Tag Archives: humans

Natural City: The Sci-Fi Korean Drama

I really didn’t know what to expect when I started watching this movie. What I wasn’t expecting was the formulaic Korean drama. What do I mean by that? Simple.

A Korean drama is one in which a couple in love usually has one of the lovers die in a horrendously heart wrenching way. This leaves the other lover alone to mourn and deal with all their feelings. This is a sci-fi film about cyborgs, androids, and

The picturesque cityscape really stands out in this film.

humans and a plot to bring down the futuristic city from within. I had no idea the Koreans could incorporate such a soap opera-y plot into such a steampunk film. Good on ’em for that one.

So “R” (Yoo Ji-tae) is a policeman in a futuristic society in which people can’t tell humans apart from androids and cyborgs. There’s a distinct difference though. Androids were never human; cyborgs have been outfitted with a cybernetic chip that controls and

Blood and love. All in one.

helps them function. R is one of those rogue cops who never follows the rules and does his own kickass thing. After botching up a destruction mission at a local processing plant, R must reconcile with the consequences.

R has fallen in love with a table dancing cyborg. Ria (Seo Lin) has but a few days left to live, and this film follows R’s decisions into how to save her from decimation. He finds salvation in an orphaned prostitute named Cyon (Lee Jae-eun), and finds that her existence is also in the interest of the androids attempting to use human DNA for some nefarious purpose. With the strange Cypher (Jeong Doo-hong) on the loose, R and the police force must find their own means to an end.

The look and feel of the film is very 1980’s Bladerunner feel. Yoo Ji-tae functions as a suave and gritty Harrison Ford,

Damn it, gotta love those views.

patrolling the streets for his own personal gain. There’s not much to speak of with character development on the side of the androids or cyborgs, but the presence of these untraceable electronic beings is a frightening concept. They can knock a man’s leg clean off with one punch for God sakes! Never thought I’d see that kind of special effect in my life.

Tell me that’s not Bladerunner, right?

The guns are clunky, the special effects and digital graphics are dated (even for 2003), but I liked the storyline all the same. It was more of an artsy film than anything else, and it was all about the feels. The emotional range required for understanding this movie from start to finish is not for the weak willed. It has undertones of dystopian elements, and questions just exactly what it means to be human. The ending is long and tragic, and is obviously created to pull at the heartstrings of those who watch it. It got me there towards the end, and I’d love to know what other people thought of it who saw it. Good or not? Let me know!

I’ve always liked Yoo Ji-tae (I hope I’m not spelling that incorrectly…) since I saw him in Oldboy, and I find his acting

A bit of fighting for the action fans.

style to be brutal at the same time that he is a fragile human being, just like the rest of us. This pretty boy can pack a punch with his acting, and I’d advise watching out. He just might lay you out on your back.

All the feels.

There’s no true way to describe what/how to take anything away from this movie. It’s one of those seeing and believing situations where you just have to watch it and attempt to understand what the movie is throwing at you. I’m not entirely sure what I was shown in this movie and if I even got it. So just check it out for yourself, especially if you’re always ready for a melodramatic cry. It’s a good one for that. 7.2 out of 10.

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Close Encounters of the Third Kind: My Father’s Take

Finally, here’s the long awaited post from my Dad for his Father’s Day present. Enjoy!

On the surface, Close Encounters of the Third Kind, released in 1977, is a story of how three individuals’ lives become intertwined when some possible alien ship encounters are experienced. Roy, an electric company engineer in Indiana, has a growing need to understand if he is crazy or if he has really received a message from the aliens. Jillian, a single mother from the same area of Indiana and her three-year-old son have received the message too and the aliens have apparently taken a particular liking to the little boy. The final character is Frenchman Claude Lacombe who is part of an international team both reaching out to the aliens and investigating the people the aliens have affected.

It would be easy to say I like Close Encounters because it is a Steven Spielberg movie. He both wrote and directed the film, and it was early on in his career when I feel he had a great child-like sense of wonder in his storytelling (E.T.: The Extra-Terrestrial, Raiders of the Lost Ark, Empire of the Sun). I also think he was enjoying his time saying, “I really get a big budget and get paid for having fun?” I could say I like the movie for the gifted John Williams score. I could discuss the symbolism of communication like languages (French, Spanish, Indian, English), physical interaction (radar, toys, sign), and art (music, painting, sculpture) to show that even humans have a hard time so why do we think the aliens could easily get their message across. I could say I like the 70s costumes – which weren’t costumes at the time but who would have put Teri Garr in a short yellow nighty and robe with earthy clogs – brilliant!! And I do think the special effects are good with the alien ships, the clouds, the lighting, the sandstorms, etc. I guess the problem I have is with the aliens. Why are there three different kinds of aliens so vastly different from each other?

My favorite part of the movie is the hero portrayed by the everyman who has been tapped for an adventure – Roy Neary. Despite his obstacles – like his beautifully portrayed dysfunctional family, like everyone thinking he is crazy, like his own belief that he is on the edge of sanity – he faces his fears, does the right thing, and is rewarded in the end. Richard Dreyfuss, who had been acting at this point for over 10 years but hadn’t had a great deal of recognition except for his role of Curt in American Graffiti and Hooper in Stephen Spielberg’s Jaws, is fantastic in this role. He shows anger, wonder, insanity, happiness, and despair. He gets to be in the action sequences – driving in the chase, driving cross country, climbing the mountain; being interrogated by the “bad guys;” saving the girl. He deals with the mundane – his son’s math homework, kids that want to stay up late (watch for a great quote – “I told them they could only watch five commandments), a boss who doesn’t want to talk to him, and a wife who cares for him but can only take so much. And he does it all while trying to figure out his purpose in life. He gets the Oscar nod from me!

So do yourself a favor, when you don’t feel the need for extreme action or extreme thought but want to play with your mashed potatoes, play in the dirt, and watch a great actor having a great time with a great script, get lost in the wonder of Close Encounters. It is better than Goofy Golf or Pinocchio. I give it a 9.9 out of 10!


Queen of the Damned

Now I’m gonna take the leap here and suggest (as it probably has been, being a film out for 10 years now) that Anne Rice didn’t understand where this film was coming from or going. A little later, I’ll explain why. But it is sad for me to see that Rotten Tomatoes (or any other reviewer) thought that this film was so poor. I have reasons for liking it, but there’s truly really only one. But plot first.

In a modern day world with the rise of Nu Metal in the early 2000’s, Lestat the Vampire (Stuart Townsend) rises to a new sound he had never heard before. A sound that rises him from the grave. Upon encountering the goth band making all the racket, Lestat

Townsend as Lestat. Anyone see Dorian Gray?

reveals himself to be a centuries old vampire comes to make all their wishes come true. Now he just broke the unspoken agreement all vampires tailor themselves to. Don’t talk about being a vampire, or that vampires exist. But he is doing this for a reason.

To break the monotony. His silken and brooding voice (sung by none other than Jonathan Davis of Korn) charms all the goths in the entire world, a la Deathklok from Adult Swim. Pronouncing proudly that he is a vampire, Lestat hopes that other vampires will come out of hiding, even if it is only to get him. He has the world on a string, and he’s shaking it to find out where they’re hiding.

The beautifully frightening Aaliyah.

Meanwhile, at the London paranormal research building, Talamasca…

Jesse Reeves (Marguerite Moreau) is a young researcher, looking into whether or not Lestat is actually a vampire. Analyzing his lyrics, she feels she’s stumbled onto something real. With a colleague of hers confirming that it’s true, David Talbot (Paul McGann, you Dr. Who fans out there may know him as the 8th Doctor… personally, I don’t care.) hands her a diary of Lestat’s pasts and beginnings. When the two intertwine, a evil, ancient presence arises, leading to a new world order. Unless it can be stopped. I’m talking about Aaliyah as Akasha, the vampire Queen of Egypt. Word.

So you have your wondefully sexy and fierce R&B singer that I said I loved from Romeo Must Die. She takes on this role with as much grace before her tragic end (this film is dedicated to her). You have Stuart Townsend, the man who was almost destined to play Aragorn before Peter Jackson up and said he didn’t want him. You may ask, where have I seen Townsend before in a similar film? Look no further than the suave Dorian Gray in The League of Extraordinary

Some pimpin’ old vampires.

Gentlemen. Badass. He was a great addition to the film and really had the whole “Metal Sex God in Leather Pants” look going on. And Jonathan Davis backing him up on vocals. He’s Irish too, so you can’t hate. Marguerite Moreau was beautiful as ever in the film, giving Lestat a reason to fight for humans. And can I say again that Jonathan Davis makes a cameo in the film? Look out for him.

The Moreau factor.

And this is where I come to why I liked the film. Nu Metal. The early 2000’s framed my pathway into teenagery. That means I was frustrated and awkward. And what better music to listen to than Deftones, Static-X (my favorite bands), Disturbed, and the almighty Korn? Nothing in the world soothes my soul more than death metal. And you get all new hauntingly original songs from Korn? This movie is a package deal. It could’ve almost worked out as a rock opera. I’d be down.

And this is also the point where Anne Rice doesn’t get it. Goths/metal have forever been linked with vampires. It’s a fact now at this point. And a woman who was 58 at the time of this movie should’ve keeled over dead at the use of music in this film. New age music that’s not from my early years? Noooooooo! Understandable response. The movie is nothing she’s seen because it’s meant for the goth scene. The punk and metal scene. Because that strain of music has adopted the vampire image and feel. And, in that way, this movie works for me as a metal fan.

Jonathan Davis on his throne of Korns.

There are those out there who think that Korn is a hack band. They’re original, true, that can’t be denied. But, for some people, they’re washed up, or not hard enough for a lot of hardcore metal fans. They’re like Limp Biskit (I don’t even care to look up his name…) But that’s all wrong. And they hate old Limpy boy. Korn has been around since 1993. It is now 2012. They are infusing techno methods now, into their music. They were ahead of the curve when it came to electronic music back in the day, before all this started. They’re metal, they’re rap metal, they’re nu metal. They. Are. Korn. They can do whatever the shit they want. They are the original when it comes to everything. They are groovy and they are hard. And they hate the world. What could be better?

Now that you know my secret obsession with Korn, you know why this movie works for me. But it’s just my opinion. The acting was fine (I thought Stuart Townsend really stood out), and I pooped myself the second I heard him sing and I knew it was Jonathan Davis. It just

Can’t get enough of the sexy darkness.

clicked with me. It doesn’t have to with you. That’s why I specially recommend this to fans of Nu Metal and all things dark. For those of the 90’s and 2000’s who want to relive a bit of angst. And maybe suck some blood. 7.1 out of 10.


Eve no Jikan: Time of Eve

Wow, it’s been a long time in the making, but this is my 201st post, just passing my 200th. I am now, after this, completely caught up and ready to go on to new up to the minute update sort of things. What I mean is my posts will be more raw and fresh in my mind because I just watched it. My list of updates/posts is done and it’s time to revitalize this old beast. So strap in for this last amazing little anime review and then get ready for Misfits Season 3 afterwards. You’re gonna have no idea what hit you with that one.

In Eve no Jikan/ Time of Eve, the world has been revitalized by robots. And, most recently, it has upgraded to androids who can act and look like humans. It’s your basic I, Robot issue right here. Right down to the 3 laws that govern robots. This might have taken some cues from the novel I, Robot was based on. Anyways, Rikuo Sakisaka is a

There’s only one rule here in this saloon.

teenage high school boy who has an android at home, Sammy. She cooks and cleans and makes one mean coffee. Upon updating her one day, Rikuo comes across some odd place that Sammy went in his phone. Inviting his friend Masakazu Masaki to come along, they both stumble on something that it taboo for both of them.

All the wonderful characters and images!

Time of Eve, this hip little cafe is made for robots and humans. And the only rule is that you are not allowed to discriminate between them or call the other out. The only real difference between the two of them is that androids have halos above their heads. But in the Time of Eve cafe, it goes away and both become human (in a way).

At first, Rikuo and Masaki are horrified at what they find. They know that treating a robot like a human is a stigma among humans, known as dori-kei or adnroid-philia. To treat or love a robot like a human is wrong to these boys, and that’s what makes this cafe so frightening. Over time Rikuo finds he likes coming to the cafe and a gap is bridged between robots and humans. Analyzing the loopholes of the laws that govern robots and what it means to “protect humans”, Rikuo and Masaki’s lives are changed by the Time of Eve.

Can there be love? Or constant separation?

This anime is very character driven and very touching. It has its funny moments when the music stops and the camera zooms in on an awkward moment or something, but overall heartwarming. The regulars of the cafe are humans and robots, and there’s no need to try to tell the difference. Every episode focuses on a different regular, eventually coming full circle. There’s a wonderful little girl named Chie who thinks she’s a cat. Some wonderfully old school robots who just want to be treated like humans, and Sammy, a robot who just loves her master.

I’m glad to see a movie was created after this anime came out. Found only on the internet as an ONA, this anime has been lucky enough to become popular enough to be made into a full length feature. (I have yet to watch it, but I would probably say the same things about this that I would about the movie.) It’s one of those quick anime that

A touching scene, one right after the other.

passes you by, but leaves a warm spot in your heart that stays with you, long after you may forget the character’s names. This anime sends a message about the future of our world and whether or not it is okay to discriminate now and in the future as well. And I would say that’s an emphatic no.

It’s quirky at the same time that every episode ends on a small tear streak down your cheek. The animation style is fluid and breathtaking, combining 3-D animation with 2-D humans and characters. This technique makes the characters stand out being flat in this futuristic world. The camera rotates around the cafe as if it is a real life scene, speaking to the movie lovers in all of us. Coming from a sci-fi background that has only seen flat and unemotional characters, this future set sci-fi genre anime breaks the rules and makes you feel. There may be hunks of cold metal onscreen, but they have warm hearts. That’s what I found cute and appealing about this 6 episode anime. It sucks you in with these short episodes with a trilling and romantically inclined music score, and leaves you feeling good at the end. Any anime like that deserves an 8.8 out of 10.

And here’s a cool AMV to prove my point.

 

 


Underworld: Awakening

Where’s Michael? Where is Michael Corvin?

You may be wondering that yourself after you see Underworld: Awakening in theaters (if it still is…) The second I saw this movie was in development WITH KATE BECKINSALE, I got really excited. This beautiful English goddess needs no introduction. The face and star of the Underworld series ( I won’t include Rise of the Lycans) comes back with a more violent and sexy force in this movie. And, at 39 years of age, Beckinsale is looking wonderfully sexy and vibrant, despite the whole vampire/death dealer thing.

I would say this tagline of this movie is “Where’s Michael?” because it is the most classic line from the trailer. Yelling in the face of some unfortunate human, Selene just wants to know where her lover is. Is that too much to ask?

Where is Michael?

Apparently it was too much to ask to get Scott Speedman to return in this film. From the first moment you see him, you know something’s up. He seems CGI, and, in fact he is. Shown for an entire 30 seconds of screen time, Michael goes from badass hybrid to invisible hider. The original purpose of the film is to find him, but it becomes complicated.

This scene was sexy.

Here’s some context. The war raging on for centuries between the Vampires and Lycans has a new contender. The humans have entered the battle and have learned the weaknesses to decimate both sides. In a terrible twist of fate, Selene and Michael are captured and are being held in a laboratory under cryogenic (?) freezing for over 10 years. (Was it 10? The number was a bit fuzzy…) Upon being released by some unknown third party, Selene awakens to a world she is unfamiliar with. All that remains with her is her ability to kill, and kill well.

After some romp stomp destroying of some lab guards, Selene begins to get her wits about her. Realizing she is not in a position of advantage, she begins her quest in finding Michael. This is complicated by what she perceives to be visions from Michael’s own eyes being projected to her. She follows them and what she finds is a young girl. A hybrid young girl. With things thrown out of whack and nothing as it appears, Selene and the last of the vampires must fight in a world where there enemy is no longer the Lycans, but what would appear to be a lesser subspecies. Us.

Time to lace up.

I gotta hand it to the creators of Underworld. You take a 6 year break from Evolution with Kate and come back just as hard as the original 9 years before this one? You have to know some die hard fans are gonna watch it regardless. Me being one of those die hard fans of Beckinsale and everything Underworld really helped out. The first one becoming a cult classic solidifies any future work on Underworld and makes it all the more interesting when, yes, they suggest a 5th one. Bring it on.

There's some violence for ya.

I really gotta say though, this one hit hard with the violence. There’s really not a big break between action scenes, but some of the action scenes really drive the plot in an unusual way that I haven’t seen in many action movies. Removing the fight scenes from the plot is a way to entertain without bogging down the stylized violence, but this movie said, “Eh, why can’t we have both?” And I agree. There are plenty of successful action movies out there that can balance what the genre promises with a bit of good storyline. And the Underworld series is one of those.

But yes, there are throat slashing scenes, lots of bullet holes through Lycan carcasses, and, really, not a lot of sympathy for the Lycans in general. In a

The last hopes for the Vampires.

series that kind of set up this idea between supernatural being unity, Lycans vs Vampires probably won’t die anytime soon. With hybrids and the humans as the common enemy, I expected some teamwork, but this movie takes it in a direction that makes sense as well without the Vamycans combine. Although, as anyone knows who has seen this series, humans shouldn’t be a threat to these races, but it happens. I guess if Van Helsing can do it… Others can.

I love that suit. And those guns. Everything.

The acting in this movie was fine, but not the main focus/intent of the creators. Kate Beckinsale, instant loveable classic. At her age, looking that good, the mist rolling over her naked body. Chills. Stephen Rea kind of came out of left field for me. One of the most experienced actors in the movie, his villainous nature came as strange. One, because he’s one of those self-absorbed, nerdy villains without the ridiculously gothic quality of say Bill Nighy or Michael Sheen. Two, his son Quint (Kris Holden-Ried) had an English accent in this movie and Stephen Rea as his father, Dr. Jacob Lane, didn’t. Those little nuances can bother a person.

I mean, at some points in the film, there were accents when there didn’t have to be, and others were there should have been (I guess). Beckinsale sounds wonderfully elegant as Selene with her British accent, but with Eve (India Eisley) it came off as awkward. An 18 year old girl portraying a 12 year old girl (it was close) with an English accent, in a city that I feel was in America,

I just have to include this shot. Chills.

seemed out of place. But the girl did her job, despite some of her only experience coming from The Secret Life of the American Teenager (utterly horrid).

That was also something that struck me as odd with Theo James in this film. As with some other British newcomers to the silver screen, David (Theo James) showed a slight potential as a relatively important character in this film. Bringing back the classic whips from the last scene in the original Underworld, he delivered his lines with a British accent, in an altogether unconvincing way. Charles Dance as his father, Thomas, one of the last remaining bastions of the Vampire dynasty, did a fair job, but he wasn’t a Bill Nighy type of character. He made his mark though.

You did okay, Theo.

Before I wrap this up, just wanted to throw a little shout out Wes Bentley’s way. This guys was a simple character who released Selene from her cryogenic sleep and got none of the credit. I’ve admired Wes Bentley ever since American Beauty (…and Ghost Rider) and I feel he is an underrated actor. So I would like to give him a nod in this uncredited role in Underworld, even though he was dropped out a window.

It's about to get heavy.

So, all-in-all, Underworld: Awakening did justice to the Underworld series. There was a great deal of action, although no Michael, and a plot that satisfyingly gave a chance for an Underworld 5. A fabulous twist that I didn’t see coming progressed the overall plot and left me falling in love with Selene all over again. I would agree with IMDB’s rating of this movie of a 7 out of 10, but, as a huge fan, I’d bump it up to a 7.7 out of 10. Nice job.


Casshern Sins: Robotic Humans, or Human Robots?

Hey all you readers out there! It’s been too long, so now I’ve returned in full force! Expect over the next few days to be reading over 10 new posts! I’m pumped and I hope you all are too. So let’s get down to this.

A little while ago, I watched Casshern Sins, the story of a mecha dramatic tragedy in which the world is ending and there’s no glimmer of hope in sight. And who is this tragedy all due to? Casshern. The misunderstood tragic hero of this tale is said to be invincible. By destroying the Sun Called Moon, Luna, Casshern has gained invincibility and is now sought by all robots to be consumed. Why he is sought to be cannibalized, you may ask? Casshern, with his everlasting life, appears to be the only cure in a world that now is overrun with the Ruin. The Ruin is a disease of sorts that begins to slowly errode the machines. With their metallic bodies rusting, it seemed as if the immortality that had been achieved by humans and robots alike. With the meshing of these two races into one race against time, Casshern must rediscover his murder of Luna and the world in which he has destroyed.

Now, to tell the truth, this anime threw me for a loop. I had caught the first 4 episodes at Anime Boston and I found it to be dark and interesting. With a sort of

The interesting art of Casshern.

animation and drawing style I’d never seen before, the first 4 episodes seemed to flow with a slow undercurrent slowly building. Never having seen what Masaki Takei has done before (it seems as if he’s written/created smaller works dealing with sci-fi/fantasy) I was intrigued with the way in which this anime looked. With swooping hairstyles and slender, fluid characters up against the blocky, brutal masses, this sci-fi drama blends the worlds of what’s real and what is seen as the apocalyptic future into one.

Eric Vale gives a stirring performance as Casshern.

What really caught my eye about this anime was some of the voice acting. Not knowing which characters would remain constant after the first 4 episodes, I found Eric Vale, the voice of Casshern, to be a compelling and distant character. His innocent voice withholding power to end lives creates a construct in a character often show in control, but that’s the last thing that Casshern is. Lyuze (Brina Palencia) gave another angle to Casshern Sins with a character with a soft side and revengeful edge. Another few actors that round out the top actors of this anime are Jerry Jewell, Shelley Calene-Black, and Jason Douglas, characters that’re introduced later in the anime.

And now I come to the bad point about this anime. The cyclical nature of this anime is its downfall. Despite the draw of the first four episodes, the following 20 episodes follow in the same fashion. Casshern, on his journey of discovery, comes across characters with tragic and emotional pasts. And what happens? He passes on past them and continues on his way. Either through destruction or heartbreak, Casshern can’t seem to come to terms with those around him and his uncontrollable power. But this anime, if you can get past its monotonous pace, really makes up for this in its art style and fluid animation in a rigidly dying world. So I encourage you to check it out. I give Casshern Sins a 5.8 out of 10. The Abyss is back in full force!

If anything, the fluidity may blow you away.


Ergo Proxy: Existential Confusion

Even after watching this anime and reading about it, I am still at a loss for words. This anime, in a word, is confusing. To a high degree. I mean, this is intelligent, philosophical musings about the world and the purpose of life. As seen by the praying AutoReivs. That is one of those images that has stuck with me throughout the anime. Those androids, staring up into the sky, arms brought together in prayer, a rare piece of imagery that will continue to perplex me as I muse upon the meaning of Ergo Proxy.

Let me give you a bare-bones explanation of what I took away from the plot of this anime. This anime is

What is a Proxy?

focused mainly around the upper class citizens of Romdeau, one of the last vestiges of life on Earth. This is because of some great ecological disaster that happened sometime in the past that has forced dome-like structures to keep out the pollution and destruction of the outside world. Humans and AutoReivs (androids who are created for specific purposes to help humans) like in harmony, helping one another in their struggle to survive. And, even in this devastated world, there are those humans who are considered not to be citizens of Romdeau. One of these immigrants is Vincent Law (Liam O’Brien). With no past and what seems to be no future, this lowly character has some connection to the murders and soon to be discovered Proxies of this world. It is up to Rie-l Mayer (Megan Hollingshead) to discover the connection, and it is up to Vincent Law to discover his purpose. A daunting task that leaves me in awe and confusion.

Dark and foreboding? I think so.

This being a crime/suspense/thriller anime, and my wonderful girlfriend recommending it/loaning me the DVDs, I knew I would like this anime. I just didn’t realize how confused it would leave me. But, in this instance, I was not confused in a frustrating way. This anime invites watchers to come back and re-analyze this anime more than once. I feel its the only way to really grasp what this anime is trying to put across. Every episode, although some may seem disconnected to the flowing plot, are important in their scope. (One of the episodes deals with a Walt Disney look-alike and cartoon characters.) But these episodes enhance the meaning of what these characters are trying to discover. And, if you watch very carefully (as I will again), I’m sure the meaning of the show is laid out right before your eyes.

One difficulty I had following this anime was the dark way in which it was produced. The artwork is all dark from the very beginning. It’s hard to see things onscreen (or T.V.) and I felt like I was missing things that were quite important in the first few episodes. Looking back on it now, maybe you are supposed to view the anime through this lens as if you are in the dark, just like the characters. For the anime does begin to brighten as it progresses. Maybe that was the intention. Either way, this anime was truly dark, visually and psychologically. The implications that lay just beyond the plot gave it the weight of the foreboding apocalypse of the world, a comment on our own and the theorized one presented in Ergo Proxy. The way in which these images are presented is a whole other story. The combined animated mediums bring together a visual experience unlike most anime I’ve seen. This gives it that sci-fi feeling that the show really goes for, and I quite enjoyed the ride.

There were a few, although not many, notable good voice acting performances in this dubbed anime. (I might watch it subbed for fun later.) Most notably was Liam O’Brien as Vincent Law. His voice really stood out to me in a way that’s hard to describe. It was as if O’Brien knew the anguish that Vincent Law was facing in not knowing who he is and what his purpose is. Travis Willingham does a great job as Iggy, Rei-l’s AutoReiv and friend. (Loose term.) As funny

Confusing and good. Thank you Dameon Clarke.

as he is for a n android with little/no emotions, he brings life to a character that comes to realization that his purpose is flawed. Some of the best episodes come when Iggy comes to terms with that. Bravo, Travis Willingham. Patrick Seitz is amazing as Raul Creed, my favorite character in the anime. This Security Bureau head is a character of duty and conflict that comes because of that duty. He is always being pressured by the Regent and feels he has no breathing room. But when he lets all that go, then Patrick Seitz’s voice really shines through (best episodes towards the end). Another two voices that I’d just like to commend in passing are Troy Baker (my boy) and Dameon Clarke as two of the Proxies in the show (I won’t be specific, might ruin it). These elegant voice actors really bring a menacing element to the table in the way they present their characters, and they really flesh out the plot and bring to light just what Vincent Law is. Really amazing work.

Besides all this, you really have to watch  the anime for yourself. If you’re a fan of dark, twisted, suspenseful anime, this is indeed for you. But make sure you’re willing to commit to a re-watch and thorough analysis. This may just existentially blow your mind. 8.8 out of 10.