbers, intelligent black men in search of the local library via asking a bartender, etc.) and a complete shakedown of the current sex fueled pop music scene (Take Me from Behind), people are getting destroyed.
A trio for the ages!
And how does this movie summarize? A complete collision of all characters and situations. A terrorist hijacking of the ONN studio in leu of ONN selling out to the corporate machine taking over with their damn annoying penguin? Perfect. Let’s hope those Peruvians come to save the day (Wink, wink). My favorite sketch? Obviously it has to be the white man mistaken for a black guy. I think that’s what all wiggers (white kid posers) deserve. Don’t dress all killer gangster unless you expect to pay the price of being hilariously profiled. Oh, and Cockpuncher. That’s a legit movie I would see with Steven Seagal. He’s a master and not that many people know it, but, come on, if he punched your cock, you’d notice in a hurry.
I could keep going on about every sketch and just how excellently they’re pulled off with an amateur cast of serious comics. With the help of Todd Hanson and Robert D. Siegel, writers of the film and directed by Tom Kuntz and Mike Maguire, this film delivers without the flash. Just like the real news. (Weird fact, Robert D. Siegel wrote the screenplay for The Wrestler? What a twist! Shows you how ballin’ these guys are.) So check out this little satirical film of the American Machine. It’s well worth Brendan Laroux, and you gotta support a hockey player without legs or wrists. 8.6 out of 10.