Ip Man: The True Master

Ip Man, the trainer of Bruce Lee in Wing Chun martial arts style. One of the true Grandmasters that has left a legacy all martial arts film fans must appreciate. Here comes a film from Wilson Yip, a director who has brought us Donnie Yen in the forms of Dragon Tiger Gate and Flash Point. But this film has a different pace and style. More elegant than other kung fu films, this movie flows in the same Ki as Fearless with Jet Li. I think here’s a point where I’m going to list my favorite martial artists just to get it out there. Let me know what you think of this list:

1. Tony Jaa (that’s a given, he got me into martial arts)

2. Jeeja Yanin (she’s a girl who can Muay Thai kick ass)

That is a killer stare right there.

3. Donnie Yen (straight masterful ever since I saw him in Iron Monkey)

4. Jet Li (straight destructive martial artist who has made it big in American films)

5. Dan Chupong (this dude is not as well known as Tony Jaa, but his films are just as brutal as Jaa)

I want me one of those…

6. Jackie Chan (all his movies are entertaining. Me and my roommate love Rush Hour!)

7. Iko Uwais (up and comer from Thailand. He’s in the most anticipated film for me this year, The Raid: Redemption)

8. Panna Rittikrai (this guy helped teach Tony Jaa all he knows, elderly Asian master)

9. Bruce Lee (he’s gotta be on this list somewhere! He’s ballin’ hard!)

10. Kazu Patrick Tang (this dude rocked shit in Raging Phoenix and Bangkok Knockout! Most handsome Thai man in martial arts)

The single greatest scene in the film.

And there it is. Hate me for listing Bruce Lee so low, but he’s on there. And, after watching this movie, I have gained all the more respect for Ip Man and Bruce Lee and what they do and stand for.

This film is a heartfelt one, and may bring a tear to your eye. During the Sino-Japanese War, Fo Shan is a city of prosperity until the Japanese invade and take over. Ip Man (Donnie Yen) is a respected martial arts master who takes people to school on a daily basis. He and his family lose everything after the invasion and it is up to Ip Man to reclaim his honor and the honor of the Chinese people in this tale of inspiration. I can’t wait to see what they do with the next one.

Shit’s about to pop off.

There were a lot of things about this movie that surprised me. Unlike the traditional shoddy acting from the martial artists in films like this, there’s none of that. Only good acting and prideful performances. Donnie Yen always surprises me as a showman first and, well, a martial arts master also first. He can perform well and with honor and dignity (as he did in this role) and kick the shit out of people. It’s really refreshing to see an aging martial arts actor gracefully enter the older years with poise and the ability to still perform at a younger level with fire and passion.

This movie also pulls back the reins on the stylistic elements of Kung Fu films. You expect the people flying from rooftop to rooftop and kicks that send people flying, but not so much in this film. In this

Breathtaking scenery.

return to reality, Donnie Yen styles down his brutal kicks and flips to hone in on a form that is more elegant, precise, and lethal. I had a jaw dropping moment when Ip Man takes on 10 Japanese martial artists at once and probably kills about half of them with these precise little blows. You have to see it to believe it.

Get on dat destruction.

Other than that, this movie has a moving soundtrack, a strangely dubbed over audio track, and fairly accurate subtitles. It’s inspirational and humbling, informing you on one of the greatest martial artists of all time. It’s one of those films you see that makes you want to know more, and reminds you why you love to watch Kung Fu films. Ip Man all the way! 8.4 out of 10.

Naruto: The Realest

Cover of the first manga.

Naruto. What is there to say about Naruto? What is there to truly say about one of the most ballin’ animes currently running? Well there’s a lot more to say than that it’s just balling. This show fulfills every young boys’ dream of becoming a ninja. And not just any ordinary ninja, but a true Shinobi with Ninjutsu and Thaijustsu for days. You got the Kunai and Shuriken, and the classic substitution technique. These young children Shinobi put legitimate ninjas to shame. They are unstoppable. And this show is infectious.

But there’s just one debate we have to deal with before we move on to the plot of Naruto. And that is: Naruto Dubbed vs

Naruto and the power of his Nine-Tailed Fox.

Naruto Subbed? There are those younger kids who would argue dubbed, due to an ability to watch a show (not read, though not a valid argument) and a lot of younger kids watched this on Cartoon Network. There are a handful of good voice actors in the show that make it worth watching it. But there’s the flipside of the coin. The subbed version, when it comes down to it, is better done. There’s swearing, and Rock Lee’s secret technique isn’t called Loopy Fist. That was a bit of a disappointment. For a more serious tone for the older fans of Naruto should watch the subbed version. But it all comes down to a preference of English vs Japanese. It’s the same show, just a different feel. It’s all up to you.

The starring team: Sakura, Sasuke, and Naruto!

So, Naruto is a show about Naruto Uzumaki (Maile Flanagan). He is a ninja in training and hoping to become the leader of the village he lives in one day, known as The Village Hidden in the Leaves. The Third Hokage, leader of the village, sees much promise in Naruto and hopes that his sensei’s, Iruka Umino (Quinton Flynn) and Kakashi Hatake (Dave Wittenberg). With his teammates Sasuke Uchiha (Yuri Lowenthal), the cool calm-headed prodigy out to prove himself, and Sakura Haruno (Kate Higgins), the hot-headed and pretty much useless book smart girl,  Naruto can’t fail in his mission to become the best. Believe it!

So many great characters in the world of Naruto!

There’s a lot of arcs and sections in this show. There’s the introduction of all the characters, the Chunin exams (the test that sees if you’re ready to become the next level ninja), and the battles between Orochimaru (Steven Blum) and his henchmen. With each trial for Naruto comes more responsibility and more powers. The show culminates in a huge twist and leaves more than 60 episodes of fillers that have nothing to do with the main plot. That’s not to say that there aren’t fillers throughout that aren’t cool and entertaining, I personally found a lot of the fillers to be funny and not so much a detraction from the show as an enhancer of the lesser characters. And how many cool characters there are.

There’s the 12 Ganin, 3 of which I’ve already mentioned. There’s Kiba Inuzuka (Kyle Hebert), the dog master of Akamaru and a master of, well, I’ll let you check everyone’s powers out. Shino Aburame (Derek Stephen Prince) is the master of bugs, and one of my favorite Shinobi in the show. Filling out Team 8 is Hinata Hyuga (Stephanie Sheh), the master of soft palm. She has a huge crush on Naruto but never

Team 10, led by the great Shikamaru.

reveals it in the original Naruto, an unfortunate thing.

Team 10 is made up of some real destructive masters as well. Choji Akimichi (Robbie Rist), the expanding fat kid with a penchant for lots and lots of niblets and chips. Shikamaru Nara (Tom Gibis) one of my favorite characters in the show and one of the only truly gifted in the series. His ability with shadows will leave you… breathless. And then there’s Ino Yamanaka (Colleen O’Shaughnessey), the useless girl who is more useless than Professor X. (You’ll see why.)

Look at Shino back there, bein’ all wiznerd and whatnot.

And then there’s Team Guy, the most masterful of all the masters. Led by Might Guy (Skip Stellrecht), his mastering of the physical Thaijustsu is just too legit to quit. Under Guy’s tutelage is Rock Lee (Brian Donovan), the only kid who will never quit and always fights to the end with his Flying Leaf Hurricane. Tenten (Danielle Judovits) is a weapons master and is always twirling and releasing weapons on everyone’s asses. And the semi-leader of the team is Neji Hyuga (Steve Staley) master of his cousin’s soft fist and intelligent as Hell.

All of these awesome characters flesh out a show about honor and friendship, being the best and doing everything in your power to prove your self worth. There’s self discipline, training montages, and

And Team Guy, they pack a whallup of a punch.

everything you wanna see in a shounen of this magnitude that needs to be seen by all young men out there that need a great role model in their lives, or just a great action cartoon/anime. Oh, and don’t forget the villains! I already mentioned Orochimaru, but there’s the best character and best voice actor that needs to be mentioned, nay, worshipped. Gaara (Liam O’Brien) is a disciple of the Village Hidden in the Sand, and a true beast of a fighter. With a gourd full of sand that does his every bidding, there’s more than meets the eye to this character. And he will completely slaughter you. Two words: SAND COFFIN.

And don’t ever forget Gaara. SAND COFFIN.

So watch this show for sure. The production value gets better as the show goes along, and for those that like dubbed anime, it’s not the worst in the world. And that brings up an issue. Maile Flanagan ruins this show. She may have a similar voice that can mirror the tone that Naruto Japanese version can do, but that’s just a bit of a stretch. Maile Flanagan’s whiney voice and childish lines leave a lot to be desired from a leading role. Oh, and, well, it’s just gross. Sorry there, Flannie old pal, but it’s probably for the best the dubbed version was cut off in the middle of Naruto Shippuden. But, for overall story and deliverance, Naruto as a whole, for all it’s worth, deserves a 8.8 out of 10. Definitely top 10 anime of all time to watch before you die. (You can skip the fillers.)

Jet Li’s Fearless

In what was meant to be Jet Li’s last Wushu epic, Jet Li busts out all the big guns for this film. Although he has made other films that feature his style of martial arts, it goes without saying that movies like The Warlords, The Forbidden Kingdom, and the Expendables (soon to be followed by a second) aren’t exactly focused around Li’s stunt action coordination or anything of the sort. I would argue that War, the movie with Jason Statham that followed this film, was a bit focused on Li’s destructive power of those around him, although the movie questions his identity. In either case, it wasn’t meant to be Jet Li’s last film, just his last display of his martial art’s competence.

In this film, based loosely on Huo Yuanija’s life as a martial artist, this movie follows Jet Li as Huo and his fights to bring back honor and national pride to a broken country. With the Western imperialism and Japanese pressure, Huo fights those foreign invaders in symbolic battles that show off the strength of pride that the Chinese people hold. If it came down to Jet Li’s acting to represent honor for China in this film, it may not hold as much meaning. I was just a bit thrown off by Jet Li’s acting in this movie. It seemed forced and comical at times, but it didn’t matter when he closed his mouth and pounced on some ass with his destructive moves.

Jet Li at his finest.

The movie starts off at a martial arts display tournament in which Huo must defeat 4 competitors from 4 different countries. Using weapons and hand-to-hand combat, Huo fights back the attackers in order to defend his country. Before the fourth battle commences, a flashback to Huo’s life before takes place. For 2/3’s of the movie. Huo remembers when he was a child, being instructed by his father Huo Endi (Colin Chou) and how honorable he was. His father would take him downtown to the battles that took place in raised rings between fighters in the town. In this particular fight, Huo’s father is defeated and Huo finds his resolve to never be fearful and always to win and gain honor.

You’ve impressed me.

This mentality almost becomes Huo’s downfall when he won’t allow the attacking of one of his disciples to be delegated in a civil, non-violent manner. Quin Lei (Chen Zhihui) the rival martial arts master defies Huo and his newly found hubris and fights to the death versus him. With his ruthless manner, something not encouraged by his father, Huo kills Lei and retreats into the countryside to really reevaluate just what it means to participate in martial arts. (I left something out there, watch to find out.) Learning mercy and the righteous path, Huo finds himself in a position to fight for the honor of China.

This film has a lot of moving parts that really present a historical piece that is actually one of my favorite genres. Huo is a real person, and these events of his life weave a very compelling story. The fact that he fights for the honor of China at the end is a stab at those countries that would dare impose themselves on others, as the fights suggest. The tribute at the end to the dojos that are dedicated to Huo and his principles is a nice ending for the film and the events that

Some of my favorite weapons fighting.

transpire.

The fight scenes in this movie are really what stand out though. The rings that these men fight in are very stylistically stunning. Especially the fight between Huo and the man who beat his father’s son, is ridonkulous. The poles and camera angles that effortlessly flow through the fight scene really caught me by surprise. I always knew that Jet Li was a phenomenal fighter and stunt actor, but this movie really pulled out all the stops. His penchant for stunts and choreography, especially the weapon related fights show a lot of discipline and knowledge that I admire. Not being a martial arts expert myself, I’ve seen enough martial arts and have read up enough about it to know Jet Li has got his shit in order.

This big white dude shows up far too often in martial arts films…

The success this film had and the amount of good reviews it is given are just, but I felt, as some others have, that the film had its down moments that kinda left it at middle of the road. Yes, it didn’t have the acting oomph that would’ve elevated it to Crouching Tiger, Hidden Dragon, but it was well above some of the straight to DVD martial arts films that’re out there. The story itself is inspiring and films like this are what make me wanna be a director. I’d equate it to a Cinderella Man type of film with the action and drama equalling each other out.

I am now psyched to hear that there are two other versions of the film, two of them depicting a more developed love/rejuvenation plot with Michelle Yeoh and a THAI BOXING SCENE. I wish they had included that in the theatrical version. My favorite form of fighting is Thai Boxing/Muay-Thai fighting. It’s one of the only forms that could take out Jet Li and I guess that’s why they were afraid to include it. I would still love to see a fight between Tony Jaa and Jet Li. Hell, Tony Jaa and anyone. Other than getting a bit of a boner over these martial arts masters, I thought this movie was very positively geared towards the Chinese community that Jet Li and director Ronny Yu were representing. It’s a great

Thank you Jet Li and Ronny Yu, for making a movie China can be proud of.

message to all those action stars from non-Asian countries. Back the hell off, we have pride, and that pride will stomp all over you. That message and this film deserves a 8.1 out of 10.

13 Assassins: The Eerie 7 Samurai Brother

Brought to the international market by the famous producer of Departures, a famous film talked about in my household, Toshiaki Nakazawa, and given to me by the power of Netflix, comes 13 Assassins. I know I just did a review on a movie called Bodyguards and Assassins, but this movie comes from a similar historical (loosely based) standpoint with a lot of no nonsense action to it. And I mean a lot of no nonsense, balls to the walls action. There’s not a lot interspersed, as with B&A, but it delivers in the end with a huge ass scene of carnage.

Set in the 1840s Japan during the era of the feudal Shogun, a young political rapscallion, Matsudaira Naritsugu is running train all over the place. Son of the former Shogun and bound to rise in his political standing, this evil young man thinks he cannot die and is above the law. He even made a nugget sex slave out of a poor little Japanese woman. Hard to watch and hard to

Quite a bit of violence in this movie. Good costumes too.

stomache, some have even committed  seppuku, the ritualistic Japanese honorable suicide. Shown twice in the movie, it is an unpleasant act that, I have to say was tastefully done with the pull away shot that just suggests at the horror of slitting open your own stomach forcefully.

So this young man must be stopped. An aged samurai and political figure, Shinzaemon is planning on doing so. After seeing the injustices done on other family houses, no longer will those under the power of the Shogun stand for his little brother’s insolence. So, in true 7 Samurai fashion, this guy goes out and finds 13 samurai, the last of a dying occupation, in order to do the job. These guys range widely in status and character, but they all plan on fufilling their duty with conviction and honor.

Can you tell who's who?

After some awful background on this political Shogun relative bastard, the training montage begins. Not really a training montage, but a recruitment scene and subsequent honing of the skills. Followed closely by a planning stage and execution of said plan, we get a little trip to the site of the final (and really only) big battle. There are ambushes, strategies of true intellect, and dire tragedy. With no one safe and everyone’s honor on the line, who will come out victorious?

I must say the overall feel of this movie was true to its 1963 original. I’m also sure there has to be some influence from Kurosawa’s classic of 7 Samurai. I wouldn’t have put it in the title otherwise. A bunch of tough guns coming

They're really going at it...

together to stop a greater evil in a big showdown? Not many survive and evil must be thwarted at all costs? Yeah, I got that vibe from this movie. I wouldn’t have minded if this movie was in black and white either. The grainy quality of the film and the guerilla style of the landscape and shooting really gave it that end of an era, last action of a dying and barbaric peoples feel. That’s what I enjoyed, and the true suggestion of violence without entirely showing it that you get from horror movies of the 80’s and 90’s. A true classic approach to film.

This has a true 7 Samurai feel to it.

What I didn’t like about it was the confusing nature of the characters. I can’t help it, but I gotta be a bit racist. Coming from an American, white person perspective, there were a lot of Asians running around who held very little difference in stature and character to me. You can attempt to pick out your favorites, but the movie made no effort in order to discern one person from another. Maybe this was done to show the collective resolve of the characters, but it became tedious towards the end.

Another thing that I hated/loved at the same time in this film (and I mean those terms lightly) is the action in the film. For those who like a bit more stylized violence in their viewing experience, you may not find that here. For those who love the chaos and the brutality of a film that just takes one massive battle and puts it into a gigantic perspective, this may be more your style. Coming from a priviledge era of spurting blood and close ups on decapitations, this movie pulls away from that. Focusing more on the feel of battle and not the gruesome details, you may not see more than some red hacks and slashes on bodies. And at the same time that that is happening, I’m not exactly sure how true to the Samurai Way that this film is. These guys, despite their training, seemed to just go out and wave their swords around like 13 year old tweens wanting to defeat Darth Maul in their backyards. I guess I’ll leave that up to people who actually know true sword technique.

Pretty damn cinematic.

With a bit of a lackluster acting chops cast, some of the more emotional scenes were lost on me. Maybe not towards the beginning with the injustices done by the evil Shogunate, maybe not even the death scenes that abound in this movie, but surely on the delivery of lines. This detracted from the period piece I felt this movie could have been, but if you’re a fan of Samurai 7, you need to check this movie out. Kurosawa would be proud. A decent 6.5 out of 10.

The Conspirator: 19th Century Courtroom Drama

I didn’t know much about this movie as me and my family sat down to watch this Robert Redford film of drama. I thought, “Hmmm, James McAvoy? Courtroom drama? Civil War Era? I’m in.” Always having had an interest in the courtroom (I love The Rainmaker.) and becoming a lawyer, fighting for equal representation, this movie piqued my interest once again. And the injustice of another trial was the perfect setting for this film of one of the biggest conspiracies in American history.

Frederick Aiken (James McAvoy) is a hardened Civil War

Never stop acting, you lovely man you, James McAvoy.

Northerner that has found his place in the martial court of the newly reunited United States of America. Prejudiced like so many against the South, Frederick hesitantly walks through a newly formed Union, as if on eggshells. And then one night it happened.

President Abraham Lincoln was assassinated. John Wilkes Booth (Toby Kebbell) the man who pulled the trigger, escaped on the only bridge opened that night in D.C., and

Some wonderful images from The Conspirator.

was subsequently shot by his pursuers. It was not this man alone though who crafted one of the worst killings of all time. Also implicated were a dozen other men, including one Mrs. Mary Surratt (Robin Wright). It was at her boarding house that those men, with or without her knowledge, plotted a beloved President’s assassination.

In conjunction with Mary Surratt’s case, Aiken must defend a woman who he finds detestable, a Southerner, and do it with all the equality he can muster. With inner turmoil, a D.C. village who outcasts Aiken for his ability to abide by justice for all citizens, and a government attempting to hang a woman out to dry for her boarding house/son’s doing, this film full to the brim with injustice. And like it or not, the ending with frustrate the shizz out of you. And, despite this harrowing fact, I thoroughly enjoyed this film.

Just some of the great cast from the movie. Chillin'.

Why, you may ask? The actors. And surprisingly, a bunch of English actors parading about as Northerners and Southerners of America. It appears as if Robert Redford found their caliber of acting to be far better than that of an equally good American counterpart. But that’s besides the point. Let’s talk about James McAvoy. This wonderful actor really took a role that spoke to me and my own beliefs. He attention and hold to justice was admirable and honorable all in one. Despite the persecution he felt from his contemporaries, he fought fairly for Mary Surratt and her unfair incarceration and foreboding hang date. And Robin Wright herself was a beauty to watch on film. Her prim and proper character fought for her son and daughter and the injustice that was done to her was denied until the end.

Other notable people? Of course there are lots. Kevin Kline played a key, behind the scenes role as

Wonderful scenes happened here.

Edwin Stanton, Secretary of War and initiator of the Mary Surratt trial. He knew his Northern counterparts demanded a scapegoat, some form of justice, and he gave it to them. Tom Wilkinson played the helpless Southern Marlyand lawyer in charge of Mary’s case who had to decline taking it on the grounds of his bias. His noble stature as Reverdy Johnson stood out to me, despite his cowardice. Evan Rachel Wood played a solidly respectable Anna Surratt, the daughter and poorly mistreated girl that Aiken came to respect despite her ability to turn in her brother. And Danny Huston played a fantastic antagonist as Joseph Holt, the prosecuting attorney and lowlife scoundrel.

A film to be remembered.

The list goes on as is expected from a Redford backed film, and I appreciated the attention to detail in costume, characters, and time period. For the love of God, we must talk about the lighting! It was superb. If any detail in a time period without electricity needed paying attention to, it was this. The lighting in this film blew me out of the water. It literally blew my mind how a film could still function with minimal lighting and dust floating through the air, and make it seem so so so so so authentic. It was superb and caught all of my attention, as if the trial was taking place just right in front of me. The town felt like a suburb of D.C., and all actors carried resemblances of their Civil War characters. If any period piece film about the Civil War need be watched other than Glory (that most important #1), it should be this one. 9.5 out of 10.

Blassreiter: Emotionally Fueled Motorcycles

The title of my review says everything about this anime. I fell in love with the graphics, the 3-D battles, the back story. And I was taken away by the emotions behind the characters. The anguish of the foreigner in a land that doesn’t accept them for who they are. The man in love who cannot tell the woman he loves how he truly feels. The orphan abandoned and left without a help in the world. This German set anime (talk about a country of hate and anguish) is tastefully portrayed with a religious background and a head full of steam. With every new character arc (from Gerd to Malek, Hermann to Amanda) you are lead by your heartstrings to the heartbreak you are meant to see, and some you are not.

The idea behind Blassreiter is one of mecha, with a sci-fi drama backdrop. The line between man’s science and God is

An Amalgam's go to vehicle. Can you feel the emotion?

blurred. No longer is it the struggle between machine and man, but a meshing of the two. Man’s ultimate goal. In futuristic Germany, a crack team of soldiers known as the XAT (Xenogenesis Assault Team) has been given the task for  the bast decades to find and eradicate as well as protect the citizens of Germany from what are known as Amalgams (Demoniacs to the public.). These Amalgams are humans who have been transferred using some scientific disease into machines capable of attaching themselves to electronics and vehicles.

It is only common for these Amalgams to be created from dead bodies. Until one day, after being involved in an Amalgam attack, Gerd Frentzen (Christopher Sabat) is given the chance to regain his

legs and race again. But the price it pays is that he becomes a living Amalgam. And the fate of all Amalgams? Bloodlust, insanity, and death. It is up to the XAT to discover the cause of a living Amalgam and what this would mean for the furure of Germany and the rest of the world. But the Amalgams go deeper than a mere nuisance. And I’ve only covered the first 6 episodes. You have to watch the rest for yourself.

Gerd Frentzen (Christopher Sabat)

As I said before, this anime has some pretty spectacular 3-D animated graphics that blew me away. Any scene with an Amalgam or vehicle is given a special touch of full-breadth motion and fluidity. Combine this with a 2-D background and characters and you have an interactive combo right there. What could be better than this you say? Well, the character creation is top notch. The characters (and there are quite a few) deal with so many different emotions and personalities. There are the soldiers of the XAT, dealing with betrayal, duty, and what it means to be a soldier. (A very German thing, the honor of fighting for one’s country.) The humans turned Amalgams and their struggle with their humanity. The original Amalgams and their struggle with their pasts and their duty to the furthering of humankind and its evolution. God’s role in this anime is huge. (Another attitude of a prominently Protestant country.)

And then there’s the skeletons in Germany’s closet. The race hatred. The problems with German old

The amazing graphics behind Blassreiter.

family citizens of a higher class and the lower class foreigners given a chance for a new life in Germany, but given the scraps of the other classes. The hatred, the xenophobia. It all plays out on a tasteful stage. But even as this issue fades out to a respectable end, Germans are given a nod of respect for the strides they’ve made since the blood of the past has begun to dry and flake on their hands. And I give a nod of respect to the Japanese for the nod to the Germans.

The premise is interesting for a mecha. In a world moving forward, what is the point in which humans must pull back and examine their humanity versus their

What is behind the Amalgams?

technological drive? Anti-sci-fi (?) in a mecha is an interesting approach, and I welcomed it, being a mecha anime fan myself. (If I haven’t covered this before, non-anime fans/fans to be, mecha is mechanized (?) anime, dealing with machines and robots, i.e. Gundam Wing.)

Joseph (Todd Haberkorn), a character of anguish.

There should also be some credit given to the voice strained voice actors who lent their emotion to this anime. Watching this dubbed, I was amazed with the power given to the characters purely through voice. Joseph Jobson (Todd Haberkorn). Almost unrecognizable, but gives that brooding hero voice with a disturbed and tragic past to perfection. Hermann Saltza (Travis Willingham). This guy swore and yelled more than any other voice actor I’ve ever heard. I give him credit for days at a time (probably) of a hoarse speaking voice. His emotions and pain came to the table and delivered. Gerd Frentzen (Christopher Sabat). I give him credit because he is the amazing Christopher Sabat (as you know, I’m a big fan.). His voice of gruff torture and anguish spoke to me as usual, and kept me grippingly emotional. And Amanda Werner (Jamie Marchi). Her torrent of emotional confusion and desperation was quite excellent. And that’s only a few. But isn’t that enough to get you watching this anime? Get to it. 7.8 out of 10.