Tag Archives: humanity

Jyu-Oh-Sei

Manga cover fo Jyu Oh Sei.

This 11 episode anime was a little break from the monotony of the longer, 26 episode anime I’ve recently been watching. Found on Hulu (and thank you Hulu for providing anime to a small portion of your viewing audience) I watched this one rather quickly, quite obviously. But I watched it quickly due more to the fact that it was so damn fascinating. I read that this was a highly overlooked anime due to its unconventional length and plot. I don’t know necessarily how to classify the genre of this anime, but I would consider it of a sort of sci-fi doomsday with a sort of revelation coming of age story. Classy.

This story centers around two twins, Thor and Rai (both voiced by Alison Viktorin). Having been born on the Balkan galaxy system (150 light years from Earth), the lead a more secluded life on a outlying planet meant only to be an

Key anime art of Jyu Oh Sei. Different, right?

imitation terraform of Earth. It’s been 250 years since humans left the planet and life has unusually declined in this new living environment. Odd, but at the same time an amazing twist for this anime. Thor and Rai are two young boys who, as is now the fashion, won’t see much past 40 or 50. Not fully knowing this, the two boys plan on separate futures, both leading them back to Earth.

Key characters of the show.

And then disaster strikes. Thor and Rai’s parents are brutally murdered in their science lab for what appears to be no good reason. Upon finding them, Thor and Rai are kidnapped and trasported to the prison planet Chimaera. Meant for the wicked and despicable of the Balkan system, these two must survive a bevvy of human killing plants and wildlife that threatens to consume them at any point.

And wouldn’t you know it! Rai is taken into the belly of a Belasoma and killed within the first 10 minutes of the show. Now that’s something to admire. An anime that’s not afraid to kill of an important character in the first episode. Although there are constant flashbacks to this loss, Thor (now as a slightly older boy, voiced by Sean Michael Teague) must fight to become the Beast King and escape Chimaera in order to find his parent’s killers.

Third, what a B.A.

With this interesting plot in place, a slow, yet steady forward progression was created all leading up to a climax that was reached effectively and not clicheingly at all in 11 episodes. With a great twist on the flora of Chimaera being more powerful than the humans who inhabit it, a sort of Jumanji situation is created for Thor and the other prisoners of a planet with no guards and cells, only the threat of death. Despite this threat of death, the humans of Chimaera don’t band together to stay alive. They separate into four clans who, for the most part, kill among themselves and each other. These clans are only separated by skin color (what a commentary!) and hold women in high esteem due to their being only 20% of the population. With an emphasis on the survival of the species with sex and violence, it’s quite the show to watch.

Chen kinda dropped the ball on the strong character list...

Although there are some setbacks. With this survival of the species, there comes this inner turmoil in all characters to hold onto their humanity. And, as the show progresses, it never seems that any of the main characters are in any danger. Yes, they’ve mastered a way of living on a death bound planet, but their lifestyles in a brutal world seem somewhat sercure and safe. Also, this is a prison planet. Why is there no mention of any crimes? Yes, Thor and Rai are completely innocent, but what about all the other characters? Are they there for the same reason? It may have been explained quite quickly at the end, but I’m not all too sure.

Tiz (Trina Nishimura). Sexual tension at its finest.

There was some fine voice acting in this anime as well. For the most part… Sorta. Sean Michael Teague seemed to be a bit too old and young at the same time for Thor as a 15 year old versus an 11 year old. His soft spoken words didn’t necessarily speak to a death hardened child, but he made up for it in the end. Tiz (Trina Nishimura) was fine, and she even reminded me of a younger Yuffie type character. She certainly looked and sounded it. Eric Vale performed wonderfully as the ambiguous character Zagi, leader of the misfit boys. And Third (Duncan Brannan) you’ll just have to watch the character he becomes. It’s quite a stirring ending of the show. And sadly, as usual, Chris Sabat’s character performed for one episode of awesomeness, and then died. So is life.

With a decent fluidity in the animation when it came to the fighting scenes (that’s a big key for me that makes or breaks my viewing experience) and great opening and closing songs, I really rathered enjoyed this anime about life in the dismal future, and find it gave me a glimmer of hope there at the end for humanity. So definitely check this out for a watch. A solid 7.4 out of 10.

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Tokyo Godfathers

What is there to say about this strange Christmas timey (?) film? This movie reminded me of a combination Eight Crazy Nights with Cromartie High School (check out the review further back). I had no idea what I was in store for and it slightly touched my heart. Although the animation took me slightly aback, I was okay by the end with the characters and the conclusion this animated film comes to.

So Satoshi Kon and Shogo Furuya present a film that tackles some big issues while at the same time speaking to the humanity in all of us that we try to show around the holidays.  Coming from a team that has done such films as Paprika (again, check the

Some strange hobos...

review earlier on in my list) and the animation on Spirited Away, comes something strange and yet strikingly familiar in its theme. Three hobos, one by choice, one by circumstance, and one by bad luck, come together in order to, in the spirit of ole Saint Nick, bring a child left in a dumpster back to its parents. Simple plot aside, a lot of weird, crazy shit goes down in Tokyo town. And I wasn’t ready for a thing.

Such good emotional scenes.

Coming from the same creators of Wolf’s Rain (Strayyyy) and just countless award worthy things, I was hard pressed at first to find the credibility in this film. I found it though. The characters. Every last one of them, despite being given the stigma of homeless loser, is a worthwhile and redeemable person. Proven by their words and actions in the film, Gin finds his home, Hana becomes the “mother” he always wanted to be, and Miyuki can finally go home and not feel scared about her actions. This combined with a twist with the baby’s parents that leaves them out to dry, this film really makes you wonder whether the bums on the street have better hearts than you do.

And I do love the message. Nice things done on Christmas? Always a winner in my book. Christmas coming from a perspective I’ve never seen before in a

Come on, could be cuter...

culture I’ve yet to experience for myself? Eye opening. I really don’t know what more to say about this film. The comedy shines through, there’s quite a few tear jerking scenes, and the baby, although I wish it was cuter, is still okay. The voice acting is good and, as expected from award winning creators, the story is solid and animation is unique in every respect. I give this classic a 6.8 out of 10.


Blassreiter: Emotionally Fueled Motorcycles

The title of my review says everything about this anime. I fell in love with the graphics, the 3-D battles, the back story. And I was taken away by the emotions behind the characters. The anguish of the foreigner in a land that doesn’t accept them for who they are. The man in love who cannot tell the woman he loves how he truly feels. The orphan abandoned and left without a help in the world. This German set anime (talk about a country of hate and anguish) is tastefully portrayed with a religious background and a head full of steam. With every new character arc (from Gerd to Malek, Hermann to Amanda) you are lead by your heartstrings to the heartbreak you are meant to see, and some you are not.

The idea behind Blassreiter is one of mecha, with a sci-fi drama backdrop. The line between man’s science and God is

An Amalgam's go to vehicle. Can you feel the emotion?

blurred. No longer is it the struggle between machine and man, but a meshing of the two. Man’s ultimate goal. In futuristic Germany, a crack team of soldiers known as the XAT (Xenogenesis Assault Team) has been given the task for  the bast decades to find and eradicate as well as protect the citizens of Germany from what are known as Amalgams (Demoniacs to the public.). These Amalgams are humans who have been transferred using some scientific disease into machines capable of attaching themselves to electronics and vehicles.

It is only common for these Amalgams to be created from dead bodies. Until one day, after being involved in an Amalgam attack, Gerd Frentzen (Christopher Sabat) is given the chance to regain his

legs and race again. But the price it pays is that he becomes a living Amalgam. And the fate of all Amalgams? Bloodlust, insanity, and death. It is up to the XAT to discover the cause of a living Amalgam and what this would mean for the furure of Germany and the rest of the world. But the Amalgams go deeper than a mere nuisance. And I’ve only covered the first 6 episodes. You have to watch the rest for yourself.

Gerd Frentzen (Christopher Sabat)

As I said before, this anime has some pretty spectacular 3-D animated graphics that blew me away. Any scene with an Amalgam or vehicle is given a special touch of full-breadth motion and fluidity. Combine this with a 2-D background and characters and you have an interactive combo right there. What could be better than this you say? Well, the character creation is top notch. The characters (and there are quite a few) deal with so many different emotions and personalities. There are the soldiers of the XAT, dealing with betrayal, duty, and what it means to be a soldier. (A very German thing, the honor of fighting for one’s country.) The humans turned Amalgams and their struggle with their humanity. The original Amalgams and their struggle with their pasts and their duty to the furthering of humankind and its evolution. God’s role in this anime is huge. (Another attitude of a prominently Protestant country.)

And then there’s the skeletons in Germany’s closet. The race hatred. The problems with German old

The amazing graphics behind Blassreiter.

family citizens of a higher class and the lower class foreigners given a chance for a new life in Germany, but given the scraps of the other classes. The hatred, the xenophobia. It all plays out on a tasteful stage. But even as this issue fades out to a respectable end, Germans are given a nod of respect for the strides they’ve made since the blood of the past has begun to dry and flake on their hands. And I give a nod of respect to the Japanese for the nod to the Germans.

The premise is interesting for a mecha. In a world moving forward, what is the point in which humans must pull back and examine their humanity versus their

What is behind the Amalgams?

technological drive? Anti-sci-fi (?) in a mecha is an interesting approach, and I welcomed it, being a mecha anime fan myself. (If I haven’t covered this before, non-anime fans/fans to be, mecha is mechanized (?) anime, dealing with machines and robots, i.e. Gundam Wing.)

Joseph (Todd Haberkorn), a character of anguish.

There should also be some credit given to the voice strained voice actors who lent their emotion to this anime. Watching this dubbed, I was amazed with the power given to the characters purely through voice. Joseph Jobson (Todd Haberkorn). Almost unrecognizable, but gives that brooding hero voice with a disturbed and tragic past to perfection. Hermann Saltza (Travis Willingham). This guy swore and yelled more than any other voice actor I’ve ever heard. I give him credit for days at a time (probably) of a hoarse speaking voice. His emotions and pain came to the table and delivered. Gerd Frentzen (Christopher Sabat). I give him credit because he is the amazing Christopher Sabat (as you know, I’m a big fan.). His voice of gruff torture and anguish spoke to me as usual, and kept me grippingly emotional. And Amanda Werner (Jamie Marchi). Her torrent of emotional confusion and desperation was quite excellent. And that’s only a few. But isn’t that enough to get you watching this anime? Get to it. 7.8 out of 10.